New OTT Releases This Week (June 2025): Top Hindi, Telugu, Tamil, Malayalam & English Movies and Series
The second week of June brings a fresh batch of at least 16 new movies and series across major OTT platforms. From thrillers and romantic dramas to comedies and documentaries, the new releases span multiple Indian languages — Hindi, Telugu, Tamil, Malayalam, Kannada — along with English-language content.
Last week gave us popular titles like Lal Salaam, Tourist Family, Jaat, and Chhal Kapat. This week, streaming platforms like Netflix, Amazon Prime Video, JioCinema, Hotstar, Zee5, Sony LIV, ETV Win, Aha, and Sun NXT are packed with variety.
New Releases in Hindi
Rana Naidu – Season 2
Netflix | June 13
The Traitors (India)
Amazon Prime Video | June 12
New Releases in Malayalam
Padakkalam
JioCinema/Hotstar | June 10
Alappuzha Gymkhana
Sony LIV | June 13
New Releases in Telugu
Subham
JioCinema/Hotstar | June 13
Dear Uma
Sun NXT | Streaming Now
Ah Okkati Adakku
ETV Win | Streaming Now
Premante Idhi Kadha
ETV Win | June 15 |
New Releases in English
Fubar – Season 2
Netflix | June 12
In Transit
Amazon Prime Video | June 13 |
Snow White
JioCinema/Hotstar | June 11
Titan: The OceanGate
Netflix | June 11
The Fairly OddParents: A New Wish – Season 2
Netflix | June 12
New Releases in Tamil
Devil's Double: Next Level (Dhilluku Dhuddu 4)
Zee5 | June 13
Eleven
Aha Tamil | June 13
New Releases in Kannada
Maryade Prashne
Sun NXT | Streaming Now
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
29 minutes ago
- Time of India
Nagarjuna addresses changing trends in Tollywood and Bollywood: 'It can't be fantastic all the time'
Picture Credit: Facebook Veteran actor Nagarjuna who is gearing up for the release of the upcoming film 'Kuberaa', starring Dhanush in the lead, recently weighed in on the ongoing comparisons between Bollywood and the southern film industries. During an interview with Galatta Plus, Nagarjuna shared that he believes these trends are cyclical, and no industry remains at the top forever. When asked if Bollywood has lost it's spark in contrast to a booming southern film industry, the actor dismissed it saying, "These narratives keep changing." He explained that it's like an actor or director having a bad time of 4-5 years. He further explained, "Everything cumulative probably happened there, and films didn't work. And then they say the whole film industry is gone. In my time, in the Telugu film industry, it has happened four times. And I believe the fourth time will come now, very soon. I'm very sure, it's my hunch." Nagarjuna was also asked about filmmaker Naga Vamsi's recent prediction of a "bloodbath" in Tollywood due to changing audience tastes and underperforming films. The actor disagreed with it but also shared the need for timely reinvention. He about how films like mentioned that Tourist Family' in Tamil, 'Court' in Telugu, and 'Anaganaga' on OTT are working so well. He shared that audience's tastes are changing and as filmmakers, they have to keep that in mind. "They have to change fast. If we don't look at the future, things could be pretty bad. I feel that's what happened in Hindi. Now they'll change. It can't be fantastic all the time", he said. On the work front, he will be seen next in 'Kuberaa' joining Dhanush and Rashmika Mandanna in the lead. The movie will be released on June 20. He will be further seen in Rajinikanth's film 'Coolie' which also includes the brief appearance of stars like Aamir Khan, Upendra Rao and Pooja Hegde.
