Spring of Youth Episode 8 Preview: Release Date, Time & Where To Watch
Spring of Youth
Spring of Youth centers on a charismatic vocalist and guitarist of top K-pop group 'The Crown' called Sa Gye. When she's unexpectedly forced to enroll at Hanju University—a campus he's never even set foot on, he's thrown into an unfamiliar world.
There he meets Kim Bom, a gifted vocalist and keyboardist from the band 'Tusagye', who once dreamed of the Ivy League but turned to music after her mother's passing six years ago. As they grow closer, Sa Gye's passion for music reignites and he forms a mysterious band to start music again.
If you've been following this one, you may be curious about when the next episode will be released. Well, wonder no more!
Here is everything you need to know about episode 8 of Spring of Youth, including its release date, time, and where to watch it.
Where Can I Watch Spring of Youth?
Spring of Youth is an SBS Original which means that for Koreans, this will be on the SBS channel. For those watching internationally, this K-drama is available to watch on Viki and Wavve.
Spring of Youth Episode 8 Release Date
Episode 8 of Spring of Youth will be released on Wednesday 18th June at 4pm (KST) / 8am (GMT) / 3am (ET).
Expect episode 8 to be roughly 1 hour and 10 minutes long, which is consistent with the timeframe for the rest of the show.
How Many Episodes Will Spring of Youth Have?
Spring of Youth season 1 is expected to have 10 episodes, with one episode releasing each week. With Viki, expect there to be a slight delay with subtitles, which can usually take around 24 hours to show up.
With that in mind, there will be 2 more episodes to go after this one.
Is There A Trailer For Spring of Youth?
Yes, there is. You can check out the trailer below:
What do you hope to see as the series progresses? Are you excited to watch Spring of Youth? Let us know in the comments below!
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Edinburgh Live
2 hours ago
- Edinburgh Live
Meghan Markle and Prince Harry axe four key staff members after 'disaster move'
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Prince Harry and Meghan Markle, according to reports, have dismissed four major employees following a sequence of public relations missteps. It's claimed the Duke and Duchess of Sussex have separated from LA-based deputy press secretary Kyle Boulia and UK press officer Charlie Gipson, both of whom joined their team in April 2024. Recent weeks have also seen two other members of Harry and Meghan's personal staff reportedly depart. These shifts follow Harry and Meghan's appointment of a new communications team earlier this year, overseen by chief communication officer Meredith Maines, who has confirmed her squad comprises eight people spread across five different time zones. READ MORE - Royal fans spot 'major change' for Prince Louis at Trooping the Colour READ MORE - Kate Middleton's 'firm' command to Prince Louis on palace balcony exposed Adding to their revamped communications armoury, Harry and Meghan have brought on Emily Robinson, the ex-publicity manager for The Crown during its controversial seasons three through six, as their director of communications. The sixth season of the acclaimed Netflix series included contentious representations, like Prince Harry in Nazi garb, Princess Diana's impactful Panorama interview, and even portrayed Diana in ghostly conversations with Queen Elizabeth II. An insider speaking to Hello! Magazine hinted at further potential upheavals, saying: "Something tells me there will be another change in the future. Meghan and Harry have hired some of the most incredible people at the top of their fields, yet somehow none of them ever work out.", reports the Mirror. The couple, who renounced senior Royal duties in 2020 and relocated to California with their children, Prince Archie and Princess Lilibet, seem to be navigating choppy staffing waters. Following alterations within the Sussexes' team, their Chief Communications Officer Meredith shared a statement with The Mirror: "As the Duke and Duchess's business and philanthropic interests grow, I have made the strategic decision to move toward a more traditional communications structure of specialist agency support, as previously reported in Forbes and PR Week several weeks ago. Transitioning from a team of two to an agency support staff of eight, operating across five different time zones, will give international media and stakeholders better access, and critically, faster response times to inquiries." The Sussexes have recently caused a stir with some of their media appearances, including a controversial BBC interview given by Harry after his appeal against the downgrade of his UK security was rejected. In the interview, Harry alleged that his father, King Charles, is no longer speaking to him due to disagreements over his security arrangements while in the UK. (Image: Anadolu via Getty Images) (Image: Getty) He also brought up the King's cancer treatment and expressed uncertainty about "how much longer my father has left," which drew criticism for fuelling speculation about the monarch's health. Meghan Markle delighted fans by sharing a playful video where she's seen twerking with Prince Harry as part of her efforts to induce labour while she was pregnant with Lilibet. In the light-hearted Instagram clip, sprightly Meghan narrates over the minute-long footage saying: "Four years ago today, this also happened. Both of our children were a week past their due dates... so when spicy food, all that walking, and acupuncture didn't work – there was only one thing left to do!". Moreover, the Duchess has enjoyed success with her Netflix series, 'With Love, Meghan,' which, despite receiving a mix of critiques, proved popular enough to bag a second season on the streaming site. Adding to her ventures, Meghan has introduced her own brand, As Ever, offering a selection of homemade products such as raspberry jam, wildflower honey, herbal teas, flower sprinkles, crepe mix, and shortbread cookie mix. It was earlier mentioned that Meghan was poised to attend a charity gala in Los Angeles; however, the event is no longer going forward due to the unrest in the city. She was to be the guest of honour at the Museum of Natural History in LA, where she planned to speak about her extensive charitable activities. Amidst the ongoing protests in LA, with