
Restoring cultural heritage destroyed by wildfires to cost 48.8b won
The restoration of government-designated cultural heritage sites damaged by the wildfires that ravaged across southeastern South Korea in March is expected to cost about 48.8 billion won ($34.9 million), the Korea Heritage Service said Thursday.
A joint investigation conducted by the agency and the Ministry of the Interior and Safety confirmed 36 instances of damage to cultural assets. Among these, 13 items and structures were state-designated national treasures, heritage sites or state-recognized cultural properties. The remaining cases involved heritage designated by municipal and provincial governments.
This included near-complete destruction of the 7th-century Buddhist temple Gounsa in Uiseong-gun, the epicenter of the Uiseong-Andong fires. which was by far the biggest wildfire in South Korea's recorded history. Nine of the temple's 30 buildings were destroyed, along with national treasures Gaun-ru, a pavillion, and Yeonsu-jeon, a hall, while another treasure Stone Seated Buddha statue sustained damage.
The fires also destroyed several centuries-old buildings, such as the Sanam House in Cheongsong-gun, North Gyeongsang Province, thought to have been built in late 18th century.
The state heritage agency said the restoration will be conducted in phases, beginning with urgent tasks such as securing structural components of the destroyed buildings, preserving partially damaged structures, and mapping out detailed restoration plans within this year. The prioritization of work will be based on the severity of the damage inflicted, and the extent to which the value of each item or structure has been compromised.
The budgets of both the central and regional governments will be used for the restoration, along with state lottery funds and donations. This includes 1 billion won donated by K-pop agency Hybe to the KHS-affiliated agency last month.
"Administrative and financial supports will be made so that the state heritage damaged by the fire can be restored to its original value," KHS chief Choi Eung-chon said.
The string of wildfires tore across the Gyeongsang provinces in the span of two weeks since mid-March, burning over 100,000 hectares of land while killing 33 and forcing the evacuation of tens of thousands living in the area. They inflicted more casualties and larger property damage than any other wildfire in the country's history.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
14 hours ago
- Korea Herald
Life well lived
It is only in their passing that some people's lives come to light — especially the lives of those who lived in service of others. So it is with the late Bishop Timothy Yu Gyoung-chon, who passed away Aug. 15, just a month shy of his 63rd birthday, after battling cancer. Yu was ordained a priest in 1992. In December 2013, he was appointed bishop by Pope Francis, who had been elected pope in March that year. Yu took as his pastoral motto "you ought to wash one another's feet." The phrase from John 13:14 in the Bible, spoken by Jesus after he washed the feet of his disciples at the Last Supper, is often interpreted as his last instruction to serve one another and in humility. Yu put his pastoral motto to practice, leading the social service mission of the Archdiocese of Seoul as an auxiliary bishop, reaching out to the needy and listening to the unheard. Celebrating a Mass marking the first anniversary of the 2022 Itaewon crowd crush, Yu called for a proper remembrance of the over 150 victims, most of whom were young people on an evening out. A 'proper and sufficient' remembering was needed for the bereaved families to recover, he said. For the families who had suffered the ignominy of blank name tablets at a public altar set up at Seoul Plaza, his words were a balm to their wounded hearts. On the occasion of the second anniversary of the Sewol ferry disaster in 2016, he officiated a memorial Mass at Myeongdong Cathedral. For the families of the more than 300 people who died, who were seeking a full account of the disaster, Yu offered consolation in their grief and anger. Most of the victims were school students on a field trip, In 2014, Yu, who was reported to be afraid of heights, climbed up on a crane to meet with two protestors who had been calling for the reinstatement of more than 100 non-regular workers fired by a cable channel operator. The two had been protesting from a height of 30 meters on top of a billboard for 30 days. Yu listened to them, said he would pray for the issue to be resolved soon and blessed them. Yu's life of service to the poor and the marginalized came to be more widely known following his death as people recounted their encounters with the bishop. A little digging around the internet reveals a man of great humility, who preferred to listen rather than speak, who took action rather than merely preaching. He led the opening of a soup kitchen near Myeondong Cathedral and served meals there once a week without fail, unless other urgent events required his presence. Volunteers working alongside him at another soup kitchen did not recognize the bishop in their midst. He covered his clerical collar with a zipped-up jacket, his face under a mask and cap. A cleaner at the dormitory-like residence where Yu lived said she never entered his room — he cleaned his own room and insisted on washing his own clothes. A photograph of an old Kia Pride, a small, long-discontinued car some 20 years old, that Yu continued to drive even after becoming bishop, attests to his frugal lifestyle. In many of the photographs online, Yu is seen smiling meekly, his hands clasped together in front of him, making himself small, taking up as little space as possible. In his passing, Yu left behind an example of life well lived, an example that should inspire us.


