
The Convergence Of Gas And Power
getty
The energy landscape is shifting significantly, and I see gas companies as central to this transformation and changing their roles to help confront the dual challenges of energy demand.
No longer confined to the extraction and distribution of natural gas, companies within this sector are increasingly stepping into the realm of power generation. Simply, with their existing infrastructure and expertise, gas companies are uniquely positioned to lead compared to coal-generated power plants. But this shift is not just a strategic choice—it's becoming an industry necessity.
Traditional power generation methods, primarily dependent on centralized systems, are proving inadequate in the face of modern energy demands and climate challenges. Whether driven by economic pressures, regulatory changes or the imperative to reduce carbon emissions, these companies are being pushed to reinvent themselves as key players in the power sector.
Centralized power systems have long been the backbone of our energy infrastructure. Global electricity demand is expected to grow by 60% by 2040, driven by urbanization and the electrification of transport and industry. Traditional power grids, designed for when energy was generated far from where it was used, are struggling to keep up with this growth.
This is where gas companies come in. With the sharp decline of coal-fueled power and the steady transition away from oil, natural gas has become a promising bridge in the shift to cleaner energy sources. Distributed power generation, where electricity is produced closer to where it's consumed, offers a solution to the inefficiencies of the traditional grid.
With 40% or lower carbon emissions than coal when burned, natural gas is becoming a critical bridge in the transition to cleaner energy. It pairs effectively with renewable sources like wind and solar by providing backup power during intermittent periods. For instance, General Electric (GE) reports that some natural gas turbines now achieve over 60% efficiency in combined-cycle operations, making them ideal for distributed systems.
Gas companies have an advantage in this transition due to their extensive existing infrastructure. The pipelines, storage facilities and distribution networks built for natural gas can be adapted for power generation. This allows gas companies to expand into the power sector with lower capital investment than building entirely new infrastructure from scratch.
Moreover, natural gas's ability to complement renewables is crucial. Combined-cycle plants use natural gas and can ramp up quickly to provide power when solar and wind generation falter. For example, Dominion Energy and Southern Company are expanding their portfolios to include not only natural gas but also wind and solar projects. These efforts position them as leaders in the energy transition, showcasing how gas companies can support renewable integration while maintaining reliability.
Governments worldwide are implementing ambitious climate policies, pushing for cleaner energy sources. For instance, the European Union (EU) aims to reduce "net greenhouse gas emissions by at least 55% by 2030, compared to 1990 levels."
Economic incentives are also driving the shift. The cost of renewable technologies has plummeted over the past decade, and the U.S. Energy Information Administration (EIA) reports that solar photovoltaic costs have fallen by over 80% since 2010, while wind power costs have dropped by 40%. Natural gas can complement these renewables, offering reliability and flexibility and allowing companies to diversify revenue streams as traditional natural gas applications plateau.
The transition of gas companies into power generation is reshaping the energy ecosystem. These companies address grid stability and energy storage challenges by providing gas and electricity while driving innovation through partnerships with renewable energy developers and technology firms.
For instance, Chevron has partnered with renewable energy companies to develop hybrid systems that combine natural gas with solar and wind power. According to the company, these projects deliver a stable, reliable energy supply while significantly reducing emissions compared to traditional fossil fuel-based power generation.
The transformation of gas companies into power companies marks a pivotal moment in the energy sector, one that forward-thinking companies can seize. Expertise in natural gas and extensive infrastructure make those in this sector as indispensable in creating a low-carbon energy future.
The pressures driving this change—economic, regulatory and environmental—are only intensifying. The IEA emphasizes that natural gas will remain a cornerstone of the energy mix through 2040, mainly as a complement to renewables.
Therefore, the future of energy is decentralized, flexible and sustainable. By taking on this new role, leaders in gas are not just responding to market pressures but also helping to shape the future of the global energy system.
I am committed to supporting this transition and believe it represents one of the most significant opportunities of our time. I am certain that companies that seize this opportunity will play a central role in meeting the challenges of the 21st century, ensuring energy systems are ready for a sustainable and dynamic future.
Forbes Business Council is the foremost growth and networking organization for business owners and leaders. Do I qualify?
