logo
Brazil: outcry after funk singer arrested for allegedly inciting crime in lyrics

Brazil: outcry after funk singer arrested for allegedly inciting crime in lyrics

The Guardian2 days ago

The arrest of a well-known Brazilian funk singer on charges of allegedly inciting crime in his lyrics and an alleged connection to a major criminal gang has sparked outrage among artists, intellectuals and legal experts.
MC Poze do Rodo, 26, who has 5.8 million monthly listeners on Spotify, was arrested early on Thursday at his home in a luxury condominium in Rio de Janeiro's west zone.
Outcry has focused on the way the artist was detained over alleged non-violent offences: handcuffed, shirtless and barefoot. Footage of the arrest was broadcast repeatedly on television and splashed across the front pages of Brazilian newspapers.
'This is persecution [against me],' the funk singer told journalists as he was transferred from the police station to jail. 'There is no evidence.'
Activists say the case is the latest example of the criminalisation of funk music – and, by extension, of Black culture; something researchers argue has been a systemic feature of Brazilian society since the abolition of slavery in 1888.
Like most Brazilian funk artists, MC Poze – born Marlon Brendon Coelho Couto da Silva – is Black and raised in a favela.
He rose to prominence in 2019 and has since succeeded with songs depicting daily life in those communities, including some tracks that openly reference drug trafficking.
In an interview with TV Globo last year, he admitted that as a teenager, he had worked for the drug trade: 'I've been in shootouts, I was shot, and I was arrested too.' But he insisted he had left that life behind and that his goal was to send young people the message that 'crime doesn't lead anywhere'.
Last Thursday, police justified his arrest by claiming he was 'clearly glorifying drug trafficking and the illegal use of firearms' in his lyrics, and that his concerts were being financed by one of Brazil's two main criminal gangs, the Comando Vermelho (Red Command).
The police chief, Felipe Curi, even claimed that MC Poze's lyrics were 'often far more damaging than a rifle shot fired by a drug trafficker'.
According to Pierpaolo Cruz Bottini, professor of criminal law at the University of São Paulo, there is no incitement to crime in MC Poze's songs. 'There is no intent to promote or defend criminal acts – rather, the songs paint a vivid picture of a reality everyone is already aware of.'
Bottini said that the way the singer was detained – without being allowed to get dressed or even put on shoes – was 'completely inappropriate'.
'Even in cases of violent crimes, such treatment would only be justified if there were signs of resistance or a risk of flight – and that clearly wasn't the case,' he said.
After the arrest, other funk artists took to social media to protest in solidarity. Another high-profile singer, MC Cabelinho, pointed out that when an actor in soap opera or a film portrays a character involved in drug trafficking, it is not seen as inciting crime.
According to anthropologist Mylene Mizrahi, a professor at Rio's PUC university, funk artists are still not considered legitimate artists.
'They are pop artists, just like US rappers or Hollywood film-makers. But when someone like Martin Scorsese makes a mafia film, they're not branded mobsters,' she said.
The lawyer Joel Luiz Costa, executive director of the Black Population Defence Institute, said: 'The criminalisation of funk is part of a long historical process that began after the abolition of slavery and previously targeted samba, capoeira and afro-Brazilian religions.
'There's a clear pattern of criminalising Black culture,' he added. 'Since they can't just outlaw being Black, they target something associated with the Black community.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Police find British journalist reported missing in Brazil
Police find British journalist reported missing in Brazil

Reuters

time6 hours ago

  • Reuters

Police find British journalist reported missing in Brazil

SAO PAULO, June 2 (Reuters) - Rio de Janeiro police said on Monday that a British journalist reported missing nearly four months ago had been out of contact with her family voluntarily and the case has been closed. Charlotte Alice Peet, who had worked as a freelance reporter in Brazil for Al Jazeera and British news outlets, went missing in early February. She was located in a Sao Paulo hostel, police said on Monday, adding she "expressed her desire not to have contact with her family."

Brazil: outcry after funk singer arrested for allegedly inciting crime in lyrics
Brazil: outcry after funk singer arrested for allegedly inciting crime in lyrics

