
Cypress Hill concert film relives group's symphonic first — performing with an orchestra in London
If anything, it's certainly cozy. He's huddled on a black leather couch alongside his longtime friends and group members during a Zoom interview. Eric Bobo leans into the camera from his right, donning a leather jacket and hiding his eyes beneath a bucket hat and black sunglasses combo. Sen Dog is on his left, looking as calm as ever and grinning from time to time. DJ Lord hangs over the couch's edge, his hat leaning off to the side.
The walls behind them are adorned with photos and platinum records collected during their nearly 40-year-long careers. A lighter flick echoes as B-Real sparks up a joint and takes a puff.
The group's latest endeavor takes them to the world of concert films, but with a twist.
Maybe you remember sinking into a recliner and kicking up your feet sometime during '95. You grab the remote, flick over to Fox, and tune into the latest episode of 'The Simpsons.' This episode brings viewers to the summer music festival 'Hullabalooza,' where Marge and Co. stumble upon some backstage shenanigans.
'Hello, bands,' shouts an impatient stage manager, 'Who is playing with the London Symphony Orchestra?'
The camera pans to Cypress Hill, who whisper among themselves: 'Aye man, did we order an orchestra?'
'Yeah, yeah, we think we did,' says a yellow-cartoon version of B-Real. 'Do you know 'Insane in the Brain'?'
'We mostly know classical… but we could give it a shot,' a violinist responds. What ensues is an iconic clip of them dancing around to a symphonic version of the song.
It's a hilarious moment in television history that easily could have been lost to time. But thanks to DJ Muggs, the idea stuck with the members for a long time. It floated around for a while, but gained momentum after their East Coast peers, Wu-Tang Clan, took on an orchestral performance at Red Rocks Amphitheatre in 2021.
'We were kind of like, 'Well, if they did it, let's do it,' ' B-Real joked. 'We thank 'The Simpsons' for writing that, because it became a part of our history, and now even more so.'
The group began gearing up for something special, performing 'Black Sunday' in full with the Colorado Symphony in July 2023 for its 30th anniversary and going on to do four more symphonic shows. They also rehearsed with the LSO themselves, a 'surreal' moment that 'no rapper ever thinks they're going to have.'
On July 10, 2024, their work led them to the Royal Albert Hall. In unfamiliar territory, the four stood dressed head-to-toe in black suits, accompanied by the London Symphony Orchestra, playing to a sold-out crowd of more than 5,000 fans.
'It was like one of those 'what the f—' moments like, 'Oh, my God, I can't believe this is happening,' ' B-Real said. 'When we started over 30 years ago, there was no way you could tell me that we would ever be doing anything with a symphony, let alone LSO.'
The show was a huge success, and they got away with only one 'f— up' that B-Real promises he covered up very well: 'I won't let no one know where that's at!'
'We're just glad that it worked,' he said, laughing. 'Especially being in the suits and performing all this stuff and not being able to move around with the energy that we normally move around with.'
Translating it to the screen went smoothly, as members routinely received 'dailies' of production to render their opinions on. But, as Bobo admits, 'they really nailed it… we were blown away from the first cut.'
'When you're working with a great team, it makes it a lot easier,' Lord chimes in, as Bobo takes a second to light up. 'It was a mutual respect.'
The coordination and seamless production can really be seen in the final product. As was overheard during a restroom conversation at an early premier: 'Holy s—, I should've canceled my trip to Tokyo and been there… but watching it feels like I'm there anyways!'
It's an astonishing version of an already critically acclaimed album. B-Real and Sen Dog jam at the front of the stage, while DJ Lord rips away at his turntable and Bobo beats up on the drums. At the orchestra's front is Troy Miller, who commands his musicians like an army. Noticeably, he can't stop smiling while elegantly waving around his baton.
Fans are invited to stand up and dance along, which is equally admirable and hilarious. There's something undeniably funny about watching people wriggle around beneath the red velvet curtains of their box seats, shouting back and forth with the group. In a 154-year-old venue that demands etiquette, it's a testimony to Cypress Hill's ever-alluring sound.
Core songs now sound completely different: Funky classics like 'Dr. Greenthumb' turn dark and mysterious with a symphonic backing. Cypress Hill even performs 'Cuban Necktie,' a relentless song that gets even more intense with violins carrying B-Real's cadence between bars.
Perhaps the most amazing aspect of the performance, however, is that no member lighted up a joint during the entire show. B-Real chalks it up to the 'prestige and history' of the venue and respecting its rules. Even during rehearsals, they'd make sure to go outside when smoking.
