logo
Grammys greatest performances in history: Beyoncé, Pink, Kendrick Lamar

Grammys greatest performances in history: Beyoncé, Pink, Kendrick Lamar

USA Today30-01-2025

Grammys greatest performances in history: Beyoncé, Pink, Kendrick Lamar
Show Caption
Hide Caption
Benson Boone, Chappell Roan to Perform at the Grammys
Expect to see Benson Boone, Chappell Roan and Billie Eilish gracing the Grammys stage.
Cheddar
Let's be honest: The Grammys are hardly about awards anymore.
In recent years, only nine of the Grammys' more than 80 trophies were handed out during the 3½-hour ceremony on CBS, with most of the prizes given at a non-televised event beforehand. This year, at 94, there are even more categories.
Instead, the telecast is primarily devoted to performances. A slew of A-list artists are lined up for Sunday's show on CBS and Paramount+ (8 EST/5 PST), from music veterans including Stevie Wonder, Sheryl Crow and Shakira to best new artist nominees Benson Boone, Sabrina Carpenter and Chappell Roan.
Last year's ceremony featured spectacular performances from Joni Mitchell and Billie Eilish. We look back at more of the best music moments from Grammys past:
Tina Turner, 'What's Love Got to Do with It' (1985)
With just a spotlight, a sparkling red dress and a microphone, Turner brought her boundless charisma to this simple yet soulful performance of this 1984 hit from her "Private Dancer" album. As she slinked up a staircase at the end of the number, the entire crowd leapt to its feet in admiration. - Patrick Ryan
Michael Jackson, 'The Way You Make Me Feel' / 'Man in the Mirror' (1988)
Although his 1987 classic "Bad" lost album of the year to U2's "The Joshua Tree," Jackson still won the night with this epic 10-minute medley. Alone and dancing center-stage for most of the performance, the dynamic MJ proved that all he needs is a mic and a moonwalk to captivate a crowd. - Ryan
Eric Clapton, 'Tears in Heaven' (1993)
Two years after the tragic accidental death of his 4-year-old son, Conor, the guitar icon performed this heartbreaking tribute at the 1993 Grammys. "I want to thank my son for the love he gave me and the song he gave me," Clapton said during the show, where the elegiac "Tears" won record and song of the year. - Ryan
Whitney Houston, 'I Will Always Love You' (1994)
Houston opened the 1994 ceremony with a flawless and thrilling rendition of her signature "The Bodyguard" anthem, which picked up record of the year. Jennifer Hudson would later perform the track at the 2012 Grammys, movingly honoring the late legend just a day after her death. - Ryan
Aretha Franklin, 'Nessun Dorma' (1998)
It's one of the greatest stories in Grammy history. Stepping in last minute for an ailing Luciano Pavarotti, the Queen of Soul stood by patiently as the orchestra played the swelling notes of the Italian aria before turning to the mic and unleashing that voice. We knew she could slay soul and gospel, but opera? She belted every grand note with the ease of a legend. - Melissa Ruggieri
Ricky Martin, 'La Copa de la Vida' (1999)
Though he was already an international star, the U.S. hadn't been properly introduced to Martin until he razzle-dazzled Grammy viewers with a vivacious performance stocked with sizzling live brass, a drum line sashaying down the aisles and his gleaming smile. An instinctual showman with hips rotating into a different zip code, Martin unleashed unfettered joy while simultaneously wiping his Menudo years from his resume and ushering in a crossover movement of Latin pop. - Ruggieri
U2, 'Beautiful Day' (2001)
In his trademark tinted shades, Bono slowly rose from his patented crouch as the anthem reached its first chorus, a sunrise of light bursting behind him and the band. But it was the moment after the Edge's mellifluous guitar solo, when the magnetic frontman strolled through the aisles, tipping the camera toward his face for emphasis, that so adeptly captured the song's aural grip. - Ruggieri
Madonna, 'Hung Up' (2006)
We dare you not to smile watching this genius medley of Gorillaz's "Feel Good Inc." and Madonna's ABBA-sampling hit "Hung Up." It's easily one of the Queen of Pop's most vibrant and joyful performances in years. - Ryan
Amy Winehouse, 'You Know I'm No Good' / 'Rehab' (2008)
