Eileen Fulton dies aged 91
The veteran actress - who was known as the first bad girl of daytime television for her role as Lisa Miller in As the World Turns - passed away on 14 July in Asheville, North Carolina, at the age of 91 following a period of declining health, her family announced in an obituary.
Eileen joined As the World Turns in May 1960 until the CBS show went off air in September 2010, making her one of the longest-starring soap actors in US TV history, despite the role initially being created as a short-term character.
The actress - whose real name was Margaret Elizabeth McLarty - was inducted into the Soap Opera Hall of Fame in 1998 and received a Daytime Emmy Lifetime Achievement Award in 2004.
Eileen was raised in Asheville and moved to New York to pursue an acting career after graduating from Greensboro College with a music degree in 1956.
In the Big Apple, she studied with famed acting coaches Sanford Meisner and Lee Strasberg at the Neighborhood Playhouse, as well as dance teacher Martha Graham, and her feature debut came in 1960 in Girl of the Night.
Eileen was also a writer and singer and performed a cabaret act for years in venues in both New York and Los Angeles.
At one point during her time on As the World Turns - which was then broadcast live - she was also appearing on Broadway in Who's Afraid of Virginia Wolf and in off-Broadway musical The Fantasticks.
She co-wrote her first autobiography, How My World Turns, in 1970 and jointly wrote her second, As My World Still Turns, 25 years later. Eileen also wrote a series of murder-mystery books and a novel titled Soap Opera.
She retired in 2019 and moved back to North Carolina.
Eileen is survived by her brother, Charles Furman McLarty, niece Katherine Morris and their children, and her sister-in-law Chris Page McLarty.
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This is a sample of The Echidna newsletter sent out each weekday morning. To sign up for FREE, go to There's been a lot of weeping in this household lately. Tears have flowed freely, paroxysms have been exhausting. It's not grief or sorrow causing the run on tissues, nor the cutting of onions. It's been laughter. Gales of it. Laughter so hard, it reddens the eyes and makes breathing difficult. And it's all down to Donald Trump and the new golden age he's ushered in. American comedy is back, baby, and with a vengeance. In its sights, the most thin-skinned, thick-headed president in memory. The late-night chat show hosts are taking him apart, especially since CBS, owned by Paramount Global, committed the ultimate act of self-harm by cancelling Stephen Colbert. Colbert, who will remain on air until next May, told his audience the gloves were now off. On live TV, he told Donald Trump, whose administration had to sign off on a planned merger with Skydance, to "Go f*** yourself." 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This is a sample of The Echidna newsletter sent out each weekday morning. To sign up for FREE, go to There's been a lot of weeping in this household lately. Tears have flowed freely, paroxysms have been exhausting. It's not grief or sorrow causing the run on tissues, nor the cutting of onions. It's been laughter. Gales of it. Laughter so hard, it reddens the eyes and makes breathing difficult. And it's all down to Donald Trump and the new golden age he's ushered in. American comedy is back, baby, and with a vengeance. In its sights, the most thin-skinned, thick-headed president in memory. The late-night chat show hosts are taking him apart, especially since CBS, owned by Paramount Global, committed the ultimate act of self-harm by cancelling Stephen Colbert. Colbert, who will remain on air until next May, told his audience the gloves were now off. On live TV, he told Donald Trump, whose administration had to sign off on a planned merger with Skydance, to "Go f*** yourself." It was delivered with the exquisite comic timing for which Colbert is famous. Responding to a gloating Trump post - "I absolutely love that Colbert got fired. His talent was even less than his ratings" - Colbert stared down the camera. "How dare you, sir? Would an untalented man be able to compose the following satirical witticism? [Pause] Go f*** yourself." His one-time co-host Jon Stewart of The Daily Show didn't hold back either. In an expletive-laden rant, he ripped into the cowardice of American corporations and institutions cowing to Trump's bullying. But all that seems like ancient history. The late-night crew has been handed truckloads of material, all thanks to Trump's cack-handed and so far unsuccessful attempts to divert attention from the exhumed Jeffrey Epstein scandal. Newcomer to the rotating The Daily Show's lineup, Josh Johnson made a meal of the story that won't go away. He took aim at House of Reps Speaker Mike Johnson for dismissing the