logo
Jeon Min-chul to make Mariinsky Ballet debut as Solor in 'La Bayadere'

Jeon Min-chul to make Mariinsky Ballet debut as Solor in 'La Bayadere'

Korea Herald26-06-2025
Ballet sensation Jeon Min-chul will make his official debut with the Mariinsky Ballet on July 17, performing the role of Solor in "La Bayadere" at the Mariinsky Theatre in Saint Petersburg, Russia.
Jeon joins the company as an official guest artist and is expected to be formally named as a soloist following the performance, pending visa completion, according to the K-Global Ballet Institute.
He will share the stage with Mariinsky Ballet's principal dancer Nadezhda Batoeva as Nikiya and second soloist Daria Kulikova as Gamzatti.
'I am deeply honored to finally perform on the stage of the Mariinsky Theatre, a dream I've had since childhood,' Jeon said in a press release Wednesday. 'I will give my best to embody the beauty of this masterpiece and the theatre's rich tradition.'
Ahead of his performance as Solor, Jeon will also appear in the pas de trois during Act 1 of "Swan Lake" on July 4.
Last year, Jeon made headlines as the second Korean dancer to join the Mariinsky Ballet after Kim Ki-min. His growing popularity led to a series of sold-out performances in Korea, as fans flocked to see the 20-year-old dancer before he headed abroad.
In September, he performed Solor as a guest artist with the Universal Ballet.
'I want to bring to life the kind of Solor that only a 20-year-old can portray,' Jeon told The Korea Herald at the time. 'Even if I haven't lived through those emotions, I believe I can express them on stage.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Politeness without pressure: How Korean Gen Zers rewrite drinking norms
Politeness without pressure: How Korean Gen Zers rewrite drinking norms

Korea Herald

timean hour ago

  • Korea Herald

Politeness without pressure: How Korean Gen Zers rewrite drinking norms

In Korea, drinking with elders or seniors, whether at work, school or in other social settings, traditionally comes with some etiquette. Beyond using both hands to pour or receive a drink and turning one's head away while drinking, proper manners include holding your glass lower than a senior's during a toast, promptly refilling their glass when it's empty and reserving the seat farthest from the entrance for the most senior person at the table. For younger Koreans who haven't learned these customs firsthand, YouTube tutorials provide a clear breakdown of proper behavior in drinking settings. These videos often target college freshmen and first-year employees eager to make a good impression. Kim Tae-woon, a 22-year-old university student in Suwon, Gyeonggi Province, said he recently watched a video featuring Dex, a TV personality who rose to fame on Netflix's dating show 'Single's Inferno,' sharing tips on traditional Korean drinking etiquette. In the video, Dex introduces customs like turning one's head and lightly pressing the glass to the lips before placing it down when it's difficult to take a full shot poured by an elder, as well as covering the neck of a soju bottle with one hand when pouring for someone else. One of the rules Kim found most memorable was the act of turning his body away when pouring his own drink — a way to avoid drawing attention. Self-pouring, called 'jajak' in Korean, is traditionally discouraged in Korean drinking settings. 'I don't fully understand all the rules, but I make an effort to follow them when I'm drinking with seniors. Even though people say things have changed, I still think it looks good when men show proper manners since hierarchy and seniority tend to play a bigger role in male relationships than in female ones.' 'At first, some seniors thought I was being a bit much with all the etiquette. But later, they actually liked it.' Rules remain, but pressure is easing Korean drinking customs are deeply tied to the country's communal culture, where sharing drinks, or getting drunk together, has traditionally served as a means of bonding and building social cohesion. However, these traditions have also drawn criticism for creating an environment of pressure, especially when participation feels more like an obligation than a choice. While many university students still observe basic etiquette, the era of forcing drinks on others appears to be fading. 'Beolju,' for instance, which translates to 'penalty drink,' is increasingly frowned upon by younger students, who view drinking as a personal choice rather than an obligation. The practice typically involves making the losers of drinking games consume strong, often unpleasant mixes of alcohol. Once seen as a way to break the ice and reinforce social hierarchy, it is now widely considered outdated. Park Yu-ha, a 21-year-old art major at a university in Incheon, said she has never encountered beolju at any student event since entering university. 'If I were ever pressured to drink beolju by senior colleagues at work, I would seriously consider quitting. Drinking should be up to the individual, not something people feel forced into.' Rather than simply drinking less, some students are now embracing entirely alcohol-free gatherings. In May, Yongin University's dance department held a membership training with no alcohol at all. The snack table featured only nonalcoholic beverages, with the organizers explicitly labeling it an 'alcohol-free MT.' Drink like a nerd, or not at all Among Korea's Generation Z, drinking culture is becoming increasingly polarized, either you don't drink at all, or you're deeply into it, says Lee Seung-jun, a 27-year-old university student in Seoul and a member of Wine & Dining, an intercollegiate wine club. 'These days, drinking isn't about everyone getting drunk together. You can have a great time even if one person is drinking heavily and another isn't drinking at all. This kind of vibe has become completely ordinary among my friends and me," he said. Lee, who has been active in the wine club for two years, said more university wine clubs have emerged in recent years, driven by students who approach alcohol with genuine curiosity and interest. 'I enjoy soju and beer too, but unlike them, wine doesn't carry the same image of excessive binge drinking. That's why a lot of Gen Zers who reject old-school drinking norms are turning to wine and joining wine clubs in the process.'

