
Inside the Canadian Baseball Hall of Fame banquet with Jose Bautista, Greg Hamilton, Larry Walker, Ernie Whitt, Denis Boucher and more
This special bonus episode of Deep Left Field comes to you from St. Marys, Ontario, home of the Canadian Baseball Hall of Fame and Museum. The Hall's induction weekend includes a Friday golf tournament, and a banquet that follows, featuring a casual interview segment with inductees and guests.
We take you to the banquet and present, live to tape, the interview session with this year's inductees and their families, as well as stories from past inductees Larry Walker, Ernie Whitt and Denis Boucher, all of whom are on Greg Hamilton's coaching staff for Canada's Senior Men's National Team.
Listen here or subscribe at Apple Podcasts, Spotify, or wherever you listen to your favourite podcasts. If you would like to support the journalism of the Toronto Star, you can at thestar.com/subscribingmatters.
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Ottawa Citizen
36 minutes ago
- Ottawa Citizen
Johnathon Stevens stars for Saskatoon Hilltops after Roughriders stint
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The Province
2 hours ago
- The Province
PNE opens this weekend with a big heaping scoop of Canadiana
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Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Not only that, the annual fair will be selling West Coast chowder poutine. And apple crumble perogies. The exotic treats are part of the fare from an all-Canadian lineup of food vendors at this year's fair, which opens Saturday and runs to Sept. 1. The fair unveiled its 2025 lineup at a news conference Thursday between Hastings Park racecourse and the PNE's agricultural barns. Looming nearby was the striking new curved roof for the 10,000 seat Freedom Arch amphitheatre the PNE is building on the former demolition derby site. It will open in summer 2026. PNE president Shelley Frost pointed to the amphitheatre as part of an 'incredible time of evolution for our organization.' But then, evolution has been constant in a fair that began in 1910. Essential reading for hockey fans who eat, sleep, Canucks, repeat. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Playing on its family-friendly vibe, the PNE will be transforming the Italian Garden green space beside the Forum into The Big Backyard, a celebration of Canadian sports that has areas set aside for kids to play hockey, soccer, football and basketball. 'They can try their hand at shooting pucks at targets,' Frost explains. 'They can spend some time (practising) their foot skills for soccer, they can try their hand at different sports.' Members of the R.C. 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Winnipeg Free Press
6 hours ago
- Winnipeg Free Press
Nuanced 1965 drama delicate romance in complicated time
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Modest but often ingeniously artful, Winter was filmed on a shoestring budget by a mostly student cast and crew who were basically learning on the job. Beyond its considerable historic value, though, the film holds up because the story's enforced subtlety shapes a delicate and deeply affecting character study. Our two protagonists, both students at the University of Toronto, are presented in the opening sequences as a study in contrasts. Doug (John Labow, who later became a documentary producer) roars toward campus in a cool convertible, wearing sunglasses and accompanied by a jazzy score. He walks into the college residence like he owns the place. Peter (Henry Tarvainen, who also went on to work as a producer) arrives by cab, awkwardly lugging a big cardboard box, rubbernecking at the big city and all its tall buildings. He's unsure of where to go or what to do. Doug is an extroverted senior, charming and popular, always surrounded by a gang of admiring male friends and often accompanied by his beautiful girlfriend, Bev (billed here as Joy Tepperman, she became the prolific Canadian novelist Joy Fielding). Peter is an introverted, bookish junior, a scholarship boy from an immigrant Finnish family and a small Ontario town. He spends a lot of time alone in the library, and that's where he and Doug get into a conversation about T.S. Eliot's The Waste Land, the poem that lends the film its title. Over the course of the school year, the two men's seemingly unlikely friendship grows in intensity, but the dynamics shift, ever so finely, when it seems they might want different things. Secter's approach to the story's queer undercurrents is necessarily oblique. It comes out in a certain way of framing collegiate roughhousing and locker-room towel-flicking, in a shower scene that fades to black, in a sentence left unfinished. 'If I didn't know better, I'd swear you and Pete are…,' Joy says to Doug at one point. That's about as explicit as things get. There are a few clunky moments from inexperienced cast members in minor roles, but the lead performances are remarkably assured. As we follow Doug and Peter's relationship, our initial impressions shift. Doug's brash assurance could be a screen for a deeper insecurity, while Peter ends up being tougher and more confident than he initially appears. The nuanced approach to character extends to the young women. Joy, who senses Doug's declining interest without being able to pinpoint its cause, is given sympathetic treatment, as is Sandra (Janet Amos), a theatre student Peter meets during a production of Ibsen's Ghosts. Secter, who now lives and works in Hawaii, is clearly dealing with an almost non-existent budget and severe practical constraints. (Remember, this was long before struggling cineastes could shoot films on their iPhones.) He has a clear gift for working with actors, and his thoughtful framing and careful camera placement keep things visually interesting, so that even seemingly simple scenes are layered with meaning and intent. The film catches a key juncture in the mid-1960s, poised between tradition (the young men attend dining hall dressed in academic gowns and often socialize in suits and ties) and coming social changes (they also go to coffeehouses and talk about the Vietnam War). The film's open-ended conclusion suggests that Doug and Pete are, like their era, at personal turning points. We are left to imagine each man's future, and even how each might look back at this brief, poignant moment in their lives, with T.S. Eliot once again coming in, speaking of 'memory and desire.' Alison GillmorWriter Studying at the University of Winnipeg and later Toronto's York University, Alison Gillmor planned to become an art historian. She ended up catching the journalism bug when she started as visual arts reviewer at the Winnipeg Free Press in 1992. Read full biography Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.