House early. "Do you understand that they cleared Congress out for the summer like they found a dookie in the pool?" No points for guessing what a "dookie" is. As for Trump accusing Barack Obama of treason: "The problem with this distraction is that it's so old, Jeffrey Epstein wouldn't date it." Johnson's right, of course. Trump's been pathologically obsessed with Obama for decades. Even the animated Millennial favourite South Park has joined the chorus of ridicule, infuriating the White House and its head honcho. The first episode of its 27th season featured a naked and clearly under-endowed Trump jumping into bed with Satan. The president's vision of a new golden age didn't include comedy and satire, which has stepped into to fill an expanding void of commentary abandoned by the once powerful newspapers like The Washington Post. Comics and cartoonists - Broelman and Pope, take a bow - speak more than truth to power, even if Jon Stewart insists the late-night comedians satirising the news only speak opinions to television cameras. They have a way of speaking it to idiocy and hypocrisy as well. We can expect an unconstrained Stephen Colbert to do that even more forcefully than he has been. We'll laugh, and the sleepless Donald Trump will rage and fume on Truth Social, providing the comedian with mountains of fresh material to work with. HAVE YOUR SAY: How important is humour in politics? Who are your favourite comedians, cartoonists and satirists? Have your opinions on an issue ever been shaped by cartoons or comedy sketches? Email us: echidna@ SHARE THE LOVE: If you enjoy The Echidna, forward it to a friend so they can sign up, too. 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And I think rather than talking other people down or focusing on how types of podcasts that don't deserve listeners, get listeners, maybe it's worth acknowledging that there's all kinds of listeners for different types of content and trying to tap into that, appreciate that everyone listens to different stuff and try to make something that can appeal to a lot of people.' Making content that is appealing to a wide spate of people is no easy task in the modern world and it's something that Say and Gibbons have made pains to improve on in recent years. 'We were talking about this earlier today actually. Something we've crystallised since the start of Swag and we're getting closer and closer to is being able to provide content that anyone can listen to,' Say said. Comedy legend Barry Humphries is among the boys' role models. Openart AI Credit: Supplied 'If you're 15 or 75, we would like to create stuff that anyone can enjoy, anyone can palate. 'While being fresh and interesting is kind of the goal for us, we don't want to exclude any group or person or people from our stuff. 'It's that classic line from when they wrote the Mr. Bean TV show. 'If a joke couldn't be understood by people in Egypt, then it didn't get in'. He's on the extreme level where he didn't even speak, but we're sort of taking a leaf out of that book, which is: Does this allow everyone who can hear and watch our stuff the chance to enjoy it? 'There's only so much you can do as two guys, but we feel like we're getting better at dividing our time and energy up into multiple parts of the industry, which feels like an essential thing.' It's difficult to put your finger on Australian comedy in the same way you can identify dry British humour or brazen American comedies, and the nature of social media skits as an emerging form of content means prospective filmers may lack the comic role models of other mediums. However the boys cast the net wide and believe the vagueness offers an opportunity to cherry pick and aspire to the best. 'We're big fans of Chris Lilly, everything done by Chris Lilly,' Gibbons said. Australian icon in Chris Lilley as Jonah Takalua. Supplied Credit: Supplied 'I love the character comedy and the way he can very convincingly play all different types of characters. Sacha Baron Cohen as well. 'I think the Godfather of Australian comedy, Barry Humphries, is of course iconic. Flight of the Concords is a duo who has a hilarious dynamic and incorporates music which we try to do as well.' '(American and British humour) both are incredible, but I suppose beyond personal preference of the comedy styles, as Australia does in many other ways, we sort of take little bits of longstanding cultures that we like and try and incorporate them into our own things,' Say added. 'Maybe there's a bit of that going on that is forming the Australian comedy style.' The duo has partnered with KitKat to release a line of Commuter Camouflage Hoodies and are celebrating reaching one million followers on Instagram by throwing a party at the Railway Hotel in Brunswick on Saturday, August 30, announcing a secret project they've 'been working on for months'.
