B&M shoppers can get a £20 dupe of The White Company's ‘iconic' £110 table lamp
The lamp features a sleek white concrete base with a large matching shade and sells for just £20 at the popular British discount retailer.
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The White Company's Clayton Table Lamp, currently priced at £110, has been popular for its minimalist design.
The upmarket home brand advertises the lamp as a versatile piece made from natural linen, ideal for bedside tables, consoles and sideboards.
B&M claims to offer a knockoff of the sought-after lamp.
The discount chain shared a video on social media promoting its own white lamp, with on-screen text that reads, "White Company who?" and "£20 base & shade".
The post drew comments from shoppers tempted by the bargains displayed in the video.
One user wrote: "I've got to stop looking at these posts, too much temptation."
Meanwhile, B&M shoppers can buy a three-person tent for just a fraction of the cost of the North Face equivalent.
B&M is selling the Outdoor Adventure 2-3 Person Camping Tent for £18.
North Face's Stormbreak 2-Person Tent is currently available for a total of £225.
Offering a similar capacity, the more expensive model is described as water-resistant, breathable and lightweight.
B&M launches their children's outdoor range which is perfect for summer - there's a £2 bargain that'll easily keep the kids entertained
B&M shoppers have also recently spotted a chair originally priced at £100 now selling for just £30.
The Louise chair, available in cream and green, measures 58cm wide, 72cm high and 68cm deep, and supports up to around 100kg.
Meanwhile, a garden gadget is available for just £1 at B&M.
The Modern Solar Table Lamp has been further reduced to £1, down from £1.50.
The lamp is 21cm tall and has a rechargeable battery, making it an affordable way to light up an outdoor space on summer nights.
It emits a soft, warm white LED light.
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Telegraph
an hour ago
- Telegraph
HMRC uses AI to spy on social media posts
HMRC has admitted for the first time that it uses artificial intelligence (AI) to spy on taxpayers' social media posts. The tax authority examines workers' financial records, spending habits and tax returns to look for evidence of cheating – as well as posts on the internet. Social media posts about a large purchase or expensive holiday could trigger a red flag if the user seems to be spending beyond their means. A spokesman insisted the tools were only deployed for social media monitoring in criminal investigations with 'robust safeguards in place'. It is understood this has been the case for a number of years, and that all uses of the controversial technology by the tax office are within the law. However, advances in AI are likely to raise concerns about whether HMRC could in future deploy the technology more widely. Bob Blackman, a senior Conservative MP, said: 'If they suddenly start taking legal action against individuals based on that, it seems draconian and very challenging – to put it mildly. 'You've got to have a check and balance. The risk is that AI gets it wrong and someone is pilloried – it seems a bit strange if they start doing that with AI. Without a human check, you can see there's going to be a problem.' The tools used to examine social media in criminal cases exist alongside Connect, a separate IT system used by HMRC to examine financial data for routine tax investigation. The Connect system was first developed over a decade ago, but is thought to be increasingly important as HMRC tries to save money by relying less on human beings to carry out its investigations. It uses billions of data points – including information to spot signs of tax evasion. Rachel Reeves is hoping to make up £7bn of the £47bn 'tax gap' by identifying those who have not paid enough into the national purse. Improvements to the AI software could hold the key to achieving this, after officials last month unveiled plans envisioning its use in 'everyday' tax processes at HMRC. In a 63-page document, HMRC said its staff will use AI to identify suspected tax evaders and send out 'automated nudges' asking them to pay what they owe. The report suggests use of AI within HMRC will become increasingly widespread, with staff currently using chatbots to summarise calls with customers and perform basic administrative tasks. Risks of 'Horizon Post Office-type scandal' The groundwork for the embrace of AI technology appears to have been laid in May, when Labour changed the department's privacy policy. A statement that appears to have been removed said: 'HMRC's use of AI does not replace human judgement when collecting taxes or determining benefits, and our customer services processes always involve human agents.' It now states: 'Where the use of AI could impact customer outcomes, HMRC makes sure that the results are explainable, there is human involvement [and] we are compliant with our data protection, security, and ethical standards.' Senior MPs raised concerns that troves of personal data could be used to make important tax decisions without human judgement – possibly leading to errors. Sir John Hayes, a former security minister and chairman of the Common Sense Group of Tory MPs, said: 'Where confidential or sensitive material is concerned, people need to be assured that human beings with experience, common sense and judgement are making decisions. 