Golden Goose Unveils 'Altered States' Exhibition in Venice
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links."
Just a short boat ride from Venice, Golden Goose presented an extraordinary artistic installation that showcased the innovative vision of renowned Italian-Canadian visual artist Marco Brambilla. In the second installment of 'Haus,' the brand once again reimagined its headquarters in Marghera, Italy—a former industrial port—transforming it into a vibrant platform for conceptual creativity.
Since its inception, Haus has served as both an incubator and a platform for the brand to foster cultural innovation within its global community of 'dreamers.' This year, the project drew inspiration from the upcoming architecture-themed Biennale, seamlessly blending the rich heritage of Venice with cutting-edge technological design. To craft a truly immersive experience, Golden Goose partnered with renowned curator and co-founder of Paris's Palais de Tokyo, Jérôme Sans, granting Brambilla complete creative freedom. With this carte blanche, he crafted an unforgettable visual concept that explored his interpretation of the collective subconscious.
Through his short film Altered States, the audience gains a rare glimpse into Brambilla's creative process. In an exclusive interview with ELLE, Golden Goose CEO Silvio Campara beautifully captured the essence of the event, describing it as, 'your dream, our house.' The brand is opening the space to the public May 10–11, offering a unique shopping experience featuring limited-edition Altered States merchandise, including T-shirts and water bottles.$895.00 at goldengoose.com
Alongside the exhibition, Golden Goose debuted its newly launched True-Star sneaker in a striking full-coated silver glitter finish. Can't make it to the Haus? No worries—you can still order a pair online.
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Chicago Tribune
36 minutes ago
- Chicago Tribune
CSO hires a new chorus director; cancels next season's MusicNOW series
This week, Symphony Center saw a one-two punch of good news and bad news. On Tuesday, the Chicago Symphony Orchestra announced that Donald Palumbo, the former chorus master of the Metropolitan Opera, would lead its award-winning chorus on an initial three-year contract — a cheering development for an ensemble that has been without a director since 2022. That was followed on Thursday by word that MusicNOW, the CSO's contemporary music series, would be 'paused' next season. A statement from Cristina Rocca, the orchestra's vice president for artistic planning, said the organization intended to 'imagine new possibilities for connecting Chicago audiences with new music.' Once the domain of the CSO's composer-in-residence, MusicNOW programming is typically unveiled after the bulk of season programming has been announced. Instead, series subscribers were notified of the cancellation via a mailer. Palumbo will prepare the 2025-26 season's previously announced Chicago Symphony Chorus programs: Mozart's Requiem (Nov. 20-23), an Italian operatic potpourri conducted by music director emeritus Riccardo Muti (March 19-21, 2026) and Poulenc's 'Gloria' (May 14-16, 2026). He will also work with the chorus for 'Merry, Merry Chicago!', a CSO holiday tradition (Dec. 19-23). Palumbo spoke with the Tribune by phone between sessions with young singers at Lyric Opera's Ryan Opera Center. Rehearsals were well underway with the Chicago Symphony Chorus for Verdi's Requiem (June 19-24), his debut as chorus director designate. 'The rehearsals of the Verdi have gone really, really well so far,' Palumbo says. 'If I sound like a kid in a candy store, well, I kind of am.' Palumbo is only the third director of the Chicago Symphony Chorus in its nearly 70-year history. At 76, his tenure will doubtlessly be shorter than predecessors Duain Wolfe and founding director Margaret Hillis, the latter leading the chorus for a whopping 37 seasons. But Palumbo — whose remarkable career trajectory saw him ascend from being a primarily self-taught hobbyist musician to the most in-demand choral director in the country — says he's approaching the job like any other. 'I'm going to do my job, and it's going to go on as long as I'm doing a good job, I want to do it, and they want me,' he says. Palumbo's résumé made him a contender to watch after Wolfe's mid-season departure from the chorus in 2022. Prior to his appointment at the Met, the country's most storied opera house, Palumbo directed the Lyric Opera chorus from 1991 to 2007. He is still a known quantity to scores of local singers, including some who sang under him during his Lyric tenure. 'He prepares you in such a way that you feel so understanding of the piece of music that you're doing,' says Chicago Symphony Chorus alto Emily Price, whom Palumbo also hired to the Lyric Opera Chorus in his final season there. 