Undergoing treatment for drug addiction at the time, Winehouse delivered a bewitching performance via satellite from a London soundstage, which was made to look like a posh jazz nightclub. The singular young star, who died of alcohol poisoning in 2011 at age 27, went on to receive five Grammy Awards that night, including best new artist. - Ryan
Beyoncé, 'If I Were a Boy' (2010)
This list could be filled entirely by Queen B performances, from her electrifying 2004 team-up with Prince to her divine, gravity-defying spectacle at the 2017 show. But instead, we'd like to spotlight her powerhouse pipes doing "If I Were a Boy" at the 2010 Grammys, which she effortlessly mashed up with Alanis Morissette's "You Oughta Know." - Ryan
Pink, 'Glitter in the Air' (2010)
Honestly, still the most breathtaking thing we've ever seen on an awards show and proof that Pink is an actual superhuman. The pop star hung from the ceiling and belted vulnerable ballad "Glitter in the Air," flying over the audience with aerial silks, and spinning and singing upside down all while soaking wet. - Ryan
Lady Gaga, 'Born This Way' (2011)
In typically avant-garde fashion, Gaga arrived at the 2011 Grammys in a giant egg-shaped vessel, which she claimed to have stayed in for 72 hours. After being carried down the red carpet, she "hatched" on stage for a dance-heavy spin on her LGBTQ anthem "Born This Way," which she performed in a yolk-colored latex ensemble. - Ryan
Daft Punk, 'Get Lucky' (2014)
Where else can you get Daft Punk, Stevie Wonder, Nile Rodgers and Pharrell Williams all on one stage? Together, they played a groovy, neon-soaked mashup of "Get Lucky," "Another Star" and "Le Freak" that had the whole audience on their feet. Come for the crowd shots of Yoko Ono and Paul McCartney boogying, stay for the bittersweet reminder that our favorite French robot DJs are no longer together. - Ryan
Adele, 'Fastlove' (2017)
Showing the type of unvarnished emotion we're used to with the British songbird, Adele stopped her audibly off-key ballad version of 'Fastlove,' performed in tribute to recently deceased George Michael, with a heartfelt, 'I'm sorry, I can't mess this up for him.' After a restart, she soared along with the string section as touching video of Michael playing behind her. - Ruggieri
Kendrick Lamar, 'XXX' / 'DNA' / 'New Freezer' / 'King's Dead' (2018)
Featuring a musical assist from Bono and The Edge, as well as cutting interludes from comedian Dave Chappelle, Lamar opened the Grammys with an explosive medley about racism in America, which ended with red-hooded dancers falling to the stage amid the sounds of gunfire. - Ryan
St. Vincent and Dua Lipa, 'Masseduction / One Kiss' (2019)
Is this the hottest thing that has ever happened on TV? The pairing of Dua Lipa and alt-rock singer/guitarist Annie Clark (aka St. Vincent) might've seemed strange on paper, but it immediately works thanks to their intense chemistry and Clark's blistering guitar. - Ryan
Cynthia Erivo, Leslie Odom Jr., Ben Platt and Rachel Zegler, In Memoriam (2022)
A trio of Tony winners – joined by "West Side Story" breakout Zegler – harmonized gorgeously on this elegant and deeply affecting medley of songs by late Broadway composer and lyricist Stephen Sondheim, who died in 2021. By the time they all congregated on stage to perform the wistful 'Somewhere' from 'West Side,' we could hardly see the TV screen through our tears. - Ryan
BTS, 'Butter' (2022)
After an intro that sparked 'Mission Impossible' and 007 vibes, the K-pop heroes, clad in sleek black suits and headsets, glided across the stage with precision, their vocals as smooth as, well, you know. The mid-song break to leap through lasers crisscrossing the stage and turn their jackets into air guitars was a masterclass in finesse. - Ruggieri
Miley Cyrus, 'Flowers' (2024)
Hair teased and skin bared, Cyrus not only walloped her way through the song with Tina Turner-meets-Charo pluck, but also tossed in some of her signature tart humor ('Why are you acting like you don't know this song?' she interjected to the audience after the first verse) and unpredictability ('I just won my first Grammy!' she yelled midsong). When Miley has fun, we all benefit. - Ruggieri

