logo
The Other Way Around review: A witty and cerebral romantic comedy

The Other Way Around review: A witty and cerebral romantic comedy

Irish Times18-07-2025
The Other Way Around
    
Director
:
Jonás Trueba
Cert
:
None
Genre
:
Romantic Drama
Starring
:
Itsaso Arana, Vito Sanz, Fernando Trueba, Jon Viar, Andrés Gertrúdix, Ana Risueño
Running Time
:
1 hr 54 mins
Søren Kierkegaard's 1843 philosophical work Repetition, with its focus on spiritual renewal and rejection of nostalgia, has found unexpected contemporary clout. The gloomy Dane's concept of repetition serves as a guiding framework in Jonás Trueba's The Other Way Around:
a witty, cerebral film that initially evokes mature classics such as Scenes from a Marriage and Annie Hall, before veering into playfully modernist territory.
Ale (Itsaso Arana), a film-maker, and her long-time partner Alex (Vito Sanz), an actor, decide to celebrate the end of their 14-year relationship with a heartfelt farewell party. Is the party a provocation? Just a little, but it's an idea inspired by something Ale's father (played by Trueba's real-life father, veteran director Fernando Trueba) once said.
He, however, is as unsettled by the notion as most of the former couple's friends. Some are dismayed by the break-up of their 'romantic heroes'; others simply won't accept it: 'Everybody knows you'll get back together,' says Ale's father, as he hands her the Kierkegaard text.
No matter how many assurances are given that both parties are fine with the uncoupling, nothing seems to soothe their largely aghast social circle.
READ MORE
References to Hegelian synthesis and a tarot deck inspired by Ingmar Bergman's marriage to Liv Ullman lightly pepper a script, co-written by the director and stars Arana and Sanz, that plays Brechtian games. A preview screening of Ale's film-in-progress – starring Alex – turns out to be the very film we're watching.
'Is it circular or linear?' asks one viewer in a moment that doubles as a spoiler alert.
Trueba's film is both, as it leans into the stars' easy, domestic chemistry.
Romantic comedies typically demand an easy reconciliation. The Other Way Around, although ponderous in places, is skilful enough to leave the viewer rooting for precisely the opposite. It's a neat trick: like pulling a tablecloth from under dishes in reverse.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Substack is upending media: ‘It is seriously challenging the old-guard message that people won't pay for writing'
How Substack is upending media: ‘It is seriously challenging the old-guard message that people won't pay for writing'

Irish Times

time12 hours ago

  • Irish Times

How Substack is upending media: ‘It is seriously challenging the old-guard message that people won't pay for writing'

