These Stunning Chanel Diamonds Are Devon Lee Carlson's Favorite
The impressive collection consists of 109 pieces that deeply honor the historic legacy of Gabrielle Chanel. Signature motifs abound—lions, comets, and the debut of wings, all of which reference iconic moments throughout the designer's life. Chanel's star sign, Leo, is manifested through her lifelong collection of feline sculptures. Since then, the lion has become an integral symbol for the brand's high jewelry collections. Meanwhile, the comet represents a direct through-line to Chanel's first-ever 1932 Bijoux de Diamants line, a revolutionary idea in the diamond space amidst turmoil of that year.
Finally, and perhaps most important, are the wings. This motif is represented in pieces such as the impressive 'Wings of Chanel' necklace, which features a boldly sculptural design and detachable pendant of star-shaped diamonds that doubles as a bracelet (also a favorite of Carlson's). The centerpiece—a cushion-cut Padparadscha sapphire, never before seen in a Chanel high jewelry collection. As the house founder once famously said, 'If you were born without wings, do nothing to prevent them from growing.'
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Yahoo
a day ago
- Yahoo
'The Summer I Turned Pretty': Lola Tung Is Ready For What Comes After Summer
All clothing, accessories, and fine jewellery, Chanel. It's sweltering hot in the sun-drenched, top-floor café on the Lower East Side that Lola Tung is using as her makeshift dressing room. The electric fans do little to battle the July humidity, and the bottled water for the crew has gone lukewarm. The actress feels the heat, too, as she changes from one Chanel look into another for her ELLE photo shoot, but she powers through. After all, she thrives in the summer. At 22 years old, Tung is the star of Prime Video's The Summer I Turned Pretty, the wildly popular TV show based on Jenny Han's bestselling book series of the same name. The television adaptation debuted in 2022 and introduced her as protagonist Isabel 'Belly' Conklin, a teenager caught in a love triangle between two of her longtime family friends: Conrad Fisher (Christopher Briney) and his younger brother, Jeremiah (Gavin Casalegno). With a literary fan base, a cast of good-looking newcomers, a soundtrack filled with Taylor Swift songs, and a love triangle that could rival Team Edward vs. Team Jacob, TSITP had all the makings of a pop culture sensation. And sure enough, it shot to the No. 1 slot on the streamer when it first premiered, even bringing a resurgence in popularity for Han's books and, as if she could get any bigger, Swift's own music catalogue. Tung, who was born and raised in New York and attended the famous LaGuardia School of Performing Arts, was a freshman at Carnegie Mellon when she was cast as Belly—her first on-screen role ever. Since then, she has skyrocketed to It-girl status with the wardrobe and followers (4 million on Instagram, but who's counting?) to match. 'When we were filming the show, people were like, 'Your lives are going to change,' and we were all like, "I don't know what you're talking about,"' she says later over Zoom, reflecting on earlier seasons with the cast. 'It's really wonderful to know that there are people who love the show so much and that your work means something to [them].' As evidenced by social media posts from fans, the viewers aren't just the YA demographic, but also women in their 20s and older, even moms who watch the series with their kids. (Belly's mother, Laurel, played by Jackie Chung, also has her own arc in the series.) There's just something universally irresistible about a summer coming-of-age romance set on the beach. The world couldn't help but dive in. Three years later, TSITP is back for its third and final season. As viewers lock in for one last vacation at Cousins Beach, Tung is saying a bittersweet goodbye to her breakout role and looking ahead to what's next. 'I've loved getting to play [Belly] for so long. It's kind of like graduating,' she says. 'I'm excited to show a different part of myself—and even have people see me in a different world.' Until then, fans are savoring every last episode of TSITP we have left. If you had heard the screams coming out of Bryant Park last Wednesday night, you would have thought there was a live concert taking place. In reality, it was a premiere screening of The Summer I Turned Pretty season 3. Crowds gathered on the grass with blankets, snacks, and friends in tow, cheering when the cast made an appearance and gasping along at each plot twist. 'I've never experienced that ever in my life,' Tung recalls. 'There were just so many people.' Viewers had a lot to chew on in these new episodes: Belly is now a junior in college and four years deep into a relationship with Jeremiah. However, things don't really seem to be settled between her and Conrad, even after they broke up years ago at prom. She and Jeremiah face an obstacle in season 3, episode 1, when Belly learns that he slept with another girl during a spring break trip to Cabo—twice! The circumstances of the hookup are murky; in classic Ross and Rachel fashion, Jeremiah thought he and Belly had broken up during an argument before the trip, whereas Belly believed they were still together. A dramatic series of events follows: Belly and Jeremiah fight at a frat party. She slaps him. He tries to win her back. Belly's brother, Steven, gets into a car accident and suffers a possible brain injury. After Steven wakes up safely from his coma, Jeremiah apologizes to Belly profusely at the hospital, and then proposes to her. She says yes. 'Young love is intense,' Tung says during another call days after the premiere. While fans and haters alike might classify this intensity as chaos, she walks me through how Belly is handling all of the ups and downs. First, the fight with Jeremiah: 'I think it's just pure shock for Belly,' Tung says of her character's headspace. 'This is someone who's been her rock for so many years and who she's known her entire life. It can be heartbreaking when you feel like you don't know everything [about someone].' It kind of leads Belly to wonder, What else don't I know about you? She and Casalegno rehearsed the emotional scene prior to filming. 