Job opportunities for those of all abilities begins with a chance in Sarasota
The Brief
Danny Vasquez, a 32-year-old with Down syndrome, has become the favorite employee of Gecko's Grill and Pub in Sarasota.
Vasquez works Monday and Friday, rolling silverware, setting up stations before their doors open, and giving out plenty of high-fives.
Vasquez was set up for the job by a Sarasota non-profit that works with people with special needs to find their abilities in the workforce.
SARASOTA, Fla. - At Gecko's Grill and Pub off of Fruitville Road, there's one employee everyone knows and loves.
"How are you, buddy? Good to see you," said Danny Vasquez, the restaurant's general manager.
Vasquez has been a part of the team for three years.
READ: Heart transplant recipient turns survival story in hopeful mission alongside wife
"He is just so proud of himself. He loves being a working man," said Yvonne Hall, Vasquez's mom.
The backstory
Danny was born with Down syndrome. At 34, however, he's never let anything slow him down, from ballroom dancing to bowling.
After his family moved to Sarasota, he was ready for a job.
"I was super-excited about it. I guess a little apprehensive about his fine motor skills. Could he do it?" said Hall.
Local perspective
The Haven, a Sarasota non-profit, works to see the ability in people with disabilities. They connected Vasquez to Gecko's hospitality group.
READ: 'Chefs for Seniors' offers personalized, nutritious meals to older adults
"He just creates this beautiful warm feeling, and the staff absolutely do look out for him and take care of him throughout his entire shift. If he needs anything else, they'll be helpful with that. He's just a joy to have here," said Fiona Farrell, the Chief Operation Officer with Gecko's hospitality group.
Vasquez goes to work Monday and Friday, where he rolls silverware and sets up stations before their doors open.
"He comes in, high-fives everyone, gives us all hugs and tells us all he loves us," said Farrell.
Why you should care
At The Haven, Don Herndon, the Director of Mission Services, works with clients to hone the skills they'll need to work.
"These guys are ready to work, and they can work if given the opportunity," said Herndon. "The things that we do here that maybe aren't people, don't see as much, but as much intentional is to help people get along and work with one another, because I think it's easy to get most of our clients' jobs. The tricky part is having them maintain that job and stay with that job year after year,"
CLICK HERE:>>>Follow FOX 13 on YouTube
They've seen success in Danny and others, such as Kathy Podder, a cook and server assistant from the Loveland Center.
Their mission of acceptance continues for all.
"We want everyone to feel their part and feel like they're participating in the community and being able to give Danny and others like Danny a job where they can earn their paycheck, and they can be proud about that, and he does," said Farrell.
The Source
FOX 13's Kimberly Kuizon collected the information in this story.
STAY CONNECTED WITH FOX 13 TAMPA:
Download the FOX Local app for your smart TV
Download FOX Local mobile app: Apple | Android
Download the FOX 13 News app for breaking news alerts, latest headlines
Download the SkyTower Radar app
Sign up for FOX 13's daily newsletter

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Breaking Baz: ‘Bring Her Back' Star Billy Barratt Says He Performed Best In The Horror Pic After Being Locked Alone In A Room Without His Phone
EXCLUSIVE: Billy Barratt, star of Danny and Michael Philippou's grippingly intense, dark and twisted Bring Her Back, was able to get into the mood for horror by being locked alone in a room, he reveals. Brit actor Barratt, 17, who also plays Casper Morrow, one of the few humans able to communicate with the alien invaders in the Apple TV+ drama Invasion, tells Deadline: 'There were moments where Danny would basically lock me in a room by myself, and he goes, 'Just try and get in character.' He shut the door, I'm not allowed to leave. I ended up just sitting there with no phone, no nothing — which is great, by the way. I just sat there for ages, and then when I came back outside of that door, back into the scene … you just feel like you are there are in it.' More from Deadline Horror Twins Danny & Michael Philippou On The Evil That Lies Beneath In Their Latest 'Bring Her Back' – Crew Call Podcast 'Bring Her Back' Review: Sally Hawkins Gaslights Kids & Channels Grief Into Terror In The Philippous' Trauma-Soaked Sophomore Feature 'Lilo & Stitch' Still Rich With $60M-$64M Second Weekend, 'Mission Impossible 8' Near $27M, 'Karate Kid: Legends' Looks To Punch $21M+ - Box Office Update It was funny at first, but then he found it freaky and scary. However, he adds, being shut away for half-hour stretches at a time was useful. 