Leonardo DiCaprio Was Spotted Boarding Jeff Bezos's Mega Yacht, And Everyone's Saying The Same Thing
However, people have raised their eyebrows over Leo's 'activism' in recent years given his lifestyle, which involves excessive private jet usage and boarding superyachts that generate thousands of metric tons of carbon emissions per year. Perhaps most notably, the actor was called out in 2016 for flying from France to New York and back in a private jet to — ironically — accept an award for his work around climate change.
Related:
A few weeks ago, Leo — like several other celebrities — faced backlash for attending the multimillion-dollar Bezos wedding, which was protested by numerous residents in Venice because of the fact that climate change has, in part, caused the city to slowly start sinking. According to multiple outlets, more than 90 private jets flew in for the celebrations, while other guests attended via yachts.
Interestingly, Leo memorably hid his face with a baseball cap when he was photographed at the wedding, promoting heavy speculation that he didn't want to be seen in attendance.
Well, now, Leo is at the center of public discourse again after he was pictured boarding Jeff's mega yacht over the weekend.
Related:
In the photos, Leo and his girlfriend, Vittoria Ceretti, can be seen greeting Jeff and his wife, Lauren Sánchez, as they step onto the luxury yacht, which is reportedly worth an estimated $500 million.
Reacting to the photos online, several people called out Leo's 'hypocrisy.'
'I feel like so many celebrities are just going full mask-off right now. On one hand, it's nice (?) they are no longer pretending to be righteous do-gooders, but it also feels so dystopian for someone like him to just fully embrace cozying up to MAGA billionaires after so many years of pretending to care about progressive causes. He at least felt enough shame to try and hide from the paps when he attended the Bezos wedding, now he is greeting Bezos arm-in-arm on his yacht,' one person wrote.
Related:
'Seriously all-time great acting job convincing people he's an environmentalist while flying around in private jets the past 20 years,' another said, while someone else added, 'The cognitive disconnect it takes to star in Don't Look Up and then align yourself with and behave like the very people/hypocrisy the movie was critiquing/satirizing is really…something.'
'Leo is constantly on yachts and takes private jets everywhere. His environmental activism has always been something he doesn't practice himself,' one comment read, while another person said, 'It's so disturbing how the 1% have gone full mask-off in the past seven months.'
'Remember in his little climate documentary when a woman he was interviewing called his ass out on him being a hypocrite? This is exactly why,' someone wrote, referring to a clip from Leo's 2016 documentary, Before the Flood. In the film, environmentalist and political activist Sunita Narain told Leo directly, 'Your consumption is really going to put a hole in the planet...The fact is that we need to put the issue of lifestyle and consumption at the center of climate negotiations.'
Related:
While Leo said he undoubtedly agreed that "we have to practice what we preach," he added, 'it's a very difficult argument to present to Americans that we need to change our lifestyle.'
Let us know what you think in the comments.
Protesters Of Jeff Bezos And Lauren Sánchez's Wedding Just Took Things To A Whole New Level, And The Photos Are Going Mega ViralLeyla Mohammed · June 27, 2025
Here's How Bad Taylor Swift's And Other Celebs' Private Jet Emissions Really Are For The EnvironmentLeslie Finlay · Aug. 16, 2022
Also in Celebrity:
Also in Celebrity:
Also in Celebrity: Solve the daily Crossword

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Yahoo
7 hours ago
- Yahoo
Why Sydney Sweeney's American Eagle campaign is part of a wider cultural backlash
Actress Sydney Sweeney is once again embroiled in controversy. This time the debate isn't centred around Sweeney selling soaps infused with her bathwater or posting pictures of MAGA-inspired red caps. Instead, the Euphoria star is making rounds for her role in a contentious ad campaign with American Eagle Outfitters. While the entire campaign sparked debate online, one particular ad has drawn especially intense criticism. In it, Sweeney lounges artfully on a chaise while fastening a pair of American Eagle jeans. In a breathy voiceover, she says, 'Genes are passed down from parents to offspring, often determining traits like hair colour, personality and even eye colour.' As the camera slowly pans upward and she turns her eyes toward the viewer, Sweeney concludes, 'My jeans are blue.' Commentators and social media users have argued the campaign serves as a conservative dog whistle, conveying thinly veiled support for white supremacy and eugenics. American Eagle released a statement defending the ad on August 1, writing ''Sydney Sweeney Has Great Jeans' is and always was about the jeans,' on Instagram. Innocent marketing or intentional dog whistle? Eugenics is a discredited ideology rooted in white supremacy and scientific racism. It promotes the false belief that racial groupings are biologically determined, and that some groups are genetically superior to others and should selectively reproduce to preserve their 'good genes.' Historically, the end goal of eugenics has been to eliminate so-called 'bad genes' — often associated with non-white, disabled, poor or otherwise marginalized communities — so social elites can maintain their dominance. Fashion advertising playing on eugenic themes has a long history. Commentators have gestured to similarities between the Sweeney ad and the infamous 1980s campaign for Calvin Klein featuring a then-15-year-old Brooke Shields, who rolls around in her Calvins while talking about genetic codes, evolution and survival of the fittest — language evocative of eugenic thinking. The American Eagle campaign appears to be a direct homage to the Calvin campaign, but is rhetoric reminiscent of eugenics really something we want to reference in marketing? The return of 'traditional' femininity The American Eagle campaign is pointedly titled 'Sydney Sweeney Has Great Jeans,' with 'jeans' sometimes swapped out for 'genes.' It's clearly meant to be tongue-in-cheek. But this is not just a harmless ad. If the campaign didn't reflect broader cultural tensions, neither U.S. President Donald Trump nor Sen. Ted Cruz would have commented on it. 