Elon Musk wanted to buy Substack not long after he bought Twitter in 2022. But the newsletter and podcast platform wasn't for sale. This month Substack raised a further $100 million (€85.44 million) in investment. The deal put a reported $1.1 billion valuation on the business. For now, Substack remains privately owned. Even though it's been around for eight years, it's only in the last couple of years that Substack has become more visible and popular. Part of the reason is that several big-name writers have started using the platform. Margaret Atwood , George Saunders, Miranda July , Salman Rushdie , Chuck Palahniuk and many others have Substacks. [ A Swim in a Pond in the Rain: A masterclass in how to write by George Saunders Opens in new window ] Maybe it's the ethos of Substack that draws writers of such renown. As the app states, 'with full editorial content and no gatekeepers, you can do the work you most believe in'. At this starry juncture of the careers of Atwood et al, it's difficult to imagine any book editor savaging new manuscripts they submit, but maybe it's the freedom to play around with random content and ideas that is the attraction. Other well-known people on the platform are the Nobel-winning economist Paul Krugman, former Vanity Fair editor Tina Brown and singer-songwriter Patti Smith . READ MORE So how did Substack evolve? Back in the analogue day, we hand-wrote letters to each other when we had something to say. That lasted for centuries. The most exposure those letters received were overwhelmingly to an audience of one. That's unless the recipients and/or senders were famous, and had the foresight to keep their correspondence; a correspondence that some day in the future ended up being published as Collected Letters. Then came the Internet and mobile phones for all, and the new reality of your thoughts, images and live experiences reaching huge digital audiences. On the writing side of this in the early days were blogs, usually on the platform Word Press. Plenty of ordinary people blogged about their lives, children, travels, social experiments, interests and an inexhaustible range of other subjects. In the democracy of the online world, some blogs were good, some were terrible. They were free to read, or at least any I came across were, although, as ever, donations were welcome. Some that became widely read went on to have another life, one example being Julie Powell 's 2002 blog Julie & Julia, 365 days, 524 Recipes, 1 Tiny Apartment. Powell blogged for a year about cooking her way through Julia Child's Mastering the Art of French Cooking. It later became a bestselling book, then a hit movie starring Meryl Streep as Child. After the long and enduring life of the blog came newsletters. These differed from blogs in that they were less frequrntusually once a fortnight or once a month. You could sign up to be added to the mailing list. I subscribed for a time to author Dolly Alderton's newsletter, which was, as I recall, short, newsy and funny. Maybe it's the ethos of Substack that draws writers of such renown. Photograph: Gabby Jones/Bloomberg Substack is essentially the 3.0 sophisticated incarnation of the blog-stroke-newsletter, its aim to secure a subscription fee for access to at least some of the writer's content. Substack was founded in San Francisco by Hamish McKenzie, Chris Best and Jairaj Sethi. It was funded by various venture capitalist investors. The mission statement on the app reads: 'Building a new economic engine for culture. Do your best work, supported by your subscribers. Substack lets independent writers and podcasters publish directly to their audience and get paid through subscriptions.' There aren't any ads on Substack, and it is free to use the platform. The idea was that writers – in an era when freelance assignments have become ever rarer and ever more poorly paid – could have some autonomy over monetising their own content. Readers pay writers directly, rather than the traditional arrangement of editors commissioning copy, and organisations then waiting to pay contributors after weeks or even months. Writers posting on Substack have an individualised website for their archive content, in addition to whatever way they wish to personalise the page. New articles on Substack get emailed to subscribers. The author owns their content and their mailing list. Traditional media outlets frequently retained copyright over content written by writers. Writers can make their content free, or subscriber-only. Substack's business model takes a 10 per cent cut on paid subscriptions. The company doesn't release profit figures, so if it's difficult to know how much it makes. However, Substack said earlier this year that it now has five million paid subscribers. That came just four months after the company claimed four million paid subscribers, so this number appears to be advancing rapidly. To talk about media or publishing at this moment, you have to talk about Substack or look out of touch There is usually some free, or 'unlocked', content on a Substack, so potential subscribers can get a flavour of what's being offered. When writers are starting out, they can choose to make all their content free, while also offering a 'pledge' option. This means that if and when content becomes subscriber only, the pledge automatically transforms into a subscription. Freelance journalist Laura Kennedy , a contributor to The Irish Times who is now based in Australia, has had a Substack called Peak Notions since 2022. It has 14,000 subscribers, though she prefers not to reveal how many of those pay for her content. 'For a writer or freelancer, steady income and consistent work – the reliability of it, the editorial control and ownership of your own content and platform – is legitimately life-changing,' she says. 'A small, regular income that can't be pulled from under you at no notice is more than most writers can expect. 'Substack has sort of upended media in the best sense – it is seriously challenging the old-guard message that people won't pay for writing, that it is the platform and not the writer they value, that they only want to read particular kinds of work, or that local news is not something people will fund directly. Kennedy points out that some writers have secured book deals through their Substacks. [ Demystifying the path to publication, for free Opens in new window ] In May of this year, the New Yorker published an essay by Peter C Barker titled Is the Next Great American Novel Being Published on Substack? As Kennedy says: 'To talk about media or publishing at this moment, you have to talk about Substack or look out of touch. That's a profound change and a good one. There is no reason writers and journalists can't be in both worlds – they enrich one another. They're the same world.'

