
Sammy Hagar: 'The best was yet to come from Van Halen'
The 77-year-old rocker - who was frontman of the 'Jump' band from 1985 to 1996, before returning in 2003 until 2005 - was in touch with late guitarist Eddie Van Halen before his death in October 2020, and was keen to work with him again after learning he was playing the cello and experimenting with different instruments.
Speaking on Detroit's WRIF radio station, Sammy was quoted by Blabbermouth as saying when asked if he has any regrets: 'Oh, hell no. Oh, no regrets whatsoever.
'I regret that we broke up, just to see what else we could have done. I would've loved to have made another record or two with Eddie writing.'
Sammy loved his songwriting partnership with Eddie.
He reflected: 'Eddie and I wrote some great songs together, and I think the best stuff was yet to come; it could have been yet to come, because Eddie was really reaching out on instruments.
'Last time I talked to Eddie before he passed, I said, 'Man, what are you playing?' He said, 'Oh, man, I've really been playing a lot of cello.' And I'm going, 'Cello? Holy shit.' [Laughs] 'Play me something, dude. I'm ready to write a song with you on cello.''
The Red Rocker went on to claim that his arch-nemesis, David Lee Roth - who Sammy replaced as frontman in 1985 and had three tenures with the legendary group from 1974 to 1985, 1996, and 2006 until they disbanded in 2020 - wouldn't give Eddie the space to experiment like he did.
He said: 'As artists, Eddie and I were really capable of doing a lot of stuff that he couldn't do before me because the other guy didn't want keyboards.
'And when I walked in the room with Eddie, he showed me two guitar songs when I joined, on [the] 5150 [album] – he showed me Good Enough and he showed me Summer Nights. Those are two riffs he had. And then what did he do? He went and sat down at the piano and he started playing all this stuff.
'And I'm going, Whoa. What? He starts playing the riff to Dreams. He's sitting there playing Love Walks In. He's just playing all these things on keyboards, and I'm going, 'Whoa, I had no idea he was that good of a keyboard player.' So, he really wanted to expand as a musician.'
Sammy believes Eddie had only touched the surface of what he wanted to achieve musically, because he was held back by the people at the top.
He concluded: 'To me, I think that's what his dream would've been.
'And it was always held back by the record companies and the people around him. I think we would've broken out of that within a year and started doing some really crazy stuff.'

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Later that year, Buckingham said they had settled the lawsuit. They're not going their own way anymore. After much speculation, Fleetwood Mac's former couple Stevie Nicks and Lindsey Buckingham have announced the reissue of "Buckingham Nicks," more than 50 years after the release of their only full-length album as a duo. Originally released in 1973, "Buckingham Nicks" is not currently available on streaming platforms. The album was last issued on vinyl in the US in 1981. The remastered version arrives September 19 via Rhino Records' high-fidelity series and was sourced from the original analog master tapes. The album will receive a CD and digital release for the first time, and the opening track, "Crying in the Night," was available to stream Wednesday. Buckingham and Nicks were in their early to mid-20s during the making of their album. Despite their relative inexperience, "it stands up in a way you would hope it would, by these two kids who were pretty young to be doing that work," Buckingham says, according to the announcement release. The reissued version of "Buckingham Nicks" features the same album cover as the original, despite Nicks' public dissatisfaction with the photograph, telling classic rock magazine MOJO that she "felt like a rat in a trap" during the shoot. "I'm actually quite prudish. So when they suggested they shoot Lindsey and I nude I could not have been more terrified if you'd asked me to jump off a speeding train," Nicks told MOJO in 2013. "Lindsey was like, 'Oh, come on — this is art. Don't be a child!' I thought, 'Who are you? Don't you know me?'" "Buckingham Nicks" was released one year before they joined Fleetwood Mac, and was met with little commercial success. But it did attract the attention of Mick Fleetwood, who invited Buckingham to join Fleetwood Mac. Buckingham in turn insisted Nicks come, too. The two then became the central faces, voices and songwriters of the group for the four decades that followed. The pair's tumultuous relationship appeared across the band's discography: She wrote "Dreams" about him. He wrote "Go Your Own Way" about her. Infamously, they broke up while writing the 1977 hit album "Rumours." Buckingham left the band in 1987, returning in 1996. The last time the band reunited, however, for a 2018-2019 tour, the rest of the members kicked him out, and Buckingham sued them. He claimed he was told five days after the group appeared at Radio City Music Hall that the band would tour without him. He says he would have been paid at least $12 million for his share of the proceeds. Later that year, Buckingham said they had settled the lawsuit.