'The crazy Left has come out against beautiful women,' Cruz wrote in a tweet about the controversy. A right-wing media outlet went further, claiming body positivity was bringing 'the giggling blonde with an amazing rack … to the brink of extinction.' With its celebration of Sweeney's conventionally attractive appearance, American Eagle has reintroduced the 'traditional' feminine figure loudly and proudly. In this sense, the campaign symbolizes a changing of the cultural tides: out with body positivity, in with the 'amazing rack' and all it signifies. In our present cultural moment saturated with conservative messaging, Sweeney — a young, thin, white and sexualized Hollywood star — is hardly a surprising figure to hear extolling the quality of her 'genes' (sorry, jeans). Read more: From the rise of tradwife influencers and SkinnyTokers to the ritualized feminine performance of 'morning shedders,' the campaign lands squarely within a broader revival of regressive feminine ideals wrapped in aspirational, white-washed beauty. Exorcising self-love from the corporate agenda As a feminist media scholar interested in the intersection of pop culture and the far right, my ongoing research explores the rise of anti-feminism and right-wing politics. We are no longer in the age of popular feminism, when corporations eagerly appropriated feminist rhetoric to sell their products and services. In its place, brands are reverting to traditional imagery: thin, white women styled for the male gaze — a term referring to the objectification and sexualization of women in popular media, from film and television to fashion ads. It's a strategy that has long worked for them, and it's one they're glad is back in vogue. The aesthetic regression encapsulated in the Sweeney American Eagle campaign reveals what many critics suspected all along: the corporate embrace of feminism was never sincere. Read more: Campaigns touting 'love your body,' 'empowerment,' and 'confidence' in the late 2010s and early 2020s were intentionally designed to court progressive consumers and profit from the popularity of feminism. The core business model of these corporations — sell insecurities and reap profits for shareholders — had not fundamentally changed. If anything, as other scholars argue, self-love marketing encouraged women to not only upgrade their bodies but also their minds. It was no longer culturally acceptable that women look good; they had to also feel good about their bodies. That standard required more work and, of course, products, which brands happily supplied. Spurred on by an increasingly conservative political climate, many brands are no longer shy about expressing their motives. Thin is back in and whiteness is re-associated with rightness. Living through the cultural backlash As I have argued elsewhere, we are currently living in backlash times. In her 1991 book, journalist Susan Faludi wrote that backlash is 'a recurring phenomenon' that 'returns every time women begin to make some headway toward equality.' Although many news articles are describing a consumer 'backlash' to the Sweeney American Eagle campaign, I'm referring to something different: the rise of a cultural backlash against progressive social movements and politics. This backlash is currently taking shape across political, legal and economic domains, and it goes beyond a single ad. Today's current backlash is a reaction to popular feminism, Black Lives Matter, DEI and incisive systemic analyses found in feminist, anti-racist and queer scholarship and activism. The Sweeney campaign is just one expression of this larger pattern. Faludi shrewdly observed that 'images of the restrained women line the walls of the popular culture's gallery' during periods of backlash. That insight feels newly relevant. Just days after American Eagle dropped its campaign, Kim Kardashian's company SKIMS released their 'sculpt face wraps' — a product designed to give users a more 'sculpted' jawline. On the SKIMS website, product images show women ensnared in products that resemble Hannibal Lecter's famous mask or a surgical brace. They are disconcerting, to say the least. If Faludi has taught us anything, it's that a trend of images showing women restrained — physically or to rigidly defined roles — are not only harbingers of a menacing future, but are indicative of a chilling present that we must recognize to resist. This article is republished from The Conversation, a nonprofit, independent news organisation bringing you facts and trustworthy analysis to help you make sense of our complex world. It was written by: Meaghan Furlano, Western University Read more: Girls' voices are needed to tackle misogyny and the manosphere – but they are being ignored Misogyny has become a political strategy — here's how the pandemic helped make it happen How Trump's racist talk of immigrant 'bad genes' echoes some of the last century's darkest ideas about eugenics Meaghan Furlano does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.