Liam Neeson: From Paisley-loving Catholic boy to actor, then action man, now comedy star
Liam Neeson: From Paisley-loving Catholic boy to actor, then action man, now comedy star

Irish Times

timea day ago

  • Irish Times

Liam Neeson: From Paisley-loving Catholic boy to actor, then action man, now comedy star

Liam Neeson is taking over the lead role in the Naked Gun series from Leslie Nielsen . This makes some sense. If you watched his supporting turn in Ricky Gervais 's Extras or Lisa McGee 's Derry Girls, you will know he has a good line in deadpan comedy. The action roles he's focused on over the last decade and a half provide him with a persona on which he can ironically riff. But he is in a very different place to Nielsen when he moved into comedy with Airplane! in 1980. The Canadian performer was a busy, but only modestly famous, 'that guy' actor of the chiselled school. It was the Zucker brothers' Airplane! and, from the same team, Naked Gun, that belatedly made him a star. He is the beloved straight-faced comic who bossed the stuffed beaver joke. Neeson comes to The Naked Gun – a 'legacy sequel' to 1994's Naked Gun 33⅓: The Final Insult – as an Oscar- and Tony-nominated actor who has worked with Steven Spielberg , Martin Scorsese , Neil Jordan , Christopher Nolan , Woody Allen and Clint Eastwood . He was an Irish movie star when we didn't really have such things. As a young man he acted at the Lyric Theatre in Belfast and at the Project Arts Centre in Dublin. He's played God on TV and (as Aslan the lion) an incarnation of Jesus Christ on film. It's rather as if, in 1980, the Zuckers had chosen Richard Burton as their comic lead. READ MORE Then again, the art to being Neeson has, as we shall see, always involved some defiance of expectations. In early 2009 many raised eyes at him appearing in a straight-up action film. Taken proved an enormous hit – one of his defining roles – and he has spent much of his senior years leaping from helicopters and evading rocket-propelled grenades. Why wouldn't he take on the role of Frank Drebin Jr, son to Nielsen's elder Drebin, opposite the tireless Pamela Anderson in The Naked Gun? 'I thought, yeah, I guess I could do that as long as I play it dead seriously and not try and imitate Mr Leslie Nielsen. He was wonderful,' he said before shooting began. 'I'm looking forward to it. It's a good script and there's a few laugh-out-loud moments in it.' Now that's how an Ulsterman boosts a screenplay. 'A few laugh-out-loud moments.' Don't get carried away, big man. Then there is that other great Neeson anomaly. He is a reticent interviewee, often bordering on uncommunicative, who, nonetheless, has an extraordinary ability to put his huge foot in it (whatever 'it' might be that week). He doesn't blurt out often. But when he does, nobody blurts quite like him. Neeson is the Botticelli of Blurt. I have been bumping into Neeson for a long time. Looking back at our interviews, I was surprised to discover that, 23 years ago, he was already having to manage his propensity to manoeuvre boot into ordure. 'He raises his hand, shakes his head and exhales a pained sigh,' I wrote. 'Having put his foot in it once too often in the past, the 50-year-old actor is now inclined toward a great deal of head shaking and sighing.' In 2002? This was long before his controversial blurt on the Weinstein affair, the misinterpreted blurt on becoming a Muslim and, most notoriously, that blurt on his brief inclination to become a vigilante. In 2022 he was still cleaning up after what now seems like a throwaway gag about quitting the business. 'Well, this lady didn't get it,' he said. 'I didn't mean it. But before long, my agent was getting calls. And he was phoning me up: am I giving up the business? But it really was all my own fault.' Liam Neeson in Taken My memory is of a fellow minding every syllable he uttered. This straight-talking Ballymena man wasn't made for the microscopic attention of the contemporary press tour. He found a place in Hollywood. He is long resident in New York. But Ulster still runs strong in his psyche. The son of Barney, a school caretaker, and Kitty, a cook, Neeson first fell for drama at St Patrick's College in Ballymena. Piecing together his opinions on growing up Catholic in a heavily Protestant locale, one runs up against some apparent contradictions. In 2000 he declined the offer to take freedom of that Antrim town after local unionists objected to – perfectly reasonable – comments he had made about how Catholics were treated there during his childhood. Maurice Mills, a DUP councillor, said Neeson had 'vilified the people of this town and in particular the Protestant people'. (Neeson ended up accepting freedom of the town in 2013.) In truth, the actor has never played the poor mouth when discussing his early years in Ballymena. 