demonstrators clashing with ICE officers, the prestigious Night of Wonder event has been put on hold. Dr. Lori Bettison-Varga, President and Director of the Natural History Museum of Los Angeles, commented: "As an institution 'of, for, and with Los Angeles,' our responsibility during challenging times is clear: to serve as a community resource focused on healing and unity, not celebration. "Los Angeles needs us to channel our energy toward supporting our neighbours and demonstrating the values that make our city and county strong," she added. The museum's Board of Trustees, leadership, and event partners collectively decided to indefinitely postpone the event, agreeing that it was "the appropriate response to current community circumstances." Paul Bessire, the museum's Chief Advancement Officer, remarked: "We will find a future moment to celebrate our work. Until then, we will channel our energy towards being welcoming spaces for learning and discovery for everyone who walks through our doors." The museum plans to reschedule the Night of Wonder for a future date and will maintain its regular operations and educational activities in the meantime.
The Guardian
4 hours ago
- The Guardian
My unexpected Pride icon: indie breakup songs said all the things I couldn't say to other boys
When I was a teenager, in the late 00s in central Scotland, being gay was something I experienced as painful made me feel overwrought. This didn't match the depiction of gayness I encountered in mainstream culture at the time, which was mostly very cheerful. Almost all of the gay men on my radar were comedians – figures such as Graham Norton and Alan Carr, both of whom I found funny and still admire today, but who were too easy-going and unpretentious to satisfy my desire to see myself as a tortured poet. When I got to university, I found the representation I was looking for – solemn and beautiful – in writers such as Edmund White and James Baldwin, but earlier in my teenage years I had to make do with what was available: romanticising being gay through songs about straight men falling out with their platonic friends. It's a small but furtive canon, halfway between the diss track and the breakup ballad. Standouts include How Do You Sleep?, John Lennon's spectacularly mean-spirited takedown of Paul McCartney; So Long, Frank Lloyd Wright, Paul Simon's elegiac send-off to Art Garfunkel, who was pained to discover it was about him only years after its release; several songs arising from the falling-out between the Dandy Warhols and the Brian Jonestown Massacre, and No Regrets by Robbie Williams, a song about his decision to leave Take That – and specifically Gary Barlow, if you believe the speculation. While focused on the bitter aftermath, these songs portray love between men with a tragedy and grandeur typically only afforded to heterosexual romance. This is exactly what I wanted at the age of 14. The first buddy breakup song I ever loved was Seventy Times Seven by the emo band Brand New, which recounts a falling out between frontman Jesse Lacey and his former friend John Nolan (who later joined Taking Back Sunday and released a cutting riposte of his own). Musically it's upbeat and effervescent, but the lyrics are venomous: it ends with Lacey urging Nolan: 'Have another drink and drive yourself home / I hope there's ice on all the roads / and you can think of me when you forget your seatbelt / and again when your head goes through the windscreen.' In hindsight, it's a bit much. That Seventy Times Seven directed this degree of wounded passion towards another man was revelatory: it allowed me to cast the feelings I was beginning to have as not embarrassing or shameful but the stuff of Great Art, which was how I thought about three-minute-long pop punk songs at the time. Even after I grew out of emo, trading black hair dye for neon shutter shades, I still found myself returning to songs about straight men and their terrible conflict-resolution skills. The following year I developed an intense friendship with a slightly older boy who lived in the next town over and who was, to the best of my knowledge, entirely straight. It was the summer holidays and every night we'd stay up talking on MSN Messenger. There was nothing sexual about our relationship, but it was almost giddily romantic: we were always dreaming up plans to move to the big city together and shared the delusion that, by simple virtue of being ourselves, we were destined to become cultural icons of some description (we possessed no evident talent, so the details were left vague). Whenever we met up, there was one song we would always play, jumping around and pointing at each other as we sang the lyrics. Like Seventy Times Seven, the Libertines' Can't Stand Me Now is inspired by a falling out between two best friends. It was released shortly after Pete Doherty was prosecuted for breaking into co-frontman Carl Barât's flat and stealing a bunch of his stuff – but it is far more wistful. As per the lyrics, Barât and Doherty don't just love each other, they are in love with each other, and the song is as much a reaffirmation of that love as a chronicle of its disintegration: to Doherty's line 'You can't take me anywhere', Barât replies 'I'll take you anywhere you wanna go'. I still find this moving as an expression of forgiveness and support to someone in the throes of addiction, even if the implied reconciliation turned out to be short-lived. The song isn't at all homoerotic, but it is romantic, and I'm glad I got to scream it in the face of a boy who, if I wasn't exactly in love with, I cared about deeply for a three-month spell before summer ended and our friendship petered out. When I was still in the closet, these songs and others like them allowed me to articulate emotions that had to be kept secret, and because they weren't explicitly queer there was no chance of them blowing my cover: being into the Libertines didn't invite suspicion, and if there was any stigma attached to being a Brand New fan it involved being an emo – a damaging enough charge in central Scotland – rather than being gay. As a grown man, I don't have to look to queer representation in unlikely places. But I am grateful to the music that first allowed me to accept that men can experience deep, tender and painful feelings towards each other, and to think of my own desires as serious and worthy of respect.
