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Metro Boomin Got Some Heat Coming With ‘A Futuristic Summa' Mixtape: Here's When It Arrives

Metro Boomin Got Some Heat Coming With ‘A Futuristic Summa' Mixtape: Here's When It Arrives

Yahoo01-08-2025
Metro Boomin announced on Tuesday (July 15) that his new mixtape A Futuristic Summa is dropping next Tuesday, July 22.
The hip-hop super-producer also unveiled the old school cover art for A Futuristic Summa, which will be hosted by DJ Spinz. Metro released the first single, 'Slide' with Roscoe Dash, on the Fourth of July.
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According to Metro's official website, the 20-track project will include 20 features; aside from Dash, Quavo and J Money have also been revealed as features. Metro teased a snippet of a track presumably titled 'Extra Bow Bow' with both Atlanta rappers earlier this week.
Although he told a fan on X that A Futuristic Summa will spotlight an 'all new cast' of collaborators, he's worked with Quavo before over the years, from Migos' 2016 Billboard Hot 100 No. 1 'Bad and Boujee,' featuring Lil Uzi Vert, to 'Rap Saved Me' from Metro, Offset and 21 Savage's 2017 joint album Without Warning. Metro also produced J Money's 'Sauce God' in 2015.
A Futuristic Summa is arriving one year after his insane 2024 run with his and Future's Billboard 200-topping albums We Don't Trust You and We Still Don't Trust You. The former album earned a Grammy nomination for best rap album, while the title track for the latter album, featuring their frequent collaborator The Weeknd, scored a nod for best melodic rap performance. The explosive Billboard Hot 100 No. 1 'Like That' with Kendrick Lamar from We Don't Trust You that detonated last year's rap beef between Dot and Drake was also nominated for best rap song and best rap performance.
See the cover art for A Futuristic Summa below, and pre-save it here.
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For a ‘Twisted Tale,' Amanda Knox and Grace Van Patten Became One
For a ‘Twisted Tale,' Amanda Knox and Grace Van Patten Became One