Indian Express
43 minutes ago
- Indian Express
Bhool Chuk Maaf: Rajkummar Rao has become the poster boy for losers; he plays the same character over and over again
Nobody is above being typecast, not even Shah Rukh Khan. But while the Badshah of Bollywood has broken hearts and weakened knees with his culture-defining romance movies, Rajkummar Rao has become the patron saint of losers. Far too many times in the last decade, the once-promising star has played versions of the same person: a small town layabout whose overwhelming uselessness is inexplicably presented as innocent charm. The secret behind these characters' appeal is never revealed, nor does Rao play them as particularly irresistible. In fact, in most of these movies, not only are the protagonists indistinguishable from each other, they're positively repulsive. Even Rao would've struggled to bring freshness to his performance in Bhool Chuk Maaf, the latest in this long line of films. He plays a 25-year-old man named Ranjan in the supposedly 'high-concept' comedy. But his age is something we must live with; we can't get annoyed in the first five minutes of the movie, can we? There are bigger problems to shake our fists at. So, we move on, reminding ourselves that it would've been even weirder if Rao was playing his real age. Because although Ranjan is old enough to vote and get married, he hasn't ever bothered finding a job. This doesn't sit right with his girlfriend's dad, understandably so. All he wants is for Ranjan to find gainful employment before asking for his daughter's hand in marriage. Also read – Pokhar Ke Dunu Paar movie review: Poetic and profound, the best Hindi film of the year Left with no choice, Ranjan agrees. But instead of scouring through LinkedIn and giving an interview or two, he goes to a shady old man played by Sanjay Mishra, who claims to have connections in various government departments. For Rs 6 lakh, the old man promises Ranjan a government job within the two-month deadline that he has been given by his girlfriend's dad. Ranjan arranges for the money by selling his mother's jewellery against her knowledge. When his girlfriend — she's played by Wamiqa Gabbi, by the way — offers to lend him some of her dowry, he pretends to be outraged, but agrees three seconds later. This is the guy we're supposed to be rooting for. He doesn't have a single redeeming quality. But for some reason, it's characters like Ranjan that Rao gravitates towards these days. There's nothing wrong with playing terrible people on screen, but it can become monotonous for the audience when an actor — especially someone of Rao's talent — reduces themselves to a type. If Ranjan were to walk into one of his other movies, you wouldn't even notice. Barring a couple of films in which he played cops — Badhaai Do and Bheed — Rao's been stuck doing the same small town schtick. In Stree, he plays a loafer who falls in love with a ghost lady. In Chhalaang, he's barely able to secure work as a school PT teacher. In Shimla Mirchi, he stalks a woman in the hills because he has nothing else to do. In Roohi, he plays a kidnapper. Before you say anything, this isn't a real job. In Guns & Gulaabs, he runs some kind of cycle repair shop; in Vicky Vidya Ka Woh Wala Video, he's a mehendi artist who's managed to get married to someone way out of his league; in Mr & Mrs Mahi, he's forced to sit behind the counter of his dad's sports store. In each of these projects, Rao's characters are barely-functional man-children. The only reason they find employment is because their love life relies on it. Mr & Mrs Mahi is probably the worst offender; not only is Rao's character in it severely immature, he's also rather rude to his angelic wife. He grooms her to give up on her dreams of becoming a doctor, all because he wants to live his fantasies vicariously through her. In a more sensible movie, she'd have knocked him over the head with his own hockey stick and walked out. Instead, Rao's character is projected as some sort of valorous hero; a champion of women who empowers his wife to become a cricketer. Bhool Chuk Maaf isn't as well-made as either Bheed or Badhaai Do, two movies that understood that people live inside prisons of society's making. Ranjan's frustration manifests in horrible behaviour that the movie never fully addresses. Sure, he has a change of heart at the end, when he realises that he shouldn't have stolen a job with someone else's name on it. But what about his other faults? How about we address the entitlement that folks like him and Ajju bhaiyya from Bawaal walk around with? It was funny the first time, when he played a person like this in Bareilly Ki Barfi all those years ago, but that's because his character in that film was genuinely endearing. Read more – Loveyapa: Junaid Khan plays the world's biggest red flag again, this time in Advait Chandan's outdated romantic comedy The unimaginative writing aside, Rao's work in these movies itself is an issue. There's a tendency to lean into the dialect, which often sounds interchangeable. There's also a tendency to have outbursts; there's a false sense of pride in these people, bordering on arrogance. Rao has a difficult time injecting them with vulnerabilities. These movies, including Bhool Chuk Maaf, leave no room for introspection and indecision. The men at their centre are empowered by the filmmakers to strut through life with a delusional overconfidence. Some movies, like Monica O My Darling, are smart enough to call their so-called hero out on their bashfulness. Others, like Srikanth, are too terrible to take seriously. But there is a difference between creating complex characters and two-dimensional oafs. In Bhool Chuk Maaf, when Ranjan is terrible, he's uniformly terrible. And when his redemption arc is complete, it's as if his entire personality has changed. Neither version is particularly realistic, because most humans exist somewhere in the middle of this spectrum. Rao has played such characters many times in the past, in movies such as Shahid and Aligarh, in Trapped and Newton. It's about time he returns to his roots, not for our sake, but his own. Post Credits Scene is a column in which we dissect new releases every week, with particular focus on context, craft, and characters. Because there's always something to fixate about once the dust has settled.