Cosmopolitan
8 hours ago
- Cosmopolitan
Read Julie Murphy and Sierra Simone's ‘Fundamentals of Being a Good Girl' Excerpt, See Cover Reveal
Julie Murphy & Sierra Simone are truly BFF goals. When they first burst on the scene together with A Merry Little Meet Cute, we could not believe the power duo that was being created and immediately had to run to the nearest bookstore to pick up a copy for ourselves. And now their taking their iconic partnership one step further with a brand new series that will have you ready for the kind of lessons that they can only teach. Cosmopolitan has an exclusive first-look at Julie Murphy & Sierra Simone's Fundamentals of Being a Good Girl, which is set to be released on January 13, 2026. The book follows recent law school grad and new nanny Maddie as she finds out that the guy she is nannying for is none other than the guy that she had major sparks with just day before. So what's going to happen when this new poli-sci adjunct's brattiness crosses paths with an ecology professor and single dad who knows a thing or two about rules? Here's some more info from our friends at Avon: Typically, we don't judge a book by it's cover. But when it's *this* good, well, we know that it's going to be an incredible read. Check out the official cover reveal below which also features the fun sprayed edges that we absolutely dare you to have out on your shelf. Along with the sprayed edges, the deluxe hardcover edition will also feature illustrated endpapers that we're dying to see! And because Julie and Sierra know that Cosmopolitan readers are the ultimate good girls, they are also revealing an excerpt that you can out below! Just make sure to pre-order Fundamentals of Being a Good Girl and check out more of Julie Murphy and Sierra Simone's previous reads! An Excerpt From Fundamentals of Being a Good GirlBy Julie Murphy and Sierra Simone Joey returns with the shots as the lights dim and the familiar strains of Lesley Gore's 'It's My Party' start playing. 'Someone's about to get birthday spankings!' Joey calls out fondly as he passes out the shots. (He bought an extra shot for himself, something called a Big Guy Touchdown, and as a big guy who is a high school football coach, it was clearly calling his name.) 'Okay, on the count of three, everyone!' 'What's in this?' Leo asks as he holds the green and copper drink up to the barely there light. Joey doesn't have the time to fight with Leo about this and also, he doesn't remember what's in it. 'It's your medicine. Our medicine. We are going to drink these and then we are going to have a Best Night Ever. You hear me?' Leo looks doubtful, but Sloane is nodding and Bram looks too ready to wash away the memory of dog vomit to say no. They hold up their shots, clink them together, and chant optimus noctem!1 Then they all give a good, old-fashioned Astra University Copperheads hiss before they toss the shots back and slam the glasses on the table. 'You brought us glasses of poison,' sputters Leo when he can speak again. 'Glasses of magic.' 'I wish Alessandro were here,' Leo grumbles, and Sloane nods too. Alessandro Ottaviano is a professor of neurosurgery at the Astra University Medical Center and is too busy digging inside people's brains to come hang out. He's the only one of the group aside from Sara who isn't here tonight.2 The DJ comes on the microphone and shouts over the music, 'Please give a big old Mount Astra welcome to tonight's birthday girl, Maddie Kowa-kowaltch . . . ' A pause. 'Maddie from California!' The bar hoots and cheers as a fair young woman with golden hair takes the stage. She's fat, with smaller curves up top and hips and thighs for days, all of it showcased in a tight sweater set and pencil skirt. Her mouth is a little too wide and sinfully full, and her large eyes are as green as a pit viper's. 'That's her,' Bram says. His voice is strange . . . low and breathless. Like he's just won a race but he's pissed about it. 'Who?' Joey asks, plucking his Big Guy Touchdown off the table. 