'The language is so important, and the intensity of each line has to be so specific.' Palumbo's preparation of the chorus for two Muti-led programs in 2022 and 2023 — an unstaged 'Un ballo in maschera' and Beethoven's 'Missa solemnis,' respectively — sealed the deal. Muti made his affinity for Palumbo known when, after 'Missa solemnis,' the outgoing CSO music director implored Palumbo to consider leading the chorus 'permanently' in onstage remarks. 'That was very unexpected,' he recalls, laughing. But in time, the prospect began to make natural sense. Palumbo feels he'd done his time in the opera world, where margins are getting ever tighter. At this stage in his career, he prefers to focus on the music — a stated position of Muti, once again his collaborator in the forthcoming Verdi Requiem concerts. The CSO post, Palumbo says, allows him to get down to fundamentals. 'I was just in Japan for a month doing a 'Traviata' production with a chorus of young singers. … I told them, 'For better or for worse, this could be my very last 'Traviata,' and it's your first,'' he says. 'It's a progression.' The appointment comes at a time when the CSO is in need of steady leadership. Klaus Mäkelä, the CSO's music director designate, does not begin his term at the organization until 2027. While he continues to spearhead orchestral hires, Mäkelä did not participate in Palumbo's search committee, owing to the timing of his own appointment, in 2024. 'When we engaged Klaus, we informed him of any number of things artistically that were going on here, including the search for a new chorus director. Knowing that he wouldn't be working with the full chorus for quite a while, he agreed that we should just move ahead and have the committee make the selection,' says CSO president Jeff Alexander. Mäkelä will, however, be part of Palumbo's renewal talks in 2028, which were intentionally timed to the end of Mäkelä's first season. Though Mäkelä and Palumbo are not working together next season, Alexander confirmed they would begin working together on programs beginning in the 2026-27 season. The CSO has pointed to the same contractual awkwardness in its curtailing of MusicNOW, its contemporary music series. Last year, the CSO did not appoint a composer-in-residence, citing the interregnum between music directors Muti and Mäkelä, who have hiring power over the position. (Despite this, the CSO filled a similar gap between Muti and former music director Daniel Barenboim 20 years ago with a twin appointment of composers Osvaldo Golijov and Mark-Anthony Turnage.) Alexander reaffirmed the CSO's commitment to hiring a new composer-in-residence, 'probably' during Mäkelä's first season in 2027-28. But he acknowledged that MusicNOW, or anything like it, may not be under that person's aegis. 'It may still include some curation of some kind regarding our contemporary music offerings, and the rest will probably remain pretty much the same: writing a new piece for the orchestra each year, et cetera,' Alexander says. Above all, economic factors prevailed. Alexander noted that MusicNOW — essentially a chamber series featuring members of the CSO — tended to follow the ticket-sale trends of those programs, filling just a fraction of Orchestra Hall's capacity. That's despite having costs not usually associated with those programs, like music licensing fees or guest artist expenses. (Featured composers and, occasionally, soloists and conductors were typically flown out for the series.) Instead, Alexander signaled that a short-term strategy may be to program more contemporary music on the CSO's mainstage. Though the CSO's 2025-26 season includes just one premiere (Matthew Aucoin's 'Song of the Reappeared' in December), subscription concerts feature works by 16 living composers: Camille Pépin, Carlos Simon, Thea Musgrave, Unsuk Chin, Jörg Widmann, Paquito d'Rivera, Gabriella Smith, Kevin Puts, Joel Thompson, Jennifer Higdon, Erkki-Sven Tüür, John Adams, Wynton Marsalis, Joe Hisaishi and former CSO composer-in-residence Jessie Montgomery. 'The word we're using is 'pause,' because, as we thought about it, we're a symphonic organization first of all,' Alexander says. 'If we put a contemporary piece on a CSO subscription program and it's performed three times, on a good week, 6,000 people are hearing it. If we put it on a MusicNOW concert, maybe 300 people were hearing it. … Part of our thinking is, let's beef up the contemporary offerings on the CSO main (series). Cautiously, of course. But more than normal.' Rocca's written statement went on to say that 'conversations with the artistic planning team' and Mäkelä 'are underway to guide future plans' for contemporary music programming at the CSO.
