
Event noticeboard: Kite making, sequinned quilts and multi-sensory films
I have always wanted to taste tītī (and kererū, but that's a different story). In photos I've seen those two little leg bones poking out of perfectly golden little bodies. The fact that they're harvested annually from windy rocks in the cold Foveaux Strait makes them especially tantalising. Tītī can be bought brined and in buckets online but if I was to cook one myself I would never really know if I'd done it right. If I'm going to eat a delicacy, especially in the form of a little salty, fishy seabird, I want to know its just as intended. This is why I'm jealous of southerners this week. Those in Invercargill can treat themselves to a pre-Matariki feast of tītī and learn about the birds, islands, harvest and traditions at the same time at The Batch Cafe. I will have to settle for finally having tried something else I've had my eye on, cacio e pepe at Pici in Auckland. It was salty, and it looked like a bowl of worms. So fun to try new things!
Workshop: Manu Raupō with Alicia Courtney
Hihiaua Cultural Centre, 56-58 Herekino Street, Whangārei
10am Saturday, June 7
Koha appreciated, registration needed
Māori kites are often called manu tukutuku, with tukutuku referring to the winding out of the line. They are flown to celebrate Matariki and are thought of as a way to communicate with loved ones who have died and a way to connect Papa and Rangi through flight. There were at least 17 different types of manu tukutuku before colonisation, but only three types have survived. Traditionally kites were decorated with feathers, shells, carved faces and red and black patterns. Some had long feather tails or rattling shells.
On Saturday morning you can make your very own kite from raupō (bulrush) in prepartion for Matariki with guidance from local artist Alicia Courtney (Pākehā). Courtney has spent time at Hoani Waititi Marae where she learned tikanga and became involved with Māori material culture. She has been guided by many kaumatua of Tai Tokerau. Her artistic practice is inspired by traditional Māori materials and methods and searches for a balance between respecting the technology of te ao tawhito (traditional Māori life and customs) with the necessity of living in te ao hurihuri (the contemporary world).
The workshop is part of a wider festival for Matariki called Pūanga. The following two events at Hihiaua are based on storytelling and look great too.
Paihia
Music: Ngati Soul Music
Bad Habits, 76 Marsden Road, Paihia
6-9pm Friday, June 6
Free entry
Ngati Soul plays music for those that don't just get wet, but feel the rain. He plays songs by Sublime, Otis Redding, Maroon 5 and more.
Matakana
Film: The Scammers
Matakana Cinemas, 2 Matakana Valley Road, Matakana
10.30am Wednesday, June 11
$14 – $22
Bon soir! The French Film Festival is on nationwide, with heaps showing at the Matakana Cinemas. See the full programme here.
Tāmaki Makaurau
Music: Junk Fest 2025
Double Whammy, downstairs at St Kevin's Arcade, 183 Karangahape Road
8pm, Saturday, June 7
$35 – $50
Junk Fest sold out last year and is back with a siiiiick line up including Vera Ellen, Twine, Hōhā and Scrambline.
Te Uru, 420 Titirangi Road, Titirangi, Auckland
10am-4.30pm daily
Free
Kokonga Ngākau includes five quilt figures: family members, deities, taniwha, merpeople. The title comes from the whakataukī 'He kokonga whare e kitea, he kokonga ngākau e kore e kitea' (The corners of a house can be seen, but not the corners of the heart).
Tauranga
It isn't likely you will see a wild kiwi, given they run a mile when they hear humans coming, but you will discover nocturnal creepy-crawlies like spiders and wētā and incredible glow-in-the-dark fungi.
Rotorua
Film: Banff Mountain Film Festival World Tour
Sir Howard Morrison Centre, 1170 Fenton St, Rotorua
7pm Friday June 6
$25 – $31
More than two hours of inspiring action, environmental, cultural and adventure films from around the world.
Te Whanganui-a-Tara
Theatre: Tūī Girls
Basement Theatre, Te Whaea – National Dance & Drama Centre, 11 Hutchison Road, Newtown
6.30pm and 4.30pm June 11-14
$15 – $25
Michaella Steel's new play about a Nan returning to spend her last few days with her beloved mokos before te rerenga wairua.
