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Behind the curtain: The lurid fun of an ‘adults only' pantomime
THE NAUGHTY PANTOMIME
It was adults only at The Kenton in Henley-on-Thames:
Halfway through Sleeping With Beauty a pale and ghostly
Seven-foot inflated phallus stepped onto the stage,
Air-filled testicles bouncing against the footsteps of its inner man
As he was followed by two more, the balls of one deflating
And dragging on the floor, to the hysterical observations
Of an enthusiastic audience. Was Prince Charming
Really sleeping with Beauty? Or with the rest of the cast?
As I write this down, I realise our confusion was because
The sexes were exchanged and nothing as it seemed
Was meant to last, except our laughter and the bright green dildo
In the gift bag on the theatre shelf, put there for safety and effect
By an actor acting as a spellbound elf. Maleficent,
In his skin-tight black with glittering horns, untied the story's end
With menacing grace and a crimson smile so wide
It cracked the layers of chalk upon his face from side to side.
When Princess Rose broke into song like a hyper-sexed canary
The expressions of astonishment on the faces of my friends

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Dr Kubicka says Hurley's lifestyle choices, such as using sun protection, prioritising hydration and using a simple skincare routine rich in retinoids, vitamin C and peptides, will have helped her skin remain dewy just like that of a 25-year-old. But one of the best beauty tips that Hurley has learnt over the years is allowing the skin to breathe by getting lots of fresh air. She previously told Harper's Bazaar: 'My grandmother had beautiful skin and she believed that fresh air was imperative. I never sleep with the heating on in my room and always have the window wide open - even if it's snowing.' The former girlfriend of Hugh Grant is also rarely seen without her signature smoky eye makeup, which adds to her youthful aura. Black kohl liner, shimmery grey eye shadow, light pink lip gloss and pink blush are Hurley's look of choice, mixing old-school Hollywood glamour with a slight edge. Ms Kay believes this look can bring a touch of radiance and make you look fresh-faced - even at 60 years old. She said: 'Liz is definitely not shy of makeup which makes her look younger - her signature look focuses on her eyes, with a smoky, smouldering style that she's stuck with for years. Her hair is usually done in soft waves, which really completes the look. And she loves a glossy lip to finish everything off.' Hurley has previously told You Magazine that she always curls her lashes and will often carry a Bobbi Brown Blush and lip gloss in her handbag to touch up throughout the day when she's on the go. While it is generally thought that sleeping in your eye makeup is bad for your skin health, controversially, Hurley admits to doing it 'quite often'. She told the magazine: 'Quite often I'll leave some of my eye make-up on if I think my eyelashes can last another day. I'll clean my face and apply serum and moisturiser but leave the eyes. It looks fabulous the next day – and you're ready in five seconds.' Ever since rising to fame, Hurley has always maintained her wavy chocolate mane, often playing the mysterious brunette bombshell in her acting roles. Although, like many 60-year-olds, Liz may have more than a few grey hairs creeping through, she's not letting those silver strands flow freely quite yet. Instead, she has caramel blonde highlights intertwined with her darker strands, a technique used by hairdressers to help frame the face. Tina Farey, editorial director at RUSH Hair said: 'Her chocolate brown base has golden highlights blended throughout which adds to her youthful and ultra-elegant appearance. 'The placement of the lighter pieces is crucial to achieve a more voluminous look, with the focus being on the top of her hair and framing her face, which amps up the dimension and movement.' Ms Farey says that Hurley choosing to wear her hair in her signature 'bombshell' loose waves helps give the illusion of thicker hair. She added: 'With a triangular face shape, her sharp jawline and gorgeous high cheekbones are her most defining features - this pairs beautifully with her long, luscious locks.' In her late teens and early twenties Hurley sported bleach blonde hair and several piercings after the height of the punk era in the 70s (pictured in 1983) Liz Hurley, who would have been around 18 years old in this picture, also donned brown spiky tresses during her punk phase (pictured in 1983) This is a far cry from her late teens and early twenties in the 80s where Hurley sported bleach blonde spiky hair and several piercings after the height of the punk era in the 70s. But her style and tastes changed in 1983 when the star left her hometown of Basingstoke for London and got her first break at 21, having been plucked from obscurity to tour West Asia in The Man Most Likely To theatre show. It was from there she began to develop her taste for luxury hotels and perfected the image of a Sloaney girl from Kensington, polishing up her appearance to match. Celebrity colourist Josh Wood told the Telegraph that Hurley has been