logo
Russell Simmons Files $20 Million Defamation Lawsuit Over ‘On the Record' HBO Max Doc

Russell Simmons Files $20 Million Defamation Lawsuit Over ‘On the Record' HBO Max Doc

Yahoo04-06-2025
Warner Bros. Discovery has been sued by Russell Simmons, who alleges that the filmmakers behind On the Record defamed him by turning a blind eye to evidence disputing accusations that he sexually assaulted women in his orbit.
In a lawsuit filed in New York state court on Tuesday, Simmons brings claims for defamation, invasion of privacy and false advertising, among others. He seeks $20 million and a court order that would force WBD to remove the title from its platforms.
More from The Hollywood Reporter
#MeToo's Tarana Burke on Diddy Allegations: "The Zeitgeist Has Changed and People Are Ready to Believe the Survivors"
Russell Simmons Sued For Defamation By Former Def Jam Recordings Executive
Russell Simmons Sued By Former Def Jam Recordings Executive Over Alleged Rape
On the Record tells the stories of Simmons' accusers — including former Def Jam executive Drew Dixon, domestic violence awareness activist Sil Lai Abrams and screenwriter Jenny Lumet — as they decide to go public with allegations of sexual assault. It was produced by Oscar-nominated directors Kirby Dick and Amy Ziering via their production banner Jane Doe Films, all of whom are named in the complaint, with Dan Cogan for Impact Partners.
A distribution deal with Apple TV+ was severed when Oprah Winfrey publicly announced that she was pulling out as executive producer, citing creative differences with the filmmakers. It was later picked up by HBO Max as its first-ever festival acquisition.
In Tuesday's complaint, Simmons alleges that the filmmakers intentionally ignored information, including interviews from over 20 witnesses across media and politics, that challenged their narrative that the music mogul assaulted and harassed various women. The evidence was presented to John Stankey, then-CEO of Warner Media, and Casey Bloys, chairman and CEO of HBO and Max Content, both of whom disregarded the materials, the lawsuit says.
WBD and the documentary's producers additionally ignored ignored nine polygraph tests, as well as other information that 'would have been discovered with due diligence and adherence to accepted journalistic standards,' writes Imran Ansari, a lawyer from Simmons, in the complaint.
Also at issue: Apple withdrawing from distributing the documentary and certain media outlets, including CNN, the New York Post and MSNBC, declining to cover the allegedly defamatory content.
The majority of the title follows Dixon, who last year filed a defamation lawsuit against Simmons for allegedly trying to undermine her sexual assault accusations against him. The former Def Jam Recording executive has alleged that she was raped by the music mogul in 1995.
The complaint was filed on the heels of another suit against Simmons for sexual assault and battery from an ex-executive at the label he cofounded, who sued as a Jane Doe.
At the On the Record's Sundance premiere, the audience gave the title multiple standing ovations. With its festival reviews, On the Record currently sits at a 100 percent on Rotten Tomatoes, while The Hollywood Reporter's Beandrea July called the film 'a stunning feat of complexity that's both contained and expansive.'
Ansari, Simmons' lawyers, is a partner at Aidala, Bertuna & Kamins. Arthur Aidala, another partner at the New York law firm, is lead counsel for Harvey Weinstein in his New York sexual assault trial.
Best of The Hollywood Reporter
How the Warner Brothers Got Their Film Business Started
Meet the World Builders: Hollywood's Top Physical Production Executives of 2023
Men in Blazers, Hollywood's Favorite Soccer Podcast, Aims for a Global Empire
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sharon Stone Reveals the Moment She Got 'Furious' with Robert De Niro While Filming 'Casino'
Sharon Stone Reveals the Moment She Got 'Furious' with Robert De Niro While Filming 'Casino'

Yahoo

time6 hours ago

  • Yahoo

Sharon Stone Reveals the Moment She Got 'Furious' with Robert De Niro While Filming 'Casino'