'The brat.' The DJ now has Maddie from California facing the side wall with her hands splayed inside the Sharpie'd outlines that have contained the hands of scores of birthday spank-ees throughout the years. The green and copper paddle comes out. Next to Joey, Bram stiffens. 'How old are you today?' the DJ asks. 'Twenty-six!' chirps Maddie. 'Your safe word is cash tips only!' the DJ says, and starts swinging. The swats start out as mere taps, but the bar shouts along with the DJ as if each tap is a catastrophic wallop, and Maddie looks to the side at the crowd, a smile on her plush mouth. And then she and Bram lock eyes. Bram's hand is a fist on the table. His jaw clenches. His eyes have hooded a little, and when the DJ gives Maddie a final, no-shit swat with the paddle—hard enough to make her whimper—Bram sucks in a breath. 'Maybe you should go discuss parking etiquette with her,' Leo suggests with a bored expression. 'After you can stand up without committing a crime of public obscenity, of course.' 'Fuck off,' says Bram, distractedly. His eyes are still on Maddie as the DJ helps her off the stage. A slow smile pulls across Leo's face, making him look briefly like one of God's favorite angels, all sculpted features and gorgeous symmetry. 'Did Bram Loe just tell me to fuck off?' Joey claps his hands together. The shots are working already! 'More shots!' Joey yells and Leo holds out his credit card, the black metal one that looks like a prop from a movie about Wall Street stockbrokers. 'I'll get this round,' says the rich asshole. 'I want to see how far we can push Professor Nice Guy tonight.' 1. 'Best night ever,' translation courtesy of Leo's prep school Latin.2. Except for Cole McKenney, whom Leo has never met and doesn't believe is real because he coincidentally transferred to Mount Astra High School the year that Cole moved away. Excerpt from THE FUNDAMENTALS OF BEING A GOOD GIRL by Julie Murphy & Sierra Simone. Copyright © 2025 by Julie Murphy & Sierra Simone. Used with permission by Avon Books, an imprint of HarperCollins. All rights reserved. Fundamentals of Being a Good Girl, by Julie Murphy & Sierra Simone will be released on January 13, 2026 by Avon Books. To preorder the book, click on the retailer of your choice: AMAZON AUDIBLE BARNES & NOBLE BOOKS-A-MILLION BOOKSHOP APPLE BOOKS KOBO TARGET WALMART POWELL'S BOOKS HUDSON BOOKSELLERS GOOGLE PLAY
Yahoo
12 hours ago
- Yahoo
Kristi Noem Calls ‘South Park' Portrayal of Her Sexist and ‘So Lazy'
The latest episode depicts the DHS Secretary repeatedly murdering dogs - and heavily botoxed Secretary of Homeland Security Kristi Noem isn't a fan of how she was depicted on Wednesday's episode of 'South Park.' Speaking to CNN, Noem didn't note any objection to the main part of the portrayal — her fictional counterpart on a crazed, puppy-murdering spree. Instead she objected to the show's commentary on her personal aesthetics. 'It's so lazy, it constantly makes fun of women for how they look. Only the liberals and the extremists do that,' Noem said while calling into CNN. 'If they wanted to criticize my job, go ahead and do that, but clearly they can't. They just pick something petty like that.' More from TheWrap 'Wednesday' Creators Unpack the Twisty Season 2 Part 1 Ending Seth Meyers Calls Trump a 'Checked-Out Freshman' Amid Focus on White House Ballroom | Video Is 'Real Time With Bill Maher' New Tonight? The Plan for New Paramount: 7 Things We Learned From Talking to David Ellison and His Exec Team If you haven't yet seen the episode, the b-plot sees Noem repeatedly murdering puppies while her makeup team struggles to maintain her botoxed face, which keeps collapsing. It's a reference to her autobiography, where she reveals she once killed a dog in a fit of anger, a story she seemed to think reflected well on her, as well as a reference to her very well-documented 'MAGA makeover.' Meanwhile, the 'South Park' portrayal continues the puppy-murdering subplot to the point where Noem kills Krypto, the dog from 'Superman,' and then into the ending credits, where Noem is last seen entering a pet store with her rifle. The post Kristi Noem Calls 'South Park' Portrayal of Her Sexist and 'So Lazy' appeared first on TheWrap. Solve the daily Crossword