
Interview: 'The most important ingredient is culture,' says chef Massimo Bottura on his visit to Bengaluru
Chef Massimo Bottura has a passion for food that has not dimmed with time. A four-decade long career, three Michelin stars, and the frequent distinction of being the world's best chef; but his eyes still light up when he explains how he makes ragu. We meet in Bengaluru for a freewheeling chat. The conversation flits from stories about dining with Michael Schumacher in the '90s, to how his golden retriever Thelonious Monk probably needs to go on a diet. We speak of Pope Francis, King Charles, Enzo Ferrari, Lewis Hamilton, Lou Reed, and the United Nations. But what strings it all together, the underlying rhythm, is his passion for cooking and food.
The reason for Bottura's visit to Bengaluru on April 24 was a pop-up at Le Cirque Signature at The Leela Palace in partnership with Culinary Culture, a community co-founded by Vir Sanghvi. The dinner, which came with a hefty price tag of ₹50,000 plus taxes, was sold out. His name is enough for diners to shell out the sum, dining at a Bottura restaurant is a culinary pilgrimage. He owns the renowned Osteria Francescana in Modena, Italy, which topped the list of The World's 50 Best Restaurants twice and has three Michelin stars. He has teamed up with Ferrari and Gucci for restaurant chains across the world. He had opened the now defunct Torno Subito in Dubai. He claims he does not like the city, and the way his staff was treated.
Breaking the rules
'When I started out in the '90s, people used to say, 'have you heard of that crazy Italian who is breaking the rules?' They used to say, 'Go quick because the restaurant will close by the end of the year because no one is going there'.' Osteria Francescana is celebrating its 30th anniversary this year.
Bottura's elevated Italian cuisine is path breaking, modern and out of the box. The menu in Bengaluru features classics from his menu at Osteria Francescana, like the famous dessert Oops! I Dropped The Lemon Tart. It was created when a fellow chef accidentally dropped the lemon tart before service, and Bottura ran with the idea. The deconstructed dessert has lemon custard, sorbet, hot pepper oil and savoury capers. The dish is plated by the chef himself at the dinner. The Crunchy Part Of The Lasagna is an homage to his favourite part of the dish — the edges of lasagna. And the Pasta Al Pesto in abstract is made without pasta, to emphasise the importance of the pesto sauce. For one of his dishes, a controversial take on Bollito Misto, a beloved northern Italian meat stew, he delved into history that goes back to the Dark Ages. 'The most important ingredient for the chef is culture. Culture makes you see things in a different way.' His food is about looking back to the past and bringing it to the present.
Tackling food waste
The iconic chef also has a number of soup kitchens across the world, in his bid to champion causes such as food waste, sustainability and food equity. He runs the not-for-profit Food for Soul. For his efforts, he was recently appointed as a Sustainable Development Goal (SDG) Advocate by the UN Secretary-General António Guterres. 'It was a reflection of what I have done in the past 10 years. I believe that the peripheries of the cities bring light to the cities. Like in Rio de Janeiro, Paris, New York. This was the vision of Pope Francis. He said do not focus on the centre, focus on the periphery. The periphery needs light,' he says. On earth we produce food for more than 12 billion people, while we are only 8 billion. The rest goes to waste; almost 33% of what we produce. 'This is not acceptable.' He wants to start a silent revolution.
'India feels like home'
For the Bengaluru dinner, he had to adapt his menu. There was no beef, and there were more vegetarian dishes. 'But I love a challenge.' This is his third pop-up in India, one in Mumbai in 2022, and in Delhi in 2024. 'I love India and India loves me. There is something so deep in your culture that attracts me. I have travelled to many places, South Africa, Tokyo, New York. But I never feel at home like I do here.' It is one of the reasons he says he does not want to open a restaurant here. He wants to visit in leisure, and not turn it into a business opportunity.
