"It's a tough place to be, mentally" - T.J. McConnell on why Kyrie Irving is the toughest guy to guard in the NBA
T.J. McConnell is one of the peskiest defenders in the NBA today. The 6'1" guard, who has a habit of picking up opponents full court and harassing them from end to end, proved his worth in the 2025 NBA playoffs, especially during the NBA Finals against the Oklahoma City Thunder.
However, when it comes to guarding Dallas Mavericks superstar guard Kyrie Irving, McConnell himself admits there's almost nothing he can do.
"You're on an island," the Indiana Pacers point guard said. "And you just don't know what he's gonna do. You can force him one way, but he still ends up getting the way you don't want him to go. Like he just… his handle is impeccable. He's got the greatest handle I've seen. And he can really shoot it, like he's fast. It's just, it's a tough place to be mentally, guarding Kyrie."
Kyrie has ridiculous handles
Many consider Irving the most offensively skilled player in the game today. He is incredibly shifty and has great ball control, which enables him to get to his spots on the court. Once he gets to where he wants to be, the Mavericks point guard is impossible to contain — he is a great penetrator and finisher, but also has a very effective jump shot from all areas on the floor.
Still, the most jaw-dropping aspect of his game is his handling. Irving is a magician with the basketball, and many pick him as the greatest ball handler in NBA history. McConnell feels the same way.
"I don't want to talk about the whole era thing. But like, the best handle I've ever played against? Easily him, yeah," he added.Iverson's praise for Irving as a ball handler
McConnell was also offered an alternative: to pick Allen Iverson as someone who had better handles than Irving. But the Pacers guard didn't do it.
In fact, neither did Iverson himself. The Philadelphia 76ers legend once admitted that Irving is a better ball-handler than he was. And like McConnell, he also singled out his jumper as the thing that makes him unstoppable.
"Hell yeah, he has the best. He's the best. And Steph's handle is crazy, but Steph... And Kyrie's jumper is wet, too. But Steph, his jumper gets him over a lot. 'Cause he hit you with the handles, and he crosses halfcourt, he can let it go," A.I. said.
"I heard Rod Strickland on 'All the Smoke,'" the legendary guard added. "And I love Rod Strickland, too. And he said basically, he just goes, 'Kyrie will have you beat and then bring it back and play with it.' Like he's toying with people. You know what I mean? Like, he can still just go. But if he feels like playing with you…"
Irving may not be considered the greatest player ever, but when it comes to the best handles of all time, most players, current and former, mention his name at the top of the mountain. That's a testament to his on-court greatness, without even mentioning the accolades.
But basketball, for players at least, has never been about that. It's always been about the experience; about what happens on the court. And McConnell is just one of many who said that it doesn't really get tougher than facing a guy wearing a No. 11 Mavericks jersey.This story was originally reported by Basketball Network on Jul 22, 2025, where it first appeared.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
22 minutes ago
- USA Today
NBA sets schedule for 2025-26 games in Europe, unveils plans for 2027, 2028
The NBA on Wednesday announced its regular-season European schedule for the 2025-26 season and unveiled plans to play regular-season season games in Paris, Berlin and Manchester in 2027 and 2028. The Memphis Grizzlies and Orlando Magic will play two games in Europe this season – in Berlin on Jan. 15, and in London on Jan. 18. "Announcing the next three season's regular-season games in Europe reflects the incredible momentum and appetite for NBA basketball in France, Germany, the UK and across the region," NBA managing director of Europe and Middle East George Aivazoglou said in a news release. "We look forward to welcoming the Grizzlies and the Magic to Berlin and London and to engaging fans, players and the local communities through the games and the surrounding events." The Magic's Franz and Mo Wagner are from Germany, and the Berlin game will the NBA's first regular-season game in the country. "To have the Orlando Magic and the NBA play a regular-season game in our hometown of Berlin means everything to us," the Wagner brothers said in a joint statement. "Growing up here, we dreamed of moments like this. It's a huge honor to represent Berlin and Germany and show how much the city and country love basketball. We hope we can inspire kids the way we were inspired watching games from afar." Europe, get ready! ✈️🌍The NBA will host SIX regular-season games in Europe over the next three years, with games to come in Berlin and London (2026), Manchester and Paris (2027) and Berlin and Paris (2028).🗞️ The NBA's push into the European market has been steady and unsurprising. As the league considers expansion of its North American-based league, it is also exploring the creation a new league based in Europe – with the idea of adding already existing franchises and creating franchises in underserved markets. "Just as the same as in American cities, we think there's an opportunity to serve fans in Europe," NBA commissioner Adam Silver said at the NBA Finals. "No knock on European basketball, because most of those international MVPs I just talked about are coming from Europe. There's really high-level basketball being played there. But we think there is an opportunity to better serve fans there. I view that as a form of expansion as well, and that's something we're also thinking hard about."


