
Now Hamlet issues trigger warning that Shakespeare classic contains 'coercive' behaviour
Those visiting London 's National Theatre later this year to watch director Robert Hastie's adaptation of the iconic play have also been told to prepare themselves for themes such as suicide as well as depictions of madness and violence.
The epic play, which is a cornerstone of English literature, centres around Hamlet, the Prince of Denmark, and his mad descent after his father is murdered by his uncle Claudius, who usurps the throne and marries Hamlet's mother.
It ends with a fatal duel that sees most of the principal characters - including the Prince himself - dead by the final curtain, prompting the theatre to issue a series of warnings.
Under the play's 'suitablity' a note reads: 'This production contains themes of grief and death, including suicide and the loss of a parent, depictions of madness, violence, and coercive behaviour.'
The show is set to begin with previews beginning on Monday, September 25 until Friday, September 30 - with tickets currently fetching anywhere between £20 and £64 for those dates.
It will then run until November 22 out of the South Bank theatre in the English capital and stars Laurence Olivier Award-winning actor, Hiran Abeysekara, as the Danish prince.
However, the trigger warnings attached to the show have sparked debate over whether they are necessary for a 400-year-old Shakespearian tragedy which is widely taught in schools.
Previously speaking to the Daily Mail about the warnings, historian and author Roy Schwartz said it creates an unsustainable precedent.
He said: 'A trigger warning is meant to alert that something contains potentially distressing material. It's gratuitous to include it in something that's well-known to have mature subject matter, and it's frankly ridiculous to include it in a classic like Hamlet.
'For that matter, why not have a trigger warning in every history book? Every Bible and Sunday sermon? Coddling audiences against reality only serves to infantilise culture.
'A trigger warning is fair when the audience might not expect something 'triggering,' not in the most famous play in history.'
Agreeing with Mr Schwartz, writer Simon Evans added that trigger warnings are 'tiresome, infantilising and ultimately counterproductive' - a belief he said is supported by research and 'common sense'.
Mr Evans continued: 'To attach one to one of the supreme works of art in the western canon, a play that contains the single most quoted lines in the language, let alone on the subject of 'self-slaughter', is risible in the extreme.
'Let all theatres bookshops and cinemas carry a single "trigger warning" henceforth. "Take Heed! - all human life is here. Proceed at your own peril".'
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BBC News
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The Independent
39 minutes ago
- The Independent
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There were 36,000 clubs in the UK in the Eighties, and now there are fewer than 1,000. open image in gallery Fatboy Slim performing at a concert at Alexandra Palace in 2023 ( Getty ) 'One owner told me footfall is down 70 per cent and they end up having to do student nights with shots for a pound, so they're lucky to make £5 per head, but with our clubbers they do £25 a head easily.' The legendary DJ Fat Tony, who started out in the Eighties and has played clubs around the world, began his own day parties at the end of lockdown, DJing Saturday afternoons in a shop in Notting Hill Gate. His Full Fat day raves have been going for five years this summer, attracting 2,500 Gen Xers who come at midday, leave at 6pm and get home in time to put their kids to bed, as he puts it. 'I think that the demographics in clubbing have changed so dramatically because Generation Z choose not to drink, and pubs and bars and nightclubs are opening up to that older generation just to stay open,' he explains. 'Then they're thinking, 'Okay, we're not going to be judged anymore when we go out. We're not going to be looked at like we're the old age pensioners in the club.' When their children grow up, the nice parents from that culture want to take their kids out raving, and, dare I say it, give their children their first pill. That's rave culture. That's what they grew up on. I see it all the time.' The demand from older clubbers has been matched by the return of Nineties club nights like Peaches, God's Kitchen and Clockwork Orange. The latter was something of a pioneer in this, says Danny Gould, aka Danny Clockwork. The club started holding events in 2014 after years of silence following Gould quitting to get sober in 2001. 'I had years of drug-fuelled lunacy, until my brain just went – you have to stop,' he explains. 'When we reopened in Print Works, we sold 6,000 tickets in 20 minutes, finishing at 9pm and I'm in bed by 10pm. I'd say it's two-thirds an older crowd and a bunch of twentysomethings. open image in gallery Oasis crowds have been marked for the Nineties dads and lads vibe during their 2025 tour ( Getty ) 'Older clubbers have had jobs, lost jobs, their parents have died, their kids have grown up. They've got nothing to prove anymore, so everyone's respectful and just enjoying themselves. I think that's why the youngsters come – the positivity and the safety.' For Anderson, 'this is, in itself, explicitly political in that even if you're not thinking about it as a critique of modern society consciously, somebody said that the first time they went into a club, they couldn't believe everyone was nice, and they'd never experienced that before. It's a desire for tolerance.' We live in complex times, the UK is on its knees in so many ways, so it feels right to have a boom in dance music and dance culture – a place where you can just, for a few hours, forget about everything. And of course, this chimes with the Gen X way. 'We think of the Sixties as free love and psychedelics, but the majority of that generation were brought up in post-war austerity and were very sensible and got a job, stayed at the same company until they retired, and then got their pension,' says Davis. 'But Gen-Xers had that explosion of acid house music in the Eighties and Nineties and that gave us that inclusive, happy culture. Maybe that's something that's missing in the modern world. 'Social media is very divisive and very fracturing, but being in a real-life environment that's inclusive and all about coming together, I think there's something very attractive about that.' Marks has already opened a night in Amsterdam and had an Australian friend franchise in Brisbane. Clockwork Orange holds nights in Thailand, Dubai, Ibiza, 'and we're doing parties all over the world again,' says Gould. Even New York is succumbing. Jared Skolnick went to a few raves in Florida in the Nineties but then moved to the Big Apple and worked in tech marketing for years. In 2015, his spin class was promoting a festival where the Chemical Brothers played, and he rediscovered his taste for UK dance music. His next club night was Above & Beyond, the UK electro trio. 'This was one week before Donald Trump's 2016 election, so there was a lot of tension around politics,' he explains. 'The event was spiritual in a way I didn't expect. They put messages up on a screen, like – if you love someone, tell them now. And during this politically rife time, one of the messages was, 'look around you. You are also colourful.' I had this moment realising that we might have completely different beliefs, but right now we're all sharing something.' He now works clubs and festivals in harm reduction – testing drugs for the presence of fentanyl and helping people with bad trips. When I ask him why he thinks older clubbers on both sides of the pond are back clubbing like they were 30 years ago, he thinks for a second. 'In the US, Gen X is called the lost generation and I think these events are what we need to not be lost,' he gives a slow, sad smile. 'It's the idea that I feel like I belong somewhere. I think our generation, for a very long time, never felt like it belonged anywhere. Now I've found my place.' * Clockwork Orange is at the Steelyard, London, 6 September. See for details; Fat * Tony's Full Fat Season 9 starts at the Anthologist, London from 13 September. See for details; is at Popworld, Bristol on 27 September and touring through the winter. See for details