Korea Herald
11-08-2025
- Korea Herald
Special exhibition at Deoksugung marks 80th anniversary of liberation
In commemoration of the 80th anniversary of Korea's liberation from Japanese colonial rule, the Korea Heritage Service is hosting a special exhibition, 'The Radiant Heritage of Independence,' at Deoksugung in central Seoul from Aug. 12 through Oct. 12. More than 110 artifacts tied to Korea's anti-Japanese resistance are on display, many shown to the public for the first time. Among them are original independence documents, diplomatic diaries and calligraphy by revered independence activists. The exhibition highlights the enduring spirit of resistance that contributed to Korea's eventual liberation on Aug. 15, 1945. 'Anti-colonial heritage is not just a relic of the past,' said Huh Min, administrator of the Korea Heritage Service, during a press briefing Monday. 'It is the history and spirit that enabled (South) Korea today and represents the identity of our people. It is a cultural legacy we must pass on to future generations.' The exhibition is divided into five sections: 'Commitment: The Heritage of Sovereignty and Salvation,' 'The Uprising: The Heritage of the People's Cries for Freedom,' 'Tribulation: The Heritage of National Protection,' 'Aspiration: The Heritage of Liberation' and 'Jubilation: The Heritage of Homecoming.' Notable highlights include: the 'Anti-Japanese Volunteer Letters,' a collection of documents from Japan detailing Japan's violent suppression of Korean militias during the late Joseon period that was repatriated from Japan in July 2024; 'Nokjuk,' a piece of calligraphy by independence martyr Ahn Jung-geun recovered at an auction in April; and 'Misailrok,' the diplomatic diary of Lee Beom-jin, a Korean envoy to the United States, offering insight into Korea's early foreign relations and language practices during the Korean Empire period. Another centerpiece is the 'Taegeukgi from Jingwansa Temple,' a rare Korean flag discovered in a Buddhist temple, now designated as a national treasure. The artifact underscores the involvement of diverse sectors of Korean society, including the Buddhist community, in resisting Japanese rule. Also featured are the personal memoirs of Seo Yeong-hae, a diplomat and independence activist who spearheaded Korean resistance efforts in France. 'This exhibition was designed to highlight the determination of those who sought to preserve sovereignty under dire circumstances,' said Hwang Sun-ik, a professor of Korean history at Kookmin University, who curated the exhibition. 'It's not just about a few individuals. It's about the collective cry of a nation — 'Manse!' — and the perseverance to continue our hopes and dreams in the face of hardship.' Held at Deoksugung, a royal palace that served as Emperor Gojong's residence and a key site of resistance, the exhibition is deeply symbolic. 'This very place witnessed the turbulent signing of the Eulsa Protectorate Treaty and military reform efforts,' Huh said. 'It was in front of Daehanmun Gate that crowds gathered during the March 1st Movement. We hope this setting gives visitors a deeper emotional resonance.' The March 1st movement refers to nationwide mass public protests against Japanese colonial rule that took place on March 1, 1919. In addition to the Seoul showcase, booths will be installed in museums in Busan, Gwangju, Ulsan and Mokpo, South Jeolla Province, ensuring that people across the country can take part in this historical tribute.


Korea Herald
24-07-2025
- Korea Herald
Back from Japan, dragon-headed roof tiles and eaves offer glimpse of Joseon royal shrine
Carefully kept in good condition, with even dancheong colors preserved, 4,982 parts of Gwanwoldang reflect its noble status, aesthetics From a distance, the beam appears no different from an ordinary piece of timber. But stepping closer, its surface reveals cracks and dents that reflect its age, along with faint inscriptions looking like the Japanese characters "ho" or "ma," indicating it was likely marked or labeled during its time in Japan. These are parts of the disassembled pieces of Gwanwoldang, thought to be a royal shrine from the Joseon era (1392-1910), which were taken to Japan during the country's colonial rule of Korea in the early 20th century. Officials believe the writings were added by Japanese carpenters when the structure was dismantled in Japan. It was the first time the structure's components had been unveiled since its return to South Korea in May at the Korea Foundation for the Traditional Architecture and Technology — an institution dedicated to collecting and conserving traditional building frame materials — in Paju, Gyeonggi Province, Wednesday. The parts came back under an agreement reached with Kotoku-in, a Buddhist temple in the neighboring country's Kamakura city, and the Korea Heritage Service and the Overseas Korean Cultural Heritage Foundation. The long-lost royal shrine is a traditional wooden structure spanning three bays in width. Its architectural style features symbolic patterns, including dragons, spider webs and bats — all of which are characteristics of royal shrines from the late 18th to early 19th-century Joseon period. Research suggests that Gwanwoldang's size and structure indicate it was a royal shrine built for a "Daegun," which is a title given to the son of the king and queen, Lee Kyu-cheol, Associate Research Fellow at the Architecture and Urban Research Institute, told reporters as he toured the press. A total of 4,982 parts — 1,124 pieces of timber, 3,457 "giwa," or traditional Korean roof tiles and 401 stone elements — were revealed during the public display of Gwanwoldang's components at the institution's storage. They include decorative eave supports known as "choyeop," which are wooden elements placed on the sides of large traditional buildings, especially palaces, and roof tiles featuring symbolic motifs ike dragons, a symbol of royalty in Korean culture, spiders and butterflies, highlighting the architectural details that reflect the shine's royal status and aesthetics. Each piece was carefully wrapped to keep it in good condition. The roof tiles, which are often prone to fragility, were cushioned in bubble wrap to protect them from breaking, while "dancheong," the traditional coloring on wooden buildings and artifacts, was protected with plastic and paper to shield the surface and paintwork from scratches, moisture, and abrasion. The storage facility tries to maintain humidity below 80 percent to protect the wooden materials. The KHS and the OKCHF said they would conduct detailed studies on Gwanwoldang's components, as well as explore ways to display the pieces to the public. The KHS also pledged to continue working on bringing Korean artifacts home. "Over 247,000 Korean cultural assets are held overseas. Among them, many were illegally taken, especially during times of war or during the country's colonial rule. Our agency is committed to bringing back those items to Korea," Huh Min, the newly-appointed chief of the KHS, told reporters during the event.