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Family Guy's Seth MacFarlane turns to alcohol to deal with stage fright: 'I definitely get nervous'
Family Guy's Seth MacFarlane turns to alcohol to deal with stage fright: 'I definitely get nervous'

Yahoo

time6 hours ago

  • Yahoo

Family Guy's Seth MacFarlane turns to alcohol to deal with stage fright: 'I definitely get nervous'

Seth MacFarlane "definitely gets nervous" before a performance. The 51-year-old star is best known as the creator of the long-running animation series 'Family Guy' but has also released eight studio albums during his career and admitted that he has previously had to turn to alcohol to cope with stage fright. Speaking on 'CBS Sunday Mornings', when asked if he sees himself an introvert, he said: "Oh hell, yeah! I don't even wanna be here! No, I'm just kidding! "I think I had, like, four Scotches before I walked out on stage at the Oscars. I do get...I definitely get nervous." After graduating with a degree in animation from Rhode Island School of Design, Seth was all set to study a graudate programme in musical theatre but was then suddenly recruited to work on the carton series 'Johnny Bravo' 'Cow and Chicken' and 'Dexter's Laboratory' for Hana-Barbera so jumped at the chance, but admitted there was a his signature creation may never have come to fruition at all. He said: "My sister at the time was going to the Boston Conservatory of Music for musical theatre. She has a beautiful singing voice. I had gotten it into my head that I was going to go to grad school for musical theatre as well, so I applied and got in and was all set to go for their grad programme, but then I got this offer from Hanna-Barbera to come do an animated short for a series they were doing so I just had to take it and I moved out to California. "There was an incident there where I could have diverged into a completely different career and never even thought about something called 'Family Guy'." Seth also voices the roles of Peter, Brian and Stewie Griffin on 'Family Guy' and admitted that after more than 25 years on air, he has now begun to "analyse" the near-the-knuckle comedy in the programme in a way he hasn't done so before. He said: "When I started the show, my attitude was 'It doesn't matter, none of it matters. Let's do it...' and now that I'm older, I look back at the shows that we've done and think it's a little more complicated than that. "Comedy and jokes do have an impact. I have to figure out a way to maintain what the show is, and maintain this thing that people love but at the same time recognise that I am analysing it now in a different way than I did when I was younger."

One of Taylor Sheridan's best Paramount+ shows is getting a spinoff set in New Orleans
One of Taylor Sheridan's best Paramount+ shows is getting a spinoff set in New Orleans

Yahoo

time6 hours ago

  • Yahoo

One of Taylor Sheridan's best Paramount+ shows is getting a spinoff set in New Orleans