'Automated processes remove human interactions. I would be very concerned that we will end up with a Horizon Post Office-type scandal.' Sir John, who has raised questions in Parliament about the use of AI by the HMRC, added: 'The idea that a machine must always be right is what led to the Post Office scandal. I am a huge AI sceptic.' Tax investigators already using AI Fears were raised that AI has already been handed key decision-making powers over people's tax affairs after a legal battle led to the tax office being ordered last week to reveal its use of the software. It came after tax advisors complained AI was used by HMRC when processing applications for tax reliefs that are available to certain businesses. Tom Elsbury, a tax expert, sent a Freedom of Information request in December 2023 to the tax office after he and colleagues concluded AI was used when assessing applications for tax credits by companies conducting research and development activities. HMRC refused to fulfil the request, and the decision was upheld by the information watchdog, but a First-tier Tribunal ruled on Friday that the Government must reveal whether it used AI by September 18. Ministers have insisted that there is always a human 'in the loop' when AI is used for decision-making in Whitehall, while HMRC stated humans will always have the 'final say' in matters that affect people. A similar project to expand AI uses is also being undertaken by the Department for Work and Pensions. It recently took part in a trial that saw 20,000 civil servants use AI technology for three months to draft documents and summarise meetings. A HMRC insider told The Telegraph that officials had asked a dozen tech companies to come up with ways AI could be used to tackle Britain's £46.8bn unpaid tax bill – which is thought to be mostly hidden in offshore bank accounts. AI 'assistants' Government sources said the main use of AI by the taxman was to create two 'assistants' to help the public fill in their tax returns and compliance officers to read them. The customer-facing tool is designed to warn users if they look likely to be submitting false information, based on patterns the system can spot in other users. If the AI tells a user that their return may be wrong, then it could serve as an official warning by HMRC, and lead to a faster crackdown by the authorities if they are later found to have lied, sources said. Compliance officers working at HMRC have also been given AI assistants that they use to sift through data, which ministers think will make the department faster and more efficient at spotting potential tax evasion. However, one source acknowledged that AI tools can make mistakes, and that the Government's new system could introduce errors. A HMRC spokesman said: 'Use of AI for social media monitoring is restricted to criminal investigations and subject to legal oversight. AI supports our processes but – like all effective use of this new technology – it has robust safeguards in place and does not replace human decision-making. 'Greater use of AI will enable our staff to spend less time on admin and more time helping taxpayers, as well as better target fraud and evasion to bring in more money for public services.'
The Guardian
an hour ago
- The Guardian
Turquoise touches and gothic flair: the Premier League's 2025-26 kits
Football strips nowadays are big business. Especially for the not insignificant number of clubs flogging shirts for £85+ a pop. As sport and fashion become ever more intertwined – Jack Grealish as an ambassador for Gucci; Son Heung-min for Burberry; Kalvin Phillips in those massive Loewe boots – mainstream football's interest with clothes has moved on from just David Beckham in a sarong. It is a state of affairs that former catwalk model Pep Guardiola no doubt appreciates. And, after a couple of years of subpar kit designs – running the gamut from insipid to truly horrifying – the 2025-26 Premier League season has upped its sartorial game. All-black away strips and turquoise touches have proved popular; while manufacturers still insist on 'taking inspiration' from home stadium architecture and surroundings. (The success of this varies immensely; but Everton, Leeds, and Burnley have all nailed it this time around.) No brand has let the side(s) down, but the Adidas designers have done especially well with a series of understated new strips, all based on their 'Total 90' template. The smaller labels have also impressed. And it is pleasing to see the three returnees dressed up for the occasion. 