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‘Taking it too far' fume shoppers as they hit out at ‘Mrs Hinch mums' over Aldi toys – but not everyone agrees

‘Taking it too far' fume shoppers as they hit out at ‘Mrs Hinch mums' over Aldi toys – but not everyone agrees

Scottish Sun2 days ago

Some people have defended the toys
GREY MATTER 'Taking it too far' fume shoppers as they hit out at 'Mrs Hinch mums' over Aldi toys – but not everyone agrees
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IT was the homeware trend that everyone seemed to fall in love with.
Velvet sofas, 'Live laugh love' signs and grey EVERYWHERE - with many people citing cleaning guru Mrs Hinch as their home decor inspiration.
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An Aldi middle aisle buy has left shoppers divided
Credit: Alamy
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People have claimed the grey toys are 'utterly depressing'
But shoppers have blasted the trend for going "too far" after spotting "super depressing" grey toys in Aldi.
The 100-pack of ball pool balls is currently priced at £4.99 in the bargain supermarket, and is available in grey or pink.
After seeing the middle aisle buy in her local store, one woman fumed: "Unless babies/toddlers are colour blind, I'm not sure why you'd make toys colourless?
"Taking the grey aesthetic too far. Do toys clash with your living room scheme? Plain weird."
Her post on the BARGAIN LOVERS - Poundland, Home Bargains, B&M, Primark, The Range & More Facebook group, which boasts 841,000 members, quickly racked up a flurry of comments.
Many people appeared disappointed by the "utterly depressing" toys due to their lack of colour and hit out at parents for prioritising their interior aesthetic over colourful buys for the kids.
One said: "My living room is black, white and grey, but all my girls toys are ALWAYS going to be colourful. It's not fair to deprive a baby of colours for your own aesthetic."
"You buy toys for kids. I don't know many kids who'd prefer these boring balls", chimed in a second.
A third fumed: "Very bland, like a lot of beige nurseries."
A fourth claimed: "So many triggered beige baby mums. By the time they're old enough to be using a ball put properly they can see colour just fine, it's super depressing."
Parents race to Lidl for middle aisle bargains including 2 in 1 sandpit for £29
"Yep, made totally to match decor not for child enrichment", added a fifth.
Meanwhile a sixth echoed: "Agreed. Couldn't live in a grey and silver house. Find it utterly depressing."
Other social media users, however, have defended the grey toys and insisted their colour doesn't ruin the fun.
"Really not sure why it matters, kids will still play in amongst them no matter the colour", insisted one.
A second wrote: "It's really not that deep, and a plastic ball is a plastic ball."
A third suggested: "Too much colour can be overwhelming and overstimulating. Probably the same reason so many people choose the neutral tones to decorate also."
Someone else admitted: "I'm not going to lie. I'm the parent that has bought this in the past because it goes with my living room. Not really ashamed of it either."
"Maybe just me, but I'm sorry if it don't match my living room I ain't buying it", agreed a fifth.
And a sixth echoed: "I got grey to match my house. Looked gorgeous in our home and it mattered to me that it looked nice because that's who I am. Let people do what they like without judgement maybe?"

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Bruce Springsteen faces the end of America
Bruce Springsteen faces the end of America