'Seeing the effect it had actually helped me so much, not just in the script but in future projects as well. So thank you, Danny,' he says with gratitude. Bring Her Back is a horror film underpinned by a solid tale involving siblings Andy and Piper, who is vision-impaired, played by Barratt and Sora Wong, respectively. Following the death of their father, they're fostered by Laura, a seemingly — at first glance, at least — kindly, grieving mother whose daughter has died, played by two-time Oscar nominee Sally Hawkins. 'It's more emotion than just jump scares and gory things,' Barratt says with a dramatic shiver. This isn't a spoiler, because it's in all the trailers, but Hawkins scares the living daylights out of those kids – and the audience. There's a third kid involved in the story called Oliver, played with macabre relish by Jonah Wren Phillips. I saw the A24 picture on a recent morning at a screening kindly set up by Sony at its HQ in Paddington, London, and it left me shaken for the rest of the day — and night. Hawkins fully immerses herself in her role. Barratt recalls chatting to her at the wrap party. 'She said to me, 'We should meet up in London because I haven't actually got to meet you as me yet properly.' And I was like, 'Oh, OK. Cool. Right. So you were really Laura in that!'' He makes clear that the actress wasn't 'terrifying' the whole time. 'It only clicked for me when she said that. And I was like, 'Oh, so you were fully immersed the whole time?'' It can be 'quite handy' to stay in character all day, he says, and go the full Daniel Day-Lewis. There were three weeks of pre-production in Adelaide, Australia, the Philippous' home state, which he says, 'actors at my level aren't usually involved in.' Ordinarily, 'you just sort of show up on the first day, they've done their pre-production, and then you just start. Here, everyone felt so involved. Me especially. It actually helped me and Sora to have that sort of brother-sister relationship, which is hard to get until you actually hang out with them. Those first three weeks of pre-production were fun for sure, because it felt like the whole thing was a great big icebreaker.' Barratt studied acting and music at Sylvia Young's drama school in London, and he was cast in several TV shows, films and one musical. That was with Kelsey Grammer in the musical Big Fish, which I happened to have caught. His breakthrough came when he was 12 in director Nick Holt and writer Sean Buckley's Responsible Child , the 2019 Kudos and BBC TV drama that won him the International Emmy for Best Actor, followed by two seasons of Invasion. He's already filmed a third season, possibly coming to screens later this year. There's a genuine brother-and-sister warmth between the Andy and Piper characters in Bring Her Back — and plenty of sibling bickering too. He's always holding her hand, and the relationship doesn't seem at all feigned. 'And also the fact that I'm not sure how much she could see,' Barratt tells me, because like Piper, Sora is partially blind, though she could see more than her character. 'Anywhere we'd go,' he gently adds, 'we'd end up just sort of linking arms. And so I explained to her what I could see, what was going on, and just sort of paint an image for her. Andy's whole thing is he wants to make the world look like a better place for his little sister.' Hawkins' Laura does a bunch of things that I can't spoil here, though as we discuss them, the word that Barratt and I kept repeating was 'weird.' I'd go so far to say, wonderfully weird. Maybe terrifyingly weird is more appropriate. And as Barratt points out, 'Piper cannot see what's going on.' It's a whole mind game and such great writing from Danny Philippou and Michael Hinzman, who wrote Talk to Me. Barrett didn't meet with any psychologists or social workers whilst preparing for the film, but he tells me that he was introduced to Miranda Harcourt, the distinguished dramaturg and acting coach who often works with the likes of Nicole Kidman. 'She helped me and Sora … and also just how to approach certain scenes and just gave options and different exercises to do before a scene to get you real wound up,' he explains. He says that the crew 'were also my therapy.' How so, I ask. 'Because anytime that it was like a sad scene or a really happy scene or whatever, they would match the vibe on set all day. And it was just so a 'We are one' sort of thing.'' For instance, if he had to do a really sad scene, 'everyone would be really quiet for the whole day.' Reviewing Barratt's performances from Responsible Child, through two seasons of Invasion and now Bring Her Back, there is a discernible deeper progression in his acting. I mean, he's growing up. He's not a little kid anymore; he's gained confidence in front of the camera as he's gotten older. It's not something that he's noticed himself, though he notes that there's 'definitely a feeling of being more comfortable on set' that first day when you don't know anyone. 