Music, movies and art is something Bottura draws from constantly for inspiration. He has made tasting menus based on The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band, and the music of Bob Dylan. The 30th anniversary celebratory tasting menu at Osteria Francescana is themed on the 1954 Italian movie Miseria e Nobiltà — Misery and Nobility. The movie questions poverty and privilege, through the lens of culture and food. A theme that is close to Bottura's heart.
Inspiration is always finding Bottura. His mind is focussed 'like a samurai' and he is always on. I ask him what his comfort food is... what he reaches out for at the end of a long day. 'I bring home ingredients from the restaurant. It could be a good piece of Parmigiano, beautiful anchovies, or fresh mozzarella. This helps me keep my palate at a certain level, so I can discern the differences between one Parmigiano and another. It is an exercise.' I ask if there are any guilty pleasures, like a late-night instant ramen? He laughs at the idea.
Apart from his many awards, Bottura's Osteria Francescana was also given a Michelin Green Star in 2020. The Michelin Green Star is given annually to restaurants that are at the forefront of the industry when it comes to their sustainable practices.
In 2015, the very first episode of the Netflix show Chef's Table featured Bottura. In it he spoke about how he broke all the rules of Italian cuisine, and how controversial that was in the country.
In 2019 Time magazine's 100 Most Influential People included Bottura. This honour was given to him for his community kitchens called refettorios, that currently spans nine countries.
In collaboration with Ferrari, he re-opened Ristorante Cavallino in the city of Maranello. This is the restaurant where the brand's founder Enzo Ferrari used to dine. The site where it stands today was initially opened as a canteen for the Ferrari workforce. It opened to the public in 1950.
A fan of motorsports, Bottura owns a custom Diavel 1260 S bike from the Italian motorcycle brand Ducati.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hindustan Times
an hour ago
- Hindustan Times
World's most popular TikTok star Khaby Lame leaves the U.S. after being detained by ICE
LAS VEGAS — Khaby Lame, the world's most popular TikTok personality with millions of followers, has left the U.S. after being detained by immigration agents in Las Vegas for allegedly overstaying his visa. The Senegalese-Italian influencer, whose legal name is Seringe Khabane Lame, was detained Friday at Harry Reid International Airport but was allowed to leave the country without a deportation order, a spokesperson for U.S. Immigration and Customs Enforcement confirmed in a statement. Lame arrived in the U.S. on April 30 and 'overstayed the terms of his visa,' the ICE spokesperson said. The Associated Press sent a message seeking comment Tuesday to the email address listed on Lame's Instagram account. He has not publicly commented on his detainment. His detainment and voluntary departure from the U.S. comes amid President Donald Trump's escalating crackdown on immigration, including raids in Los Angeles that sparked days of protests against ICE, as the president tests the bounds of his executive authority. A voluntary departure — which was granted to Lame — allows those facing removal from the U.S. to avoid a deportation order on their immigration record, which could prevent them from being allowed back into the U.S. for up to a decade. The 25-year-old rose to international fame during the pandemic without ever saying a word in his videos, which would show him reacting to absurdly complicated 'life hacks." He has over 162 million followers on TikTok alone. The Senegal-born influencer moved to Italy when he was an infant with his working class parents and has Italian citizenship. His internet fame quickly evolved. He signed a multi-year partnership with designer brand Hugo Boss in 2022. In January, he was appointed as a UNICEF goodwill ambassador. Last month, he attended the Met Gala in New York City, days after arriving in the U.S.