New Statesman​

time2 hours ago

  • New Statesman​

Bruce Springsteen faces the end of America

Photo montage by Gaetan Mariage / Alamy When I met Patti Smith soon after Donald Trump's first victory, she said she'd ended up next to him at various New York dinners over the years, back in the Seventies, when he was pitching Trump Towers. 'We were born in the same year, and I have to look at this person and think: all our hopes and dreams from childhood, going through the Sixties, everything we went through – and that's what came out of our generation. Him.' Smith's sing-song voice was in my head at Anfield Stadium in Liverpool on one of the final nights of Bruce Springsteen's Land of Hope and Dreams tour. Springsteen was born three years after Trump and will also have sat at many New York dinners with him. Those with half an eye on the news would be forgiven for thinking that Bruce has been lobbing disses at the president from the stage between his hits, but his latest show is heavier than that: a conscious recasting of two decades of his more politicised music, with a four-minute incitement to revolution in the middle. Here is a bit of what he says: 'The America I love and have sung to you about for so long, a beacon of hope for 250 years, is currently in the hands of a corrupt, incompetent and treasonous administration. Tonight we ask all of you who believe in democracy and the best of our American experiment to rise with us, raise your voices, stand with us against authoritarianism and let freedom ring. In America right now we have to organise at home, at work, peacefully in the street. We thank the British people for their support…' Clearly few in the US are speaking out like this on stage, and Trump has responded by calling Springsteen a 'dried-out prune of a rocker (his skin is all atrophied!)' and threatening some kind of mysterious action upon his return. Springsteen, the heartland rocker, was never exactly part of the counter-culture, though he did avoid Vietnam by doing the 'basic Sixties rag', as he put it, and acting crazy in his army induction. Yet he has become a true protest singer in his final act. He wears tweed and a tie these days, partly because he's 75 and partly, you suspect, to convey a moral seriousness. When I last saw him, two years ago, I thought I saw some of Joe Biden's easy energy. Well, Bruce still has his faculties. The feeling is: listen to the old man, he has something to say. Springsteen's late years have been something to behold. At some point in the last decade he stopped dyeing his hair and started to talk in a stylised, reedy, story-book voice. The image of the America he seemed to represent shifted back from Seventies Pittsburgh to Thirties California: the bare-armed steelworker became the Marlboro Man, and in 2019 there was a Cowboy album, Western Skies, with an accompanying film in which he was seen on horseback. His autobiography Born to Run revealed recent battles with depression. And it is depression you see tonight in Liverpool – in the wince, the twisted mouth, the accusing index finger; in his entreaty to Liverpool's fans to 'indulge' his sermon against the American administration, delivered night after night, to scatterings of applause. It is a depression I recognise in older American friends who fear they're going to the grave with everything they knew and loved about their country disappearing. But depression is also the stuff of life, of energy. Springsteen has been particularly angry since the early Noughties, since the second Bush administration, but this is his moment somehow, and his song of greedy bankers – 'Death to My Hometown' – is spat out with new meaning in 2025, an ominous abstraction. The father-to-son speech in 'Long Walk Home' feels different in this politically charged world: 'Your flag flying over the courthouse means certain things are set in stone/Who we are, what we'll do and what we won't'). A furious version of 'Rainmaker' ('Sometimes folks need to believe in something so bad, so bad, they'll hire a rainmaker') is dedicated to 'our dear leader'. As much as I admire Springsteen and seem to have followed him around and written about him for years, the Land of Hope and Dreams tour made me realise I hadn't fully known what he was for. When I saw him in Hyde Park in 2023, the first 200 yards of the crowd were given over to media wankers like me, with the paying fans at the back: every single person I had ever met in London was there, mildly pissed up and whirling about with looks of mutual congratulation. Springsteen had become, to the middle classes and above, a global symbol of right-thinking, summed up by his long stint on Broadway at $800 a ticket. His dull podcast with Barack Obama was the American version of The Rest Is Politics with Rory Stewart and Alastair Campbell: men saying stuff you want them to say, to confirm what you already think about stuff (Obama was in awe of Bruce). Subscribe to The New Statesman today from only £8.99 per month Subscribe Politics was easy for Springsteen when politics consisted of external events happening to innocent people, rather than something taking place on the level of psychology, in a movement of masses towards a demagogue. The job he adopted, back in the Seventies, was to set a particular kind of American life in its political and historical context: to tell people who they were, and why they mattered. His appeal as a rock star always lay less in his words than in how sincerely he embodied them: his extraordinary outward energy, his mirroring of his audience, his apparent concern with others over himself. After 9/11, someone apparently rolled down a window and told him, 'We need you now,' so he wrote his song 'The Rising' from the viewpoint of a doomed New York fireman ascending the tower. A recent BBC documentary revealed he'd donated £20,000 to the Northumberland and Durham Miners Support Group during the strikes of 1984 – rather as he donated ten grand to unemployed steelworkers in Pittsburgh the previous year. His self-made success and songs about freedom were the Republican dream, but when Reagan tapped him up for endorsements it was a right of passage for Springsteen as a Democrat rocker to rebuff them (I'm pretty sure they tried to play 'Born in the USA' at Trump rallies too). He is quoted as saying that the working-class American was facing a spiritual crisis, years ago: 'It's like he has nothing left to tie him into society any more. He's isolated from the government. Isolated from his job. Isolated from his family… to the point where nothing makes sense.' Now, Trump has taken Springsteen's people (the Republicans were doing so long before Trump), and the interior life of the working man that Springsteen made it his job to portray has been exploited by someone else. 'For 50 years, I've been an ambassador for this country and let me tell you that the America I was singing about is real,' he says, possessively, on stage. Springsteen, like Jon Bon Jovi, sees his fans as workers. The distances travelled, the money spent, the babysitters paid for: that's what the three-hour gigs are all about. It is part of the psyche of a certain generation of working-class American musician to consider themselves in a contract with the people who buy their records. It is not a particularly British thing – though time and again I am impressed by the commitment required to see these big shows, especially when so many punters are of an age where they would not longer, say, sleep in a tent: £250 a night for a hotel, no taxis to the stadium, a huge Ticketmaster crash that leaves hundreds of fans outside the venue fiddling with their QR codes while Bruce can be heard inside singing the opening lines of 'My Love Will Not Let You Down'. Yet the relationship between a rock star and his fan is not a co-dependency: the fan is having a night out, but the rock star needs the fan to survive. It is hard to underestimate the psychological shift Springsteen might be undergoing, in seeing the working men and women of America moving to a politics that is repellent to him. He has not played on American soil since Trump's re-election and it is likely that this kind of political commentary there will turn the 'Bruuuuuce' into the boo. A Springsteen tribute act in his native New Jersey was recently cancelled (the band offered to play other songs, and the venue said no). Last week, a young American band told me they won't speak out about the administration on stage because they're not all white and they're afraid of getting deported. It is the job of the powerful to do the protesting, and, like Pope Leo, Springsteen's previous good works will mean nothing if he doesn't call out the big nude emperor now. The Maga crowd will still come to see him, of course, and yell the 'woah' in 'Born to Run' just as loud as everyone else does – perhaps because music is bigger than politics, or perhaps because politics is now bigger than Bruce. Though his political speeches in Liverpool (it's UK 'heartland' only this tour: no London gigs) feel slightly out of step with a city that has its own problems, it seems fair enough for Springsteen to be telling the truth about America to a crowd who's enjoyed their romantic visions of the country via his music for 50 years. But their own personal communion is suspended tonight, and the song 'My City of Ruins' has nothing to do with 9/11 any more: 'Come on… rise up…' In the crowd, a very old man is sitting on someone's shoulders. Bruce Springsteen and the E Street Band play Anfield stadium, Liverpool, on 7 June 2025 [See also: Wes Anderson's sense of an ending] Related

