
'Landman' Cast Reflects on the Show's Success and Season 2 Excitement
Ali Larter reflected on the moment the show felt like a hit, saying, 'Nobody's phoning it in. Everyone is really committed to telling this story in a real and authentic way.' Jacob Lofland also added, 'It's still kind of surreal how big this has become.'
Meanwhile, Billy Bob Thornton described the experience as working with a family, he said 'it's just fun when you're with a group of people who are really into it.'
The television series was created by Taylor Sheridan and Christian Wallace, which was inspired by the podcast 'Boomtown' hosted by Wallace. Andy Garcia praised Taylor Sheridan's writing style, explaining how it pushes boundaries by portraying raw and real conversations.
'He's a fearless writer,' Garcia said. Thornton added, 'Taylor doesn't take sides. He just shows the realities of the oil world and lets the characters be unapologetically themselves.'
On-screen chemistry is a huge part of the show's appeal. Larter described her character's relationship as a 'beautiful, messy, complicated love story' that is filled with vulnerability beneath the tension. Lofland called the chemistry across the cast 'a lucky situation,' noting, 'Everyone just clicked right away.'
Garcia, who joined the cast as a powerful cartel head, spoke about his debut scene with Thornton. 'It was intense, but there was also a subtlety to it. Billy Bob and I really found a rhythm, respecting each other's space and keeping it authentic,' Garcia said.
Thornton praised Garcia's professionalism, saying, 'He's generous and knows how to bring depth without overdoing it.'
The actors also shared how they approach their characters' emotional depth. Larter said, 'Angela's strength comes with a lot of vulnerability. Filming those intense scenes for long hours is challenging but rewarding.' Lofland added, 'A lot of the emotion is real. You're surrounded by these huge landscapes and the gravity of the story seeps in.'
Looking ahead to season two, Garcia teased that his character has a surprising side, saying 'he runs a ballet studio as a front, which adds an interesting layer.' Thornton also hinted at more family drama and identity struggles, promising, 'Season two will dive deeper into these complicated relationships.'
With authentic storytelling and powerful performances, 'Landman' continues to captivate audiences and set high expectations for what's next.

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Los Angeles Times
3 hours ago
- Los Angeles Times
What can I bring? These recipes are the answer
What can I bring? It's the first question we ask after an invitation to a gathering. And it's the question author Casey Elsass devoted an entire cookbook to answering. 'It's a very loaded question,' says Elsass, author of the new cookbook 'What Can I Bring?: Recipes to Help You Live Your Guest Life.' 'Bringing something is not a competition, but it also kind of is. And we all want to bring the thing that everybody is talking about at the party.' Elsass is a recipe developer, writer and consultant who has worked on nearly two dozen cookbooks. 'What Can I Bring?' reads like more of a self-help book with recipes than a traditional cookbook, written from Elsass' years of experience as an expert party guest and host. The book starts with a few ground rules that Elsass believes every guest should follow, regardless of the gathering. First, never expect space in your host's fridge or oven. 'They are already playing a game of culinary Tetris and you should show up with something room temp or ready to go,' he says. Second, bring everything you are going to need to serve your dish, including tongs, serving bowls and other odds and ends. And of course, there are recipes, for everything from quick and easy starters, showstopping salads and mains to cocktails and dessert. He even has a section devoted to host gifts, for when the answer to the 'what can I bring' question is 'yourself.' Each recipe is categorized by the level of effort required ('in your sleep,' 'roll up your sleeves,' 'bragging rights'). And there are 'party tricks' for things like easy substitutions and instructions for how to transport and serve a dish at a party. While all of the recipes in the book are ideal for a gathering, they could just as easily slide into your weekly cooking repertoire. Below are three recipes from Elsass' book, plus a few more from the L.A. Times Cooking archives to make the next time you're a guest at a party. Eating out this week? Sign up for Tasting Notes to get our restaurant experts' insights and off-the-cuff takes on where they're dining right now. Since this salad requires so few ingredients, it's