
Revenge of the Wrap
Wraps are awful. At best, they ruin perfectly serviceable fillings by bundling them up in a gummy, cold tortilla. At worst, they do this with less-than-serviceable fillings. They're like a salad, but less refreshing, or like a sandwich, but less filling—a worst-of-all-worlds Frankenstein's monster, an indistinguishable food slurry wrapped in edible cardboard, like the world's rudest present. They're desperation food—'the stuff,' Lesley Suter wrote a few years ago in the food publication Eater, 'of refrigerated airport deli cases, conference center lunch trays, and the dark side of a Subway menu.' Every single part of them is the wrong texture.
And yet: This month, McDonald's announced that it would be bringing back its chicken Snack Wrap, after nearly 19,000 people signed a Change.org petition arguing that it was ' easily the best thing' on the chain's menu. The announcement came a day after Popeyes introduced three new chicken wraps. TikTok is now filled with wrap-recipe cook-alongs and clips of attractive young people hunting for the best chicken-Caesar wrap in their given city.
If you are over 40, this might sound a bit familiar. Wraps were one of the biggest eating fads of the 1990s, after a group of enterprising friends decided to put Peking duck inside a tortilla and see if San Franciscans would buy it. They would, and they did, and then so did the rest of the country. Soon enough, the nation's leading newspapers were running careful, anthropological explainers about wraps, as though a sandwich were a newly discovered animal species. (The Washington Post, 1996: 'They're called wraps—big, fat, tortilla-wrapped bundles similar to burritos but with a wild choice of international fillings.' The Post again, six months later: 'It looks like a giant egg roll.') Tavern on the Green, which had at that point been selling down-the-middle American classics in New York City's Central Park for two generations, introduced a pork-and-potato wrap. Around the country, as The New York Times wrote in 1998, 'tiny stores selling wraps sprang up like weeds.'
Wraps, like garbage cans, can hold anything; for this reason, they aligned perfectly with the '90s fascination with so-called fusion food, which combines dishes from different culinary traditions. But more important, they were a vessel for the era's body anxieties. Extreme thinness was trending; Dr. Richard Atkins had recently reissued his diet guide, one of the best-selling books in history. Wraps were—in marketing, if not always in reality —lower-calorie and lower-carb than normal sandwiches, all that pillowy, delicious bread having been replaced with a utilitarian tortilla forgery that tasted and looked virtuous, especially when it was flecked with spinach or tomato. If traditional sandwiches were greasy and chaotic, the province of children and cartoon slobs, wraps were tidy and sensible, the province of working women with slim hips and pin-straight hair. They were fuel more than food, practicality more than pleasure. The fact that they didn't taste good was maybe even part of the point. A couple of weeks ago, I was talking with a woman about this story at a party, and she mentioned that she used to eat a lot of wraps. I was incredulous—until she explained, breezily, that she had had an eating disorder for many years.
Trends are pendulums. Wraps and extreme thinness eventually became less fashionable, but not because they were a terrible waste of time and imagination—they became less fashionable simply because new orthodoxy about how to eat and how to look replaced them. Bowls became the dominant healthy-ish working lunch, and a curvier silhouette—less ruler, more Jessica Rabbit; less Kate Moss, more Kim Kardashian—became the aspirational female body type. Third-wave feminism and its attendant media turned dieting (or at least talking about it) into something archaic and deeply uncool. But America's golden age of body positivity had its limitations: People were still expected to fall within a narrow band of acceptable sizes and shapes, and they were expected to have a particular body by accident, without effort or deprivation or shame or depressing sandwiches. For a while, the feminine ideal was a beautiful woman with a tiny waist, a giant butt, and a hamburger in hand, meat juice spilling down her forearm.
But recently, the mood has shifted again. Hip bones are jutting out once more from above low-rise jeans. The Kardashian sisters have been talking about their ' weight-loss journeys.' Estimates suggest that up to one in eight American adults have taken Ozempic or similar drugs since they were introduced. In the extreme, influencers are building social-media empires by bullying women into cutting calories and exercising for hours a day. Everywhere I look, the aesthetic values of the '90s have returned, even if the vocabulary has changed: Low-carb has been replaced with high-protein; dieting has been replaced with wellness; starvation has been replaced with fasting. Diet culture is being revived, repackaged, and resold for a new era, and so are the foods that fed it.
