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Tomorrowland 2025: See lineup, schedule, set times, where to watch live

Tomorrowland 2025: See lineup, schedule, set times, where to watch live

Yahoo21 hours ago
Despite its main stage being decimated by fire, the famous EDM festival Tomorrowland is still set to go on as planned.
On Wednesday, July 16, just two days before the first acts were set to perform, a massive fire broke out at Tomorrowland's Orbyz Mainstage in Belgium. No one was injured in the blaze, according to organizers, who added they were "devastated" by the incident.
"We are focused on finding solutions for the festival weekend," the festival stated in a post on its Instagram after the fire.
Performances are set to go forward, and here is what you need to know and the lineup for this weekend's event in Belgium.
How to watch Tomorrowland 2025 on livestream
Fans around the world can tune in to watch the event through the Tomorrowland website, phone app, as well as One World Radio.
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Tomorrowland 2025 headliners, key performances, schedule
Running from Friday, July 18, through Sunday, July 20, performances will feature various EDM artists from around the world. Below are the performers as well as the set times for this weekend's event.
Friday: Nervo is set to open the event at around 4:30 local time with Meduza, Alok, Axwell and others performing both on the event's main stage and freedom stage throughout the afternoon and night. Friday ends with a performance by world-renowned DJ Martin Garrix.
Saturday: Day two of Tomorrowland kicks off with Charlotte De Witte on the main stage, followed by performances by Miss Monique, Nicky Romero, Mahmut Orhan and others on both of the festival's stages. The day ends the same way it started, with Charlotte De Witte making a second performance.
Sunday: Tomorrowland's last day kicks off at 4:30 local time with Maddix, followed by Mattn, Solomun, Fisher, Sara Landry and many others throughout the afternoon. David Guetta is set to be the last performance of the weekend, starting at around 10:50 local time.
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Fernando Cervantes Jr. is a trending news reporter for USA TODAY. Reach him at fernando.cervantes@gannett.com and follow him on X @fern_cerv_.
This article originally appeared on USA TODAY: Tomorrowland 2025 lineup, schedule, set times, how to watch livestream
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Corrected error in long-lost medieval saga suggests that its hero fought wolves, not elves
Corrected error in long-lost medieval saga suggests that its hero fought wolves, not elves

CNN

timean hour ago

  • CNN

Corrected error in long-lost medieval saga suggests that its hero fought wolves, not elves

