Hunt is on for most faithful Teessider as event inspired by hit BBC TV show coming to Middlesbrough
Middlesbrough-based Teesside Hospice has launched a new event inspired by the popular game show – and is on the hunt for the most faithful Teessider. 'Teesside Traitors' will see 20 people come together and compete for the title of Teesside's most faithful in the new event, which is modelled on the hit BBC series and will take place on Friday, October 10.
Held at Project Escape in Middlesbrough, participants will complete missions and test their strategy skills in a range of deceitful activities – all while trying to hunt out the traitors from the faithful. Community and Events Manager Tilly Roberts said: 'If you're a fan of the Traitors show in particular, this event is not one to be missed.
READ MORE: Police confirm firearm arrests as cordon erected across street and 'armed officers' called to scene
READ MORE: Pub owner says 'It's been a ride' as he announces closure of Stockton bar
'We're calling on people in the region to come together to enjoy something unique while also supporting an important cause. The event will closely mirror the TV show and game, with a few twists and turns to keep you on your toes.'
Teesside Hospice provides care for people with life-limiting illnesses, and their families, through a specialist In-Patient Unit, bereavement support, wellbeing centre and Lymphoedema Clinic. It costs around £6.75 million each year to run these services, over 70% of which the charity needs to raise itself through donations and events such as Teesside Traitors.
Tilly continued: 'Events are a huge part of our fundraising for the hospice and we're always trying to drum up new ways for people to get involved with our charity and support the local people who use our services. With the launch of Teesside Traitors, we're excited to bring everyone together to give the hospice a vital boost, while also having lots of fun – and a bit of treachery!
'Will you join us at the roundtable and help raise vital funds and awareness for Teesside Hospice?' To find out more about Teesside Hospice and Teesside Traitors, visit www.teessidehospice.org/events. All proceeds will go towards the hospice's services.
Registration fee includes a breakfast, lunch, three activities including an escape room and mini golf session, as well as the chance to win a share of the £150 prize pot.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Funny, poignant play about three comedy giants heads for Bradford
IF you could listen in on a conversation between three comedy legends in a dressing-room, what would unfold? The Last Laugh, a funny, nostalgic, poignant play, re-imagines a gathering of three of Britain's great comedy heroes - Tommy Cooper, Eric Morecambe and Bob Monkhouse. Direct from the West End, the play is heading for Bradford's Alhambra Theatre, starring Bob Golding as Eric Morecambe, Damian Williams as Tommy Cooper and Simon Cartwright as Bob Monkhouse, all reprising their roles following the Edinburgh run. Bob starred as Eric Morecambe in West End hit Morecambe, and was nominated for an Olivier Award. Damian played Tommy Cooper in the tour of Being Tommy Cooper and for the past 17 years has been the resident Dame in Sheffield Lyceum pantos, winning Best Pantomime Dame at The Great British Pantomime Awards. Simon has been an actor and impressionist since the 1980s. He toured the UK in the play Howerd's End, playing legendary comedian Frankie Howerd. Damian Williams (Tommy Cooper), Bob Golding (Eric Morecambe) and Simon Cartwright (Bob Monkhouse). Image: Pamela Raith Photography Ahead of The Last Laugh's run at the Alhambra, the cast chatted about the show. * What are your own memories of the three comics? Bob Golding: 'I remember a Christmas special where Eric and Ernie were dressed as turkeys. I was mesmerised at their ability to make not just me laugh but my parents, my younger brother and my grandmother who'd chuckle and mutter 'silly bu**ers'.' Damian Williams: 'I have so many fond memories of these men; watching them at Christmas with the family, sitting with my dad watching Tommy Cooper and seeing him crying with laughter. I grew up with them and was certainly influenced by them. Tommy is the reason I got into the business.' Simon Cartwright: 'All three were legends of British light entertainment. I enjoyed watching Bob Monkhouse presenting in the early 70s - I'd have been six-years-old - programmes like The Golden Shot then into the 80s with Bob's Full House. Fond memories of happier family environments when we'd all watch stuff together.' Simon Cartwright as Bob Monkhouse. Image: Pamela Raith Photography * Without giving too much away, what is The Last Laugh about - and why does it resonate with audiences today? Bob: 'Put simply, The Last Laugh is what happens when you put three comedy legends in a dressing-room and lock the door. You've got Tommy Cooper, Bob Monkhouse and Eric Morecambe putting the world to rights, one laugh at a time. It's a love letter to comedy, to friendship and to those glorious gags that never get old - unlike us! 