2025-26 is due to be the final season that betting companies are allowed to serve as front-of-shirt sponsors, but judging by the number still present they will have to be dragged from the pitch kicking and screaming. Here are all the looks – taking in sand, sky, and sea – to soon emerge from the tunnel. The Gunners launched their new home strip on a heavily vignetted, blood-red landing page, complete with anatomical heart beating on the screen; an incongruously dark vibe until you consider that Mikel Arteta does indeed have something of the night about him. A subtle repeating motif on the shirt is a similarly eldritch, gothic A (a nod to the typeface used for the club's 1949-50 'Victoria Concordia Crescit' crest), offset by a crisp white collar and sleeve. Said sleeve is still urging us to Visit Rwanda. The away kit is also good: a royal blue lightning bolt-ish pattern that harks back to the mid-90s' on-the-road design, and only mildly – unintentionally – reminds one of the Victoria line moquette. The beautiful, art deco-influenced third kit in cream and burgundy features the Adidas trefoil logo, AKA the one that looks like the top half of a ganja leaf. Apart from that, you would be happy to take it home to your mum. Do not ask me why Arsenal need five goalkeeper shirts, but you will find David Raya in any of the following (deep breath): green; a slightly darker green; yellow and red; yellow and black; purple. The sleeve of Villa's Adidas home strip ostensibly 'pays homage' to the club stadium. This seems to be a common – but too often shoddily executed – theme this year. But the Villans' top actually does reference Villa Park in a way that is recognisable; the cuff features the same intricate gold design that adorns the Holte End facade. The main shirt colour way is the classic claret and blue; the shorts are white. The socks feature a gold 'AV' monogram. The away fit is a mostly black design with grey raglan sleeve. It is OK, I guess; but it does slightly remind one of when the printer runs out of colour ink. Unlike the third kit, which is basically what would happen if a toddler was let loose with purple and blue finger-paints. A joy. As for the home goalkeeper jersey: you know when the doctor asks what colour phlegm you are bringing up, in case you have pneumonia? Usually indicated by an intense green? Well, it is not looking good for Emi Martínez (or his potential replacement) … There is no more awkward sponsor logo than the 'bj88' slapped on the front of the Cherries' shirts. It is difficult to see past such misfortune to assess the Umbro-made kit itself, but suffice to say it consists of black and red vertical stripes. In a hint at the club's beachside location, there is a delightful 'rippled sand' effect within the stripes. (And, for anyone fancying their chances with a metal detector along the coastline, the collar and cuff boast a gold trim.) The away strip is a throwback to the blue and black epoch – the Cherries if you'd packed them at the bottom of the shopping bag – with the crest and Umbro logo embroidered. Which is as it should be: I do not want to tell you how many TPU badges I have lost to bathroom radiators. The third kit is pastel pink. The home goalkeeper kit is a luminous green; the away a bright purple. Thomas Frank's departure is not the only change for the Bees this year: their kit supplier, formerly Umbro, is now Joma. The Spanish brand has done well (what do you mean you have never heard of them? Do you not watch tennis players who rank in the low-tens?) The kit celebrates the centenary of the traditional red-and-white colour scheme with a breezy '100' signoff on the back of the collar (although it is giving 'ran out of space at the bottom of the page' so the handwriting starts to slide into the margin). In keeping with the anniversary celebrations, the design echoes the 1925 strip; broad stripes with pinstripe edging. The collar is a modern take on the classic lace-up. Now, I do not know if there is a job-share situation going on at Joma, but while the home strip slaps, the away one is … well. The players will be running out in what I can only describe as a soil-brown monstrosity. (Maybe it is a literal grower.) The goalie outfit, meanwhile, is a bright pink number. The third kit is a little meh; a pale blue, salmon, and burgundy – hues borrowed from the club's pre-red 'n' white era. Brighton's new home strip is the first ever to feature the colour of 'Hyper Turq'. This is because 'Hyper Turq' is a colour Nike has made up. As the name suggests, it is turquoise. It is a nice touch (including on the Nike swoosh and underarm panels) on what can – apologies – historically be a pretty dull blue-and-white affair. Plus Hyper Turq turquoise is the colour of Brighton's seafront railings. The smart v-shaped collar bears the quote: 'WE ARE BRIGHTON'. The round-necked away kit is a lilac and mauve mix. Interestingly, both the Nike swoosh and crest are centrally aligned, which makes for a pleasingly streamlined aesthetic. In a rare example of club owners not trying to squeeze every last penny from loyal supporters, Brighton tend to repurpose the previous season's away kit as the next third kit, which, at present, looks to be the case again (despite an earlier statement saying otherwise). The three keeper kits are in yellow, orange, and black. Nike did their best work this season in the 'city by the sea' (embroidered on the back). Welcome back, lads. It is good to see you – especially because Castore has created some lovely new fits. The home shirt is in the traditional claret and features an ultra-fine topographical pattern representing the contours of Lancashire's countryside and the heights of the Pennines. This actually works, unlike when manufactures 'take inspiration' from something and then just whack on a standard, or unidentifiable, motif. The away shirt is sky blue and has a decoration resembling cirrus clouds (those are the streaky ones; yes, I did pay attention in GCSE geography – ask me about onion