important that the tomatoes are excellent. Elsass asks that readers wait until peak tomato season (now!) to make it. The halloumi is tangier than mozzarella, and the edges crisp up. Flash-fried fresh oregano and toasted sesame seeds add another dimension of flavor and texture to finish the salad. Get the recipe. Cook time: 20 minutes. Serves 6. The salsa is named for the salt and vinegar chips Elsass serves with the dip. It's actually a bright and zesty tomatillo salsa with plenty of lime, garlic and cilantro. You could technically serve the salsa with tortilla chips, or another snack medium of your choosing. But Elsass insists that the salt and vinegar chips are nonnegotiable. The extra punch of salt and acidity is difficult to quit. Get the time: 5 minutes. Makes 3 1/2 cups of salsa. This is a cake you can make for any occasion throughout the year, and on repeat in the fall. The batter features plenty of diced apples, cinnamon and sour cream. Chopped walnuts and brown sugar create a crunchy topping. Get the time: 1 hour and 10 minutes, plus 1 hour of cooling time. Makes a 9-inch cake. Former cooking columnist Ben Mims described this cocktail as having the flavors of a milk punch, eggnog and Manhattan all in one. I's a recipe from Amy Koffsky, who was the beverage director at the now-closed Atrium restaurant in Los Feliz. Made with almond milk, whiskey and chocolate bitters, it feels festive enough for any occasion. Get the recipe. Cook time: 5 minutes. Makes 1 cocktail. Chef April Bloomfield adds a splash of Champagne vinegar to her deviled eggs and uses crème fraîche in place of mayonnaise. They're decadent but not heavy, and the perfect addition to any party spread. You can prep the eggs and filling ahead of time and fill them at the party right before serving. Get the recipe. Cook time: 1 hour. Makes 24 deviled eggs.


Tom's Guide
6 hours ago
- Tom's Guide
7 best twist endings of all time
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There's no proof as to what moment secured Norton the critical acclaim; the best guess is that it happened during the film's final moments. After a not guilty verdict, Aaron reveals he faked an alternate personality to get away with murder. Richard Gere's stunned look speaks for everyone in that moment. Watch on Paramount Plus If you listen closely, you might still hear Charlton Heston's scream at the end of 'Planet of the Apes.' In the distant future, astronaut George Taylor (Heston) and his crew crash-land on an unknown planet where apes are the dominant species. On this planet, apes can talk and think like people, while humans are mute and primitive. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. The makeup and philosophical themes have stood the test of time and even spawned an entire franchise that still exists today. However, the ending remains the film's lasting legacy. Taylor learning that the planet he landed on is Earth in the future remains a stroke of genius and a shocking conclusion to a revolutionary film. Rent/buy on Amazon or Apple Imagine being a child in 1980 and seeing 'The Empire Strikes Back.' After George Lucas opened your world to the wonder of a space opera in 'Star Wars,' you then learned that Darth Vader, one of the three most famous villains in cinematic history, was the father of Luke Skywalker. In today's Hollywood, twists are spoiled within minutes of the embargo lifting. But 45 years ago, you had to sit on that cliffhanger for three years before the trilogy wrapped in 1983's 'Return of the Jedi.' If this list consisted of misquoted lines in movie history, 'The Empire Strikes Back' might occupy the top spot. As much fun as it is to say, 'Luke, I am your father,' the correct reciting of Darth Vader's line reads, 'No, I am your father.' Watch on Disney Plus From a critical standpoint, 'Psycho' is on the shortlist of most influential horror movies ever produced. Alfred Hitchcock's mystery centers around Marion Crane (Janet Leigh), a real estate secretary who, after stealing money from her employer, flees Phoenix for California. Due to heavy rain, Marion stops for the night at the Bates Motel, where she meets a peculiar proprietor, Norman Bates (Anthony Perkins). Hitchcock solidified his 'Master of Suspense' title thanks to his revolutionary camerawork and haunting score. The tale also included two twists. The first occurs during a stabbing in the shower. The final twist happens near the end, when Norman, not his mother, is revealed to be the killer. Norman's sadistic smile will be ingrained in your memory. Rent/buy on Amazon or Apple The first rule of Fight Club: Do not talk about Fight Club. Apologies to Edward Norton and Brad Pitt, but we have to break