tactical with which shades of brown that she has chosen. He said: 'Keeping those greys away can be a real chore, but adding a few very fine micro lights near the root and broader beach lights near the face, plus choosing a base colour that is natural and a shade or two lighter than one's own original colour is key to a flattering effect.' Hurley has previously admitted to Harper's Bazaar that she often uses Aveda and Origins hair products because they 'smell gorgeous', adding: 'I trust them to use good ingredients.' She also revealed that she makes her own hair masks, adding: 'Every few months I mix up a terrible potion of thick conditioner and olive oil and sleep with it in my hair.' But while you attempt to disguise ageing on the outside, Hurley also prioritises well-being and nutrition to keep the inside of her body in good form too. In January 2024, she revealed in an Instagram post about how she avoids junk food and ultra-processed foods, which she described as 'anything that contains any ingredient that I don't have in my own kitchen'. She also ensures that every plate of food is made up of at least half fruit and vegetables to ensure she is getting enough fibre. Hurley says that she doesn't snack at all and instead just eats breakfast, lunch and dinner early on in the day - and usually before 7pm - to aid digestion She said: 'My tastes are pretty simple - I don't drink weird green juices or anything like that. My mantra is: don't eat too much, too fast, too often or too late. Or, put another way, eat smaller meals, chew properly, ban snacking, and eat dinner earlier. This works for me.' Hurley also enjoys making a lot of her cupboard staples from scratch, rather than purchasing it ready-made from the shop. She told You Magazine: 'I eat lots of protein too, and I make my own bread. I found an old breadmaker that belonged to the previous owners of my house - it's straight out of the 1980s. I have a lot of bread - I love it. 'For years, I would buy wholemeal bread in the supermarket, not realising how much terrible stuff is in it. Like many, I'm obsessed with ultra-processed foods [UPF]. 'If you make a loaf of bread yourself and have a nice slice with butter and Marmite or honey, you're not hungry. And it's only one slice. Whereas with UPF bread you could have six slices and still go for another piece of toast.' Hurley says that she doesn't snack at all and instead just eats breakfast, lunch and dinner early on in the day - and usually before 7pm - to aid digestion. And a good diet usually goes hand-in-hand with a great workout regime. But Hurley admits she doesn't go to the gym and force exercise, but rather incorporates it into her everyday life. She has sported some legendary dresses over the years, including her £3,000 black safety pin Versace gown often referred to as 'THAT dress' when she accompanied Hugh Grant to the premiere of Four Weddings and a Funeral in 1994 Whether she's waiting for the kettle to boil, cleaning her teeth or drawing her bath, the actress steals back these precious minutes to do stretches, exercises and even some ballet moves to keep her fit and healthy. She told the outlet: 'I've done a lot of yoga and Pilates. I need to stretch a lot because I sometimes have a bit of a sore back. They could be ballet, yoga or old-fashioned stretching moves. I do them while waiting for the kettle to boil or cleaning my teeth. 'And when I'm in the country I do lots of walking and gardening. I'm always moving furniture, too. I'm pretty active. I don't really sit down until 6pm – I think it's quite good for you. Then you can flop!' She also admitted to the Telegraph that she does a lot of gardening and house work, adding that she doesn't like to sit still very much. Hurley is often showing off her toned washboard abs by stripping down to her bikini on Instagram, often to promote her swimwear brand, Elizabeth Hurley Beach, which she launched in 2005. She has sported some legendary dresses over the years, including her £3,000 black safety pin Versace gown often referred to as 'THAT dress' when she accompanied Hugh Grant to the premiere of Four Weddings and a Funeral in 1994. From Versace and Valentino to Gucci under the helm of Tom Ford, Hurley is anything but basic at red carpet events and often steals the show with some of the most figure-hugging, glitzy garments. She proved that age was just a number when she dug out her iridescent cowl-neck Versace gown that she famously wore to the Council of Fashion Designers of America (CFDA) awards in 1999. Twenty years later, she put on the same glamorous frock and it fit her like a glove, indicating that she managed to maintain the toned physique she had when she was 34 at 55 years old - proving she is unafraid of a daring fashion statement. Mike Adler, who's been her stylist for red carpet events, tours and special projects since 2018, told the Telegraph: 'Her signature style always remains glamorous with ultra clean lines. A formal look centres around a brilliant cut, a bold, bright colour and a favourable neckline or deep plunge. 'She's always incredibly supportive of designers and their craft, and appreciative of being able to present with total confidence in the public eye.'