skin weathering, I beg you. Anyone) – although apparently they are meant to be sound waves. All in all it is a very soothing kit, as opposed to the multiple vibrant keeper strips, which strongly suggest attendance at the Holi festival. The third kit will be a much more hangover-friendly black with gold trim. Dolly Parton once described her style as 'costing a lot of money to look this cheap'; and it has to be said that the wealthier legacy clubs often seem to follow the same mantra. But Chelsea, celebrating their 120th anniversary, have scrubbed up well – if a little blandly – for the new season. Nike's marketing spiel is that the jersey's (extremely) subtle pattern 'embodies the youthful spirit that has shaped west London'. Reggie Walsh – the club's current 16-year-old squad member – will be pleased. They also managed to get Suggs in the promo video. Madness. The kit is the usual heritage colour of dark blue, but has red and white underarm inserts in a modern twist. The shirt will also boast a gold Club World Cup winners' badge. As in recent seasons, a front-of-shirt sponsor is absent. The club is holding out for a lucrative long-term deal – although not signing a short one in the meantime does not seem to make a massive amount of business sense, IMHO. Shirts do look so much better without giant, garish logos though – especially when the logos are those of gambling companies. The home keeper shirt comes in black, and the away is green. The outfield away strip is much more interesting. Officially in the colours of 'Phantom' (that's white to you and me), and 'Galactic Jade' (otherwise known as green) and red (red), the design is a nod to the club's 1974-75 Magnificent Magyars-era away look. There are also some centralised pinstripes to add flair. The third kit is yet to be released, but is rumoured to feature the 1990s club crest. The Italian brand Macron is again producing the Eagles' fits. The home, of course, features the classic red-and-blue vertical stripes, but this time the stripes include white bands in between them for a refined feel. The cuffs are also white – as are the sleek shoulder panels. It is a classy kit; far nicer than last season's 'experimental' effort which looked for all the world like an 80s pub carpet. The keeper kit is a light green. The away kit, complete with Mandarin collar, is a bold, gold affair to celebrate the club's jubilant 2025 FA Cup win. The PR people are calling it the 'Golden Eagle' kit, which is a pun I can 100% get behind. No update, at the time of writing, on the third look. Despite the Toffees finishing unexpectedly rather well last season (given the inauspicious start, anyway); being reunited with beloved manager David Moyes; and moving into a brand new stadium, the club has struggled to secure quality additions during the transfer window. But should they materialise, the new signings will have the privilege of wearing an attractive and intelligent Castore strip. Both the body and sleeve of the home shirt – in a familiar Everton blue – feature a prominent wave pattern to represent the River Mersey and the club's new waterfront ground. The socks, paired with white shorts, showcase the silhouette of local landmark, Prince Rupert's Tower (also an integral part of the club crest). The away strip is a pale yellow for shirt and socks, with blue shorts. The cuff features a design that mirrors the railway line which used to serve Liverpool's docklands. The third kit is rumoured to have a black base and Prince Rupert's Tower on the chest instead of the club's full badge. Meanwhile, Jordan Pickford will either be in a green jacquard number (home) or black (away). Fulham have announced their 'clean and contemporary' 2025-26 home strip; and clean and contemporary is an accurate description of the v-necked, zero-red, all-white fit (with piping, Adidas logo, and the brand's famous stripes on the shoulder all in black). The aesthetically agreeable home jersey also features a rubber emblem of Craven Cottage balcony's wrought ironwork. Compensating for the white-domination of the outfield look, the keeper will wear all red with metallic detail. The away strip is also a looker, and heavily reminiscent of the club's 1999-20 lime green away threads. It shows off an oversized retro collar and the club crest of the same era. Back in the day the club sponsor was an internet service provider called Demon Internet; a company which no longer exists, but turns out had a very prophetic name. No news yet on the third kit. The Leeds Adidas-made home kit stays traditional with the main colourway of white, blue, and yellow. But, consistent with a popular concept in kit design this year, there is a cute pattern inspired by the mosaic tile of the Lowfields Tunnel – the route Whites fans often take to Elland Road – which adds pizzaz to what is otherwise a simple but gratifyingly polished, attractive look for the club's return to the top tier. The away strip is predominantly blue with multiple yellow touches, including an all-yellow twist on sponsor Red Bull's logo. The goalkeeper kits are in a lighter blue (home) and orange (away), as well as deep purple. The third kit is a few alcopops down; a dizzying, chaotic mishmash of the traditional three colours. But I rather like it; it is everything but dull. Liverpool start their season dealing with