NEED TO KNOW Sharon Stone starred in Casino with Robert DeNiro and Joe Pesci Working with DeNiro was a career goal for the young actress, but she struggled with some elements of it The actress recalled the veteran actor's skill that made it hard for her to make it through shootingSharon Stone has always appreciated working with the greats. Looking back at some of her biggest roles and the fanfare around them with Business Insider, the actress, 67, recalled working with Robert DeNiro and Joe Pesci on the 1995 film Casino. "Joey really, really fought for me to be seen and get the job. So I have a serious loyalty to Joey because he's always backed me. It was always Joey and Jimmy Caan. They backed me since I was 19," she explained. With DeNiro, "I always wanted to work with Bob," but it had never panned out in previous projects. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. "I had auditioned with him many times before Casino. It was my dream to work with De Niro and hold my own," she admits. Stone plays the glamorous and self-involved Ginger McKenna in the film, directed by Martin Scorsese. The beautiful and mysterious woman catches the eye of DeNiro's Sam 'Ace' Rothstein. The role earned Stone a Best Actress Oscar nomination. "There's a scene in the movie where we're sitting across a table arguing, and he says to me, 'You're a good actress, you know that?' And I remember in that scene when he said it, how furious it made me because it was my dream to do it, and then he challenged me at the table." "I remember thinking, 'Oh, buddy. Not today, pal,' " she continued. "He knew every button to go for with me because he is the greatest observational actor. He can crawl under your skin and get in there." DeNiro and Scorsese looked back at the film on the occasion of its 30th anniversary in June at the Tribeca Film Festival. Of the film's take on a Las Vegas that's evolved so much in the decades since, Scorcese said, "Now you can take your family there and find yourself in the heart of capitalism — the kind that's replaced organized crime." "There used to be wiseguys in baggy suits. Now it's Ralph Lauren polos and corporate managers,' the famed director laughed. Read the original article on People

‘Super/Man: The Christopher Reeve Story' director Ian Bonhôte learned that ‘strength lies in you'
‘Super/Man: The Christopher Reeve Story' director Ian Bonhôte learned that ‘strength lies in you'

Yahoo

time6 hours ago

  • Yahoo

‘Super/Man: The Christopher Reeve Story' director Ian Bonhôte learned that ‘strength lies in you'

'When do you get to make a Superman film?,' asks Ian Bonhôte speaking about his work on Super/Man: The Christopher Reeve Story. He adds, 'it was an opportunity we couldn't miss. Playing with the Superman idea, concept and visuals was an amazing opportunity.' Watch our full interview above with Bonhôte joining our Gold Derby "Meet the Experts" directors panel. Bonhôte co-wrote and co-directed the documentary with long-time collaborator Peter Ettedgui. The film explores both Christopher Reeve's rise to fame as Superman and the aftermath of a riding accident that left him with a high-level spinal cord injury. The film effectively uses footage of Reeve's Superman films to weave the story together. Bonhôte explains they used this as a 'metaphor of him as a superhero' and that 'after the accident, there's this tragically amazing metaphor of pure strength which you can't find on earth. He has to be an alien, and someone who lost all strength. We felt that trying to tell the story, always coming back to his life as Superman.' More from Gold Derby Neon sets Oscar path for latest Cannes winner 'The Secret Agent': Everything to know about the thriller TIFF reveals its compelling documentary slate featuring Paula Deen, champion whistlers and balloonists An example of Reeve finding his strength again was a scene in the film where he teaches his son Will to ride a bike even though he was paralyzed. Bonhôte says, 'He talked him through it. What Chris shows us through the film is that a voice, an intelligence, a conviction, a vision is more important than loads of movement.' Earlier this year, the HBO Max film won the BAFTA, PGA, and Gold Derby Film Award for Best Documentary Feature. More recently, Bonhôte and Ettedgui have been nominated for Emmys this summer in the documentary/nonfiction directing category and the nonfiction writing category. Bonhôte reflects on what made Reeve strong, 'For the first 40 or so years of his life, he represented virility and this very strong American masculinity. He embodied beauty, sport, strength, intelligence. What happened after the accident, counted more on his voice, still his intelligence and, as his children say, his piercing blue eyes. So I think strength lies in you, in what you believe in, your ethos, what you stand for and what you do with your life.' This article and video are presented by HBO Max. Best of Gold Derby 'Australian Survivor vs. The World' premiere date and cast photos: 'King' George Mladenov, Cirie Fields, Parvati Shallow … 'Five new life forms from distant planets': Everything to know about 'Alien: Earth' as new trailer drops Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Click here to read the full article. Solve the daily Crossword