Blenheim
ASB Theatre Marlborough, 2 Hutcheson St, Blenheim
7pm Thursday, June 5
$48
'From the elegance of the classical era to the emotion of contemporary voices, Masterworks showcases the full power and beauty of live orchestral music.'
Kaikōura
Festival: Kaikōura Oceans Day Festival
Fyffe House, 62 Avoca Street, Kaikōura
10am Sunday, June 8
Free
Join Kaikōura Ocean Research Institute to celebrate World Ocean Day at Fyffe House.
Ōtautahi
Gemma Syme's multimedia project explores how personas are constructed, documented, represented and ripped apart. For its anniversary The Wet EP has been reissued with new video work in collaboration with Ōtautahi based artist Pentaloe.
Ōtepoti
Athenaeum Theatre, 23 The Octagon, Central Dunedin
6pm Friday, June 6
Free
Five new films embracing multi-sensorial knowledge systems by artists Kah Bee Chow, Selina Ershadi, Kite, Sonya Lacey and James Tapsell-Kururangi.
Invercargill
The Batch Cafe, 173 Spey Street, Invercargill
6pm Friday, June 6
$120
Join mahinga kai champion and storyteller Dan Tarrant, generous Ricky Fife and chef Ethan Flack for an evening of Tītī: a five-course meal, the birds, the islands, the harvest, the traditions and the whakapapa that binds it all.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Otago Daily Times
20 hours ago
- Otago Daily Times
Exhibition explores iconic performers
There is plenty of glitter, glamour and outrageous style in Auckland Museum's ''Diva'' exhibition but it is the underlying story that really resonates, finds Rebecca Fox. Getting up close to outfits most only see on the big or small screens at the ''Diva'' exhibition, there are two things that hit you. One is the extraordinary lengths artists will go to make a statement at the cost of their own personal comfort, and the other is how small they are. Discovering the mannequins the garments are hung on were all custom-made to fit the outfits only reinforces that - such as the Louis XIV-inspired look with towering powdered wig and train worn by Sir Elton John for his 50th birthday celebration, designed by Sandy Powell, or designer to the stars Bob Mackie's Cher costumes or Rihanna's 2018 Met Gala crystal outfit. They are among 280 objects, including show-stopping costumes, fashion, photography and music, that form ''Diva'', an exhibition by the Victoria and Albert Museum in London that has travelled to Auckland Museum. Each garment arrived already on its mannequin in crates. The exhibition is split into two acts: the first traces the origin and legacy of the diva across opera, stage and screen; the second explores the construction of the modern diva through fashion, voice, image and political power. ''Diva'' curator Kate Bailey says ''Diva'' explores the performer, not just as an artist, but as a trailblazer and how they have leveraged their fame to advocate for change from civil rights to gender equality. ''At the heart of this exhibition is a story of iconic performers who, with creativity, courage and ambition, have challenged the status quo and used their voice and their art to redefine and reclaim the diva.'' A highlight is the inclusion for Auckland of Dame Kiri Te Kanawa's millennium coat, worn at the New Year's Day 2000 performance that was broadcast to 1 billion people around the world. Auckland Museum curator of social history Jane Groufsky says it was selected from Dame Kiri's collection at Te Papa because it is one of the most conspicuously Aotearoa garments of the opera singer's due to its reference to the kākahu (adorned Māori cloak). ''She also fulfills a lot of the other things that we see with the other divas. She really fought for what she did, she worked hard, but then now in her more retired career, she has the foundation where she's supporting other young singers to come up and come through and follow that same path - which is kind of something she has in common with a lot of the divas in the exhibition, is that they're all using their voice to kind-of effect change in some positive way or bring up others and to follow in their footsteps.'' But there are also the stories of the first divas, with one of Groufsky's favourites, the Mariano Fortuny dress worn by American dancer and choreographer Isadore Duncan (1877-1927). ''It's hard to remind yourself how groundbreaking that style, that lack of form-fitting, was in the early 20th century. I think its still not known today how he did those pleats. So it's really special to see it in the museum.'' Another standout for her is the only known surviving dress worn by American actress Clara Bow (1905-65), who rose to fame during the silent film era of the 1920s, that is rarely seen outside of the United States. ''I went through a big silent film phase in my teens. She was the original ''it'' girl. It's amazing it survived.'' Accompanying all of these items is a soundtrack to match, played through headphones which cleverly pick up where you are looking and play the corresponding track, adding to the immersive feel of the exhibition. To see: DIVA, Tmaki Paenga Hira Auckland War Memorial Museum, until October 19.