Home Bargains shoppers 'running' for £100 item reduced to £25
Home Bargains shoppers 'running' for £100 item reduced to £25

Daily Mirror

time3 hours ago

  • Daily Mirror

Home Bargains shoppers 'running' for £100 item reduced to £25

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Horoscope today, June 7, 2025: Daily star sign guide from Mystic Meg
Horoscope today, June 7, 2025: Daily star sign guide from Mystic Meg

Scottish Sun

time8 hours ago

  • Scottish Sun

Horoscope today, June 7, 2025: Daily star sign guide from Mystic Meg

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) OUR much-loved astrologer Meg sadly died in March 2023 but her column will be kept alive by her friend and protégée Maggie Innes. Read on to see what's written in the stars for you today. Sign up for Scottish Sun newsletter Sign up ♈ ARIES March 21 to April 20 The contact who loves sharing comedy clips with you could be a serious business partner. So talk or write about your dreams today together. Your boundary- setting zone is sensitive, but also go-ahead. If big plans can't happen exactly as you wish, you are flexible enough to find attractive alternatives. 3 Your weekly horoscope for Saturday ♉ TAURUS April 21 to May 21 Firebrand Uranus boosts your independence, while Venus helps you stick up for a change you believe in. A project with some public performance gets closer, and words and music mix in wonderful ways. Read more into a gift from someone you may not know well, yet. 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