
Taylor Swift just announced her next album, The Life of a Showgirl
It's true! After an announcement on Monday night that Swift would soon appear on New Heights , Kelce's show with his brother, Jason, a clip shared on Swift and New Heights ' social feeds showed Swift with both Kelces, wielding a special surprise: her next album, titled The Life of a Showgirl. Though both the cover and the official release date remain under wraps, the record is now available to pre-order.
At 12:12 on the 12th, TS12 finally got a name: The Life of a Showgirl. ❤️🔥 More info soon… pre pre-order the album & pre pre-scream in the meantime!!!!!!!!!!!! https://t.co/Xv1MYlxrYy#TSTheLifeofaShowgirl pic.twitter.com/Iw6nIenIkN
— Taylor Nation (@taylornation13) August 12, 2025
The news was preceded, in typical TAS fashion, by a few big hints: First came a post from Taylor Nation, the official Instagram account of Swift's management team, with a 12-image carousel of the singer in orange ensembles, to the sweet strains of 2020's 'August.' The caption? 'Thinking about when she said 'See you next era…''
Next, the New Heights Instagram account teased a special episode with a 'VERY' special guest—capitalisation pulled directly from the caption. (The post's comments were quickly filled with fans fairly confident about who that guest would be.) Then came a video featuring Travis and Taylor herself, who exclaimed: 'We're about to do a f***ing podcast!' The reveal of the album's title followed on August 12 at 12:12 a.m. ET.
So, what's the story behind The Life of a Showgirl ? And what's with all the orange, for that matter? Only time—and, well, the Kelce brothers' podcast—will tell. Tune in this Wednesday at 7 p.m.
This story was originally published on Vogue.com.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Vogue Singapore
3 days ago
- Vogue Singapore
The first trailer for Marty Supreme has finally landed
He got very close indeed with his transformative turn as a young Bob Dylan in A Complete Unknown , but could 2026 finally be the year when Timothée Chalamet gets his Academy Award? Well, if we're going by the first trailer for Marty Supreme , a zippy new period drama about a professional ping pong player, directed by Good Time and Uncut Gems 's Josh Safdie and co-starring none other than Gwyneth Paltrow, it could definitely happen. Penned by the filmmaker and his frequent collaborator Ronald Bronstein, and co-produced by Chalamet and beloved indie label A24, this forthcoming release is loosely inspired by ping pong player Marty Reisman. Born in 1930s Manhattan, he began playing table tennis on the Lower East Side, competing for bets and prizes, before becoming the US men's singles champion. His memoir, The Money Player: The Confessions of America's Greatest Table Tennis Player and Hustler , was published in 1974. While major plot details remain under wraps, sources close to the production have confirmed that this account of Marty's rise will be a fictionalised original story, rather than a conventional biopic. With Safdie at the helm, you would, of course, expect nothing else. The log line simply reads: 'Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.' Alongside Chalamet and Paltrow—as a Hollywood movie star love interest, of course—expect to see the likes of Odessa A'zion, Kevin O'Leary, Abel Ferrara, Fran Drescher, and Tyler, the Creator don their mid-century best, as we look ahead to a Christmas Day release. Let the (inevitably bizarre and brilliant) press tour commence. This article was first published on

Straits Times
3 days ago
- Straits Times
Reaching New Heights: The podcast is Taylor Swift's latest way to control her narrative
Travis Kelce and Taylor Swift announcing her new album The Life Of A Showgirl on the Aug 13 episode of the New Heights podcast. NEW YORK - The transformation of podcasts from a niche audio format to a linchpin of celebrity press tours is complete: Taylor Swift has finally appeared on one. The American pop star's guest spot on New Heights, a video podcast about American football and pop culture co-hosted by her boyfriend, Kansas City Chiefs tight end Travis Kelce, amassed nearly 9 million views in about 12 hours on YouTube, setting a record for the show and cementing its place among modern media properties. About 1.3 million people tuned in simultaneously to a livestream of the episode before it was felled by a technical glitch. The episode has since attracted 14 million views. By comparison, an October episode of The Joe Rogan Experience with US President Donald Trump reached about 11 million views in its first 12 hours on YouTube. Released on Aug 13, the New Heights episode served as a long-form album announcement of The Life Of A Showgirl for Swift, 35, who has never taken a particularly traditional approach to delivering such news. When not dropping surprise albums, she has opted for announcing albums on tour stops, on Yahoo livestreams or in the middle of awards shows. Rarely does Swift sit for an interview too. (Exceptions include in-depth conversations for Apple in 2020, Variety in 2022 and Time in 2023.) That her first proper podcast interview was conducted beside her romantic partner speaks to both her personal reluctance to engage with mainstream media and a larger truth about podcasting: For prominent figures, it has become a friendly space, where unchecked conversation can flow freely. Silicon Valley founders and White House officials have embraced two- or three-hour conversations with American podcaster Rogan. Athletes and musicians talk about their mental health on Armchair Expert With Dax Shepard. American actor Jason Momoa just made his podcast debut on SmartLess disclosing a near-drowning, while American actress Dakota Johnson chose to make her debut on Good Hang With Amy Poehler, holding her new puppy in her lap. 'Not only do these podcasts have massive reach, but they're also places where you can have a very nuanced, long-form conversation,' said Josh Lindgren, head of podcasts at Creative Artists Agency, which represents some of Kelce's business. 'The editing tends to have a fairly light touch, and so it's a place where you can go and have a conversation and expect that that's more or less what's going to get transmitted to your audience.' Top stories Swipe. Select. Stay informed. Singapore Ong Beng Seng fined $30k in case linked to ex-minister Iswaran after judge cites judicial mercy Singapore Why was Ong Beng Seng fined instead of jailed? Key points from the case Asia Sun Haiyan, ex-China ambassador to S'pore, detained for questioning: Sources Singapore Father of 4 among S'poreans arrested in CNB raids; drugs worth over $128k seized Life Online travel agencies Klook and make debut at Natas Travel Fair Singapore Jail for drink-driving cop in hit-and-run accident; victim suffered multiple fractures While these interviews may seem journalistic in nature, most stars of new media do not consider themselves journalists. In their celebrity interviews, they reject the blunt questions of 1990s network broadcasters and the literary sensibility of 1970s magazine scribes. They foster a sense of safety. Their goal is intimacy, not necessarily accountability. 