Otago Daily Times
2 days ago
- Otago Daily Times
Polyfest returns
REPORT & PHOTO: NINA TAPU The best of Māori and Pasifika culture was brought to the ILT Stadium Southland stage for the first day of the Murihiku Polyfest yesterday. More than 8000 performers — including pupils from Te Kura O Rimu School (pictured) — will perform over the week to bring the sights and sounds of Polynesia to Southland. Over 1000 spectators, including whānau and friends, filled the auditorium armed with cameras and video recorders, cheering on their tamariki. More than 120 schools from across the region will be taking part in the annual festival, now in its 16th year.


Scoop
2 days ago
- Scoop
TE WHATU STARDOME: A New Dawn For Tāmaki Makaurau's Planetarium
Press Release – Elephant Publicity It reflects a bold new direction for the observatory as it deepens its commitment to Te Tiriti o Waitangi, honours its role as leaseholder on this sacred maunga, and shows how Indigenous knowledge and cosmological science can walk hand in hand to … At the first light of dawn on Monday 18 August, Auckland's Stardome unveiled its new name: Te Whatu Stardome, in a special ceremony held in partnership with mana whenua, Ngāti Whātua Ōrākei, on Maungakiekie. The renaming marks a major milestone in Stardome's five-year strategic journey to embrace biculturalism and embed mātauranga Māori into every part of its work. It reflects a bold new direction for the observatory as it deepens its commitment to Te Tiriti o Waitangi, honours its role as leaseholder on this sacred maunga, and shows how Indigenous knowledge and cosmological science can walk hand in hand to educate and inspire. 'Te Whatu is more than a name — it's a commitment,' says Stardome Chief Executive, Kelly Bewley. 'It invites us to honour the knowledge systems that have long guided people across land and sea, and to create a space where Indigenous perspectives and scientific exploration sit side by side. This is about how we see the universe — and how we see each other.' Te Whatu links the concept of 'the eye' to the phases of the maramataka, the cycle of life death and renewal within the cosmos and on Earth, planetary orbit, and has physical connections to an aerial view looking down upon Maungakiekie, and the telescope dome on the roof of Stardome itself. The new visual identity and tohu were created by artist Graham Tipene (Ngāti Whātua, Ngāti Kahu, Ngāti Hine, Ngāti Haua, Ngāti Manu), whose work across Tāmaki Makaurau is known for seamlessly weaving Māori values into the built environment. The design draws on the puhoro pattern, a motif that represents movement, water, and navigation. The symbolism of the puhoro acknowledges waka journeys guided by the stars and the twin harbours visible from the summit of Maungakiekie. Te Whatu Stardome is now one of only a handful of planetariums in the world to carry a name that reflects a meaningful and ongoing partnership with Indigenous knowledge systems. Other examples include the Imiloa Astronomy Center in Hawai'i, which means 'exploring new knowledge'; the Waasa Debaabing Observatory in Ontario, Canada, meaning 'seeing far'; and the Rapanui Planetarium on Easter Island, whose name translates to 'Eyes that Look to the Heavens'. From its home on Maungakiekie, Te Whatu Stardome stands proudly as a bicultural organisation delivering inspiring, relevant experiences that reflect many ways of knowing. Visitors will be invited to explore the cosmos through a variety of lenses – from the maramataka to modern astrophysics, from traditional navigation to cutting-edge telescope technology, creating connections between people, the planet, and the universe.