'It's nerve-wracking, and all you can really think about is the scene, but then at the same time, are they going to like it? Am I doing the right thing? There's still time to pull me out of the movie. But that's just what goes through my mind, at least.' Reflecting on Invasion, he points out that he's been on the set with his castmates since he was 13, 'and I'm turning 18 next month.' Shaking his head, he adds, 'It's just been a mad trip, a mad drive, especially through Covid and everything.' There were stops and starts during the pandemic, though there was a period where they had to stop shooting 'for ages.' But when they resumed 'we'd all grown up by that point and all the growth spurts had happened.' The plus factor is that he made lifelong friends through his involvement with Invasion. He took Cassius, his younger brother, to the set while shooting the final episode of Season 2. 'He was acting a little bit before this and then stopped. And then when I took him to that set, he was so amazed by all the lights and the lasers. It was a mad thing to see. He was like, 'I want to start acting again.' There's video on YouTube of the 2020 International Emmy ceremony done remotely. Barratt's at home with his family, and when he's announced as the winner, he turns to Cassius, now 13, and says, 'Man, I love you,' rubs his brother's head affectionately and says, 'That'll be you next.' It's a telling moment. Also in Bring Her Back there are aforementioned moments with Wong, and in certain scenes in Invasion, there's a sort of inherent caring gene that he has that comes through the screen. The matter is not something he's, thought about or is aware of, obviously, but Barratt acknowledges there's something in what I'm suggesting. 'I think that's what freaks me out when I'm watching myself back. Is it too much like me or have I actually got the character down or have I just half-assed that? Because I'm seeing parts of me in there. But then I also think on the flip side of that, I think it's quite important to have a little bit of you in there because that's what makes it natural.' During the Bring Her Back shoot, he says that he saw a lot of his brother in Sora because they're a similar age 'and they have fights and that sort of thing.' He adds: 'It's just siblings, there's a real deep love in it. I definitely saw a lot of my brother in Sora's character.' We spent a long time chatting, and it's clear, at least to me, that Barratt's in it for the long haul. 'I'd love to be involved in every aspect of a film from the moment it started right up to when it comes out,' he says. 'I think there's moments that I miss because as an actor it's just not your job to be involved in those certain scenarios. And I wish I could be involved in that. And I look at some really big actors who will sit next to the director and have a say in what happens. And I don't know if that's because they're able to produce as well or whatever. 'I am not like, massive. You say to anyone: 'What's his name?' I dunno,' he shrugs. 'I'm definitely new. I'm definitely starting, even though I've been doing it for about 11 years now, almost. I'm a new actor, I guess.' Every actor arrives in some shape or from, I suggest. Leonardo DiCaprio didn't arrive fully formed, nor did Timothée Chalamet or Tom Cruise. Taking issue, Barratt argues that 'Leonardo DiCaprio did come fully formed. I love him. And I think every single film I've seen him in from when he was younger than me in these films like Basketball Diaries or What's Eating Gilbert Grape he's just incredible in all of it. I just think there's just some people that have just got it straight away, and I don't class myself with one of those people, I'm still learning, for sure. And I think that's what I mean when I say an 'actor at my level' — someone that doesn't understand a lot of it but really wants to. Wants to be involved in all of it.' We order French fries, a Coke for him and more piping-hot tea for me. Making Responsible Child, about a 12-year-old boy accused of helping to kill his abusive stepfather who was tried in court the same as an adult in England and Wales, opened his eyes to the power of film. After it came out, he realized 'how much of an impact' it had had, with changes made in how police and courts handle such cases. He remembers reading about it and thinking: 'Oh, shit! It's not just sitting down and watching