Hindustan Times
an hour ago
- Hindustan Times
Makers of Kamal Haasan's Thug Life say Karnataka govt failed to act when fringe groups threatened to burn down theatres
The makers of Kamal Haasan's film Thug Life have alleged that the Karnataka government failed to protect the film from threats after it faced opposition following lead actor Kamal Haasan's controversial statement on the Kannada language. In their plea seeking protection from threats against the screening of the film in the state, the makers said no FIR was registered against threats to the film. The Supreme Court on Friday sought the Karnataka government's response to the plea. As per the petitioners' plea, there is an effective ban on the CBFC-certified film Thug Life in Karnataka, which is caused by violent threats from private groups, and the state authorities have failed to take action in this regard. Advocate A Velan said, 'A fringe group issued threats of large-scale violence, including the burning of theatres and attacks against members of the Tamil linguistic minority residing in Karnataka. Despite these open and public threats, not a single FIR was registered, nor was any prosecution initiated by the State Government. On the contrary, the government appeared to adopt the position of the very fringe elements that issued those threats. We are aggrieved by this inaction and are now before the Supreme Court, seeking enforcement of this Court's past directions.' The plea argued that such inaction violates the fundamental right to freedom of speech and expression under Article 19(1)(a) of the Constitution. This right applies not only to filmmakers but also to the public who want to view films. A bench of Justices Prashant Kumar Mishra and Manmohan issued notices to the Karnataka government, the State police, Raaj Kamal Films International Private Limited and the Karnataka Film Chamber of Commerce (KFCC) seeking their responses to the plea. Advocate Navpreet Kaur added, 'We approached the Supreme Court after fringe groups issued open threats on social media to burn down theatres screening Thug Life, targeting both cinema halls and the Tamil linguistic minority in Karnataka. Despite clear Supreme Court guidelines requiring immediate action against such hate speech, the State took no action -- no FIRs were filed, and no protection was offered.... Instead, under pressure, the Karnataka Film Chamber advised theatres not to release the movie, resulting in a de facto ban. This is a serious law and order failure and a threat to constitutional rights... Recognising the urgency, the Supreme Court has issued notice to the State, and the matter is listed for hearing next Tuesday.' The issue arose over an alleged statement recently made by actor Kamal Hassan, which said, 'Kannada was born out of Tamil'. The top court will hear the matter next week. Thug Life marks the reunion of Kamal Haasan and Mani Ratnam after 37 years. The action thriller also stars Silambarasan, Trisha Krishnan, Aishwarya Lekshmi, Abhirami, Ashok Selvan. Thug Life opened to bad reviews and lukewarm audience reactions in theatres on June 5. The film has earned only ₹92 crore worldwide in eight days. Some trade pundits argue that the box office collection has been affected due to its non-release in Karnataka and the controversy. (With ANI inputs)