'But it's not just about jokes, it's about legacy, life and how laughter carries us through the darkest moments. Audiences come in expecting a chuckle and leave with a lump in their throat. It reminds people why comedy matters, especially in today's world where we could all do with a bit more joy and a lot more heart.' Damian: 'Watching The Last Laugh is the closest you'll get to spending 80 minutes in the company of these great men. It's about the art of comedy, the relationship between these three men and what's it's really like to be funny for a living. 'It's full of laughs, nostalgia warmth and love.' Damian Williams as Tommy Cooper. Image: Pamela Raith Photography Simon: 'I think it reflects on a time when families watched television together. Nowadays that's rare. I think people remember when they sat down together, the halcyon days. Looking back to the 60s and 70s, people seem to think they were happier times.' * The show has played the Edinburgh Fringe Festival, London's West End and New York. What has the response been like? Bob: 'It's been an absolute riot - in the best possible way! Edinburgh? Huge laughs and standing ovations. The West End? Packed houses, five-star reviews, audiences who didn't want to leave the theatre. And New York? They loved it - even if they didn't know who Eric was! 'We've had people in tears, happy ones! They've told us how much it meant to see their comedy heroes brought back to life. The joy is infectious. Every night is like a celebration, not just of these men, but what it means to really laugh.' Bob Golding as Eric Morecambe. Image: Pamela Raith Photography (Image: Pamela Raith) Damian: 'It really has struck a chord with people. It's blown our minds.' Simon: 'We've had a remarkable reaction, getting standing ovations and moving people, particularly men of a certain age becoming quite emotional. I think they can apply memories from their youth, and somehow connect with these comedians. 'It was a time when comedy was more innocent, I think people appreciate that these comedians weren't particularly political or had an agenda other than being funny and making us feel good.' * How do you find the balance between playing a caricature and making the roles your own? Bob: 'It's all about capturing the spirit of them and avoiding cliche, impressions or over used gestures. With every character I play there'll be an element of myself in it. I've played Eric for over 16 years now, my connection and respect for him has become stronger. I've never lost sight of the fact that I'm on the coat tail of his greatness.' Damian: 'I wanted to play Tommy as the man he was. It's been interesting to study him and learn about who he was. The three of us have worked incredibly hard to capture them without doing a caricature.' Simon: 'I knew Bob Monkhouse personally, so I can draw on what he was like off-stage. These are three vulnerable men who share the love of making people laugh, and they get there in different ways. It's about finding truth rather than trying to create an impression.' * What do you hope audiences take away from the play? Bob: 'What we've found is that people of a certain age have left in a bit of an emotional state. They've laughed and cried; I think it awakens a more innocent time in our youth when elder family members were still with us. It's a feelgood piece of theatre and a reassuringly British experience.' Damian: 'Audiences are transported back to a time when they sat as a family and watched these great comedians on TV. We can feel the love as soon as the play starts.' Simon: 'I hope audiences take away a new insight into the three comedians. I hope that a younger generation, who might not have seen them before, walk away with an interest. I hope for the older generations we're a warm reminder of a bygone age - the golden age of British comedy!' * The Last Laugh is at the Alhambra from September 16-20. Call (01274) 432000 or visit
Yahoo
an hour ago
- Yahoo
Netflix's New Releases Coming in August 2025