Lesser known than some other beloved tales of larger-than-life heroes such as Gilgamesh, Beowulf and King Arthur, the Song of Wade is a case study in what happens when stories aren't written down. The epic was once widely known throughout medieval and Renaissance England — so popular that it was mentioned twice by Chaucer — but today it is mostly forgotten. Only a few phrases survive, and new research is showing how, when so little of a story is preserved, changes in a word or two can alter the entire tale. The Song of Wade originated in the 12th century, and its hero battled monsters — or so scholars once thought. The only known text was found nearly 130 years ago in a 13th- century Latin sermon, which quoted a bit of the saga in Middle English. In the excerpt, the word 'ylues' was originally translated as 'elves,' suggesting that Wade's long-lost saga was teeming with supernatural creatures. Researchers at the University of Cambridge in the UK have challenged that interpretation. They proposed that the word's meaning was mangled by a scribe's transcription error, which changed a 'w' to a 'y.' 'Elves' is actually 'wolves,' and the term was allegorical, referring to dangerous men, according to the analysis. Another word in the excerpt, translated as 'sprites,' should instead be 'sea snakes,' moving the story even farther away from the realm of the supernatural, the researchers reported July 15 in The Review of English Studies. This new reading revises not only the phrases quoted in the sermon, but also the entire Song of Wade, centering the hero amid worldly dangers rather than mythical beasts. It overturns the picture of Wade as a literary twin to Beowulf, legendary slayer of the warrior-eating monster Grendel, said study coauthor Dr. Seb Falk, a researcher of science history and a fellow at Cambridge's Girton College. 'He was more like a hero of chivalric romance (a literary genre celebrating knights, codes of honor and romantic love) like Sir Launcelot or Sir Gawain,' Falk told CNN in an email. For hundreds of years, historians and literary experts have argued over why Chaucer would have mentioned the Song of Wade in his chivalric works. Recasting Wade as a courtly hero rather than a monster slayer makes Wade's appearance in Chaucer's writing a better fit and could help to uncover previously hidden meanings in those literary references, the authors wrote. The new study is the first to analyze the Song of Wade excerpt alongside the entirety of the Latin sermon that quotes it, said study coauthor Dr. James Wade, an associate professor of English Literature at Girton College. (The surname 'Wade' was relatively common in medieval England, and while Wade the researcher could not confirm a family connection to the storied hero, a link 'isn't impossible,' he told CNN in an email.) In fact, it was the context of the sermon that led the researchers to the discovery that the fragment in English had been misinterpreted, Wade said. The sermon was about humility, and it warned that some people 'are wolves, such as powerful tyrants' who take 'by any means.' There are other allusions to unfavorable animal traits in humans. As originally translated, the Song of Wade excerpt read: 'Some are elves and some are adders; some are sprites that dwell by waters: there is no man, but Hildebrand (Wade's father) only.' For centuries, scholars have struggled to make sense of why references to 'elves' and 'sprites' were included in a sermon about humility. According to the new translation, the excerpt reads: 'Some are wolves and some are adders; some are sea-snakes that dwell by the water. There is no man at all but Hildebrand.' Reinterpreted this way, the quoted phrases align more closely with the overall message of the sermon and redefine the genre of the story. 'We realised that taking the fragment together with its context would allow us not only to completely reinterpret the Wade legend, but also to reshape our understanding of how stories were told and retold in different cultural contexts, including religious contexts,' Wade said. The long-standing difficulties in interpreting the excerpt are a reminder that paleography — the study of handwritten documents — 'is not always an exact or precise science,' said Dr. Stephanie Trigg, Redmond Barry Distinguished Professor of English Literature at the University of Melbourne in Australia, 'especially in the transmission of English and other vernacular texts without the standardised spelling and abbreviations of Latin.' Focusing on the sermon is also important because this type of allusion to a popular epic was highly unusual, Trigg, who was not involved in the research, told CNN in an email. 'The authors are right to draw attention to the way the sermon seems to be quoting medieval popular culture: this is not all that common,' Trigg said. 'It helps disturb some traditional views about medieval piety.' When the preacher used the Song of Wade in his sermon, it was clear that he expected his audience to accept the reference 'as a recognisable element of popular culture: a meme,' Falk said. 'By studying this sermon in depth we get a wonderful insight into the resonances that such popular literature had across culture.' This new perspective on Wade's saga doesn't mean that it was based exclusively in realism. While there are no other known excerpts of the Song of Wade, references to Wade in texts spanning centuries offer details fantastic enough to delight fans of J.R.R. Tolkien's epic 'Lord of the Rings.' 'In one romance text, it's said that (Wade) slays a dragon,' Falk said. 'There is local folklore in Yorkshire, recorded by John Leland in the 1530s, that he was of gigantic stature.' Other texts stated that Wade's father was a giant and that his mother was a mermaid, he added. In fact, chivalric romance from this period frequently incorporated elements of fantasy, Trigg said. In the chivalric literary tradition, 'romances often draw on mythological creatures and the supernatural,' and the distinction between chivalric romances and mythology 'is not always rigorously made in medieval literature,' she added. Still, aligning the Song of Wade more closely with medieval romances clears up long-standing confusion over allusions to Wade by Geoffrey Chaucer, during scenes of courtly intrigue in 'Merchant's Tale' and 'Troilus and Criseyde.' Discover your world Go beyond the headlines and explore the latest scientific achievements and fascinating discoveries. Sign up for CNN's Wonder Theory science newsletter. 'Chaucer referring to a Beowulf-like 'dark-age' warrior in these moments is weird and confusing,' Falk said. 'The idea that Chaucer is referring to a hero of medieval romance makes a lot more sense.' While the Song of Wade has faded into obscurity, its appearance in the medieval sermon and in Chaucer's work hints that for centuries the legend was a staple of popular culture in medieval England, even though there was no definitive text preserving the entire tale. As its popularity waned, much of it vanished for good. 'By the eighteenth century there were no known surviving texts and nobody seemed to know the story,' Wade said. 'Part of the enduring allure is the idea of something that was once part of common knowledge suddenly becoming 'lost.''

Natasha Lyonne assures us she has more teeth than her ‘Smurfs' movie character
Natasha Lyonne assures us she has more teeth than her ‘Smurfs' movie character

CNN

timean hour ago

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Natasha Lyonne assures us she has more teeth than her ‘Smurfs' movie character

Natasha Lyonne is recounting her journey to being cast as a rather unique character in the new 'Smurfs' movie. The 'Poker Face' star stopped by 'The Tonight Show' on Thursday and told Jimmy Fallon how she initially received the request to be in the new kids' movie via email and jokingly responded that she sent a 'reply all (saying) sure, who doesn't (want to be in a 'Smurfs' movie)?' Lyonne went on to explain that the filmmakers later informed her that Rihanna plays the 'adorable Smurfette, a hot little blonde number,' who is also rather famously the only female Smurf in the village of little blue creatures originally based on the Belgian comic from 1958. Fallon replied, 'Oh, Rihanna is Smurfette?' by way of confirmation, to which Lyonne responded, 'Turns out, I'm not.' 'I'm a character called Mama Poot,' she continued, adding that the character they showed her was 'a hairball with one bottom snaggle tooth, not even a top (tooth).' 'They're looking at me like, 'Isn't this charming that you guys seem so similar,'' Lyonne said of the filmmaking team. 'I said, 'Yeah, no, it's definitely going to help me get dates, I'm sure,'' she joked. Fallon then showed a picture of Mama Poot, attesting to the character's cuteness, as the audience produced a mixture of 'awws' and befuddled laughter. 'And guys, it's not about this, but I just want to remind everyone that I have a full set of real teeth. And I'm really proud of that,' Lyonne quipped. 'Not Mama Poot, though!' As for Smurfette Rihanna, there are no hard feelings, since Lyonne mentioned earlier in the chat that she 'is a huge fan' of the singer/actor/fashion mogul. 'Do you have her phone number by the way, because we don't seem to be in touch even though the movie is now complete,' Lyonne asked Fallon as an aside. 'We'll talk about that later.' 'Smurfs' is now playing in theaters.

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