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Welcome to the New Voices of Aotearoa list

Welcome to the New Voices of Aotearoa list

The Spinoff2 days ago

A new competition 'aimed at identifying, nurturing and increasing readership and sales for brilliant new emerging writing talent' has arrived.
The New Voices of Aotearoa is a just-announced annual competition where 10 writers – either nominated by their publishers, or nominated by themselves – are selected and celebrated as 'the country's ten best upcoming authors to read and follow'. The 10 writers for 2025 were chosen by a 'heavy weight' judging panel including celebrated writer Lee Murray, who said that 'choosing just 10 from over 30 worthy nominations generated some robust discussion.'
The new competition was created by The Coalition for Books, a membership organisation 'tasked with delivering strategic initiatives with the aims of reaching and engaging more audiences with a diverse range of New Zealand books and authors, and enhancing the visibility and sales of New Zealand books.'
The 10 selected writers do not receive any money but will be the subject of a promotional campaign that begins today, June 12, including interviews, videos, stickers and bookmarks that will go to libraries and booksellers, digital posters and social media assets. There will also be local events with the New Voices writers over the next few months (details to come). Coalition for Books chair Melanie Laville-Moore says 'the initiative shines a spotlight on the 10 best new voices in Aotearoa writing each year, making it easy for readers to know who to look out for in store and online.'
The inaugural New Voices of Aotearoa are:
Wellington essayist Una Cruickshank (author of The Chthonic Cycle); Raglan journalist, videographer and nature writer Kate Evans (author of Feijoa); Gisborne trapper, environmentalist and author Sam Gibson (author of Sam the Trap Man); Auckland actor, producer, radio host and author Matt Heath (author of A Life Less Punishing); Christchurch editor and writer of techno-thrillers, science fiction, fantasy and non-fiction Judy Mohr (author of Dancing in the Purple Rain); Wellington novelist Olive Nuttall (author of Kitten); Wellington taangata turi-raised anthologist and novelist Michelle Rahurahu (Ngāti Rahurahu, Ngāti Tahu–Ngāti Whaoa) (author of Poorhara); Auckland novelist and reviewer Josie Shapiro (Author of Everything is Beautiful and Everything Hurts); Auckland novelist and podcaster Saraid de Silva (author of AMMA); and Auckland television screen writer and producer and author Gavin Strawhan (author of The Call).
All of the 10 writers are authors of adult fiction or nonfiction (the competition excludes writers of children's books). New Voices of Aotearoa 2025 was judged by reviewer and former books editor of The Dominion Post and books and culture editor of the New Zealand Listener Guy Somerset; author, editor, podcaster, and curator of the Nelson Arts Festival's literary programme Pukapuka Talks Kerry Sunderland; fiction writer, and mentor for the Māori Literature Trust's Te Papa Tupu programme and the NZ Society of Authors Jacquie McRae (Tainui and Ngāti Koata); editor, manuscript assessor, mentor and revered former publisher Harriet Allan; Unity Books Wellington buyer and writer Melissa Oliver; and five-time Bram Stoker Award-winner and recipient of the New Zealand Prime Minister's Award for Literary Achievement in Fiction, Lee Murray.
To qualify for New Voices of Aotearoa, authors nominated must have published their first book in print between March 2024 and June 2025, or have their second book scheduled for publication before December 2025. They must be either New Zealanders by birth, have New Zealand citizenship or be long-term residents of Aotearoa.
The Coalition for Books expects that the New Voices of Aotearoa brand will grow over time and will become known and trusted. They're comparing the campaign to the Granta Best Young British Novelists which, in 2023, included New Zealand writer Eleanor Catton. The Granta list comes only every 10 years and includes 20 authors under the age of 40. Granta publishes an anthology of the writers' work and has been running the campaign since 1983.
New Voices of Aotearoa has no upper age cap and will happen every year. Nomination details for the 2026 competition are not yet available.