'During our first rehearsal together, when the LSO people were starting to come, they immediately smelled the weed and said, 'Oh, they're here!' ' Bobo recalls, distinguishing their words in his attempt at a posh British accent.
Of course, in London where weed still remains illegal, they were sometimes 'chastised' by passersby but 'we didn't give a f—, 'cause this is what we do!'
Fans of the group can catch the entire performance as ' Black Sunday Live at the Royal Albert Hall' makes a limited theatrical run in the U.S. on March 30 and 31 and April 2. They'll have to wait until June 6 to get their hands on its CD, LP and cassette physical release.
Someday, Angelenos might just be able to see it in person, as Cypress Hill has been actively conversing with the Los Angeles Philharmonic about bringing the show home. The two have struggled to actually lock anything in, but giving L.A. fans that experience 'is the play.'
In the meantime, a Spanish-language album is seemingly on the horizon. Perhaps even another Cypress Hill album or EP, but 'it won't necessarily be hip-hop.'
'We feel like we've done enough hip-hop for a f—ing lifetime,' B-Real says. 'We love it, but as a group, as a band, we feel like we can snap into anything. And that's what we're going to do, is snap into anything.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Refinery29
2 hours ago
- Refinery29
With Denzel Washington's Co-Sign, Ilfenesh Hadera Became Highest 2 Lowest's Secret Weapon
Spike Lee trusts her. Denzel Washington knows what she can do. Now is time for the rest of Hollywood to wake up to the powerhouse that is Ilfenesh Hadera. 'Put me in, coach,' The Harlem-born actor said to Refinery29 in a recent Zoom interview. In Spike Lee's latest joint, Highest 2 Lowest, Hadera stars opposite Washington as Pam King. The neo-noir thriller, which is an adaptation of Japanese filmmaker Akira Kurosawa's High and Low, follows David King (Washington), a successful music executive who gets extorted by an up-and-coming rapper (A$AP Rocky). David faces the ultimate moral dilemma as he's forced to make a decision that could either cost him his family and legacy or his empire. Though the choice is ultimately David's, his wife Pam becomes a critical sounding board. She's the film's 'North Star,' Hadera said. Her voice also offers the thesis for the underlying message in the film: when did the art we make become less important than fame and riches that come with it? Like Washington, Hadera has become a regular in Lee's work. She first appeared in Da Brick, Oldboy and Chi-Raq and then landed a more significant role in the Netflix adaptation of She's Gotta Have It. She said his sets foster a freedom to be creative and fly or fail without fear. 'On a Spike joint, he keeps the same loyal, capable people around project after project. So despite the newness of it all on a movie set, everybody feels really relaxed and kind of at home,' she said. 'You don't always get that and you have to feel free as an artist to play and maybe not get it right.' And though the role of Pam King is a dream the Harlem-born actor manifested, she's nowhere new to this. With an acting career that spans 15 years, she's worked her way up the call sheet through dozens of projects, including Billions, Master of None and Chicago Fire. She's currently starring in Godfather of Harlem, which is heading into its fifth and final season, opposite Forest Whitaker. *Minor spoilers ahead.* Refinery29: There wasn't a role for you in the script initially. How did your role as Pam King come about? Ilfenesh Hadera: I saw that Spike had this collaboration coming up with Denzel on this Kurosawa film. And I was like this is incredible first for Spike as a friend and supporter of his, I know how much he loves Kurosawa's work. I saw that announcement and I was so stoked for him. And then, of course, I'm like is there a role for me in this? Spike actually asked what my upcoming schedule looked like so I was like, this might be a good sign. As I'm watching the original film, I'm thinking there aren't many female roles in this movie. I reached out to my agent, and asked if he read the script. And he very, like, bluntly, said, 'There's no role for you in this.' But I still held out hope, because Spike had asked about my availability. And then the calls from Kim Coleman, Spike's longtime casting director, started coming in, and the rest is history. It was such an emotional roller coaster. It's like a testament to the idea that closed mouths don't get fed, right? IH: Truly. I mean, I don't like to ask for much. Spike has become such a dear friend of