a maelstrom of emotions. There is the triumph of last season's title win and plenty of exciting new faces – Florian Wirtz and Jeremie Frimpong among them. But there is tragedy too: the death of Diego Jota, as well as the incident at the title parade that left scores of fans injured. Joining Wirtz et al is another addition to the club: Adidas. The brand has signed a 10-year deal with the club after Liverpool ended their five-year Nike stint. And a brand responsible for some of the club's most iconic strips has hit the ground running: the home outfit is an all-red affair (officially 'Strawberry Red') with a white crewneck collar and cuff. The simplified Liver Bird emblem remains instead of the full crest (which personally I wish would make a comeback …) The away effort is also beautiful: an off-white jersey complemented by red and dark green accents. The shirt is paired with a choice of either a black short and white sock, or the reverse. Meanwhile, the third kit is a mint green, which calls to mind the early 90s away drip. Well done to Puma, who have designed a lovely home uniform here. It is the standard sky blue (with navy blue accents), but a sash features for the first time on a City home shirt (it has been a frequent away design element). The collar shade is the same as the body, creating a clean, smooth aesthetic. The away kit is an all-black number referencing the club's earliest known strip. Either that or they are going through their Johnny Cash era/a severe depression. It is dashing, though, and if one were to attempt to enter a Michelin-starred restaurant in a footie top, this is the one I would probably go for (see also: a funeral). The third kit is causing quite the reaction online – none of it good. The neon green accents are proving especially unpopular, but for my money* the raindrops-inspired main design on a drizzly-grey jersey for a club located in the soggy north-west is a stroke of genius. LS Lowry would be proud. The goalie kits are available in many loud colourways, including fuchsia. *But not literally because YNWA. The Red Devils have been promoting their new home strip with the strapline: 'United, wherever we go.' Bold, given that the club has five players hankering for a move, all of whom are only allowed to train at Carrington after the rest of the squad has gone home. The Adidas kit ostensibly pays homage to Old Trafford – a slightly odd decision now that Jim Ratcliffe has announced the 115-year-old stadium is to be replaced with a Norman Foster-designed behemoth (currently assigned the Ronseal-esque name of 'New Trafford'). The back of the collar reads 'Theatre of Dreams' – if the dream is to finish 15th – while the sleeve incorporates an 'abstract' pattern referencing the stadium. After close inspection, I can report that this is a very, very abstract reference indeed. The away kit is white with plum accents and a lavender snowflake motif inspired by the 1990-92 strip. The colour scheme brings to mind the Jenny Joseph couplet: 'When I am old / I shall wear purple'; just a thought in case the 40-year-old Cristiano Ronaldo fancies a hat-trick of United stretches. The third kit is the best of the three; a black and yellow strip reminiscent of the 1993-94 away kit. Despite the Magpies' extremely feelgood Carabao Cup win last season – marking a first domestic triumph in 70 years for this storied and well-loved club – it still pains me somewhat to compliment a team majority-owned by a regime whose greatest hits include dismemberment by bone-saw. But kit manufacturer Adidas continues its (for the most part) good summer run here. Clubs with traditional monochrome colours can sometimes struggle to distinguish themselves, but Adidas has introduced a serrated edge to those classic, thick black stripes. The border pattern is officially known as Shepherds' plaid, although it actually reminds me of frits (those little black dots at the bottom of windscreens). Other elements include blue piping and an 'HOWAY THE LADS' inscription on the back of the collar. The away kit is not as much reminiscent of a Saudi national team kit as could quite literally be a Saudi national team kit of before. The third kit, in burnt orange and blue, is a fun number with a stitched crest; inspired by that incredible late 90s away piece. It has the Adidas trefoil logo to maximise the retro feel. The goalie garms come in yellow, blue, purple, and pink, respectively. Forest's new home kit is a throwback to its favoured early 90s strip, sharing the same polo-style collar and a wide pinstripe body. It is an extremely classy affair from Adidas, with a nice added detail being the also 90s-inspired shield crest. The keeper will wear yellow, orange, or blue. When the club, after its successful last season, initially released the new home shirt it was yet to feature a front sponsor – and was all the more handsome for it. But now, just in time for the team's opening game, it advertises … a betting company. Surprise, surprise. The away fit is primarily cream and features a neat detail: a weave replicating the lace designs the city is famous for. No third kit news at the time of writing. Danish brand Hummel frequently punches above its weight, and this smart new effort for Sunderland's return to the top flight is no different. But not everybody is happy: the back of the