logo
Ari Aster's Eddington starring Joaquin Phoenix and Pedro Pascal falls flat at Cannes

Ari Aster's Eddington starring Joaquin Phoenix and Pedro Pascal falls flat at Cannes

Express Tribune16-05-2025

Ari Aster's latest film Eddington made its premiere at the 2025 Cannes Film Festival, featuring an ensemble cast including Joaquin Phoenix, Pedro Pascal, Emma Stone, and Austin Butler
. Despite the high-profile names and the director's previous acclaim with Hereditary and Midsommar, Eddington has received mixed early reactions, with critics citing confusion, lack of coherence, and thematic overload.
The neo-Western drama is set in a fictional New Mexico town during the early days of the COVID-19 pandemic in May 2020. Phoenix plays Joe Cross, a wheezy sheriff clashing with the town's pro-mask mayor Ted Garcia (Pascal), amid debates over AI developments, racial tensions, and government mandates. The film explores themes like political division, conspiracy theories, pandemic paranoia, and social unrest, but critics argue it spreads itself too thin.
Eddington is Aster's fourth feature and shares the sprawling, personal tone of Beau Is Afraid. However, unlike his past psychological horror successes, this film has been described as rambling, bloated, and emotionally distant. While the performances by Phoenix, Stone, and Pascal are serviceable, no standout moments emerge, and the plot's many threads fail to converge meaningfully.
Notably, Eddington touches on polarizing subjects like Black Lives Matter protests, mental health, and disinformation, but avoids taking clear positions. A mix of satire and drama, it includes viral conspiracies, local political races, and cult-like leaders, yet never sharpens its focus.
Set for wide release on July 18, Eddington runs 2 hours and 29 minutes and is rated R. While visually competent and featuring an ominous score, the film may struggle to resonate with audiences looking for clarity or emotional depth. Early reviews suggest Eddington may be Aster's most polarizing film to date.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Not entertainment but dangerous storytelling'
'Not entertainment but dangerous storytelling'

Express Tribune

time2 days ago

  • Express Tribune

'Not entertainment but dangerous storytelling'

In an Instagram Story shared on Monday, actor and model Aymen Saleem questioned the excessive display of abuse in local dramas. "Enough is enough. I'm deeply disturbed by the way a recent drama is portraying abuse — tying up a woman with ropes, showing it in a romantic or a bold light, and then normalising it as part of a love story. This isn't entertainment. It's dangerous storytelling," Aymen stated. She added that such plotlines can have detrimental effects in a country that's plagued with women's issues, including patriarchy, emotional and physical abuse, and societal pressure. "Media has the power to either reinforce or challenge these toxic norms. Dramas should offer relief, empowerment, and progress, not drag us back into justifying harm in the name of love," she said. The Chupke Chupke actor believes that Pakistani television has made strides in depicting "strong, self-aware female leads and breaking generational curses", which is what prompted her to question, "Why are we slipping back?" Aymen's insights are relevant to an industry that produces stories that often stem from strong grounds of morality and depart with positive takeaways. That is why, she believes, such uncensored violence against women has a negative impact. Adding a note to her showbiz peers, she said, "To the writers, producers, channels, and especially the actors: you have influence. People look up to you. Please choose your scripts and stories responsibly. This is not just fiction. This shapes culture." When it comes to her presence on social media, Aymen isn't afraid to speak her mind, whether it is to defend herself or others. In February, she penned a long note unleashing her frustration at netizens taking offence over wedding photos shared by then-newlyweds Kubra Khan and Gohar Rasheed. "The unnecessary moral policing that happens every time someone dares to live their life on their own terms is honestly exhausting," she said. The Paristan actor became well-acquainted with judgemental comments and 'moral policing' after posting pictures of her maternity shoot last November - a decision that raised concerns amongst netizens about her desire to follow 'Western' culture. In this instance, however, Aymen's anger stemmed from a place of empathy as she segued into Kubra and Gohar's wedding celebrations. "No one gets to question someone else's sincerity or faith based on how they choose to celebrate their joy," Aymen wrote. "Faith is personal. Celebration is personal. If you can't find it in yourself to be happy for others, the least you can do is mind your own business."