'I personally never really experienced huge sectarianism there,' he told me in 2018. 'I have said before – and I got in trouble for saying it – that we were second-class citizens in the North. That being said, I was made head boy at a school that was predominantly Protestant.' At any rate, the acting bug got hold of him early. An early influence was, bizarrely, fellow Ballymena man Ian Paisley, whose Old Testament vehemence he used to savour surreptitiously from the back of that troublesome clergyman's church. Liam Neeson and Brenda Scallon in Translations by Brian Friel at Guildhall, Derry, in 1980. Photograph: Rod Tuach. Neeson's parents were, understandably enough, concerned about him moving into acting – he had briefly studied physics and computer science at Queen's University – but were surely pacified when, in 1975, he successfully auditioned for the Lyric Theatre in Belfast. Speaking to him at a public interview in 2009 I was moved by how fondly he remembered his own excitement at acing the audition. He could still walk me through the journey from Belfast back to Ballymena. 'I opened and closed that bit of paper so often it was almost worn through,' he said. 'I showed it to every soldier I met. But those were violent times. I got back at 11.30pm and my parents were expecting me home at 5.30pm.' He pointed back to the white cinema screen behind us. 'By the time I got back their faces were that colour. God, they were furious.' The succeeding decade looks a little like a happy slog. There were few enormous breaks. He worked steadily in increasingly respectable roles. After the Lyric, Neeson had a spell in the Project and another at the Abbey before John Boorman talent-spotted him for a role in 1980s Excalibur. He there met Helen Mirren and they spent five years as a couple in London. Heady times. She was moving into her pomp while he was still making the steady ascent. 'We loved each other. We were not meant to be together in that way, but we loved each other very, very much,' Mirren said, years later. 'I love him deeply to this day. He's such an amazing guy.' [ Liam Neeson: Unexpectedly beating up people at age 65 Opens in new window ] Neeson eventually took a deep breath and lunged for Hollywood. He got a decent job in The Bounty opposite Anthony Hopkins. You can catch him in the Palme d'Or-winning The Mission. He started his auteur run with the Dead Pool for Clint Eastwood in 1988 and Husband and Wives for Woody Allen in 1992. By that stage, he was in a position where work seemed secure. Maybe he would never be a star of the brightest magnitude – time was clattering on – but there are worse things than life as a middle-aged character actor. [ How did that nice Liam Neeson become a psychopathic killing machine? Opens in new window ] Schindler's List, from 1993, secured his place in the firmament. It is said that, after many auditions for the role, Spielberg's mother-in-law eventually identified him as the only man for the job. 'I've been told everyone was chasing that role,' he told me. 'I know that Kevin Costner, who was a huge star, wanted the part and he would have been very good. I believe Robert Duvall was mentioned at one stage.' Duvall, maybe. But Costner? Such speculation is now pointless. There's a stoic gentleness to Neeson that was perfectly suited to the role of a playboy businessman who, against his everyday nature, finds himself softening to the plight of German Jews as the Holocaust gathers pace. He has the gangly integrity of Gary Cooper, but with none of that actor's ingenuous, aw-shucks naivety. Early years as a boxer and a brewery worker hardened his frame. Neeson knows how to be a serious man. He was nominated for best actor at the Oscars (his only nod to date) but lost out to Tom Hanks for Philadelphia. Schindler's List was probably the shortest favourite to win best picture in the awards' history. Neeson had made an interesting journey. Still in his early forties, he arrived to stardom as a premature veteran. He could be very funny but there was nothing playful or trivial about his persona. When a Neeson character entered the room those already there tended to mind their manners. Three years after Schindler's List, he headlined a film that, for around a year, registered as the highest-grossing title ever in Ireland. It is hard now to appreciate the furore that attended the release of Neil Jordan's Michael Collins in 1996. The Celtic Tiger was just starting to bite. The divorce referendum had snuck through. Now Warner Bros had arrived to deliver our own version of Lawrence of Arabia. The film won the Golden Lion at Venice, where Neeson picked up the Volpi Cup for Best Actor. Liam Neeson in Schindler's List. Photograph: David James Neeson is from a long way north of Cork (well, what counts as a long way in Ireland). He was already a decade older than Collins at the time of his death. But Jordan stuck with his old pal and, whatever disputes there were about the film's political leanings, few questioned the worth of that lead performance. 