Two decades ago, when Subway launched a new line of wraps, they were advertised as a 'carb-controlled' option compatible with the Atkins diet. In 2024, when Subway launched a new line of wraps, a company press release foregrounded their protein content and promised to 'fuel you up without weighing you down.' The Snack Wrap Change.org petition explicitly cites the wrap's calorie count, which is typically below 300. On TikTok, fitness bros are bragging about the 'macros' on their 'XL Grinder Salad Wraps,' and women are posting recipes for 300-calorie buffalo-chicken wraps to a chorus of comments such as 'YALL THIS IS SOOOOO FILLING. I LOVE HIGH VOLUME LOW CAL EATING 🔥🔥🔥.' A thinness-obsessed nation is turning once again toward joyless tubes of functional slop, borne back ceaselessly into the past.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

USA Today
36 minutes ago
- USA Today
Dunkin' teams up with Sabrina Carpenter on another new drink
Dunkin' and Sabrina Carpenter have teamed up once again. After partnering in December 2024 on Sabrina's Brown Sugar Shakin' Espresso, the coffee chain and pop superstar are once again collaborating on a new beverage called Sabrina's Strawberry Daydream Refresher. The iced drink is crafted with sweet strawberry flavor and creamy oatmilk, according to Dunkin', then topped with a cloud of cold foam aimed to deliver the "nostalgic taste of strawberries and cream." The drink is available beginning June 25. In addition to the Sabrina Carpenter-inspired drink, Dunkin' also unveiled a trio of ice cream-inspired frozen coffees. The drinks are available in three flavors – cookie dough, mint chocolate chip and butter pecan – all topped with whipped cream, drizzle and crunchy waffle cone pieces. New food items also available at Dunkin' this summer New food items are also coming to Dunkin' as part of the company's summer menu. The items include: The chain also announced a new Chipotle Hash Brown Wake-Up Wrap is joining the menu. The item features crispy hash browns, egg, melted American cheese, all-new chipotle aioli and a choice of bacon or sausage, all wrapped in a warm tortilla. The item will be available as a standalone entrée or as part of the $5 Meal Deal, which features two Wake-Up Wrap sandwiches alongside a medium hot or iced coffee. Gabe Hauari is a national trending news reporter at USA TODAY. You can follow him on X @GabeHauari or email him at Gdhauari@


Atlantic
38 minutes ago
- Atlantic
Launches ‘The Writer's Way,' in Which Leading Writers, Novelists, and Poets Explore Cities Across the World Through the Eyes of Their Favorite Authors
The Atlantic announces today ' The Writer's Way,' a new series featuring prominent writers, novelists, and poets, as they explore cities across the world through the eyes of their favorite authors. Each essay captures one of literature's most memorable places, and is accompanied by a sidebar of recommendations for travelers who want to explore the locale for themselves. The series begins with three essays this summer: Caity Weaver reporting from Mark Twain's Paris, published today; Honor Jones reporting from John le Carré's Corfu; and Lauren Groff reporting from Lady Murasaki's Kyoto. For the first entry in the series, staff writer Caity Weaver makes her Atlantic debut, as she flies to Paris in search of modern resonances with Mark Twain's The Innocents Abroad, first published in 1869, around the same time Twain was regularly contributing to The Atlantic. For the essay, Caity visits some of the sites—the Louvre, Versailles—that Twain introduced to many Americans, pursues some side adventures, and matches the author's sense of humor with her own. Caity writes: 'For as long as Paris has existed, a group of people known by many names— derelicts; lollygaggers; scammers; bums —have sought to pass time there at no cost to themselves. Once, some 2,000 years ago, so many such personages (then known as barbarians) came to Paris simultaneously that the city was destroyed. Today, their descendants are politely called writers. One of the most successful to ever do it was a larkish American steamboat operator. In 1866, when he was 31, he convinced a San Francisco newspaper that the crucial thing to do in the lurid gloaming following the Civil War—as Army officials were yet racing to recover human remains before they were eaten by hogs—was to send him on a five-month 'great pleasure excursion' through Europe and the Middle East at the paper's expense. In exchange, he would send back riotous letters describing his trip. And that is how Mark Twain got to Paris.' Caity continues: 'Virtually every living American, save those blind from infancy, has seen images of Paris. There is no need for a civilian to travel there and describe it. And yet, the wastrel, the conniver—the author—must ask: Wouldn't it be best to send one more? Just to be sure? Isn't it possible that dispatching a 21st-century writer to Paris to tramp along in Twain's wake might enhance the modern reader's appreciation of Twain's work by proxy? It's certainly not im possible. Shouldn't we follow this instinct? Mightn't it be flat-out imperative for us to do so? And that is how I got to Paris!' 'The Writer's Way' will continue with Honor's and Lauren's essays this summer, and represents the latest in a major expansion of The Atlantic' s books coverage, including criticism, reporting about the publishing industry, author profiles, and the publication of more original fiction and poetry. Earlier this year, The Atlantic released a major literary project, ' The Best American Poetry of the 21st Century (So Far),' and in September will co-publish the book The Singing Word: 168 Years of Atlantic Poetry, bringing together nearly 100 poems originally published in The Atlantic from its founding in 1857 to 2024. 'The Writer's Way' is supported by Bottega Veneta. Press Contacts: Anna Bross and Paul Jackson | The Atlantic