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Welcome to the New Voices of Aotearoa list
Welcome to the New Voices of Aotearoa list

The Spinoff

time2 days ago

  • The Spinoff

Welcome to the New Voices of Aotearoa list

A new competition 'aimed at identifying, nurturing and increasing readership and sales for brilliant new emerging writing talent' has arrived. The New Voices of Aotearoa is a just-announced annual competition where 10 writers – either nominated by their publishers, or nominated by themselves – are selected and celebrated as 'the country's ten best upcoming authors to read and follow'. The 10 writers for 2025 were chosen by a 'heavy weight' judging panel including celebrated writer Lee Murray, who said that 'choosing just 10 from over 30 worthy nominations generated some robust discussion.' The new competition was created by The Coalition for Books, a membership organisation 'tasked with delivering strategic initiatives with the aims of reaching and engaging more audiences with a diverse range of New Zealand books and authors, and enhancing the visibility and sales of New Zealand books.' The 10 selected writers do not receive any money but will be the subject of a promotional campaign that begins today, June 12, including interviews, videos, stickers and bookmarks that will go to libraries and booksellers, digital posters and social media assets. There will also be local events with the New Voices writers over the next few months (details to come). Coalition for Books chair Melanie Laville-Moore says 'the initiative shines a spotlight on the 10 best new voices in Aotearoa writing each year, making it easy for readers to know who to look out for in store and online.' The inaugural New Voices of Aotearoa are: Wellington essayist Una Cruickshank (author of The Chthonic Cycle); Raglan journalist, videographer and nature writer Kate Evans (author of Feijoa); Gisborne trapper, environmentalist and author Sam Gibson (author of Sam the Trap Man); Auckland actor, producer, radio host and author Matt Heath (author of A Life Less Punishing); Christchurch editor and writer of techno-thrillers, science fiction, fantasy and non-fiction Judy Mohr (author of Dancing in the Purple Rain); Wellington novelist Olive Nuttall (author of Kitten); Wellington taangata turi-raised anthologist and novelist Michelle Rahurahu (Ngāti Rahurahu, Ngāti Tahu–Ngāti Whaoa) (author of Poorhara); Auckland novelist and reviewer Josie Shapiro (Author of Everything is Beautiful and Everything Hurts); Auckland novelist and podcaster Saraid de Silva (author of AMMA); and Auckland television screen writer and producer and author Gavin Strawhan (author of The Call). All of the 10 writers are authors of adult fiction or nonfiction (the competition excludes writers of children's books). New Voices of Aotearoa 2025 was judged by reviewer and former books editor of The Dominion Post and books and culture editor of the New Zealand Listener Guy Somerset; author, editor, podcaster, and curator of the Nelson Arts Festival's literary programme Pukapuka Talks Kerry Sunderland; fiction writer, and mentor for the Māori Literature Trust's Te Papa Tupu programme and the NZ Society of Authors Jacquie McRae (Tainui and Ngāti Koata); editor, manuscript assessor, mentor and revered former publisher Harriet Allan; Unity Books Wellington buyer and writer Melissa Oliver; and five-time Bram Stoker Award-winner and recipient of the New Zealand Prime Minister's Award for Literary Achievement in Fiction, Lee Murray. To qualify for New Voices of Aotearoa, authors nominated must have published their first book in print between March 2024 and June 2025, or have their second book scheduled for publication before December 2025. They must be either New Zealanders by birth, have New Zealand citizenship or be long-term residents of Aotearoa. The Coalition for Books expects that the New Voices of Aotearoa brand will grow over time and will become known and trusted. They're comparing the campaign to the Granta Best Young British Novelists which, in 2023, included New Zealand writer Eleanor Catton. The Granta list comes only every 10 years and includes 20 authors under the age of 40. Granta publishes an anthology of the writers' work and has been running the campaign since 1983. New Voices of Aotearoa has no upper age cap and will happen every year. Nomination details for the 2026 competition are not yet available.