'We're not a 'gotcha' show,' said Michael Bosstick, CEO of podcasting network Dear Media. He and his wife interviewed Ivanka Trump, the elder daughter of Donald Trump, in her second podcast appearance; her first was with Lex Fridman, a podcaster focused primarily on science and technology, whom Ivanka Trump described as a 'friend'. Neither show was a place where Trump would have expected to be grilled on her father's policies or her role in shaping them. 'It's about making the guests feel comfortable that we're going to actually let them tell their story,' said Bosstick, who spoke to Trump about skiing, workout supplements, her morning routine and her interest in artificial intelligence. Alex Cooper, the host of Call Her Daddy, said in 2024 that when interview subjects arrived at her studio 'terrified' that the internet would pick apart their words, she reassured them that 'we're good' and 'it's chill'. Sean Evans, the host of Hot Ones, told Vulture in May that he believed his show should be an 'extension of the guest', assuring one actor that he was in 'safe hands' while eating spicy wings. 'I would assume talent gets bored doing the traditional press junket, so this feels fresh and exciting,' said Kareem Rahma, host of Subway Takes, who has interviewed guests including Oscar-winning actress Cate Blanchett and Zohran Mamdani, New York's Democratic candidate for mayor, while riding the city's transit system. 'From a more practical perspective, the average American spends seven hours a day looking at their phone, so it makes sense to meet the audience there.' Much energy has been devoted to positioning internet-native shows like Hot Ones or Subway Takes as the new version of late-night talk shows – a long-declining format – particularly in terms of the clamouring by celebrity publicists to book their clients. (Evans has also been public about his desire for a prime-time Emmy statue.) But late-night television appearances have always been short and sweet, marked by canned anecdotes or contrived games. Even glossy magazine covers, once pursued like a golden ticket by publicists, have lost some of their appeal. Agents are still eager to see their clients swathed in high-fashion brands and shot by big-name photographers, but podcasts are simply 'much quicker to execute, and they offer the talent the chance to speak in an unmediated way', said Charlotte Owen, editor of Bustle, which publishes both podcasts and more traditional cover stories. But to Owen, who hosts One Nightstand, a podcast on which guests talk about their favourite books, it is not only celebrities who benefit from these lengthy video interviews. 'I'm often having more robust, intimate and revelatory conversations than I do when sat in a restaurant with a voice recorder between us,' she said. 'And for guests, it's like being in a batting cage for an hour. You're going to hit something in that time.' New Heights will certainly benefit from Swift's appearance at a crucial moment for the podcast. In 2024, podcast network and publisher Wondery acquired the rights to distribute and sell the show's advertisements, negotiating a reported US$100 million (S$128 million) deal with Kelce, 35, and his co-host, older brother Jason, 37. But this month, Wondery was broken up by its parent company Amazon. The Kelces have since been funnelled into a new department, Creator Services, as the company focuses less on traditional audio podcasts and more on deploying its splashy video-friendly talent across its platforms. Before the latest episode's release, after days of teasing the interview with Swift, New Heights reached No. 1 on Apple Podcasts' chart. It had held that spot before, but not consistently. Previously, the brothers' most-watched YouTube video had about 8.6 million views. That was a 2023 interview with Jason Kelce's wife Kylie Kelce, the 33-year-old creator and host of her own podcast Not Gonna Lie, which debuted at the top of podcast charts in December 2024. NYTIMES


AsiaOne
4 days ago
- AsiaOne
Taylor Swift explains orange theme for her upcoming album The Life of a Showgirl, Entertainment News
Taylor Swift has explained the orange theme for her upcoming album The Life of a Showgirl. The singer is returning with her latest record — which is due for release on Oct 3 — and she opened up about her use of the colour orange in the artwork and the promotional teasers explaining the hue represents how she was feeling while making the record during The Eras Tour which was "exuberant and electric and vibrant". During an appearance on the New Heights podcast with her boyfriend Travis Kelce and his brother Jason Kelce, Taylor was asked about the significance of the colour orange and she replied: "I've just always liked it... It feels like energetically how my life has felt and this album is about what was going on behind the scenes in my inner life during [The Eras Tour], which was so exuberant and electric and vibrant." Taylor went on to talk about reuniting with producers Max Martin and Shellback for her 12th studio LP after previously working with the pair on her albums Red, 1989, and Reputation. She said: "One of the things about this record is, like, it's a record I made with my mentor Max Martin and Shellback. The three of us have made some of my favourite songs that I have ever done before. "They were my main collaborators on my Red album. We did We Are Never Getting Back Together, I Knew You Were Trouble, 22, Shake It Off, Blank Space, Style, Wildest Dreams, Ready for It, Delicate." She added of the pair: "They're just geniuses". Taylor also talked about the album's artwork, which shows her wearing a jewelled costume under the water in a bath and confessed the picture represents her at the end of a concert night because she always ends with a soak in the tub. She explained: "This represents the end of my night... My show days are the same every single day, I just have a different city. And my day ends with me in a bathtub — not usually in a bedazzled dress... [The album represents] the life beyond the show ... I would say it's everything that was going on behind the curtain." [[nid:721382]]