Yahoo
38 minutes ago
- Yahoo
Everything to know about Zohran Mamdani: Background, parents, platform
The Brief Zohran Mamdani is set to be the Democratic candidate for NYC mayor after declaring victory in the primary. His key policies include rent freezes, free bus rides, no-cost childcare, and creating a new community safety department. If elected, Mamdani would be the city's first Muslim and first Indian-American mayor, marking a historic milestone. NEW YORK - Queens State Assemblyman Zohran Mamdani, 33, quickly rose as a leading candidate in New York City's Democratic mayoral primary. Running as a democratic socialist, he surprised many by declaring victory after the initial vote count. Now, even though the final results won't be official until July 1, the campaign moves forward into the general election, signaling a clear shift toward a more progressive political landscape. He surged into the spotlight overnight, leaving many asking — who exactly is Zohran Mamdani, and what does he stand for? JUMP TO: History | Parents | Democratic Socialist | What's Next? Born in Kampala, Uganda, Mamdani moved to New York City at age seven. According to the Associated Press, he became naturalized as an American citizen a few years after graduating from college, where he co-started his school's first Students for Justice in Palestine chapter. Zohran Mamdani is the son of two well-known public figures in film and academia. His mother, Mira Nair, is an Indian-born, Harvard-educated filmmaker based in New York City. She is known for directing films such as "Monsoon Wedding," "Mississippi Masala," "The Namesake" and "Salaam Bombay!" which was nominated for an Academy Award for best foreign language film. In addition to her film work, Nair founded the Maisha Film Lab in Kampala, Uganda, which trains young directors in East Africa. She also created the Salaam Baalak Trust, a nonprofit that works with street children in India. His father, Mahmood Mamdani, is a Ugandan academic and political scientist of Indian descent. He is a professor at Columbia University, where he teaches government, anthropology and African studies. Mamdani has written extensively on African politics and post-colonial governance. He previously led the Makerere Institute of Social Research in Uganda and currently serves as chancellor of Kampala International University. The two met in 1988 in Uganda while Nair was conducting research for her film "Mississippi Masala." Mamdani's political rise is driven by his grassroots organizing, progressive values, and ability to connect with younger voters. Known for his strong social media presence and activist background, he has built a platform centered on equity and community empowerment, making him a formidable candidate in the mayoral race. His campaign has gained support from well-known progressive leaders like Senator Bernie Sanders and Representative Alexandria Ocasio-Cortez, highlighting a growing move toward progressive politics in the city. See more of Mamdani's endorsements here. Democratic socialism is a political and economic philosophy that combines democracy with social ownership of key parts of the economy. It focuses on giving people more control over their workplaces and the economy, aiming for fairness, equality, and solidarity. Unlike capitalism, democratic socialists believe that real freedom and equality can only happen in a socialist system where the economy serves the people, not just private profit. Mamdani's campaign prioritizes addressing New York City's housing crisis with rent freezes and affordable housing initiatives. He advocates for fare-free bus rides to improve public transit access and proposes no-cost childcare to support working families. On public safety, Mamdani plans to create a Department of Community Safety focused on violence prevention, while maintaining current police staffing levels. If elected, Mamdani would become New York City's first Muslim and first Indian-American mayor. His campaign symbolizes a new generation of leadership and represents a historic milestone in the city's diverse political landscape. Mamdani's message of economic fairness and social justice resonates with many voters seeking change. His rise reflects growing support for democratic socialist ideas in America's largest city. The general election is set for November 4, 2025. Zohran Mamdani will go up against incumbent Mayor Eric Adams, now running as an independent after leaving the Democratic primary, Republican Curtis Sliwa, and independent Jim Walden. Given the city's strong Democratic base, Mamdani enters the race as a serious challenger.