USA Today
an hour ago
- USA Today
Boston Celtics jersey history No. 28 - Willie Williams (1970)
The Boston Celtics have had players suiting up in a total of 68 different jersey numbers (and have three others not part of any numerical series) since their founding at the dawn of the Basketball Association of America (BAA -- the league that would become today's NBA), worn by well over 500 players in the course of Celtics history. To commemorate the players who wore those numbers, Celtics Wire is covering the entire history of jersey numbers and the players who sported them since the founding of the team. With 25 of those jerseys now retired to honor some of the greatest Celtics to wear those jerseys, there is a lot of history to cover. And for today's article, we will continue with the fourth of 14 people to wear the No. 28, Boston forward alum Willie Williams. After ending his college career at Florida State, Williams was picked up with the 38th overall selection of the 1970 NBA Draft by the Celtics. The Miami, Florida native would play the first 16 games of his pro career with Boston before he was cut, later to land with (then) Cincinnati Royals (now, Sacramento Kings). During his time suiting up for the Celtics, Williams wore only jersey No. 28 and put up 0.9 points per game. All stats and data courtesy of Basketball Reference.

an hour ago
Hollywood meets NBA hardwood: A look inside the rise of the Summer League Film Festival
LAS VEGAS -- While Bronny James and other young talent were lighting up the NBA Summer League court in Las Vegas, another game was being played just a few steps away: One with scripts, storyboards and studio buzz. Inside the Thomas & Mack Center, just as the league wrapped up Sunday, a different kind of crowd formed. Hollywood execs, producers and curious power players were slipping away from the basketball action to catch a slate of 34 film projects created by NBA stars past and present. More than just film screenings, it's an emerging playground where sports and the art of storytelling collide. From baseline to backlot, the Summer League Film Festival is generating off-court buzz — with the likes of Hall of Famer Kevin Garnett, actor-producer Mark Wahlberg and filmmaker Deon Taylor joining the mix. Conversations are building on turning this three-day showcase into a launchpad for athlete-filmmakers, backed by film industry veterans who understand both the creative and business sides of shaping ideas and grooming projects for the screen. 'This definitely has legs,' said retired NBA player Stacey Augmon after previewing 'UNLV: Kings of Vegas,' a documentary chronicling the untold story of the Runnin' Rebels in the Strip View Pavilion. A 10-minute clip was screened before a packed audience, including Sundance Film Festival director Michelle Satter and production companies like the Wahlberg co-owned Unrealistic Ideas and Alcon Entertainment, the company behind 'The Book of Eli' and 'Blade Runner 2049.' Like other entries, the 'Kings of Vegas' team showcased select footage, including interviews with high-profile names such as Snoop Dogg, Chuck D and Jimmy Kimmel, alongside UNLV legends Augmon, Larry Johnson, Greg Anthony and others. After the screening, the producers and cast discussed the film's origins, drawing a standing ovation from the crowd. The documentary remains in development, but Augmon says the film festival is already proving its worth. 'This gives us another great avenue,' said Augmon, who played on the Runnin' Rebels team that won the 1990 NCAA championship before his 15-season NBA career. His college teammate, Anderson Hunt, said sharing their authentic, real-life stories offer a major advantage like never before, unlocking new pathways to getting their projects financed and sold. 'We have control of what's coming out,' Hunt said. 'People might know about our stories through the internet. But stuff like this takes our platform to the next level. This is great for us, and Deon is like a golden child.' The festival spotlighted stories produced by NBA stars past and present including Nikola Jokic, Luguentz Dort, Tony Allen, Nate Robinson, Kyle Anderson, Cole Anthony, Keyon Dooling and Udonis Haslem. Deon and Roxanne Avent Taylor of Hidden Empire Film Group were tapped to infuse the festival with seasoned filmmaking expertise, helping bridge the worlds of sports and entertainment. He played a key role in encouraging Hollywood insiders to show up, especially during the NBA Summer League's final stretch to keep the closing days as enticing as opening week. Taylor credited NBA Summer League co-founder Albert Hall for having the foresight to spark the collaboration. 