Scroll.in
8 hours ago
- Scroll.in
Women's Prize for Fiction 2025: Six quick reviews of the shortlisted novels
Fundamentally by Nussaibah Younis At the heart of Fundamentally is the affinity that forms between narrator Nadia, appointed by the United Nations to rehabilitate 'ISIS brides' in Iraq, and one of her subjects, Sara, an east Londoner on the cusp of adulthood. They connect through a shared love of rollerblading, Dairy Milk and X-Men, as well as their caustic sense of humour. But the two British Muslim women have followed vastly different routes – Nadia to academia and the UN and Sara to a detention camp in Ninewah. Nadia's story of her journey through the vagaries of the humanitarian sector, punctuated by flashbacks to her failed relationship with first love Rosy and fraught relationship with her mother, is told with a compelling mix of verve and vulnerability. It raises hard ethical and political questions along the way. But it is Nadia's mission to help Sara that gives the novel its emotional complexity and depth, drawing the reader in while denying us any easy answers. Tell Me Everything by Elizabeth Strout Tell Me Everything is the tenth novel in Elizabeth Strout's well-known series that sketches the lives of ordinary, yet complex characters, who enter and exit each other's lives in the nowhere town of Crosby, Maine. The three main figures in this latest instalment are 90-year-old retired schoolteacher Olive Kitteridge (recognisable from Frances McDormand's realisation in the award-winning TV series by the same name), early 60s fiction writer Lucy Barton, and 65-year-old lawyer Bob Burgess. Loosely, this novel can be described as a murder mystery, though the plot twist of an alleged matricide and Burgess's decision to defend the case are secondary to the three main characters' process of sharing previously untold accounts of forbidden, traumatic, guilty and unrequited love. It is this telling and memorialising that produces the emotional core of the novel. If sharing their past gives the ageing storytellers some respite from the burden of their hidden lives, it is not the kind that comforts with meaning and purpose. In Strout's novel, this relief is unavailable and is replaced with the more ephemeral solace of simply being heard. The Persians by Sanam Mahloudji 'Do they think we were just some refugees?' Shirin, one of the characters in The Persians, asks her niece Bita. 'Weren't we?' Bita replies. The question of what a refugee looks like and what kind of stories they are expected to tell is a central theme in Mahloudji's raucous, poignant novel. The story shifts back and forward in time, from Tehran in the 1940s to Los Angeles in the Reagan years, and to both America and Iran in the 2000s, interweaving the voices of five women from the wealthy and powerful Valiat family. Mahloudji explores love, miscommunication, loyalties and betrayal across generations as well as between those who left and those who stayed behind. Jewellery is a central theme in the novel: glistening in shops, hidden in suitcases or flung away in protest. It represents both the adornment of female identity and the weight of the history that the migrants carry with them. All Fours by Miranda July 'Everyone thinks doggy style is so vulnerable,' remarks one of the characters in Miranda July's latest work of fiction. This story takes sexuality as its subject along with its relationship with creativity and ageing – or more specifically, the midlife plunge from a cliff that is female menopause. Like the author, July's nameless protagonist is 45, a successful artist, and married with a non-binary child. This auto-fiction puts the author's erotic nonconformity at the centre of the frame. Our heroine embarks on a road trip to New York, but only 20 minutes from her home, she falls in love with a young man. The pair spend two weeks together in a motel pursuing a mutual obsession, which ultimately remains unconsummated. This experience upends her life and she rebounds into turbulent adventures in sex, discovering a new sense of self. Perhaps it could have been a little tighter than its 322 pages – but then again, it's a work that explores a capacious road to excess. All Fours is a funny, honest, rambunctious tale. Good Girl Aria Aber's debut is a frequently poetic and powerful künstlerroman (a novel that maps the development of an artist). It follows Nila, a young Afghan woman in Berlin, as she tries to escape from her own cultural heritage and that of the German city in which she lives. For much of the novel, Nila moves through the margins of society, from her family home in a brutalist rundown apartment block in the neighbourhood of Neukölln to a seemingly endless cycle of underground clubs, parties and festivals. She pushes away her family, her childhood friends, and her college education to pursue an alternative creative life and a destructive love affair. Ultimately though, Nila realises that her artistic work and a truly independent life can only be forged through her reconciliation with the past. Set against the real far-right violence of the 2000s, Aber makes clear how social inequalities and racial prejudices effect artistic access and creativity. She also acutely captures the tensions between freedom and tradition as experienced by bicultural Muslim women grappling with the expectation to be 'good girls'. The Safekeep by Yael van der Wouden The Safekeep, a novel about the expropriation and theft of Jewish property during and after the Second World War, revisits a dark chapter of Dutch history. When Holland fell to Nazi Germany, many Dutch Jews were deported to the death camps and were stripped of their homes and belongings. Van der Wouden's debut novel shines a light on the act of keeping or maintaining things left behind that were to be reclaimed by their rightful owners, but which were lost or stolen in the war. The trauma of this history hangs over the lives of three siblings grieving the loss of their mother in 1961. Isabel, the novel's lonely protagonist, lives alone in the family house, keeping it in order as her late mother would have wanted. All the while, she suspects that their maid is stealing from the kitchen. But following the arrival of her brother's girlfriend, Eva, Isabel discovers the truth of the house and attempts to right historical wrongs. Éadaoin Agnew, Senior lecturer in English literature, Kingston University. Alexandra Peat, Lecturer in the School of English, Media and Creative Arts, University of Galway. Elizabeth J Kuti, Professor in the Department of Literature Film and Theatre Studies, University of Essex. Manjeet Ridon, Associate Dean International, Faculty of Arts, Design and Humanities, De Montfort University.