'It was kind of terrifying because it was a film I wanted to make but to me it was just a film,' Jordan later said. 'I'd known Liam since he was in the Project Arts Centre in Dublin and when I was writing the script initially I spoke to him about it, and I said if I ever get to do this I'd like to do it with you.' Schindler's List surely helped that dream come true. In 2022 Neeson was asked why Michael Collins took so long to happen. 'Well, I think because of the war in Ireland,' he said. 'And I think obviously because of the controversy over the subject matter. And also, who the hell's Neil Jordan, and who the hell's Liam Neeson that he wants to play Michael Collins? That business aspect of it.' This is where it all came together for Neeson. He married Natasha Richardson, daughter of Vanessa Redgrave, in 1994, and they went on to have two children. Now the auteurs came to him. George Lucas cast him as Qui-Gon Jinn, wise mentor to a young Obi-Wan Kenobi, in Star Wars: Episode I – The Phantom Menace. The film has a terrible reputation but it ultimately became the first Star Wars flick to take more than $1 billion. In acknowledgment of his status as a walking legend, Queen Elizabeth passed an OBE his way in 2000 . The past 15 years have, however, been turbulent. On the upside, in 2009, he made that surprising move towards action cinema and, then in his late fifties, established himself in the most taxing of genres as contemporaries were winding down into grandad roles. At the Dublin Film Festival in that year, I asked when he knew he had properly made it. 'Well, it's funny. Probably just the other week when Taken opened,' he said. 'The film was released last year in Europe and you've been able to download it for weeks from Korea or wherever, but it still became the biggest film at the box office in the US.' Liam Neeson is taking over the lead role in the Naked Gun series from Leslie Nielsen Just a few weeks after our conversation, Natasha Richardson died in a freak skiing incident and Neeson's priorities shifted accordingly. The support of Vanessa Redgrave and Joely Richardson, Natasha's sister, proved invaluable. 'Everybody just pulled together,' Neeson said last year. 'Vanessa and Joely were extraordinary. We were fortunate in lots of ways.' 'It is, you know, completely heartbreaking,' Joely told me. 'I feel like we have been levelled in life and that we keep going for all the people we love.' Neeson has, indeed, persevered. Barely a year goes by without him craggily rescuing hostages from a speeding train or hang-gliding into a narco-den. His most recent roles were Mike McCann in Ice Road: Vengeance and (no joke) Thug in Absolution. If you can pull that off at 73 then why not? His biggest challenge may, however, be getting through the press tour for The Naked Gun without another incidence of blurting. His history here is extraordinary. We have mentioned his non-retirement in 2002. Ten years later it was reported he was thinking of becoming a Muslim. 'Ah, now that was taken out of context,' he told me. 'I remember doing a picture in Istanbul. The five calls to prayer initially drove me crazy. But after a few weeks I absolutely loved it. I bought a CD so that I could play it when I got back to New York. So then I was becoming a Muslim ...' In 2018, on the Late Late Show, he said that the fallout from the Harvey Weinstein scandal had caused 'a bit of a witch-hunt' and noted that he was 'on the fence' about allegations concerning Dustin Hoffman. All of these disturbances were nothing as to the flak that landed when, a year after the Late Late incident, in a routine promotional interview, he told how, after a friend was raped by a black man, he went out ' with a cosh, hoping I'd be approached by somebody '. It got worse. 'I'm ashamed to say that, and I did it for maybe a week – hoping some [air quote gesture] 'black b**tard' would come out of a pub and have a go at me about something, you know? So that I could kill him,' he continued. After the story broke Neeson went on Good Morning America and offered a convincing, self-lacerating gloss on the situation. The world moved on. Most got that he had simply chosen the oddest imaginable place to make a confession about a regretted incident. No subsequent blurt has attracted such attention. But his PR handlers will be chewing their nails in the lead up to the unveiling of The Naked Gun. Neeson is an absolute original. Almost entirely in good ways.