Actor & Comedian Johanna Cosgrove's Beauty Routine Is No Joke
Actor & Comedian Johanna Cosgrove's Beauty Routine Is No Joke

NZ Herald

time29-05-2025

  • NZ Herald

Actor & Comedian Johanna Cosgrove's Beauty Routine Is No Joke

Fresh off the NZ International Comedy Festival circuit, Johanna Cosgrove shares how her stage makeup befits her Sweetie persona. Johanna Cosgrove is busy basking in that post-awards glow. Earlier this week, the actor, comedian and writer was awarded Director's Choice at the New Zealand International Comedy Festival for Sweetie, directed by Jess Joy Wood. It's the show Johanna has performed both in Aotearoa and across the ditch – most recently to crowds who filed into Auckland's Basement Theatre from May 13 to 17, primed with a glass of white wine and ready to laugh until they cried. They did. View this post on Instagram A post shared by Johanna Cosgrove (@johannacosgrove) There's really no excuse not to be familiar with the comedy darling. She's graced our TV screens as Jaz in Three's Madam, makes up half of the podcast Rats In The Gutter, which she co-hosts with friend and fellow creative Samuel Te Kani, she has written for Shortland Street, and exercised her penchant for performing in countless theatre productions and short films. She's wickedly funny, yes, but - as the name of her show suggests – she's a total sweetie. It's hardly surprising then that she's amassed a growing fanbase of loyalists (me included) and has teamed up with some of the most lauded female comedians, including Justine Smith, Elouise Eftos, Rhiannon McCall, Hayley Sproull, Lana Walters and Liv McKenzie for the all-female comedy show, Goblin Girls. Below, Johanna explains how her bold beauty looks help cement the vibe for her show, why she's not a subscriber to the 'clean girl' aesthetic, and how you'll never find her caught with fewer than seven lipsticks in her handbag. ASHLEIGH COMETTI: The electric blue eyeshadow and bright red lips from your Sweetie promo shoot are burned into my memory for all the right reasons. How does this bold makeup look capture the playful energy of your show? JOHANNA COSGROVE: The makeup is essential! I refuse to do stand-up comedy in anything less than a fully realised visual concept (read: full costume and full beat). When I was writing Sweetie, I knew I wanted the vibe to be hot, punk, sweaty and dangerous – I was extremely inspired by Amy from Amyl and The Sniffers, photos from Kathleen Hanna in the 90s and the photographic work of Nadia Lee Cohen. The furious feminine, if you will. Something about the clash of blue and red, the nod to Liza Minnelli in Cabaret, and the theatricality of the 80s to the brow eyeshadow had me going ding ding ding, b***h! AC: You're no stranger to bold beauty looks and are often spotted donning blue liner or bright red lipstick. What are some of your signature beauty looks, and what do you love most about them? JC: More is … more. I've always been a liquid eyeliner girl, and would go to high school with a big ole wing from an eyeliner that was $2 on Cuba St and could simply be peeled off at the end of the day (unintentional!). Red lipstick is timeless and, even though I've taken time away from her, I'm back on the bandwagon with the force of 10000 suns. I also support thick bushy dark brows, blush, lip liner, mascara and nothing else. I support glamour, I have absolutely no time for the 'clean girl' TikTok aesthetic. Sue me! JC: My auntie is a makeup artist and she once said to me, 'perfect base, perfect face,' so keeping my skin healthy is priority numero uno. Beauty should always be fun, it should make you feel cool! It should make you feel sexy and powerful! No makeup and zits out can make me feel like the hottest girl on the planet of earth and so full of self-confidence that even my hormonal acne feels like art. But sometimes I need a full glitter cut crease (hello, 2016) and my cheekbones to be contoured like cut glass to even leave my house. It's a spectrum! I will never be limited! View this post on Instagram A post shared by Johanna Cosgrove (@johannacosgrove) AC: Talk me through your daily beauty routine – both on show day and off. How are they different? JC: SHOW DAY: Every time I've tried to incorporate a 10-step skincare routine, my face has responded by turning the texture and colour of red raw meat (derogatory). So now I keep it simple – lots of moisturiser! When I'm performing every night for months on end, I'll do sheet masks for aftercare – the Garnier moisturising ones from the supermarket are a slay. You best believe I've also