mine, and he's kept me in work for so many years. He knows my artistic abilities. So, if he doesn't think of me for a part, I don't want to come to him who's given me so much already with hands out. I'd much rather him come to me and say, 'Hey, I've got this idea.' Maybe it's a smaller role, maybe it's the role of Pam King, which is a more significant role. But, you know, I always like to let him initiate conversations about casting. ' Spike trusts me. He's not gonna put my name in the mix if he's not sure that I can bring it... [but] it feels nice to know that I got the Denzel Washington co-sign and it wasn't all Spike's pull. Ilfenesh Hadera ' IH: At this point, I'm like, wow, Spike trusts me. He's not gonna put my name in the mix if he's not sure that I can bring it. We've worked together for many years and are close, but he said to me going into the chemistry read with Denzel, 'This is going to be Denzel's choice. He brought me this project, he's a producer on it, he's the star of the show, so this decision will really be his in the end.' So it feels nice to know that I got the Denzel Washington co-sign and it wasn't all Spike's pull. I can't even imagine the feeling as an actor. Of course, Denzel has been in so many Spike Lee joints. So to have not only that trust from him, but also that trust from Spike. He's tapping you in similar ways that he's tapped Denzel throughout his career. IH: It feels great and validating, but also, at this point in my career, I'm like give me a chance, man. Put me in, coach. I know what I can do. You just hope that the people around you trust you and will let you do what you know you can. It's not every day that people have faith in your abilities and let you show them and rise to the occasion. What role do you think Pam has when it comes to her husband's decision? IH: I think she gives him the freedom to figure it out. People have been calling her the moral compass. I think she guides him gently towards what they both know is the right thing to do. She's not naive, despite knowing what the choice to make is to the implications of giving up basically all they own. What does this mean for their life, for their lifestyle, for what they've worked so hard to build? But I think she lets him come to the right conclusion on his own while guiding him with a gentle hand. I love how this film emphasizes the value of Black art over fame and riches. But a lot of times art does get compromised for business. I'm curious if this film challenged or influenced how you think about and approach art going forward? IH: If you're lucky, you get both. And that is such a very small percentage of artists who get the pleasure of doing work that they're passionate about and being able to live a nice lifestyle. You hope people don't go into this with the goal of achieving fame or becoming a multimillionaire. Those should not be the reasons you follow the path of an artist but you shouldn't be demonized for wanting to be recognized by people who consume and love your art and wanting to live a nice lifestyle. When I think about projects that are presented to me or jobs that I choose to do, I'm at a place where I do have some financial freedom. I'm really grateful for not being dictated by the dollar amount attached to the project. I have taken jobs in the past that don't strike a creative nerve but, financially, have been necessary for me at the time, and that's not where you want to be. If you can create a foundation so you can stop doing work because of the paycheck, you're in a really great spot. But I'm not turning my nose up at anyone who chooses jobs for safety. We've all got to live. And it's harder and harder right now in this industry. So it becomes more and more challenging to say no to a gig. Are there any artistically underrated or projects that you've been a part of that you feel like didn't get the attention that they deserve? IH: I know people are starting to get hip to Godfather of Harlem. When Epix greenlit us, it was a pretty little known network. Now Epix is MGM, MGM plus. But I think, at the time, if that show had been on another streamer with more subscribers, it would have exploded. But it has to be this perfect storm, right? I think we're starting to get more love, but I wish it had been that way from the beginning. But then you look at a show like The Wire, when that was on in real time, some people were watching it. But now we consider [The Wire] one of the best television shows of all time. So maybe we just need to take a little time step away from it and revisit in a few years, when people have finally caught up to us.