An Oxford-set college rom-com from the guy behind The Inbetweeners; the return of one of Netflix's biggest ever shows; Genndy Tartakovsky's latest adult animated project; Vanessa Kirby's return to more intimate dramas about the human condition; a documentary that promised to shed new light on the Jussie Smollett hate crime incident; and a murder mystery film featuring several British and Irish acting icons are some of the highlights among the new films and series hitting Netflix in August. Kicking off August is the rom-com My Oxford Year, which focuses on the tried and trusted formula of a young American girl heading to stuffy old Europe and finding love with some impossibly handsome and terribly charming guy, so it's almost guaranteed to find a huge audience. In this instance, Sofia Carson plays Anna, an ambitious American student at Oxford University whose life is changed when she meets impossibly handsome and terribly charming local Jamie played by Corey Mylchreest. The film is directed by Iain Morris (yes, the same guy who co-created and co-wrote The Inbetweeners) and is written by Allison Burnett and Melissa Osborne, based on the novel by the same name by Julia Whelan. The cast also includes Dougray Scott, Catherine McCormack, Harry Trevaldwyn, and Hugh Coles. My Oxford Year debuts on Aug. 1. More from The Hollywood Reporter Arnold Schwarzenegger's 'FUBAR' Canceled at Netflix After Two Seasons British Tough Guy Ray Winstone to Receive Sarajevo Festival Award Former Netflix Executive Alleges Gender Bias and Sexual Harassment in Lawsuit Netflix's big launch this month is season two of the monster hit Wednesday, which premieres Part 1 on Aug. 6. Wednesday season one is amongst Netflix's most watched shows ever, and the streamer has already confirmed a third season and plans for spinoffs. The sophomore outing for the show sees Jenna Ortega's kooky Wednesday Addams return for another year at the dark, mysterious and very Gothic Nevermore Academy. The creative team that made season one of Wednesday such a huge hit are all back, including creators/showrunners Alfred Gough and Miles Millar and of course EP and director Tim Burton who gave the show his unmistakable look and feel. New cast additions include Steve Buscemi, Joanna Lumley and Billie Piper and returning castmembers include Emma Myers, Fred Arminsen Catherine Zeta-Jones, Luiz Guzman and Isaac Ordonez. Genndy Tartakovsky is one of the biggest names in animation, and the man behind Dexter's Laboratory, Samurai Jack, Star Wars: Clone Wars and Hotel Transylvania has a new animated feature launching on Netflix on Aug. 13. Produced by Sony Pictures Animation, Fixed sees Tartakovsky in full adult comedy mode, the logline reads, '[the film is about] Bull, an average, all-around good dog who discovers he's going to be neutered in the morning! As the gravity of this life-altering event sets in, Bull realizes he needs one last adventure with his pack of best friends as these are the last 24 hours with his balls!' The stellar voice cast includes Adam DeVine, Idris Elba, Kathryn Hahn, Fred Armisen, Beck Bennett, and Bobby Moynihan. The Invisible Woman will be very visible on Netflix in August, with Vanessa Kirby debuting her new film Night Always Comes on Aug. 15. The Oscar-nominated British actress is on a career hot streak at the moment, starring in big budget spectacles like The Fantastic Four: First Steps, Napoleon and Mission: Impossible — Dead Reckoning as well as critically acclaimed dramas such as Pieces of a Woman, and her latest, which she also produced, is more in the vain of the latter film that scored Kirby an Academy Award nomination. Directed by Benjamin Caron, Night Always Comes is a gritty crime thriller about a desperate woman (Kirby), who over the course of a night risks everything in order to secure her home and her future. The feature is an adaptation of Willy Vlautin's 2021 novel and is written by Sarah Conradt. The cast also includes Jennifer Jason Leigh, Zack Gottsagen, Stephen James, Randall Park, Julia Fox, Michael Kelly, and Eli Roth. On Aug. 22, Netflix launches the sure-to-be-controversial and discourse-breaking The Truth About Jussie Smollett? The documentary film purports to tell 'a shocking true story of an allegedly fake story that some now say might just be a true story,' casting new light on the absolutely wild incident that involved Empire actor Jussie Smollett who in January 2019 claimed to have been victim of a viscious hate crime. The doc features interviews with police, lawyers, journalists, investigators and with Smollett. The Truth About Jussie Smollett? comes from RAW, the