the first rule for good reason. David Fincher's crime drama follows the journeys of the unnamed Narrator (Norton) and soap salesman Tyler Durden (Pitt) as they form an underground fight club. The club attracts depressed men looking for excitement in their lives. Eventually, the club transitions into Project Mayhem, an anarchist movement to disrupt the social order through acts of violence and vandalism. The Narrator disapproves of Tyler's methods until he realizes — and here's the twist — that Tyler is his alter ego. The second rule of Fight Club should be: Don't talk about the twist unless your job requires you to make a list about twist endings. Watch on Hulu The movie that inspired the list has to be near the top. For nearly the entire 106-minute runtime of 'The Usual Suspects,' Agent Dave Kujan (and the audience) attempted to identify the criminal mastermind known as Keyser Söze. Verbal Kint (Kevin Spacey) led us to believe Keyser Söze was Dean Keaton (Gabriel Byrne). Then, Kujan drops the coffee cup as the details from the random flyers jump off the wall. Keyser Söze was none other than Verbal Kint, and the moment his limp disappears remains one of cinema's most iconic images of the last 30 years. Watch on Prime Video The biggest strength of 'The Sixth Sense' is its twist ending. It also happens to be the film's greatest weakness. 'The Sixth Sense' relies on its twist more than any other movie on this list. It's hard to enjoy M. Night Shyamalan's psychological thriller and pretend like the reveal isn't coming. The twist is all you can think about, which hurts the movie's rewatchability. Nevertheless, learning that Malcolm (Bruce Willis) had been dead the entire time was jaw-dropping. It changed the trajectory of Shyamalan's career and became the new standard for twist endings. Rent/buy on Amazon or Apple Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.


Los Angeles Times
a day ago
- Los Angeles Times
This book teaches you how to break into Hollywood
This week, we are chatting with Ada Tseng and Jon Healey about their new book, 'Breaking Into New Hollywood.' We also take a look at what our critics read, and visit a bookstore that has become a social beehive in Culver City. The entertainment industry is experiencing a massive transformation, as traditional jobs are vanishing and artificial intelligence increasingly upends the way media is created. Thankfully, former L.A. Times editors Ada Tseng and Jon Healey are here to help. The duo, with extensive experience covering show business, have written a new book for anyone who's ever dreamed of working in Hollywood. Tseng and Healey interviewed hundreds of insiders who work in front of and behind the camera to provide a thorough look at how to break in, and what it's like when you do find that dream job. I sat down with authors to discuss 'Breaking Into New Hollywood.' (Please note: The Times may earn a commission through links to whose fees support independent bookstores.) This is the most comprehensive how-to guide for Hollywood careers I've ever read. Where did the impetus for the book come from? Ada: The book started as a Hollywood careers series at the Los Angeles Times, when Jon and I were editors on a team that specialized in writing guides and explainers. As we were thinking about how to be useful to L.A. Times readers, I pitched a project to help people who were interested in getting a job in Hollywood. A lot of people come to L.A. starry-eyed with big dreams, but the film and TV industry can be pretty brutal. As journalists, we're Hollywood outsiders, but we had access to hundreds of professionals who were generous enough to share what they wished they knew when they were starting out. We see it like this: On behalf of the people who don't have connections in the industry, we cold-emailed people, asked for informational interviews, picked their brains, listened to stories of what they did to build a career — and did our best to consolidate their most practical pieces of advice into an actionable guide. Jon: A lot of folks I interviewed had similar origin stories in this respect: They knew that they wanted to work in the industry in some capacity, but they didn't know what exactly they could do. So it made sense to do a book for that sort of person — a guide that would show an array of possible career paths to people who didn't know what role they wanted to fill. I feel like 'How to Break into the Business' books in the past have tended to focus on positive outcomes rather than the struggle. Did you want to temper expectations, or at least make sure people think things through very thoroughly before jumping in? Ada: We just wanted to be honest. The glamorous