
Malcolm-Jamal Warner remembered at Berklee College of Music, "humanity is his real legacy"
Warner was an iconic figure on the 1980s cultural phenomenon "The Cosby Show" as Theo Huxtable. The world is mourning the actor who tragically drowned in Costa Rica on a family vacation. Investigators say a strong current pulled the 54-year-old into deep water.
"There's a duality in the loss right. I think prior to being able to be in his presence and have him be what I consider a brother; Theo was everybody's brother," said Misael Martinez Assistant Vice President, Social Entrepreneurship and Creative Youth Development at Berklee.
Beyond the screen, Warner had a special and close connection to Berklee College of Music, especially with the Berklee City Music students.
In 2023, as a special guest and emcee, Warner helped raise more than a million dollars for scholarships for the underserved youth to develop musically, academically, socially, and emotionally.
Few knew that Warner was an avid and passionate bass player, and he worked closely with Martinez at the college.
In 2015, Warner received a Grammy Award for Best Traditional R&B Performance for the song "Jesus Children" alongside Robert Glasper Experiment and Lalah Hathaway.
"I think that his humanity is his real legacy the way that he lived and treated people every day," said Martinez. "He was just the most caring and beautiful person when he came into the office and the campus, the way that he treated everyone with equity, love and respect, and he always yearned to learn more."
In 2014, he was praised for his performance of the Huntington Theatre's production of "Guess Who's Coming to Dinner" - a classic film tackling interracial marriage.
Martinez reflected on the impact of Warner's many roles.
"It actually framed a narrative that hadn't been said for a long time, and it allowed people to see themselves in a way that wasn't always depicted in television, so I think in that way he was a trailblazer," said Martinez.
A trailblazer and devoted family man, who leaves behind his wife and daughter.
"You think, 'oh my God' he's no longer here, but then most importantly you go back to the humanity, the impact of how fragile life is," Martinez said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Geek Tyrant
34 minutes ago
- Geek Tyrant
Trailer for the Family Drama A LITTLE PRAYER Starring David Strathairn and Jane Levy — GeekTyrant
A new trailer has been released for the family drama A Little Prayer , starring David Strathairn ( Lincoln , Good Night and Good Luck ), Jane Levy ( Zoey's Extraordinary Playlist ), Will Pullen ( Dope Thief ), Celia Weston ( In the Bedroom , How to Lose a Guy in 10 Days ), Dascha Polanco ( Orange is the New Black ), and Anna Camp ( Pitch Perfect ). The synopsis reads: 'Bill (David Strathairn) is a pillar of his Southern community: a business owner, a veteran, and the proud patriarch of an unruly but loving family. His daughter Patti (Anna Camp) has returned home after the collapse of her marriage, while his son David (Will Pullen) struggles to stay afloat. 'He has brought David into the family business, but harbors doubts about his discipline and commitment. Bill gravitates towards Tammy (Jane Levy), his daughter-in-law & only other person in his rambunctious household who values contemplation and repose. 'When Bill begins to suspect that David may be straying from his marital vows with a coworker (Dascha Polanco), he must confront the perplexing inscrutability of his son's choices and their consequences for the rest of the family.' The film is written and directed by Angus MacLachlan ( Goodbye to All That , Abundant Acreage Available ). This looks like a poignant and well done family story with great actors. Check out the trailer below, and watch A Little Prayer when it's released in select US theaters on August 29th.