producers behind the viral docs Don't F**k with Cats and Tinder Swindler. Another big movie release for Netflix this month is The Thursday Murder Club, a feature based on the 2020 murder mystery novel by Richard Osman. The film, directed by Chris Columbus, features an all-star cast of British and Irish acting legends including Oscar-winners Helen Mirren and Ben Kingsley, as well as Pierce Brosnan, Celia Imrie, Jonathan Pryce, David Tennant, Richard E. Grant and rising Naomie Akie. The Thursday Murder Club tells the story of four 70-somethings, with unique past lives, who decide to solve a murder in a retirement home. Tapping into some of the ingredients that made films like The Best Exotic Marigold Hotel and even Netflix's own recently released Nonnas a hit, The Thursday Murder Club debuts on Aug. 28. Movies added to Netflix in August include American Pie, American Pie 2, Anaconda, Clueless, Dazed and Confused, The Departed, Despicable Me, Despicable Me 2, Fast Times at Ridgemont High, Groundhog Day, Journey 2: The Mysterious Island, Journey to the Center of the Earth, Jurassic Park, The Lost World: Jurassic Park, Jurassic Park III, Megamind, Minions, Rush Hour, Rush Hour 2, Rush Hour 3, Thirteen, Weird Science, Wet Hot American Summer, Wyatt Earp, The Fast and the Furious, 2 Fast 2 Furious, The Fast and the Furious: Tokyo Drift, Fast Five, Fast & Furious 6, Furious 7 and Fast & Furious Presents: Hobbs & Shaw. Missed what came to Netflix last month? Check out the July additions here. Read on for the complete list of titles hitting Netflix in August. Aug. 1 My Oxford YearPerfect Match: Season 3American PieAmerican Pie 2AnacondaCluelessDazed and ConfusedThe DepartedDespicable MeDespicable Me 2Fast Times at Ridgemont HighFire Country: Season 2Groundhog DayJourney 2: The Mysterious IslandJourney to the Center of the EarthJurassic ParkThe Lost World: Jurassic ParkJurassic Park IIIMegamindMinionsPawn Stars: Season 16Rush HourRush Hour 2Rush Hour 3ThirteenWeird ScienceWet Hot American SummerWyatt Earp Aug. 2 Beyond the Bar (KR) Aug. 5 Love Life: Seasons 1-2SEC Football: Any Given SaturdayTitans: The Rise of Hollywood: Season 1 Aug. 6 Wednesday: Season 2 Part 1 Aug. 8 Stolen: Heist of the Century (GB) Aug. 10 Marry Me Aug. 11 Outlander: Season 7 Part 1Sullivan's Crossing: Season 3 Aug. 12 Final Draft (JP)Jim Jefferies: Two Limb Policy Aug. 13 Love Is Blind: UK: Season 2 (GB)FixedSaare Jahan Se Accha: The Silent Guardians (IN)Songs From the HoleYoung Millionaires (FR) Aug. 14 In the Mud (AR)Miss Governor: Season 1 Part 2Mononoke The Movie: Chapter II – The Ashes of Rage (JP)Quantum Leap: Seasons 1-2 Aug. 15 The Echoes of Survivors: Inside Korea's Tragedies (KR)Fit for TV: The Reality of the Biggest LoserNight Always Comes Aug. 16 The Fast and the Furious2 Fast 2 FuriousThe Fast and the Furious: Tokyo DriftFast FiveFast & Furious 6Furious 7Fast & Furious Presents: Hobbs & Shaw Aug. 18 CoComelon Lane: Season 5Extant: Seasons 1-2 Aug. 19 America's Team: The Gambler and His CowboysTitans: The Rise of Wall Street: Season 1 Aug. 20 Fisk: Season 3Rivers of Fate (BR) Aug. 21 The 355Death Inc.: Season 3 (ES)Fall for Me (DE)Gold Rush Gang (TH)Hostage (GB)One Hit Wonder (PH) Aug. 22 Abandoned Man (TR)Long Story ShortThe Truth About Jussie Smollett? (GB) Aug. 27 Fantasy Football Ruined Our Lives (IT) Aug. 28 Barbie Mysteries: Beach DetectivesMy Life With the Walter Boys: Season 2The Thursday Murder Club Aug. 29 Two Graves (ES)Unknown Number: The High School Catfish Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Yahoo
an hour ago
- Yahoo
If even Pride & Prejudice has to have a ‘diverse' cast, the English period drama is dead
Five years ago the BBC website published an article headlined: 'Is It Time the All-White Period Drama Was Made Extinct?' Well, it clearly is now. These days every period drama has an ethnically diverse cast, regardless of when it's set: the 1920s (Wicked Little Letters), the 1530s (Wolf Hall: The Mirror and the Light), even 1066 (King and Conqueror, the BBC's forthcoming serial about the Battle of Hastings). So it came as no surprise to read, this week, that Netflix's new adaptation of Pride & Prejudice will have a diverse cast, too. Personally I find this a fascinating trend. Producers of period dramas always go to the most painstaking lengths to ensure that costumes, furniture and decor look scrupulously authentic. Yet when it comes to casting, they do the opposite – and pretend that, 200 or 500 or 1,000 years ago, England was every bit as multicultural as it is in the 2020s. They would die of embarrassment if, in the background, viewers were to glimpse a set of solar panels, or double yellow lines. But black Anglo-Saxons? No problem at all. It's a peculiar combination. If we've decided that historical verisimilitude no longer matters in casting, surely we should be consistent, and decide that it no longer matters in clothing or behaviour, either. Let Regency noblemen wear Arsenal shirts. Show the Normans riding into battle in Chinooks. Have Sir Thomas More take a selfie on the scaffold. At any rate, the author of the BBC's article about making the 'all-white' period drama extinct seemed to approve of this new trend in casting. 