Time of India
8 hours ago
- Time of India
Tinnu Anand recalls his ‘dirty job' offering Rs 5,000 to Amitabh Bachchan for his first film ‘Saat Hindustani'
In Bollywood, only a select few have successfully earned admiration both as actors and directors, and is one of them. He is widely recognized for his diverse acting roles in movies such as 'Ghajini' starring Aamir Khan, 'Ghatak' with Sunny Deol, 'Merry Christmas' featuring Katrina Kaif, and the ensemble film 'Lajja'. Tired of too many ads? go ad free now Besides acting, Tinnu made a mark behind the camera by directing iconic films like 'Kaalia' and 'Shahenshah'. Family Opposition and Passion for Filmmaking Though Inder Raj Anand was a prominent writer in the film world, he opposed his son Tinnu Anand's desire to join the industry. Driven by his passion for filmmaking and a strong ambition to direct, Tinnu challenged his father's wishes. Distressed by this, Inder Raj Anand decided to enroll him at the Satyajit Ray School, hoping to divert his path. Choosing Satyajit Ray Over Raj Kapoor and Fellini In an interview with Rediff, Tinnu shared the reasons behind his decision to train under Satyajit Ray. He explained that although he had the opportunity to work with Raj Kapoor, who was a family friend and had collaborated with his father on several scripts, he felt that connection was too close for comfort. Another option was the renowned Italian filmmaker Federico Fellini, which appealed to him because it offered a chance to go to Italy. However, Fellini insisted that Tinnu learn Italian first, a commitment of six months that he wasn't willing to make. Consequently, he chose to study with Ray instead. The 'Dirty Job': Offering Rs 5,000 to Amitabh Bachchan During the same conversation, Tinnu shared how he was tasked with the 'dirty job' of offering Amitabh a fee of Rs 5,000 for his role in Khwaja Ahmad Abbas' film 'Saat Hindustani'. He explained that actress Neena Singh had recommended Amitabh for the part, but Abbas insisted that Amitabh cover his own expenses to come to Mumbai for auditions. Tired of too many ads? go ad free now This marked the beginning of Amitabh's journey to the city of dreams. Reflecting on the moment, Tinnu recalled, 'I was the one who took him to Abbas Saab's office. In the evening, I was given the dirty job of offering Amitabh Rs 5,000 for the entire film, whether it took one year or five to make." Career Growth and On-Set Challenges Following his role in 'Saat Hindustani', Tinnu acted in several films before making a name for himself as a director with movies such as 'Kaalia' and 'Shahenshah'. During the production of his third collaboration with Bachchan, 'Shanakht', Tinnu faced a tense confrontation with Madhuri Dixit when she declined to perform a daring scene opposite Bachchan. Personal Life On the personal front, Tinnu is married to Shahnaz, who is the daughter of the well-known veteran actor Agha.