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Concert review: The Weeknd captivates Edmonton with tireless showmanship and visual spectacle

Concert review: The Weeknd captivates Edmonton with tireless showmanship and visual spectacle

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At one point, during a performance of Our Time, he even approached a young girl in the crowd and allowed her to take his microphone and sing a portion of the chorus, which got a huge ovation from the crowd.
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At the midpoint of the show, The Weeknd took a minute to acknowledge the Edmonton audience whom he had not performed for since the Starboy tour in 2017. He joked about not realizing how long it takes an Edmonton sky to darken in the summer, but he was glad to see how full the stadium was, even acknowledging the seats parallel to the stage.
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While American cities had Playboy Carti opening the show, Edmonton was blessed with an opening performance by Mike Dean, a DJ and The Weeknd's long-time collaborator, who mixed from a podium in front of the main stage. Playboy Carti was denied entry into Canada, said promoter Live Nation. Dean's set was a tonally diverse blend of vapourware and drum and bass that included live instrumentals. Dean switched between wielding a saxophone, playing a synth keyboard and strumming an electric guitar, all while puffing on one joint after the next.
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The screen behind Dean showed a sun rising slowly, cueing the music to transition from a slow gothic synth to more mirthful chimes, digital birds chirping from synth scaffolding. Smoke plumed from his tarp-covered podium as if attempting to create a stadium-wide contact high that set the right tone for the show to come.
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During his acknowledgment of the audience, The Weeknd said he hopes it doesn't take another 15 years to come back to Edmonton, and after such an engaging and entertaining show, I hope so too.
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