Immerse yourself into 'The Matrix'
Immerse yourself into 'The Matrix'

Express Tribune

time4 days ago

  • Express Tribune

Immerse yourself into 'The Matrix'

In a Los Angeles theatre, a trench coat-wearing Neo bends backwards to dodge bullets that spiral over the viewer's head, as the sound of gunfire erupts from everywhere. This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences, as reported by AFP. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a "shared reality" version of The Matrix, the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. "We believe the future will be more immersive and more experiential," said Cosm president Jeb Terry at a recent preview screening. "It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats." Cinema audiences were already dwindling when the Covid-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that film buffs cannot get in their living room. Prestige projects like Tom Cruise's Mission: Impossible – The Final Reckoning or Christopher Nolan's Oscar-winning Oppenheimer increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specialising in immersive experiences. "We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions through light, through production design, through 3D environments," he said. The approach, he said, felt particularly well suited to The Matrix, which he called "a masterpiece of cinema, but done as a rectangle." For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. The Matrix in shared reality kicks off with a choice of cocktails – blue or red, of course – which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. "They're sometimes inside the character's head," said Rinsky. "The world changes as you look up and down for trucks coming at you." The result impressed those who were at the preview screening. "It just did feel like an experience," influencer Vince Rossi told AFP. "It almost feels like you're at a theme park for a movie."

‘The Matrix is everywhere': cinema bets on immersion
‘The Matrix is everywhere': cinema bets on immersion

Business Recorder

time6 days ago

  • Business Recorder

‘The Matrix is everywhere': cinema bets on immersion

INGLEWOOD: In a Los Angeles theater, a trench coat-wearing Neo bends backwards to dodge bullets that spiral over the viewer's head, as the sound of gunfire erupts from everywhere. This new immersive experience is designed to be a red pill moment that will get film fans off their couches at a time when the movie industry is desperate to bring back audiences. Cosm, which has venues in Los Angeles and Dallas, is launching its dome-style screen and 3D sets in June with a 'shared reality' version of 'The Matrix,' the cult 1999 film starring Keanu Reeves as a man who suddenly learns his world is a fiction. 'We believe the future will be more immersive and more experiential,' said Cosm president Jeb Terry at a recent preview screening. 'It's trying to create an additive, a new experience, ideally non-cannibalistic, so that the industry can continue to thrive across all formats.' Cinema audiences were already dwindling when the Covid-19 pandemic broke out, shuttering theaters at a time when streaming was exploding. With ever bigger and better TVs available for the home, the challenge for theater owners is to offer something that movie buffs cannot get in their living room. Prestige projects like Tom Cruise's 'Mission: Impossible – The Final Reckoning' or Christopher Nolan's Oscar-winning 'Oppenheimer' increasingly opt for the huge screens and superior film quality of IMAX. But Cosm and other projects like it want to go one step further, collaborating with designers who have worked with Cirque du Soleil to create an environment in which the viewer feels like they are inside the film. Nintendo aims to match Switch success with new console For filmmakers, it's all about how you place the cameras and where you capture the sound, said Jay Rinsky, founder of Little Cinema, a creative studio specializing in immersive experiences. 'We create sets like the Parisian opera, let the movie be the singer, follow the tone, highlight the emotions… through light, through production design, through 3D environments,' he said. The approach, he said, felt particularly well suited to 'The Matrix,' which he called 'a masterpiece of cinema, but done as a rectangle.' For the uninitiated: Reeves's Neo is a computer hacker who starts poking around in a life that doesn't quite seem to fit. A mysterious Laurence Fishburne offers him a blue pill that will leave him where he is, or a red pill that will show him he is a slave whose body is being farmed by AI machines while his conscious lives in a computer simulation. There follows much gunfire, lots of martial arts and some mysticism, along with a romance between Neo and Trinity, played by the leather-clad Carrie-Anne Moss. 'The Matrix' in shared reality kicks off with a choice of cocktails – blue or red, of course – which are consumed as the audience sits surrounded by high-definition screens. Shifting perspectives place the viewer inside Neo's office cubicle, or seemingly in peril. 'They're sometimes inside the character's head,' said Rinsky. 'The world changes as you look up and down for trucks coming at you.' The result impressed those who were at the preview screening. 'It just did feel like an experience,' influencer Vince Rossi told AFP. 'It felt like you're at a theme park for a movie almost.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store