Social media influencer posted ‘misleading' adverts on Instagram
Social media influencer posted ‘misleading' adverts on Instagram

Irish Times

timea day ago

  • Irish Times

Social media influencer posted ‘misleading' adverts on Instagram

A social media influencer who featured ad disclosures in white fonts on white backgrounds and 'obscured' ad labels behind her profile picture has been found to be in breach of advertising rules. Influencer and podcast host Julie Haynes, who has 219,000 followers, posted advertisements for various companies on her Instagram profile, Twins and Me, which were found to be misleading by the Advertising Standards Authority (ASA). Overall, nine advertisements, including those from Eir and daa , were found to be in breach of advertising rules, according to the ASA's latest complaints bulletin. Five advertisements promoting jewellery and beauty products posted on social media by Ms Haynes resulted in seven complaints, all of which were upheld in full. READ MORE In one advertisement, for beauty company Image ADS, Ms Haynes disclosed the content as being an ad but did so in 'small white text on a white background', with the complainant saying it was 'barely visible'. A subsequent photo featured a 'pink', on-screen label stating, '30% off'. The complainant also maintained that Ms Haynes used a 'filter' in an image demonstrating the results of using the advertiser's dermaplaning product, arguing this was 'misleading'. Separately, Ms Haynes posted content of her and her daughter attaching charms to Crocs footwear along with an affiliate link, a type of performance-based marketing where influencers are rewarded by a business for each new customer they attract. Ms Haynes labelled the content 'AF', presumably to denote that it was an affiliate link, the ASA said, though this should have read: '#ad'. [ Influencers face the not so glamorous reality of regulation Opens in new window ] It added that the font colour, size and placement of the disclosure, behind her profile picture, 'minimised its visibility or fully obscured it'. Responding to one of the complaints, Ms Haynes' agent said they had reminded her of the advertising guidelines 'and the importance of adhering to them'. Meanwhile, five complaints were received in relation to a radio advertisement from daa, which mentioned 'halving airport emissions by 2030'. Complainants, including Sinn Féin MEP Lynn Boylan , argued the claim gave the impression that all emissions related to the airport, including flight emissions, would be halved. They argued the reference to halving airport emissions referred exclusively to emissions relating to the airport only. The ASA agreed and considered the ad to be misleading. Separately, a sponsored post on Facebook by telecoms company Eir, which advertised a free laptop worth €329 with the purchase of a smartphone for €99, was found to be misleading. The advertisement failed to note that consumers had to enter into a contract to avail of the offer. [ Advertisting Standards Authority upholds five complaints against fitness influencer Opens in new window ] Eir denied the advertisement was misleading, as a consumer could click through to the 'clear and correct details of the offer'. It argued this was 'common practice in the industry'. Orla Twomey, chief executive of the ASA, said its latest complaints bulletin was 'particularly noteworthy' as all cases were found to be in breach on grounds related to misleading advertising. 'This highlights the importance of advertisers using only substantiated claims and influencers clearly disclosing commercial content,' she said.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store