Vogue
35 minutes ago
- Vogue
We're Calling It: Carolyn Bessette-Kennedy's Go-To Jeans Will Be Everywhere This Fall
Carolyn Bessette-Kennedy is more than just a fashion icon. Her life, her iconic romance with John F. Kennedy Jr., and her minimalist style continue to inspire in 2025. Today, this enduring influence is at the heart of Ryan Murphy's new series, American Love Story, in which young actress Sarah Pidgeon is challenged with stepping into the shoes of a woman who became synonymous with the idea quiet luxury. 'Her style wasn't opulent, but it was luxurious,' author of CBK: A Life in Fashion Sunita Kumar Nair, tells Vogue. 'The fact that she only had a few pieces shows how modern she was. Her look said, 'Here I am, impeccably dressed in a masculine silhouette, yet retaining my femininity.' There were no frills, prints or excessive accessories, nor was it an ostensible power dressing.' John F. Kennedy Jr. and Carolyn Bessette-Kennedy Evan Agostini When we look back at Carolyn Bessette-Kennedy's style moments from the 1990s, her rise to the role of advertising director at Calvin Klein makes perfect sense. With her innate confidence, she built her look around simple essentials, all of which had one thing in common: they were perfectly cut. Whether she was in silky slip dress, a button-down and maxi skirt, or T-shirt and jeans, she always wore it with a New Yorker's sense of natural ease. It's no secret that Bessette-Kennedy was a big fan of Levi's; it's rumored that her favorite was the brand's 517 model, featuring a bootcut flare that was very popular in the 1970s. On vacation in Martha's Vineyard, Massachusetts, or on the streets of Manhattan, it was not uncommon to see her wearing this classic denim style, as well as other flared jeans.


New York Times
2 hours ago
- New York Times
Sydney Sweeney Has a Secret
Those of us with insomnia have shamefully low bars for our late-night television viewing, which is how I justify my acquaintance with 'Echo Valley,' a bonkers new Apple TV+ movie about a mother's sacrifices for her drug-crazed daughter. It requires not so much the suspension of disbelief as the incineration of it. But it gives its actors a lurid excess of opportunities to suffer nobly or scheme nefariously, so it lured A-listers such as Julianne Moore, whom I'll follow into almost any valley, gulch or gorge of her choosing, and Domhnall Gleeson, who'd be riveting reciting a recipe for porridge. Also Sydney Sweeney, who steals the movie from them both. She plays the cursed daughter to Moore's mom, though 'plays' doesn't do the performance justice. She reels. Rages. Combusts. During one sequence, as she asks and then terrorizes Moore for money, her desperation metastasizes into a hysteria so raw and so real that I gasped. Forget Sweeney's 'great jeans.' She has great talent. Not that anyone would know that from the overwrought, omnipresent, cynically engineered chatter about Sweeney's cheeky ad campaign for American Eagle. Over the past few weeks, Sweeney the actor has been swallowed whole by Sweeney the pitchwoman, Sweeney the provocateur, Sweeney the partisan chew toy, Sweeney the political riddle. I say that not out of sympathy for her — she's obviously a willing, witting participant in at least some of this. I say it out of sadness for the rest of us and for a society in which attention is a greater currency than artistry, professional distinction is too often a mere steppingstone to ambient celebrity and objects of admiration turn into endlessly deconstructed objects of curiosity, both against their wishes and by their own design. Can't actors just be actors, musicians just musicians and athletes just athletes without conscription into our culture wars? Must they exploit their prominence for maximum profit or be exploited as social media fodder? I barely remember the performances that won Gwyneth Paltrow and Matthew McConaughey their Oscars; those golden moments receded behind the dross of all the merchandising they've done, all the cultural baggage they took on, as they traveled a drearily familiar arc from being celebrated for their artistic achievements to being famous for being famous. George Clooney — whose suavity has been used to hawk watches, coffee, tequila — won praise for his lead role in the Broadway production of 'Good Night and Good Luck' this year, but I bet more Americans are familiar with the role he played in last year's presidential race, entering the fray by publicly questioning President Joe Biden's cognitive state and beseeching him not to run for re-election. Starring alongside Clooney in the 2024 election was Beyoncé, who blessed the use of her song 'Freedom' as a campaign anthem for Vice President Kamala Harris and took the stage with her at a Houston rally — an appearance that President Trump recently railed against, calling for a criminal investigation into it. Amid such ridiculousness, a person could briefly lose track of Beyoncé's musical genius. And of her own denim evangelizing — for Levi's. Not all celebrity endeavors and endorsements are created equal. Occasionally they reflect genuine conviction, real caring, altruistic goals. But there's something crass and confusing about so many successful entertainers' readiness to stray into just about any arena of American life. And there's something about the digital age and social media that has mixed their various ventures together more thoroughly than ever before, into a sort of all-purpose dough, a.k.a. brand, that can be stretched, shaped and cooked this way and that, in accordance with a star's appetite for influence and income. Want all of The Times? Subscribe.