Classic comic 'Kkeobeongi' to become short-form animation
Classic comic 'Kkeobeongi' to become short-form animation

Korea Herald

time16 hours ago

  • Korea Herald

Classic comic 'Kkeobeongi' to become short-form animation

Beloved four-panel newspaper makes AI-powered comeback on Naver Webtoon, 55 years after debut Long before webtoons became Korea's cultural export powerhouse with their vertical scrolling format, kids in the '60s and '70s got their daily dose of comics tucked into newspaper corners. They would flip straight to the four-panel strips featuring a goofy kid with perpetually droopy eyes and a bald patch on the side of his head. That character was Kkeobeongi, created by the legendary cartoonist Gil Chang-deok (1930-2010). Fifty-five years after his debut, this lovable goofball is being reimagined with artificial intelligence and turned into short-form animation for a brand-new generation. Content company KCD Company announced Thursday its reboot project for the classic character. Founded last year by Gil's daughter Gil Hye-yeon to manage the late cartoonist's copyright, the company is breathing new life into the old strips as part of a wider intellectual property expansion. The company said it is using AI technology to transform the static four-panel comics into moving animations. The updated shorts will roll out on Naver Webtoon's new Cuts platform. The project is backed by the state-run Gyeonggi Content Agency, with Seoul Webtoon Academy Chairman Park In-ha serving as project director. Kkeobeongi had quite the run as a fixture of children's comics — starting in Manhwa Kingdom magazine in 1970, moving to the children's edition of The Joongang Ilbo from 1973 to 1977, and then running in The Chosun Ilbo's children's section from 1980 to 1990. All told, the mischievous kid appeared in 1,584 episodes over two decades. The series doubles as a snapshot of Korea's scrappier years. Episodes capture milestones in the country's development, like the opening of Seoul's first subway line in 1974. In one strip, the kid's aunt splurges on exotic treats—pizza and bananas, both considered luxuries back then — but poor Kkeobeongi is too sick to eat them. In another, he sneaks a sip of his dad's prized Coca-Cola, also a rare indulgence at the time, only to get busted. These little vignettes offer glimpses of a country far removed from today's prosperity. The revival also includes publishing complete collections of Kkeobeongi's newspaper and magazine runs, along with reissues of Gil's other beloved works like "Lady Soon-ak-jil," "Jae-dongi" and "Go-jip-se." The team is even recreating Gil's playful handwriting as a custom typeface called the "Gil Chang-deok font" for use in the animations. 'Gil Chang-deok is one of the most cherished cartoonists in Korean comics history,' said Park. 'His characters capture the childhood memories we all share.'

Anime 'Demon Slayer: Infinity Castle' storms Korean box office
Anime 'Demon Slayer: Infinity Castle' storms Korean box office

Korea Herald

time17 hours ago

  • Korea Herald

Anime 'Demon Slayer: Infinity Castle' storms Korean box office

Japanese franchise hit dominates presales as Korea celebrates liberation The timing couldn't be more awkward — a Japanese anime film is dominating Korean theaters just as the country celebrates its independence from Japanese colonial rule. The latest installment from the hit manga-and-anime franchise "Demon Slayer: Infinity Castle" has already racked up 411,835 presale tickets, claiming 53.2 percent of all tickets sold as of Friday. At this rate, the film appears on track to sell nearly one million tickets before its Aug. 22 release. With exclusive premium screenings scheduled this weekend, some corners of social media are calling out what they see as tone-deaf timing. While Korea commemorates liberation from Japanese occupation, audiences are flocking to a franchise that critics say has fraught associations. Complaints have ranged from the design of the protagonist's earrings, which allegedly resemble the Rising Sun flag — viewed in Korea as a symbol of Japanese militarism and colonial oppression — to its Taisho-era (1912–1926) setting, which coincides with imperial expansion. Even the titular Demon Slayer corps itself has drawn comparisons to wartime student soldiers with its teenage ranks. Last week, tensions spilled over when the LG Twins, a local baseball team, had to scrap plans to have "Demon Slayer" characters throw the ceremonial first pitch at their Aug. 9 game. The backlash was swift and charged, with many calling the promotion inappropriate so close to Liberation Day on Aug. 15. Still, Korean audiences have proven time and again that they can separate art from politics. Back in 2021, the franchise's first theatrical release, "Mugen Train," pulled in 2.2 million Korean viewers despite being dogged by the same controversies. This was in a country that, just two years earlier, had staged boycotts so intense during a trade dispute that Japanese beer sales plunged 97 percent and car sales 57 percent in a single month. "Infinity Castle" kicks off a trilogy wrapping up the anime adaptation of Koyoharu Gotouge's mega-hit manga, following protagonist Tanjiro and his demon-slaying crew into their ultimate showdown in the villain's fortress. It picks up right after the anime's fourth season, which wrapped in May 2024. The film has already been a sensation in Japan, shattering records since its July 18 opening. It scored the biggest opening day ever with 1.64 billion yen ($11 million), the biggest single day with 2 billion yen, and the best three-day debut with 5.52 billion yen, ultimately grossing 22 billion yen to become the country's sixth highest-grossing film of all time. Meanwhile, "Mugen Train" — the 2020 release based on an earlier narrative arc — still holds the all-time Japanese box office crown with 40.43 billion yen in ticket sales. Its runaway success during the COVID-19 pandemic cemented "Demon Slayer" as a global juggernaut and paved the way for this trilogy's record-breaking run.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store