If you purchase an independently reviewed product or service through a link on our website, BGR may receive an affiliate commission. If you've been enjoying the rugged and unapologetically ridiculous mob drama that is Tulsa King, then you're in for a treat — Paramount+ is getting ready to expand the show's universe with a spinoff set in New Orleans, and Samuel L. Jackson is stepping in to lead the charge. Variety reports that Jackson is attached to star in and executive produce the new series, the working title of which is NOLA King. Which, I don't know about you, but already conjures up for me an image of Jackson in a stylish blazer, pacing the French Quarter with a cigar in one hand and a cane in the other. Today's Top Deals Best deals: Tech, laptops, TVs, and more sales Best Ring Video Doorbell deals Memorial Day security camera deals: Reolink's unbeatable sale has prices from $29.98 While Paramount+ hasn't shared much beyond the basics, here's what we do know: Jackson will reportedly guest star in the upcoming third season of Tulsa King, setting up his own series in the process. NOLA King will follow a character comparable in vibe to Sylvester Stallone's Dwight Manfredi — meaning, Jackson will play a larger-than-life figure with a past, a purpose, and probably a handful of quotable threats up his sleeve. Specific plot details are still under wraps, but if it's anything like Tulsa King, expect the tone to lean more toward campy crime caper than prestige television. Not that that's automatically a bad thing. It's not going to win any critical acclaim anytime soon, but fans like me don't care; Tulsa King remains one of my favorite guilty pleasures on TV. Not every show has to reinvent the wheel or leave reviewers spellbound, and Tulsa King doesn't pretend to be anything it's not. Who cares that the premise — Stallone, at 76, playing a mafia boss who decamps to Oklahoma to set up shop — is just south of plausible? The show nevertheless leans in with total confidence, like a guy at the blackjack table who's already smashed and still playing five hands at once. It's the streaming equivalent of good old fashioned comfort food. I say all that because this New Orleans spinoff, if it keeps that same spirit, could end up being a blast. Think Tulsa King but with more jazz, maybe some voodoo references, and Samuel L. Jackson probably yelling at someone while wearing a cool hat. And while Paramount+ hasn't revealed any other specifics regarding NOLA King just yet, Season 3 of the OG series — which will serve as the launchpad for Jackson's character — is already in production. Honestly, if the spinoff gives me even half the unhinged joy of watching Stallone shake down a weed dispensary, I'll definitely be all in. And so will quite a few other viewers, I imagine. 'This show, like every other Taylor Sheridan-produced show, is going to be a hit,' TV industry commentator and critic Dan Barrett wrote in his Always Be Watching email newsletter Thursday. 'People will talk about it. And viewers will be there for it.' Don't Miss: Today's deals: Nintendo Switch games, $5 smart plugs, $150 Vizio soundbar, $100 Beats Pill speaker, more More Top Deals Amazon gift card deals, offers & coupons 2025: Get $2,000+ free See the

Media mogul Shari Redstone says she is being treated for cancer
Media mogul Shari Redstone says she is being treated for cancer

Yahoo

time9 hours ago

  • Yahoo

Media mogul Shari Redstone says she is being treated for cancer

Shari Redstone, the media mogul who has been trying to sell Paramount in a politically fraught transaction, is undergoing treatment for cancer. Redstone 'was diagnosed with thyroid cancer earlier this spring,' her spokesperson said in a statement. 'While it has been a challenging period, she is maintaining all professional and philanthropic activities throughout her treatment, which is ongoing.' 'She and her family are grateful that her prognosis is excellent,' the spokesperson added. Redstone, 71, controls Paramount Global, the media company that owns CBS, cable channels like MTV and Comedy Central and the Paramount Pictures movie studio. She has been in talks to sell her stake in the company since 2023, and she has a deal on the table with Skydance Media, which was founded by David Ellison. But the deal needs government approval, and it has run into political roadblocks, chiefly President Trump's much-lambasted lawsuit against CBS over a '60 Minutes' segment last fall. Redstone has been encouraging Paramount to settle with Trump – a move that could look like a payoff in exchange for government approval and which would spark an outcry from CBS News journalists. Officially, the merger review process and the Trump lawsuit are totally separate matters. But unofficially, people both inside and outside CBS see connections, with Redstone believing that a settlement would be in the best interests of the company. Redstone and her family also stand to make more than $2 billion if the Skydance deal takes effect. Conversely, Paramount would likely have to pay a $400 million breakup fee if it doesn't. Redstone has not commented publicly on the matter. The New York Times broke the news of the cancer diagnosis on Thursday evening. 'While she closely monitors developments at Paramount and remains eager to see a deal with Skydance completed, she continues to be occupied with medical consultations and treatment,' The Times reported.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store