Yahoo
40 minutes ago
- Yahoo
Shaquille O'Neal Names Four Current Players Who Deserve To Make The Hall Of Fame, Two Superstars Snubbed
Shaquille O'Neal Names Four Current Players Who Deserve To Make The Hall Of Fame, Two Superstars Snubbed originally appeared on Fadeaway World. Shaquille O'Neal, a first-ballot Hall of Fame inductee, shared a rather harsh criticism of players who were considered to be future Hall of Famers. With specific reference to Boston Celtics star Jayson Tatum, O'Neal had this to say on "The Big Podcast". Advertisement "You ever see that movie Ocean's Thirteen? I'm going to just break in and take all my s**t out. M**********r's just throwing anybody in there now." O'Neal continued by referencing NBA legend Isiah Thomas, who had split the Hall of Fame by classifying it into two distinct sections, "There's a bad m**********r Hall of Fame," said the big man. "And there's the basketball Hall of Fame." At this point, O'Neal questioned the legitimacy of Tatum's position as a future Hall of Famer. Although he boasts the necessary credentials, with multiple All-Star selections, All-NBA Team selections, as well as an NBA title, the former NBA player wasn't in agreement with this. In response to this, O'Neal was asked to curate his own Hall of Fame based on the current batch of players, excluding LeBron James. To this, he responded, "I would have to Curry... Got how many rings? 3? 4 rings?" Advertisement He continued by naming Giannis Antetokounmpo and Nikola Jokic. However, when asked whether Chris Paul deserved a place in his list, O'Neal responded by saying, "I'm not a guard. I'm going to let you answer that." Apart from James, who is a shoo-in as a first-ballot Hall of Famer, O'Neal named Warriors star Stephen Curry along with Antetokounmpo and Jokic. Each of the players named has a legitimate case for being inducted, with Curry and Antetokounmpo even being named to the NBA's 75th Anniversary Team. However, apart from these players, O'Neal very evidently snubbed a couple of greats in the current era - Kevin Durant and Kawhi Leonard in particular. Advertisement While credentials can be ignored to some extent when defining the parameters of O'Neal's list, Durant and Leonard have presented a very strong case for being considered as Hall of Fame candidates. Durant has solidified his position as one of the greatest offensive players the game has ever seen. With four scoring titles and 15 All-Star appearances to go with his two NBA titles, the forward redefined offense by capturing the title of being unguardable. Meanwhile, Leonard has been one of the most lethal two-way players in recent history. His versatility on both ends of the floor, from scoring in clutch situations to defending out of position, makes him an incredibly rare breed of superstar. Although his injury-prone nature could see him snubbed to some extent, what he is capable of doing when he is on the floor is undeniable. And with two NBA titles, two Finals MVPs, and seven All-Defensive Team selections, he is a certified first-ballot Hall of Famer. Advertisement Apart from these two superstars, O'Neal also missed several other players who would undoubtedly find their place in the Hall of Fame as first-ballot inductees. Chris Paul is certainly a name that has to be considered. Paul has been one of the premier point guards in the NBA for a large part of his career. His sheer longevity, paired with his productivity and success as a floor general, guarantees him a spot among the greats. Other noteworthy players include the likes of Russell Westbrook and Anthony Davis. Westbrook was a force of nature during his time with the Thunder. Having averaged a triple-double for three consecutive seasons, Westbrook etched his name in the history books as one of the best to ever do it. Although Davis has been on the receiving end of much criticism in recent years, it is hard to overlook how dominant he was during his title charge with the Lakers. Looking like one of the best big men in the league coming out of college, Davis has been a truly special player. Advertisement Jayson Tatum's accomplishments don't necessarily pale in comparison. But at only 27 years old, they set a solid foundation for making a case in the future. In the process of recovering from his ACL injury, Tatum will have a long road to recovery. Whether this will see the Celtics star return to All-Star form will be a point of concern. However, should he manage to return to form, there is no room for doubting what he could be capable of accomplishing. Related: 25 Players Who Have A Chance To Make NBA 100th Anniversary Team: Luka Doncic Will Be A Legend, Klay Thompson Will Get Redemption This story was originally reported by Fadeaway World on Jun 6, 2025, where it first appeared.