fantasy of Hollywood is so intoxicating. But if you're going to work in the industry, you need to navigate the day-to-day reality of it. I don't think we were trying to encourage or discourage anyone. I'd hope that some people would read the chapters and think, 'This seems doable, and now I can make a plan,' while others would read it and think, 'If I'm honest with myself, I'm someone who needs more stability in my life.' Because it's not just a career choice. It's a lifestyle choice. Jon: Right, this was about expectation-setting and reality-checking. The very first interviews I did in this project were of Foley artists. An expert I interviewed said there were 40 to 50 established Foley practitioners in the U.S., and 100 to 200 folks trying to get into the field. That's a very tough nut to crack. Then there are the Hollywood unions, which present a catch-22 to anyone trying to join their ranks — they have to do a certain number of hours in jobs covered by union contracts, but union members get first crack at all those gigs. Your book also covers jobs above and below the line. I think many people don't even realize how many different career opportunities exist. Ada: There are two things we heard over and over again. People would say, 'It's incredibly important to understand what all the different departments do.' And they'd also say, 'So many people — even our own colleagues in the industry — don't understand what we do.' So we wanted to encourage newcomers to learn about all different types of jobs in Hollywood and how they work together. Jon: Talking about the emotional components is about setting expectations too. The vast majority of people who work in Hollywood, from A-list actors to entry-level grips, are freelancers. That's a tough life of highs and lows, and you have to prepare for that mentally as well as financially. People have to hustle for years to establish themselves, and that takes an enormous capacity for rejection. On top of that is the physical toll the work can extract, especially on the folks involved in setting up and tearing down sets. Part of the point of the book is to tell people with Hollywood dreams that they'll need to gird themselves emotionally and physically for the work. Mark Athatakis finds much to like in 'Ready for My Close-Up,' David M. Lubin's book about the classic 1950 film 'Sunset Boulevard.' 'Though the book has its shortcomings,' he writes, '[Lubin] rightly sees the movie as a kind of passkey into the history of the first half-century of Hollywood itself.' Robet Allen Papinchak weighs in on Phoebe Greenwood's Middle East satire 'Vulture,' finding it 'a darkly comic, searing satire grounded in historic politics.' Emma Sloley's novel 'The Island of Last Things' envisions a future where animal life, and then entire ecosystems, are wiped out, but Ilana Masad writes that Sloley also highlights 'the small moments of beauty, joy and care that emerge even during … horrible times.' And Paula L. Woods has a chat with master thriller novelist Karin Slaughter about her new book, 'We Are All Guilty Here,' and TV series. Four years after it opened its doors to the public, Village Well Books & Coffee has become a community locus in its Culver City neighborhood. Owner Jennifer Caspar has created a vibrant space with a full-service cafe, allowing her customers to linger for as long as they please while perusing Caspar's ample and well-curated selection of new books. I chatted with Caspar about her store and what's selling right now. Why did you open the store? I wanted a place where people can facilitate connections with others, because I think that's what people need. Everyone is so overwhelmed by their phones and technology, and we tend to take the easy path, which is to not get out and see people. What's selling right now? 'Atmosphere,' Taylor Jenkins Reid; 'Martyr,' Kaveh Akbar; 'The Emperor of Gladness,' Ocean Vuong; 'All Fours,' Miranda July. There's been a real increase in books about activism and the Middle East situation. We're launching an activism book club here, starting with 'Mutual Aid: Building Solidarity During This Crisis (and the Next)' by Dean Spade. It will be interesting to see who comes out for that. Why books now? Why not the Substack, social media, etc.? Books are an antidote to the constant distractions in our lives. People need to connect offline, and books give us a chance to settle down and focus. Studies show that what we learn from books stays with us longer. You can read a Kindle, and I do, but there is something about sitting down with words on paper. For me, it's great physical therapy for my emotional state. Village Well is located at 9900 Culver Blvd., Culver City.