Daily Mail
5 hours ago
- Daily Mail
Beach Boys' Mike Love says he feels late bandmate Brian Wilson's 'presence' as he's inducted into the Songwriters Hall of Fame just one day after his friend's death
Beach Boys' Mike Love said he felt the 'presence' of his Brian Wilson when he was inducted into the Songwriters Hall of Fame on Thursday just one day after his death. Brian passed away on Wednesday aged 82 after being diagnosed with a neurocognitive disorder similar to dementia. Attending the ceremony in New York, Mike was inducted by John Stamos and paid tribute to his cousin and 'brother in music.' Accepting his honour on stage, he admitted: 'I do feel his presence.' 'I especially must thank my cousin Brian Wilson. My first cousin by blood but brother in music, together we set the stage for some of the most successful music collaborations of all time,' The Hollywood Reporter states. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new Showbiz newsletter to stay in the loop. John said of Mike: 'He made the whole world want to be us: sun-kissed, carefree, full of promise. 'His lyrics were cinematic. What's a song without a hook? What's a hook without a picture in your head or a memory in your heart? Mike Love knows how to write that song.' Mike performed Beach Boys classic, California Girls as well as I Get Around, Kokomo and Good Vibrations. Brian shot to fame as the frontman of the Beach Boys, for which he served as the principal songwriter as well as the co-lead vocalist. Last year, weeks after the death of his longtime wife Melinda, it emerged that he had been diagnosed with a neurocognitive disorder similar to dementia. Brian's children announced his death on his official Instagram page this Wednesday, alongside what appeared to be a recent photo. 'We are heartbroken to announce that our beloved father Brian Wilson has passed away. We are at a loss for words right now,' they wrote. 'Please respect our privacy at this time as our family is grieving. We realize that we are sharing our grief with the world. Love & Mercy.' Brian formed the Beach Boys in 1961 with his brothers Dennis and Carl Wilson, their cousin Mike Love and their friend Al Jardine. The original name of the band was the Pendletones, and they exploded onto the scene with their 1961 song Surfin', written by Brian Wilson and Mike Love. Over the course of the 1960s the group became one of the most beloved in America, releasing albums like Surfin' Safari, Surfin' U.S.A. and Surfer Girl. Their 1966 hit God Only Knows was branded 'the greatest song ever written' by Beatles legend Paul McCartney. Along with their pioneering musical style, the band also conjured up an intoxicating image of a carefree California lifestyle of sunshine, palm trees and sea air. However Wilson's involvement with the Beach Boys shifted dramatically when he suffered a nervous breakdown in 1964, followed by two more in the next couple of years. He promptly withdrew from touring but retained his backstage control of the band as a writer and producer, masterminding their 1966 magnum opus Pet Sounds and providing lead vocals on many of the tracks. Pet Sounds struggled commercially at first, but ultimately earned a reputation as one of the most acclaimed pop albums ever created. Paul McCartney has cited Pet Sounds as a particularly profound influence on him, one that spurred him to write more experimentally for the Beatles, leading to their own seminal album Sgt. Pepper's Lonely Hearts Club Band. 'First of all, it was Brian's writing,' said McCartney in 1990. 'I love the album so much. I've just bought my kids each a copy of it for their education in life - I figure no one is educated musically 'til they've heard that album. I was into the writing and the songs.' Wilson plunged into heavy drug use during the 1960s, including LSD, and the combination of his mounting substance problem and psychological issues like schizoaffective disorder contributed to his increasing retreat from public life. One of his symptoms was paranoid delusions, and he continued hearing voices in his head during the last decades of his life. On the other hand, the psychedelics also served as creative fuel, with Wilson reportedly composing the music for one of the Beach Boys' most enduring singles, the 1966 release Good Vibrations, while tripping on LSD.