Yahoo
an hour ago
- Yahoo
Stockton Rush Was Dedicated to Ocean Exploration. His Cofounder Still Is Despite the Deadly Risks
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Here's what you'll learn when you read this story: In June 2023, the OceanGate Expeditions submersible Titan imploded while descending to the wreckage of the Titanic. All five passengers died. Company cofounder Guillermo Söhnlein has publicly defended his late business partner, OceanGate CEO Stockton Rush, and ocean exploration more broadly. A year after the disaster, Söhnlein announced plans for his current company to explore Dean's Blue Hole in The Bahamas. On June 16, 2023, OceanGate Expeditions CEO Stockton Rush and four other passengers left the coast of Newfoundland, Canada, for the thrill of a lifetime—a submersible dive to the sunken Titanic. Tragically, none of them returned to shore. 'They knew what they were getting into,' OceanGate cofounder Guillermo Söhnlein said. 'And yeah, and it's just, it's a sad thing that they died doing something that they were passionate about.' Streaming June 11, the Netflix documentary Titan: The OceanGate Disaster takes a closer look at the titular craft's deadly underwater implosion and the events preceding it. It also examines the business practices of Rush and whether they ultimately played a role in the accident. While Rush's company has drawn intense scrutiny, Söhnlein has rendered a different image of his former business partner—insisting his commitment to exploration is worth continuing. Rush and Söhnlein cofounded OceanGate in 2009 in Seattle. Similar to space tourism brands such as Blue Origin and Virgin Galactic—created by Jeff Bezos and Richard Branson, respectively—the company's mission was to make undersea exploration more accessible. According to Söhnlein, he and Rush planned to purchase a 'fleet' of submersibles capable of diving at least 4,000 meters. The craft could be used for a variety of purposes, including tourism, military operations, and scientific research. 'The whole intent was to create these work subs and, in that way, as our tagline was in the early days: Open the oceans for all of humanity,' Söhnlein told Sky News in 2023. The company's first five-person submersible, Antipodes, followed this model and was used primarily by researchers and what Söhnlein called 'citizen scientists'—or regular people fully trained as crew members for their respective excursions. In June 2011, Antipodes successfully explored the wreckage of the S.S. Governor off the coast of Washington. But by 2013, Rush determined OceanGate needed to build its own craft to explore greater depths as originally intended. That same year, Rush became CEO when Söhnlein left the company, though he maintained a minority stake. He testified that as of September 2024, he had approximately 500,000 common shares but 'basically resigned myself to the fact that I'm probably never going to see anything out of that equity stake.' That's because of what would happen a decade later in the North Atlantic Ocean. In July 2021, OceanGate made its first successful dive to the wreck site of the Titanic, the massive ocean liner that sank on April 14, 1912, and resulted in more than 1,500 deaths. Rush and his team used the company's Titan submersible, which had a unique carbon fiber hull to make it lighter and less expensive to build. But during the expedition in June 2023, team members lost contact with the Titan. After a frantic days-long search for the craft, investigators recovered debris on June 22 and determined the submersible suffered a catastrophic implosion. All five passengers—including Rush, 61, and Titanic expert Paul-Henri Nargeolet, 77—died. The U.S. Coast Guard (USCG) later determined that layers of the Titan's carbon fiber hull had begun to delaminate, or break apart, a year prior—ultimately compromising the craft's integrity. This, along with testimony from a former employee saying an accident was 'inevitable,' led to scrutiny of Rush's business and safety practices as company CEO. The Netflix documentary promises to look at 'technical challenges, moral dilemmas, and shockingly poor decisions' that led to the implosion. However, Söhnlein, who has never been on a Titanic dive, has publicly defended Rush. He denied leaving OceanGate over safety concerns and told CTV News that OceanGate 'operated as safely as possible and we had a very safety-conscious culture' prior to his 2013 departure. Then in September 2024, Söhnlein testified to a USCG panel that Rush performed the first manned test dive of Titan on his own and recalled their conversation beforehand. 'He goes, 'I don't want anyone else in the sub. If anything happens, I want it to only impact me. It's my design, I believe in it, I trust it, but I don't want to risk anyone else,'' Söhnlein said. Söhnlein will offer his full thoughts about the Titan tragedy with the November 2025 release of his book, Titan Unfinished: An Untold Story of Exploration, Innovation, and the OceanGate Tragedy. In the wake of the accident, OceanGate suspended 'all exploration and commercial operations.' But Söhnlein, undeterred by his friend's death, has continued to advocate for underwater exploration. In June 2024, he announced plans for his own company, Blue Marble Exploration, to launch a craft to Dean's Blue Hole, an underwater sinkhole located in The Bahamas. Scientists have measured its depth at 663 feet, but no humans have ever reached the bottom. However, Blue Marble Exploration's website currently doesn't include any information about the company or planned excursions to the blue hole or elsewhere. Although it's unclear what the future holds for his company, Söhnlein has expressed hope that the Titan implosion won't deter other explorers and said future missions would be a way to honor the five victims. 'Those of us who work in the deep-ocean community know that there are risks. We know that working down there is difficult,' Söhnlein told the Seattle Times in 2023. 'And yet we all believe in what we're doing. We believe that what we're doing is greater than us.' Titan: The OceanGate Disaster begins streaming Wednesday, June 11, on Netflix. Tudum has confirmed the project includes new testimony about OceanGate and 'footage from the company's early days.' You Might Also Like Nicole Richie's Surprising Adoption Story The Story of Gypsy Rose Blanchard and Her Mother Queen Camilla's Life in Photos