players' home shirt (but not the fan replica) is catching flak from supporters for the number placement – a white panel has been introduced to abide by Premier League legibility rules. The rest of the shirt is an elegant creation; a black v-neck with thin bands of the traditional red-and-white is a key characteristic. Also eye-catching is the crest placement; centrally aligned for the first time since the 1990s. And why shouldn't the Black Cats show it off when it is one of the prettiest around? In a similar move to Leeds, Sunderland's snazzy goalie kits allude to the patterned tiles of a city landmark (in this case, the Bridge Hotel); while the gorgeously retro royal-blue away outfield threads are further livened by a chequerboard weave with a subtle Roker Beach lighthouse motif. The third kit is an all-black number because: Black Cats, geddit? Spurs's home kits have been rather banal and indistinguishable for a while now (sorry), but Nike has come up with something a little fresher this time for the Europa League holders (although that is no consolation for the departing Son). As with Sunderland, the new Spurs home shirt has a centrally aligned brand logo and club badge. The sleeve and underarm panels incorporate 'Iron Ore' as an accent colour (Nike is at it again; they are grey), which is a departure, and ribbing on the body provides texture. Fans and players will also be wearing navy shorts with white socks. It is definitely the club's least insipid home strip for a long time – although it retains a slight whiff of the training ground. More rousing is the luminous pink-and purple-gradient pinstripe keeper's kit. The Lilywhites go all black with their away look – a prevalent choice this upcoming season. The Spurs kit in particular reminds one of Roger Federer's iconic 2007 US Open drip. Nike's blurb describes it as 'razor-sharp, engineered for speed and built for stealth', which unfortunately does sound a lot like club legend Harry Kane in his prime. The away keeper's kit is akin to the home one but in mint-and-forest green. The third kit is yet to be officially launched, but it looks as though the bright yellow and navy shirt will air the beautiful 90s-era crest. Umbro has gone back to basics for the Hammers' fetching new home strip. The traditional claret colour is the majority presence, but it is the dapper taping detail on the ribbed collar and cuff – and discreet underarm blue inserts (the colour is relegated to a smaller role than usual) – that subtly elevate this minimalist take. The applique full club crest is revived here after last season's hideous variation and the crossed-hammers symbol is also printed on the back of the neck. The socks and shorts are in white. The away strip is equally nice and calm. Supposedly it is a callback to the 1996-97 away strip; I would argue that the call is not particularly loud. But it is a satisfyingly soft, creamy ecru with black sleeves and collar. The third kit, with a fold-over collar and a striking oversized Hammers logo on the breast, is a mix of submarine-deep navy as well as gold. Where the Umbro designers have had their welcome sugar rush is with the keeper kits; each of which (in blue, orange, and lilac) has a jaunty shoulder and sleeve decoration. Wolves' latest home kit, made by Sudu, schools us on the history of Molineux. Before the site served as a football stadium, it was the location of the Molineux Pleasure Gardens; a Victorian public park with amusement offerings typical of the period. The traditional gold jersey features a debossed, ornamental print of swirls and shapes to honour that sense of fun. The overall look – from collar to cuff – is influenced by the club's 70s threads. The home goalie kit is black and features the same print. The first-choice goalkeeper José Sá will wear pink for away fixtures, while the outfield players will be hitting the grass in turquoise; again, quite a popular colour for teams this season. This time the general feel is 80s-inspired, with dark green (almost black) ribbed collar and cuff. The third kit is yet to be released at the time of writing.
The Sun
an hour ago
- The Sun
Dozens of firefighters battle ‘significant' blaze ripping through Meriden rubbish plant as locals told ‘avoid the area'
DOZENS of firefighters are battling a huge blaze tearing through a rubbish plant in Meriden – with locals warned to stay away. The fire broke out just after 4pm today at a waste management facility on Cornets End Lane, Meriden Depot, Coventry. 1 Emergency crews rushed to the scene as thick smoke rose from the site. Around 60 firefighters, nine fire engines, two brigade response vehicles and a hydraulic aerial platform were deployed to tackle the flames, which were tearing through three quarters of the 80-metre by 40-metre building. A specialist high-volume water pumping unit was also sent to the scene. A spokesperson said: 'We were called to a significant fire involving a large building at a waste management facility in Meriden. "Crews are working hard to protect the rest of the building, and liaising closely with on-site staff to bring the incident to a safe conclusion.' As of 6pm, the incident was still ongoing. No injuries have been reported. Locals have been urged to avoid the area while crews continue to work. is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.