New York Times

time4 minutes ago

  • New York Times

For a ‘Twisted Tale,' Amanda Knox and Grace Van Patten Became One

As the title character of the mini-series 'The Twisted Tale of Amanda Knox,' the actress Grace Van Patten had to convincingly embody a highly examined figure at the center of a real-life legal drama followed by millions. Even more daunting, she had to do it in front of Amanda Knox herself, an executive producer. Those close to Knox were stunned by the results. 'Grace, I haven't told you this yet — when they see you play me, they get chills,' Knox told Van Patten during a conversation with The New York Times last week. 'You just did it, and they were like, 'Oh my God, oh my God, oh my God.'' Van Patten gasped in response. 'It was some fusion that happened,' she said. 'Because a lot of it felt very subconscious to me.' The eight-part series debuts on Hulu on Wednesday. The chills were inspired, Knox said, partly by Van Patten nailing her personality quirks: her occasionally singsong voice, the snort in her laugh, the cha-cha in her step. These behaviors and others became ammunition for Italian prosecutors and the global tabloid machine during Knox's highly publicized trial for the 2007 sexual assault and murder of Meredith Kercher. Kercher, a 21-year-old British exchange student and one of Knox's three roommates, was found dead from a knife attack in the flat they shared in Perugia, Italy. Knox, a 20-year-old Seattle native who was studying there, and Raffaele Sollecito, her Italian boyfriend of about a week, were arrested and imprisoned just days after Kercher was found. In 2009, both were convicted of the killing, with Amanda sentenced to 26 years and Sollecito to 25 years. In 2011, the ruling was overturned, and Knox returned to the United States. Then in 2014, Knox and Sollecito (played by Giuseppe Domenico in the series) were re-convicted of murder, a conviction that was overturned in 2015, ending the nearly decade-long saga. Another man, Rudy Guede, was convicted separately of the murder in 2008 and was released from prison in 2021, after serving 13 years of a 16-year sentence. (Guede's original 30-year sentence was reduced on appeal.) A separate slander conviction for Knox was upheld earlier this year. She had implicated Patrick Lumumba, the owner of a bar where she had worked, and herself in a confession made under duress, which she had tried to withdraw almost immediately. (Lumumba was in jail about two weeks as a result.) In all, Knox spent nearly four years in an Italian prison. The mini-series recreates this legal roller coaster in an unconventional style. It is a prison drama, a courtroom drama, a love story and an anxious horror tale. And it is largely in Italian. Van Patten ('Nine Perfect Strangers,' 'Tell Me Lies') plays Knox from her 20s, when she was full of 'whimsy and optimism and innocence,' as Knox put it, into her mid-30s, when Knox was defined more by 'trauma and hauntedness and determination.' 'We asked her to play the best experiences of my life and the worst experiences of life,' said Knox, now 38. 'We asked her to do it in English and Italian.' The series also depicts Knox's decision, in 2022, to return to Italy to confront Giuliano Mignini, her nemesis during and after the trial. Mignini, the lead Italian prosecutor, had fixated on and promoted the image of Knox as a conniving, sex-crazed murderer. (He compared Knox to Joseph Goebbels, the Nazi propaganda minister, during the proceedings.) Tabloid headlines smeared her as 'Foxy Knoxy,' a childhood nickname lifted from her Myspace page. Onscreen, Mignini (Francesco Acquaroli) is a relentless figure, a smug monster to be dreaded. Knox's trip to Italy to face (and ultimately befriend) the prosecutor is used as a framing device in the series. 'This is not a show about the worst experience of someone's life,' Knox said. 'This is the show of a person's choice to find closure on their own terms and to reclaim a sense of agency in their own life after that agency has been stolen from them.' To prepare to play Knox, Van Patten had numerous video chats with her and spent time in Los Angeles with Knox and her two children. Knox was also frequently on set during production. It all helped the actress understand the complex emotions involved in such a nightmarish experience. 'I was able to go to those places because of how deeply open Amanda was and how deeply vulnerable she was with me,' Van Patten said. An interrogation scene, in which Knox is mentally and physically tormented by a team of Italian officials, was particularly intense to film, Van Patten said. (Watching Knox spiral and give way under what amounts to psychological torture is brutal viewing.) Van Patten was learning Italian throughout filming, but the show was largely shot sequentially, and those early scenes captured authentic desperation. 'I tried not to learn the other people's lines as much as I could so that I was in a state of confusion,' she said. Knox said the themes of perception and miscommunication are fundamental to the story. 'That clash of perspectives and cultures and language, and the tension there, that's the beauty of drama and it's the beauty of reality,' she said. 'It is what makes this so psychologically and emotionally complex.' Kercher (Rhianne Barreto) is mostly seen in flashbacks of quiet, playful moments of friendship between her and Knox. The limited screen time reflects real life, in which the media circus around Knox and Sollecito overshadowed Kercher's brutal death. Last year, Stephanie Kercher, Meredith's sister, told The Guardian that she found it 'difficult to understand' what purpose the mini-series would serve. 'Meredith will always be remembered for her own fight for life, and yet in her absence, her love and personality continues to shine,' she said. 'The Twisted Tale' was created by K.J. Steinberg ('This Is Us'), and executive producers included Monica Lewinsky; Knox's husband, Christopher Robinson; and Warren Littlefield ('The Handmaid's Tale'). It was Lewinsky who first approached Knox about dramatizing her experiences. In 2021, Lewinsky worked to reframe her own story as a producer on the FX series 'Impeachment,' about her relationship with former President Bill Clinton when she was a 22-year-old intern and the fallout from it. Lewinsky knows 'deep in her bones what it feels like to have a bad experience, the worst experience of her life, used to diminish her and the turning of her into a punchline,' Knox said. 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She was a child when it happened and first learned about the case in the 2016 documentary 'Amanda Knox,' which included interviews with Knox, Sollecito and Mignini, among others. 'The show gives everyone the opportunity to understand it more and to form an opinion based on facts, and not what they were being fed at the time,' Van Patten said. 'She was just a 20-year-old girl going through this.'

Meg Duffy, an Indie-Rock Guitar Ace, Finds a New Voice
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time4 minutes ago

  • New York Times

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Meg Duffy could not stop thinking about the smell of the dead rat. Los Angeles had been good to the guitarist since they moved west from Albany, N.Y., in 2015. Duffy had become an in-demand touring and session guitarist for the likes of Perfume Genius, the War on Drugs and Weyes Blood, known for powerful but elegant riffs and a painterly approach to texture. Duffy had also released several records as Hand Habits, a band whose charged folk-rock and warped chamber-pop functioned like a steam valve of frustrations. But then, late in 2023, came the smell. Duffy had long heard rodents scurrying behind the dirty white walls of the shared old Los Angeles craftsman. Soon after the sound stopped, a noxious odor started seeping in; whenever Duffy opened a window, mosquitoes flooded the room. 'Everything's cool,' Duffy told themselves, a mantra so crucial to their tumultuous childhood that it's tattooed on their left arm. At last, Duffy broke. Four years into hormone replacement therapy, Duffy had a contentious phone call with their brother about being trans. Duffy's new partner — a psychiatrist who prefers not to be named for patient privacy — arrived and offered advice: It was OK to be angry, she told Duffy. And then she opened a window, mosquitoes be damned. 'It was one of the first moments in my life, after being with so many people, where it felt like I was learning to trust,' Duffy said, smiling behind a thin mustache during a video interview from the house the couple soon began sharing. 'The joke is it took a psychiatrist to make me feel safe in a relationship.' Within weeks, Duffy wrote 'Dead Rat,' an unexpectedly sublime love song where they ask for and get help. It's an exquisite anchor of 'Blue Reminder,' out Friday, a tender and endearing album that feels like a culmination of a decade of intense musical practice and work. Where past albums have explored the fallouts of toxic relationships — cheating, being the person someone cheats with, generally desiring the unattainable — Duffy, 35, has now documented a lasting romance in real time. The album also stems from Duffy's self-acceptance as nonbinary; changes in their voice from testosterone treatment allowed them to write and sing songs that feel more connected to their body as their register lowered. Want all of The Times? Subscribe.

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