tried the overnight viral Korean skin care mask (they do work, but they are crazy). I'll also do a gentle exfoliate once a week, I love the Emma Lewisham Illuminating Exfoliant. I don't wear a lot of foundation, but I'll always have a lip combo on – I'll not be caught dead without at least seven lipsticks in my purse. Hair care is also important (I must protect all seven of my strands), so I use a scalp massager (also from the supermarket), HINU Hair Oil and try and minimise the amount of heat damage (velcro rollers are in – spread it). OFF DAY: Cleanser, moisturiser, bit of sunscreen and black coffee almost spilt through my sheets. AC: We all know that bright stage lights can be hot, hot, hot. How do you ensure your makeup lasts the distance and doesn't slide off while you're performing? JC: At 16, there was nothing like a full can of hairspray straight on top of your L'Oreal Dream Matte Mousse to get you through $1 Bubbles Wednesdays at Establishment on Courtenay Place. It also causes your skin to flake like a croissant. This year I knew I'd need something more sustainable to handle the rivulets of sweat streaming out of me on this tour, so instead of foundation, I opted for a K-Beauty BB cream as my base (incredible coverage and designed to be good in humidity) with a light powder between bronzer (NARS) and blush (Mecca). I also used the Charlotte Tilbury Setting Spray like a firehose as well as M.A.C Stack Waterproof Mascara and Benefit Eyeliner that did not budge. My lip was M.A.C Locked Kiss Ink 24-Hour Lip Colour, which truly does what it says on the tin. Twenty-four hours, babe! Unmoveable! Loves it! AC: What are your five favourite products of all time, and why? JC: Cosrx Snail Mucin – aside from some light, *preventative* Botox, this product is the sole reason I could feasibly play a 25-year-old in a television show in my early 30s. I'm in love with it, obsessed with it and probably addicted. Ageing forwards? Not here. Clinique Black Honey – The OG. The queen. I could be on a plane falling from the sky and I would be grabbing for my passport, my phone and my Clinique Black Honey. The subtle colour match is beautiful. She's still a bestseller for a reason. Curio Noir Perfume (Pablo) – I was given this as a gift from the showrunners when I finished shooting Madam and it's truly a perfect scent. 10/10 no notes. K18 Leave-In Molecular Mask – this really is the best. As a PCOS girl who sizzled her hair to oblivion with years of on-scalp bleaching, this product brought me back from the absolute and utter brink. Thank you, K18. M.A.C Lip Pencil in Soar – The colour? The consistency? Sublime. I am never without this lip liner. Please sponsor me, M.A.C Cosmetics. HONOURABLE MENTION: CeraVe Oil Cleanser and a flannel. You don't need anything else to get your face clean. AC: Who do you consider your muses, both in comedy and in beauty? JC: In comedy, Cat Cohen, Joan Rivers, Natasha Leggero, Julia Davis, Samuel Te Kani, the New Zealand comedy industry. In beauty, Amy from Amyl and the Sniffers, Blondie, Kathleen Hanna, emo girls on Myspace, Nadia Lee Cohen, beauty influencer Not Another Hanna, Cher, any actress on Broadway from 1976-98, the movie Showgirls, and drag queens Trixie and Katya. AC: Do you follow beauty trends? Or do you prefer to stick to what you know and love? JC: I like to look for trends for inspiration, but ultimately I'll happily reject them and do whatever I wish. AC: What's the funniest beauty advice you've ever received? JC: 'Underline your lips so they don't look so big' - girl … wot. AC: What's your biggest beauty regret? JC: Following the above advice. St Yves Scrub. Not getting into sunscreen until it was borderline too late. Not moisturising – dial 111! AC: Beauty is... JC: Vital! More beauty From the hottest runway trends to try now to the local beauty brand founder making waves globally. Our 2025 Beauty Trend Predictions Came True At Australian Fashion Week. From wine-stained lips to skincare-as-makeup, here are the top trends beauty editor Ashleigh Cometti spotted at AFW. 8 Of The Best Keratosis Pilaris Treatments To Try In 2025. Skin feeling rough, textured or bumpy? Here's how to manage keratosis pilaris this winter. Viva Beauty Awards 2025: Discover The Finalists & Vote For Your Favourites Now. Our expert judges have decided the finalists across all 30 categories, now it's over to you to crown the winners. . Beauty entrepreneur Katey Mandy continues to push the boundaries of botanicals with New Zealand skincare brand, Raaie.

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