The Guardian

time2 days ago

  • The Guardian

Brazil: outcry after funk singer arrested for allegedly inciting crime in lyrics

The arrest of a well-known Brazilian funk singer on charges of allegedly inciting crime in his lyrics and an alleged connection to a major criminal gang has sparked outrage among artists, intellectuals and legal experts. MC Poze do Rodo, 26, who has 5.8 million monthly listeners on Spotify, was arrested early on Thursday at his home in a luxury condominium in Rio de Janeiro's west zone. Outcry has focused on the way the artist was detained over alleged non-violent offences: handcuffed, shirtless and barefoot. Footage of the arrest was broadcast repeatedly on television and splashed across the front pages of Brazilian newspapers. 'This is persecution [against me],' the funk singer told journalists as he was transferred from the police station to jail. 'There is no evidence.' Activists say the case is the latest example of the criminalisation of funk music – and, by extension, of Black culture; something researchers argue has been a systemic feature of Brazilian society since the abolition of slavery in 1888. Like most Brazilian funk artists, MC Poze – born Marlon Brendon Coelho Couto da Silva – is Black and raised in a favela. He rose to prominence in 2019 and has since succeeded with songs depicting daily life in those communities, including some tracks that openly reference drug trafficking. In an interview with TV Globo last year, he admitted that as a teenager, he had worked for the drug trade: 'I've been in shootouts, I was shot, and I was arrested too.' But he insisted he had left that life behind and that his goal was to send young people the message that 'crime doesn't lead anywhere'. Last Thursday, police justified his arrest by claiming he was 'clearly glorifying drug trafficking and the illegal use of firearms' in his lyrics, and that his concerts were being financed by one of Brazil's two main criminal gangs, the Comando Vermelho (Red Command). The police chief, Felipe Curi, even claimed that MC Poze's lyrics were 'often far more damaging than a rifle shot fired by a drug trafficker'. According to Pierpaolo Cruz Bottini, professor of criminal law at the University of São Paulo, there is no incitement to crime in MC Poze's songs. 'There is no intent to promote or defend criminal acts – rather, the songs paint a vivid picture of a reality everyone is already aware of.' Bottini said that the way the singer was detained – without being allowed to get dressed or even put on shoes – was 'completely inappropriate'. 'Even in cases of violent crimes, such treatment would only be justified if there were signs of resistance or a risk of flight – and that clearly wasn't the case,' he said. After the arrest, other funk artists took to social media to protest in solidarity. Another high-profile singer, MC Cabelinho, pointed out that when an actor in soap opera or a film portrays a character involved in drug trafficking, it is not seen as inciting crime. According to anthropologist Mylene Mizrahi, a professor at Rio's PUC university, funk artists are still not considered legitimate artists. 'They are pop artists, just like US rappers or Hollywood film-makers. But when someone like Martin Scorsese makes a mafia film, they're not branded mobsters,' she said. The lawyer Joel Luiz Costa, executive director of the Black Population Defence Institute, said: 'The criminalisation of funk is part of a long historical process that began after the abolition of slavery and previously targeted samba, capoeira and afro-Brazilian religions. 'There's a clear pattern of criminalising Black culture,' he added. 'Since they can't just outlaw being Black, they target something associated with the Black community.'

Jack Draper dispatches teenage sensation Joao Fonseca in straight sets to reach the last-16 of the French Open for the first time
Jack Draper dispatches teenage sensation Joao Fonseca in straight sets to reach the last-16 of the French Open for the first time

Daily Mail​

time3 days ago

  • Daily Mail​

Jack Draper dispatches teenage sensation Joao Fonseca in straight sets to reach the last-16 of the French Open for the first time

There will come a day when Jack Draper vs Joao Fonseca blossoms into a fine rivalry. But not this day. For now, it is man against boy. The 23-year-old from London dispatched the 18-year-old from Rio de Janeiro 6-2, 6-4, 6-2 to reach the second week of the French Open for the first time. 'Joao has caught the intention of everyone, there's so much more to come from him,' said No 5 seed Draper. 'Just a bit of experience from me today. But he's got a really bright future right at the top of the game.' Draper had never won a match here before this fortnight, but his stated ambitions are far greater than breaking his duck and he is matching deed with word. In the last 16 he will be a heavy favourite, whoever wins the clash of outsiders between Alexander Bublik and Henrique Rocha. A likely quarter-final against the mighty Jannik Sinner awaits thereafter. But his focus over the last two days was squarely on Fonseca, a teenager whom everyone has pegged as a future Grand Slam champion. Draper's chances received a boost at 8.52pm on Friday night, with the news that French No 1 Arthur Fils was withdrawing with a stress fracture of the back. That triggered a chain reaction in the schedule which saw Draper v Fonseca bumped up from Court Simone Mathieu to Suzanne Lenglen. The result was a totally different atmosphere. Mathieu is only partially ticketed, so the unreserved upper tiers would have been swarming with Brazilians. Over on Lenglen, there were only a few brushstrokes of green and gold. It was not even a full house. It was hot and humid - too muggy to be chanting and hollering. Draper will have been urging himself to strike early and take the sting out of the match. There was very little sting to begin with and what venom there was he quickly extracted. As Draper secured an early break, there was a shot from Fonseca which summed up where his game is currently at. Draper whipped a solid forehand, deep and with plenty of spin. On clay, it called for Fonseca to retreat a few feet, allow the ball to drop and rebuild the rally. Instead he stepped in, took it on the half-volley and ripped it into the middle of the net. Tennis, especially on the dirt, is about knowing when to push and when to absorb; it is about respecting your opponent's shots. Fonseca plays with the disrespect of youth and that makes him thrilling to watch. It also for now, at least for the top guys, makes him rather easy to beat. And Draper is every inch a top guy these days. He dominated Fonseca in every facet of the game. Instead of avoiding the dangerous Fonseca forehand, he attacked it. The Brazilian loves to trade in the backhand corner, before stepping round and unleashing the forehand hammer. By proactively going into the forehand wing, Draper was hitting into space, and forcing Fonseca to defend on a side where he prefers to attack. In his second-round win over Gael Monfils, Draper struggled at times with the cool, slow night time conditions. In the 28 degree afternoon heat, his forehand and serve had far more zip. The drop shot was also tremendously, at times laughably, effective - Fonseca just couldn't get a read on it, often so bamboozled he stood stock still as the ball plopped over. And those two weapons were often deployed in tandem: heavy forehand down the line to push Fonseca back; wrong-footing drop shot to that same side. Clay-court mastery of which Rafael Nadal would have been proud; it is startling how quickly Draper has tapped into the cadences of this most unfamiliar surface. He displayed a tactical sophistication of which Fonseca is not yet capable. For now, the young man's results remain far short of the hype. There were so many flashes of cameraphones from the crowd that Draper asked the umpire to ask them to stop. And that speaks to the fact that, as much as people flock to Fonseca's matches to watch him, they come almost more to have watched him; to be able to say, when he lifts a 10th Grand Slam title, 'I was there when he lost to Draper on Lenglen.' If that sounds like a lot on a teenager's shoulder's, that's because it is, but Fonseca seems to be dealing with things remarkably well at the moment. His game is so impressive, just unrefined. He will surely sit at the top table one day. Draper has not taken his seat there yet either - but he is pulling up a chair and perusing the starters.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store