'This is all invaluable,' said Hall, who cofounded the league with Warren LeGarie in 2004. 'The players make money, no doubt about it. They invest in these projects. But they don't really know what the system can provide or how to approach it. Kind of like a young executive getting into the sport or a young player trying to be seen and get exposure. It's the same way. They have to be coached up.' Hall said the partnership with Hidden Empire was a natural next step following their successful collaboration with the NFL and Skydance Sports, where they led film training sessions in March for more than 20 current and former NFL players. He added that having Wahlberg and Archie Gips of Unrealistic Ideas on board brings more industry muscle to strengthen the initiative and help drive it forward. Taylor said the festival is a door opener for the athletes. 'It's a gateway for athletes to share their art, do their art and be creative without anyone questioning them,' said Taylor, director of 'Black and Blue,' 'The Intruder, 'Meet the Blacks' and 'Fatale.' A former basketball player in East Germany turned independent filmmaker, he said true artistry requires neither a film school nor a Hollywood pedigree. 'The greatest artists are the ones that draw, create, build, shoot in the face of negativity and who paint pictures of what they see in the times that they live in,' Taylor said. 'You can only do that if you live in this culture. You can do that if you've lived and experienced it. You can't do that from a high-rise building with no pain. These guys come from adversity in life and sports.' EverWonder Studio president Michael Antinoro certainly thinks so, and then some. He sees the film festival as more than a one-off spectacle in Las Vegas. In Antinoro's eyes, it could become the Oscars of athlete-driven storytelling with satellite versions popping up in the NBA arenas throughout the season. He sees value in helping standout projects secure the final funding and reach the right distributors. 'If we can add any value, we're in the rooms talking to all the networks and streamers that distributes films,' said Antinoro, a founding partner of the studio, which specializes in nonfiction content, documentaries and live events. The company served as co-executive producer on 'Defiant: The Manny Pacquiao Obsession' in 2019 and produced projects featuring Mike Tyson and Brett Favre. 'We're talking to them a lot. It's all about exposure,' he said. 'Some of these films maybe need a little more money just to get them over the line. If it makes sense, we can play a little there too.' For Michelle Satter, it's all about fostering a supportive creative community. She sees promising potential in what's taking shape at the Summer League Film Festival. While it's still early, Satter can envision a future where projects from the festival eventually find their way into Sundance. 'Why not? Of course,' said Satter, a founding figure at Sundance since 1981. She now serves as the founding senior director of Sundance Institute's artist programs. She's exploring how it might support the festival after being invited by Taylor. Sundance already has an existing partnership with Taylor's Hidden Empire. She called the opportunity to collaborate on this new venture both exciting and aligned with Sundance's mission to uplift emerging voices in storytelling. Satter's late son, Michael Latt, had his documentary short 'Hoops, Hopes & Dreams' premiere at Sundance early this year. She said Sundance gets about 15,000 short film submissions each year, but there's room for compelling storytelling that opens up new perspective from an athlete's lens. 'That was the power of storytelling, the unity of sports and bringing people together in community,' she said. 'I love the idea. These are the stories people need to see. They need to be out there in the world.'