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
38 minutes ago
- Yahoo
Why sports dominate the media industry & what's next in 2026
Paramount (PARA) stock is in focus after the company announced a $7.7 billion deal with TKO Group (TKO) to secure UFC streaming rights. PwC Global entertainment and media leader Bart Spiegel sits down with Yahoo Finance Senior Reporter Allie Canal to discuss why live sports have been a huge focus for media companies. He also discusses what's next in entertainment, including video games and potential deals in the making. To watch more expert insights and analysis on the latest market action, check out more Asking for a Trend. About a year ago after Netflix announced they were be going to be rolling out NFL games on Christmas day, I spoke with the NFL and they told me they don't want to just be on cable or just on streaming, they want to be everywhere. And it feels like that power then is firmly with these leagues. Yeah, the leagues have a lot of power at this time. They're content creators, right? And so anyone that owns content, owns IP, we always say content is king, right? And it's no different with these leagues that are creating this content and putting out there and striking really creative deals as well, um, to ensure that their property, their IP continues to be popular in perpetuity. That's a great way to think about it, right? They, that is their IP. If we look beyond sports, what's the next content category or experience that you think will create that sticky moment for consumers? Yeah, so it's interesting. 2026 should be a really big year for video games. We really believe that, um, you've got the e-sports Olympics in 2026, you have the, you know, a really prominent title expected to be released in 2026. And you know, video games just just helps the whole sector in general, right? They come up with original IP that is then marketed for, you know, TV and movies that you see being played out. You also see video games, um, utilizing a lot of their technology and infrastructure to help in in in film, special effects, TV, etc. So we see a really big year for video games in 2026 and our forecasts show that. We also see, don't sleep on live experiences either. Because I think live experiences are extremely important. Um, you'd have, you know, that's where a lot of money that's going for the 18 to 25 really sought after demographic, that's where they're spending their time and energy because it plays into the whole social media platform as well as well because now they can go do these live experiences and post it to social media for their friends, their followers, etc. And that's really attractive to them and really compelling to them. So I think live experiences are going to continue to be extremely popular. We have it, you know, the spend on live experiences still exceeds the spend on digital experiences and we expect it to continue. And to that point, live nation earnings, they've been crushing and a big part of that is people are going and traveling to see a lot of concerts. So that's a great point. When we look ahead to MNA, it was a bit stagnant in the entertainment space. We saw a bit of activity. We finally got that Paramount Skydance deal going through. What are you watching for when it comes to upcoming deals? Do you expect the end of this year and into 2026 to be a lot more active than what we've seen? I definitely do. There have been a lot of announced spins, separations, things like that. And I think when you look at the OTT streaming environment, it's really kind of happened in a bunch of different chapters. With the first chapter really being focused on, okay, we have, let's just throw money at content, throw money, get to get people and subscribers onto the platform. Then the second chapter was really, let's take a step back, focus on ROI, focus on really making sure that we've got a profitable business. And now I think you're going to look at chapter three, which is what you're seeing happening right now, real time, some of the things that you mentioned, which is, okay, what are some creative partnerships, joint ventures, MNA, where there's going to be some level of consolidation in the in the ecosystem? Because we've done studies ourselves where the average consumer doesn't want to pay for 10 subscription services. They want three to five subscription services. And so, you know, this allows them to consolidate, you know, take advantage of economies of scale, and that's what I think we're going to see in the next year. But then going out from there, I think then it's all about what other things can you bring to your platform? Video games, social media, user generated content, and that again will just apply just continue to apply that stickiness factor where people are willing to pay more and and limit the churn that you have on your on your platform. Related Videos Tech stocks dip, Fed cut bets, ethereum gaining: Market takeaways 2 reasons this strategist has a 'glass half-full' view on stocks Fannie Mae, Freddie Mac possible IPO: What it means for investors Why there's a 'disconnect' between the Fed & markets right now Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
Yahoo
38 minutes ago
- Yahoo
Slow Ventures cuts first check from $60M creator fund into woodworking founder
Slow Ventures' Creator Fund has invested $2 million into Jonthan Katz-Moses, a popular woodworking content creator with around 600,000 followers, nearly 75 million video views, and his own line of woodworking tools. This marks the first investment for Slow's $60 million Creator Fund since its launch in February. The fund looks to help creators launch businesses, under the belief that what made them successful influencers is what can also make them a good founder. Speaking to TechCrunch, Slow Ventures partner Billy Parks, the lead investor on the deal, said the role of creators has greatly changed in the past decade or so, from creators mainly focused on media and brand dollars to those now focused on building real, 'off-platform,' businesses. 'The pandemic accelerated direct-to-consumer growth for many. But the real signal is in the ones who've maintained and grown past that boom, which shows they can build something lasting and sustainable,' Parks said. He said a good creator-founder thinks like an entrepreneur, 'not chasing fame but building real businesses that they own and control.' This is where Katz-Moses came in. His videos help teach woodworking, and he's since expanded into selling his own tools and accessories to his audience. He has a team helping with business development, operations, and of course, creating YouTube content. Slow's investment will help support the business and other content creation endeavors. Katz-Moses went into woodworking after being violently assaulted one night in 2010. In a video posted to his channel recently, he recounted the story, saying he woke up in a pool of blood, surrounded by police officers and paramedics, gasping at his marred appearance. His injuries were severe: A broken eye socket and gashes needed 80 stitches. He said it was the happiest moment of his life because, at the very least, he was alive. Shortly after that, he went into woodworking, deciding it was time to chase his dreams and leave behind anything unfulfilling. He bought a camera and started posting his creations to YouTube, amassing a loyal following in the process. But as his business and persona grew, he found himself facing the common challenges founders face, such as inventory management for his tools business and paying himself a salary. Katz-Moses was one of 700 applicants to Slow's Creator Fund and told TechCrunch it was exciting when Parks reached out to learn more about his business. 