something on Netflix. It can change people's lives.' Certainly, Responsible Child hold is one of those films that stay with you. There are a bunch of movies that have stayed with him too. Like David Fincher's Fight Club, Martin Scorsese's Shutter Island and Christopher Nolan's Inception. He's a big fan of Sofia Coppola's Lost in Translation as well. And Michael Curtiz's Casablanca! He likes Francis Coppola's The Godfather, and now — having watched the Paramount+ series The Offer, about producer Albert S. Ruddy's experience of making The Godfather — he wants to see the whole trilogy. He'd like to work with the Philippou brothers again and admires what he calls their 'genius' way of working. They'd work a full day in the studio and then home and be up until the early hours editing the footage of the day and 'be back at 7 in the morning.' They shot with the same crew and used the same studio they filmed Talk to Me in. It was once an insane asylum. The Babadook was shot there. Apparently, he regales, the studio's haunted on one particular floor. 'We went up to have a little look around,' he recalls, 'This one room was so scary, and there was a pile of dead bees. A lot of bees bang in the center of the film. And people had told stories of cleaners quitting and a security guard going up there and in his ear he could hear whispering. He left and never came back. I would never come back. That's terrifying,' he says, pausing to add, 'a great place to shoot a horror movie.' Season 3 of Invasion was shot in Canada, with Barratt's scenes being shot before and after working on Bring Her Back. 'My hair was really long, and then I went to shoot Invasion, they cut my hair really short. And then I went back out to Canada, and my hair was still short. So then they a wig. But the wig, it just didn't look like it did before. I don't blame anyone for that. I just think it just didn't fit me correctly. It just wasn't right. I've actually watched it back on the cameras, and it looked good. But me actually walking around, it just didn't work.' He's not allowed to give anything away about Season 3 of Invasion, but he does let slip that … Oh, no! I realize that it's way too much of a spoiler to impart. Whatever happens to his Casper Morrow in Invasion, Billy Barratt's in for a long and fruitful career. Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds 'Poker Face' Season 2 Guest Stars: From Katie Holmes To Simon Hellberg 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
Yahoo
3 days ago
- Yahoo
Bring Her Back Post-Credits: Is There a Scene at the End?
Wondering if includes a post-credits scene? The chilling Australian horror film from Talk to Me directors Danny and Michael Philippou has captivated audiences with its unsettling story of trauma, grief, and dark rituals. As the credits roll, many viewers ask whether the film reveals any final surprises after its disturbing climax. Here's what we know about the ending of Bring Her Back and whether it includes a post-credits, mid-credits, or after-credits scene. Bring Her Back does not include a post-credits, mid-credits, or end-credits scene. The film concludes with its final shot and transitions into the credits without additional footage. Theatrical listings and early critical reviews confirm that Bring Her Back does not feature any bonus content during or after the end credits. The film concludes with its final scene and transitions directly into the credits without any additional material. Danny and Michael Philippou direct the horror film, which stars Billy Barratt, Sally Hawkins, and Sora Wong. It follows siblings Andy and Piper as they uncover a disturbing ritual in their foster home. The story builds to a psychologically intense climax without teasing a sequel or extended universe through post-credit additions. Principal photography took place in Adelaide and surrounding areas in South Australia, wrapping in August 2024 after a 41-day shoot. Produced by Causeway Films and RackaRacka, and distributed by Sony Pictures Releasing International and A24, the film received strong critical reception. Rotten Tomatoes lists a 90% approval rating from 45 critics, while Metacritic reports a score of 73/100. Critics highlighted Sally Hawkins' unsettling portrayal of foster mother Laura and praised the Philippous' shift toward more emotionally driven horror compared to Talk to Me. Reviewers highlighted the film's themes of grief, trauma, and supernatural horror but did not mention any post-credits sequence in reviews, screenings, or promotional materials. Bring Her Back is set to release in U.S. theaters on May 30, 2025. The post Bring Her Back Post-Credits: Is There a Scene at the End? appeared first on - Movie Trailers, TV & Streaming News, and More.


