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Shubhi Sharma on casting couch and struggles as a transgender actress in the industry; says ‘At times I survive on the charity we collect'

Shubhi Sharma on casting couch and struggles as a transgender actress in the industry; says ‘At times I survive on the charity we collect'

Time of India30-04-2025

Television actress
Shubhi Sharma
, known for her work in shows like Chand Jalne Laga, Dhruv Tara, and Saath Nibhaana Saathiya, has opened up about facing
casting couch
experiences and the ongoing challenges she faces as a transgender woman in the entertainment industry.
In a personal revelation, Shubhi shared, 'I'm working in showbiz and struggling to find meaningful roles. At times, with no work in hand, I survive on the charity we collect. I've often spoken about how makers should cast transgender actors in transgender roles instead of giving those parts to male actors.'
Recalling a disturbing incident, Shubhi said, 'I remember a popular filmmaker calling me and saying he could help me survive the competition.
All I had to do was let off my clothes. I told him I'm transgender, not a girl, but he said, 'These days, b*tts are more in demand.' I didn't know what to do. He's a known name with good connections. I was already in talks for two shows — one an episodic on a newly revamped channel, and another a cameo — but both roles eventually went to a male actor.
One of the shows later went off-air and was caught up in controversies.'
Expressing emotional exhaustion, Shubhi added, 'I don't know what's next for me. I admire actresses like Navina who can speak openly without fear. She's a woman and will always have someone to support her. But who supports us transgender people? Many of us are disowned by our families. We can't even find partners who'll stand by us. We live very merciful lives.'
Shubhi has earned praise for her performances in Aaina – Roop Nahi Haqikat Bhi Dikhaye, Mann Kee Awaaz Pratigya 2, Nath, Saavi Ki Savaari, and more — continuing to fight for space, dignity, and representation in Indian television.

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