'Billy Parks from Slow reached out to me in March to let me know he'd like to meet,' Katz-Moses told TechCrunch. 'When we visited him in his 30,000-square-foot shop in Santa Barbara, we were blown away by his serious and long-term commitment to the brand and building a scaled business,' Parks told TechCrunch about why Slow picked Katz-Moses. Parks said Slow wants to partner with creators early in their journeys so it can give them support when it will have the most impact in helping them grow. (It's already made deals with a few creators, independent of this fund). Slow's Creator fund is a showcase of how firms are looking to invest more in the Creator economy and find ways to work with influencers, as such creators become new business mavens. (Other creators have looked to raising venture capital to support their careers, as well as their peers.) Parks said Slow wants to work with creators that operate in clearly defined spaces, rather than broad entertainment, teaming up with those with an engaged community and authority in their craft. 'That combination makes for businesses with strong foundations and durable growth,' Parks continued. It's not unlike how investors already vet their founders. Since the investment, Katz-Moses has hired product developers, filed patent applications, looking at new products to build, and is hoping to share more educational content around woodworking. 'The goal is to post across all major platforms,' he said. 'But our primary focus will always be YouTube.' 登入存取你的投資組合


TechCrunch
39 minutes ago
- TechCrunch
Slow Ventures cuts first check from $60M creator fund into woodworking founder
Slow Ventures' Creator Fund has invested $2 million into Jonthan Katz-Moses, a popular woodworking content creator with around 600,000 followers, nearly 75 million video views, and his own line of woodworking tools. This marks the first investment for Slow's $60 million Creator Fund since its launch in February. The fund looks to help creators launch businesses, under the belief that what made them successful influencers is what can also make them a good founder. Speaking to TechCrunch, Slow Ventures partner Billy Parks, the lead investor on the deal, said the role of creators has greatly changed in the past decade or so, from creators mainly focused on media and brand dollars to those now focused on building real, 'off-platform,' businesses. 'The pandemic accelerated direct-to-consumer growth for many. But the real signal is in the ones who've maintained and grown past that boom, which shows they can build something lasting and sustainable,' Parks said. He said a good creator-founder thinks like an entrepreneur, 'not chasing fame but building real businesses that they own and control.' This is where Katz-Moses came in. His videos help teach woodworking, and he's since expanded into selling his own tools and accessories to his audience. He has a team helping with business development, operations, and of course, creating YouTube content. Slow's investment will help support the business and other content creation endeavors. Katz-Moses went into woodworking after being violently assaulted one night in 2010. In a video posted to his channel recently, he recounted the story, saying he woke up in a pool of blood, surrounded by police officers and paramedics, gasping at his marred appearance. His injuries were severe: A broken eye socket and gashes needed 80 stitches. He said it was the happiest moment of his life because, at the very least, he was alive. Techcrunch event Tech and VC heavyweights join the Disrupt 2025 agenda Netflix, ElevenLabs, Wayve, Sequoia Capital, Elad Gil — just a few of the heavy hitters joining the Disrupt 2025 agenda. They're here to deliver the insights that fuel startup growth and sharpen your edge. Don't miss the 20th anniversary of TechCrunch Disrupt, and a chance to learn from the top voices in tech — grab your ticket now and save up to $600+ before prices rise. Tech and VC heavyweights join the Disrupt 2025 agenda Netflix, ElevenLabs, Wayve, Sequoia Capital — just a few of the heavy hitters joining the Disrupt 2025 agenda. They're here to deliver the insights that fuel startup growth and sharpen your edge. Don't miss the 20th anniversary of TechCrunch Disrupt, and a chance to learn from the top voices in tech — grab your ticket now and save up to $675 before prices rise. San Francisco | REGISTER NOW Shortly after that, he went into woodworking, deciding it was time to chase his dreams and leave behind anything unfulfilling. He bought a camera and started posting his creations to YouTube, amassing a loyal following in the process. But as his business and persona grew, he found himself facing the common challenges founders face, such as inventory management for his tools business and paying himself a salary. Katz-Moses was one of 700 applicants to Slow's Creator Fund and told TechCrunch it was exciting when Parks reached out to learn more about his business. 'Billy Parks from Slow reached out to me in March to let me know he'd like to meet,' Katz-Moses told TechCrunch. 'When we visited him in his 30,000-square-foot shop in Santa Barbara, we were blown away by his serious and long-term commitment to the brand and building a scaled business,' Parks told TechCrunch about why Slow picked Katz-Moses. Parks said Slow wants to partner with creators early in their journeys so it can give them support when it will have the most impact in helping them grow. (It's already made deals with a few creators, independent of this fund). Slow's Creator fund is a showcase of how firms are looking to invest more in the Creator economy and find ways to work with influencers, as such creators become new business mavens. (Other creators have looked to raising venture capital to support their careers, as well as their peers.) Parks said Slow wants to work with creators that operate in clearly defined spaces, rather than broad entertainment, teaming up with those with an engaged community and authority in their craft. 'That combination makes for businesses with strong foundations and durable growth,' Parks continued. It's not unlike how investors already vet their founders. Since the investment, Katz-Moses has hired product developers, filed patent applications, looking at new products to build, and is hoping to share more educational content around woodworking. 'The goal is to post across all major platforms,' he said. 'But our primary focus will always be YouTube.'