Business Wire
5 days ago
- Business Wire
Results of Aelis Farma Combined General Meeting of May 27, 2025
BORDEAUX, France--(BUSINESS WIRE)--Regulatory News: Aelis Farma (ISIN: FR0014007ZB4 – Ticker: AELIS), clinical-stage biopharmaceutical company specializing in the development of treatments for brain and peripheral diseases involving the CB 1 receptor, announces that all the resolutions recommended by the Board of directors were adopted by the Combined General Meeting of shareholders. Aelis Farma held its combined general meeting of shareholders on May 27, 2025, which was chaired by Mr. Anders Gersel Pedersen, Chairman of the Board of directors. With a quorum of 74.42 %, the shareholders have adopted all the resolutions recommended by the Board of Directors, in particular the financial statements for the 2024 financial year, the compensation policy applicable to the Chairman, the Chief Executive Officer and the directors, as well as delegations granted to the Board of directors related to financial transactions. The General Assembly also renewed the term of office of all the directors. Mr. Anders Gersel Pedersen was reappointed as Chairman of the Board of Directors. Detailed results of the vote on all resolutions, as well as the recording of the general meeting, will be available on the Company's website within the legal time frame. About AELIS FARMA Founded in Bordeaux in 2013, Aelis Farma is a biopharmaceutical company that is developing a new class of drugs, the Signaling Specific inhibitors of the CB 1 receptor of the endocannabinoid system (CB 1 -SSi). CB 1 -SSi have been developed by Aelis Farma based on the discovery of a natural regulatory mechanism of CB 1 hyperactivity made by the team led by Dr Pier Vincenzo Piazza, the Company's CEO, when he was the director of the Neurocentre Magendie of INSERM in Bordeaux. By mimicking this natural mechanism, CB 1 -SSi appear to selectively inhibit the disease-related activity of the CB 1 receptor without disrupting its normal physiological activity. CB 1 -SSi have consequently the potential to provide new safe treatments for several brain and peripheral organ diseases. Aelis Farma currently has two first-in-class clinical-stage drug candidates. AEF0117 for the treatment of cannabis use disorders (CUD), that has shown to be able to decrease cannabis use across two studies. AEF0217 for cognitive disorders, which has shown in a Phase 1/2 to be safe and able to improve adaptive behaviour in young adults with Down syndrome (Trisomy 21). The clinical results obtained with these 2 molecules have confirmed the pharmacological activity of CB 1 -SSi in humans. The Company also has a portfolio of new innovative CB 1 -SSi for the treatment of other disorders associated with a dysregulation of the activity of the CB 1 receptor, including diseases involving peripheral organs, such as obesity and related metabolic conditions. The different drugs developed by the company belong to the same general pharmacological class, the CB 1 -SSi, but have distinct functional effects allowing to target different types of dysregulations of the CB 1 receptor and guaranteeing that the different compounds are not substitutable one with the others. Aelis Farma draws on the talents of more than 25 highly qualified employees. For more information, visit and follow us on LinkedIn and Twitter. ISIN: FR0014007ZB4 Ticker: AELIS B Compartment of Euronext Paris Disclaimer Forward-looking statements Some information contained in this press release is forward-looking statements, not historical data. These forward-looking statements are based on current beliefs, expectations, and assumptions, including, but not limited to, assumptions about Aelis Farma's current and future strategy and the environment in which Aelis Farma operates. They involve known and unknown risks, uncertainties, and other factors, which may cause actual results, performance, achievements, or industry results or other events, to differ materially from those described or implied by such forward-looking statements. These risks and uncertainties include those set out and described in detail in Chapter 3 "Risk Factors" of Aelis Farma's Universal Registration Document filed with the Autorité des Marchés Financiers on April 28, 2025, under number D-25.0314. These forward-looking statements are made only as of the date of this press release and Aelis Farma expressly disclaims any obligation or undertaking to release any updates or corrections to the forward-looking statements included in this press release to reflect any change in expectations or events, conditions, or circumstances on which any such forward-looking statement is based. Forward-looking information and statements are not guarantees of future performance and are subject to various risks and uncertainties, many of which are difficult to predict and generally beyond Aelis Farma's control. Actual results could differ materially from those described in, or implied or projected by, forward-looking information and statements.