USA Today
4 hours ago
- USA Today
Mark Hamill says his wife's 'clever' thought stopped him from fleeing US after Trump won
Like Luke Skywalker going into exile on Ahch-To, Mark Hamill nearly left the United States ahead of President Donald Trump's second term. The "Star Wars" actor, 73, revealed in an interview with The Times published Aug. 16 that he weighed moving out of the country after Trump's 2024 election win. Hamill said he told his wife after the election that she could choose whether they would move to London or Ireland. But ultimately, she talked him into staying. "She's very clever," Hamill said. "She didn't respond right away but a week later she said, 'I'm surprised you would allow him to force you out of your own country.'" After his wife's comment, Hamill said he decided, "I'm not leaving." He also told the outlet, "I still believe there are more honest, decent people than there are the MAGA crowd. If I didn't, I'd move back to England." The "Life of Chuck" actor is a longtime critic of Trump who frequently speaks out against him on social media, and he backed former Vice President Kamala Harris in the 2024 presidential race. Days after former President Joe Biden ended his 2024 reelection bid, Hamill participated in a Zoom fundraising call for Harris dubbed "White Dudes for Harris," during which he praised Biden for "the most legislatively successful administration since Franklin Delano Roosevelt" and urged voters to "stand up to (Trump's) mental illness." After Trump defeated Harris in the presidential election, Hamill reacted with dismay on X, writing, "They say we get the leaders we deserve. Either that has just been disproven, or this is not the America we all thought we were living in." Jimmy Kimmel says he obtained citizenship in Italy amid Trump presidency During his interview with The Times, Hamill slammed "the bullying" and "the incompetence" under Trump, adding that he deals with it "without going crazy" by imagining he is reading a political novel. "It's entertaining in a way because this could actually be the end," he said. "Our status in the world has been crippled and that will reverberate for decades." Hamill's comments come after late-night host Jimmy Kimmel revealed on "The Sarah Silverman Podcast" that he has obtained Italian citizenship, a move he implied was motivated by Trump and the current political environment in the United States. "A lot of people I know are thinking about where they can get citizenship," Silverman remarked on the podcast, while Kimmel said that Trump's second term is "so much worse" than he expected. Ellen DeGeneres confirms Trump provoked UK move: It's 'just better' Though Hamill decided not to leave the United States, a few celebrities have pulled the trigger on a move. In July, former talk show host Ellen DeGeneres confirmed that Trump inspired her and her wife, Portia de Rossi, to relocate to the English countryside. "We got here the day before the election and woke up to lots of texts from our friends with crying emojis, and I was like, '(Trump) got in,'" the comedian said, according to the BBC and The Guardian. "And we're like, 'We're staying here.'" In March, comedian Rosie O'Donnell also said she left the United States and moved to Ireland, in what she described as the "safest and best thing for us to do." She added that she is "sleeping better without the stress and anxiety over what was happening politically in the country." Trump later threatened to revoke O'Donnell's U.S. citizenship, writing on Truth Social in July, "She is a Threat to Humanity, and should remain in the wonderful Country of Ireland, if they want her." Contributing: Melina Khan and Taijuan Moorman, USA TODAY
Yahoo
8 hours ago
- Yahoo
Dianna Agron Says It's ‘Hard to Think About' Her Late ‘Glee' Costars as Gone: ‘They Feel So Present'
The deaths of Glee stars Cory Monteith, Naya Rivera and Mark Salling are still difficult for their former costar Dianna Agron to process. 'It's hard to think of our loved ones from the show not being present with us anymore because they feel so present in my heart, body, mind, soul, all of it,' Agron, 39, said on the Wednesday, August 13, episode of the 'And That's What You REALLY Missed' podcast. 'I think that tenderness I feel and the memories that I have [of] who Cory, Naya and Mark were as people, as cast members, as our friends and family [are] just so vivid.' She added, 'That will never dissipate for me, ever. I think there's beauty in that. I could replay memory after memory after memory.' Agron played Quinn Fabray on Fox's Glee opposite Monteith's Finn Hudson. Rivera and Salling played Santana Lopez and Noah 'Puck' Puckerman, respectively. 'Glee' Cast: Where Are They Now? Monteith died in July 2013, two years before Glee wrapped, following an accidental overdose at the age of 31. Salling died by suicide in 2018 at the age of 35, and Rivera drowned in a fatal boating accident in 2020 after getting her young son, Josey, to safety. Agron further said that she often looks back on her former costars' talent and work ethic with fondness in the years since their respective deaths. 'He was a teddy bear, and I mean that in a way of his kindness and groundedness in himself was so perfect,' Agron recalled of Monteith, who played her on-again, off-again TV boyfriend. 'He was this tall, big brotherly presence in all of our lives.' She continued, '[Cory] just felt so safe and equally excited about what he was getting to experience with his character. His character had a leadership position in the show, as well, and there was not an ungenerous bone in his body.' Lea Michele Recalls Grieving Late Cory Monteith Publicly: 'No One Handed Me a Guidebook' While Monteith was a leader on the Glee set, that same spirit extended when the cameras cut. 'I remember this one time that he was having people swim in his backyard,' Agron recalled. 'My brother had come down and [Cory] said, 'Oh, you're squinting a lot. Do you not have a pair of sunglasses?' He was like, 'Oh, no, I don't,' and [Cory] took him into his room. He's, like, 'These are all my sunglasses. Just take a pair.' … That's who he was always. It was so amazing to have.' After sharing her memories of Monteith, Agron quipped that she had 'goosebumps on [her] arms.' If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat at If you or someone you know is struggling with substance abuse, contact the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 1-800-662-HELP (4357). Solve the daily Crossword