'Finally,' she wrote, 'the industry is demonstrating that period drama is a genre in which racial diversity can be both reflected and celebrated.' This is all very well. The trouble is, it makes it look as if racial diversity has been 'celebrated' throughout our history. To viewers, this must be puzzling. In recent years, we've been endlessly told that Britain's past was shamefully racist. Yet period dramas tell us it was a multicultural utopia, in which people of all races were welcome at every level of society. Still, we mustn't carp. I'm sure this colour-blind approach to casting applies equally to all. I look forward to the BBC airing a period drama about the Windrush, in which the main passengers are played by Hugh Grant and Keira Knightley. At last: a Labour policy I actually like Normally I believe that a job should always go to the best-qualified candidate, and that preferential treatment should not be given to 'under-represented' groups. On this occasion, however, I'm going to be brazenly hypocritical and toss my principles aside. This is because, from now on, the Government wants all civil service interns to be working-class. And I think it sounds like a great idea. Of course it's not meritocratic. But Whitehall is the one place that might actually benefit from a bit of naked class warfare. Remember that Laura Kuenssberg documentary from 2023, which revealed that, the morning after the EU referendum, civil servants were 'in tears'? How many working-class staff would have reacted like that? If Nigel Farage is worried that a Reform government would be stymied by Brexit-hating mandarins, this dramatic change in recruitment policy should please him no end. The trouble with the 'Islamo-Left' In 1999, the writers of the satirical website The Onion published a very funny book called Our Dumb Century. It consisted of spoof newspaper front pages, inspired by the key events of the previous 100 years. And among its countless highlights was the headline of a story about Japan entering the Second World War on the side of Nazi Germany. It read: 'Japan Forms Alliance with White Supremacists in Well-Thought-Out Scheme.' I always remember that phrase 'Well-Thought-Out Scheme', whenever I read about the Western anti-Israel LGBTQIA+ group that calls itself Queers for Palestine. Yet, no matter how often critics argue that it might as well call itself Chickens for KFC, its members remain undeterred. Mind you, they aren't the only ones who believe there's a happy and united future for the so-called 'Islamo-Left'. The new party led by Jeremy Corbyn and Zarah Sultana is likely to attract many others who see no drawbacks to forming an alliance between one group that's extremely liberal on social issues, and another that is sometimes, shall we say, a bit more conservative. I wonder how many of these adorably well-meaning Corbynites are aware of what happened a few years ago in Hamtramck, Michigan. When the city elected America's first ever all-Muslim council, local progressives were jubilant. This was a glorious victory for marginalised minorities – and a crushing defeat for small-minded bigots. Imagine their shock, therefore, when the Muslim council then banned the flying of the LGBTQIA+ Pride flag from city property. According to the Washington Post, the local progressives felt not just appalled, but 'betrayed'. 'We welcomed you,' wailed a retired social worker. 'We created nonprofits to help feed, clothe, find housing. We did everything we could to make your transition here easier – and this is how you repay us, by stabbing us in the back?' Sadly, as Robert Burns more or less put it: the well-thought-out schemes o' mice an' men gang aft agley. Way of the World is a twice-weekly satirical look at the headlines aiming to mock the absurdities of the modern world. It is published at 6am every Tuesday and Saturday Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more. Solve the daily Crossword