TV Directors roundtable: ‘Adolescence,' ‘Last Week Tonight with John Oliver,' ‘The Pitt,' ‘Super/Man: The Christopher Reeve Story'
TV Directors roundtable: ‘Adolescence,' ‘Last Week Tonight with John Oliver,' ‘The Pitt,' ‘Super/Man: The Christopher Reeve Story'

Yahoo

time6 hours ago

  • Yahoo

TV Directors roundtable: ‘Adolescence,' ‘Last Week Tonight with John Oliver,' ‘The Pitt,' ‘Super/Man: The Christopher Reeve Story'

What's the greatest joy in directing an Emmy-nominated project? How do directors get the best out of actors? And what's similar between making a documentary, drama series, and late night variety show? These were some of the topics discussed by four top television directors when they recently joined Gold Derby's special 'Meet the Experts' roundtable. Our guests are (Adolescence), (Last Week Tonight with John Oliver), (The Pitt), and (Super/Man: The Christopher Reeve Story). Watch our full group panel above. Click on each name above to view that person's individual interview. More from Gold Derby TIFF reveals its compelling documentary slate featuring Paula Deen, champion whistlers and balloonists 'Deliciously twisted,' 'murderously enjoyable': 'Wednesday' Season 2 reviews surpass Season 1 by double digits Bonhôte says that the most important thing when directing is that 'the story needs to be extremely emotional. We need to have a narrative and emotional arc as strong as possible. That's the base of everything.' Pennolino agrees and says, 'You've gotta be able to tap into something inside people and make them walk away and either cry or be elated or inspired or a zombie. That's the whole purpose of what we do. Yeah, emotion is everything.' Marsalis reflects, 'It's interesting, like, I'm not a writer, right? I'm a director. I have done most of my work coming onto existing shows. Sometimes beggars can't be choosers. And I keep joking being nominated for an Emmy is one step away from homelessness for me. I just want to make something entertaining that doesn't cause destruction in this world. But then also there's that magical storytelling part of our jobs.' With past work in front of the camera, Barantini appreciates how actors can enhance a scene. He explains, 'Sometimes an actor will do something completely different and it will have an immediate effect on you. And it might not have been what you're looking for, but it might be better. That is so joyful and terrifying.' Marsalis adds, 'You have your script and then, when you choose an actor for a job, it becomes something else. Because it's a living, breathing organism if you're doing it right.' Barantini replies, 'I always say to actors, look, did you believe that? Because if you didn't, the audience won't believe it either.' Bonhôte admits, 'It's very different for me in a sense. In documentaries, the films have to have like an impact in the world. I think some of the shows you guys are discussing do that as well, which is very strong. But, we talk about laws of the issues of the world. We use Christopher Reeve as a magnet to talk about disability.' Pennolino reflects 'As a director there's so much magic that has to happen. We do these occasional enders that have moving parts, and explosions, and giraffes coming from the ceilings, and all kinds of craziness. And a lot of times I'll have an A-list camera person that's available that I've worked on other projects and I'll be like, 'nah, just not gonna play well in this sandbox.'' Barantini admits, 'We live in a world where it's terrifying and I think we watch TV to ultimately be entertained. To make something heartfelt which can be sad with hope at the end means we're onto a winner. That's what always drives me.' This article and video are presented by Netflix and HBO Max. Best of Gold Derby 'Australian Survivor vs. The World' premiere date and cast photos: 'King' George Mladenov, Cirie Fields, Parvati Shallow … 'Five new life forms from distant planets': Everything to know about 'Alien: Earth' as new trailer drops Everything to know about 'The Pitt' Season 2, including the departure of Tracy Ifeachor's Dr. Collins Click here to read the full article. Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store