'It was important to have a level of trust in each other, especially with the slap,' Tung recalls. 'Poor Gavin, he was like, "Yeah, you can slap me." I was like, "Are you sure? Please, I don't want to hurt you!"' Ultimately, they filmed the slap in just a couple of takes. 'I was not about to slap him 50 times otherwise. For some of the angles, I would just kind of wave my hand…I'm used to the stage slap,' she says. Now, onto Jeremiah's alleged infidelity: 'No matter whether you think that he cheated or not, it's wrong,' Tung says diplomatically, pointing to how Jeremiah rebounded with another girl shortly after the presumed split, and then hid it from Belly. 'I personally don't think they were on a break or broken up, because that argument was so quick and everything happened so fast.' However, 'Belly is not completely blameless,' she continues. 'She didn't reach out either. There is a little bit more of a mess in her own head.' So, how does Belly go from feeling betrayed to getting engaged? She was likely swayed by Steven's near-death experience. 'She's almost lost someone else in her life that's really important to her, and they both experienced a huge loss [Susannah, Jeremiah, and Conrad's mom] years before that—it's still obviously affecting them and their relationship. The thought of losing more people in her life, whether it is Steven or Jeremiah, is just not an option.' She adds, 'Jeremiah is showing up and trying to be there whenever she will let him. I think, in that moment, she's completely overcome with all of these emotions and is in a very vulnerable space. They both are, and they really want to lean on each other, because they do love each other. Even though Jeremiah did mess up, I think when it's put into perspective, it feels so silly compared to literally a life-or-death situation.' Belly also might also feel a 'little bit of guilt about not mentioning to Jeremiah what happened at Christmas. Even though nothing did happen.' Tung is referring to Belly's own secret: that she spent one Christmas alone at Cousins beach house while she and Jeremiah were dating; except she wasn't really alone. Conrad coincidentally showed up too and stayed over. Nothing romantic or physical happened between the exes, but you can feel there's still something between them. While filming those scenes, Tung and Briney wanted to convey a sense of 'ease' and that Belly and Conrad 'have a certain understanding with each other' as friends. 'It's nice that even after so long, they can sit together and watch a movie, and just exist in the same place without speaking, without having to do anything but just be,' she says. 'I think those are the most beautiful sort of friendships and relationships.' While a big part of the fandom is still rooting for a Belly and Conrad endgame—I won't spoil how the books end—Tung believes that, at least during that engagement scene, Belly's mind is solely on Jeremiah. 'I don't think she's thinking of Conrad in that moment,' she says. But Belly is aware that she and Conrad will always have an 'unspoken connection.' And to address the elephant in the room, Belly is also aware of her age. She's 20 when she says yes to Jeremiah, and based on snippets in the season 3 trailer, her mother and older brother are bound to question whether she's ready for such a commitment. 'She knows she's young, but she's also quite stubborn and is making decisions for herself,' Tung says. 'She's like, "I need to do what I need to do for myself to protect myself, and to feel safe, and to feel like I am in control of my story and my life."' While the cast and crew keep further season 3 details close to the vest, Tung cautiously teases that we can look forward to more group dynamics when the Fishers and Conklins reunite in future episodes. 'That will always be complicated, when all of them are together,' she says. Much like Han's To All the Boys I Loved Before trilogy, The Summer I Turned Pretty is fiercely beloved—sometimes to an extreme degree. As viewers debate between Team Conrad and Team Jeremiah with such enthusiasm and fervor, some comments cross the line and directly target the cast or fellow fans themselves. Days before the season 3 premiere, the official TSITP social accounts announced a zero-tolerance policy for bullying, hate speech, harassment, and doxxing. Users who break these rules will be banned. Tung supports the guidelines, saying the criticism 'can be really, really hard, especially with new cast members. It happened last year with Elsie [Fisher, the nonbinary actor who played Jeremiah and Conrad's cousin Skye]. We were all really, really upset about it, and they're so wonderful and was such an incredible addition to our cast and our dynamic. … We're human beings. A lot of times, we see what you say, especially if it's mean, and those things stick with us.' 'A lot of it is so unnecessary, especially when it's not about the characters and it's about the actors,' she continues. 'Ultimately, you don't really know these people.' Tung hopes viewers are 'respectful' to the new season 3 cast members, 'kind' with their discourse, and that they 'appreciate the characters,' even with all their flaws. 'Everyone is working really hard to make sure that the story is the best that it can be for the fans. And we love the fans, because they have given us the opportunity to make three seasons.' Tung, for her personal well-being, tries to stay off social media. 'You just can't really engage [with the comments], because then it feeds the fire a little bit. It sucks. Because people can be mean when they're behind their screens, which, I'm not saying anything new,' she says, ever so politely. On rare occasions, interactions can get uncomfortable in real life, too. Tung remembers a moment when a fan approached her in public and asked to take a picture when she wasn't feeling up for it. 'I was like, "I'm so sorry." I hate saying that, because then you feel guilty. And then he was like, "Well, I already have the camera out." I remember feeling a little like, "Oh, man," like a boundary was broken.' Tung fully understands the passion is coming from a place of 'enthusiasm and a love for the show.' She says, 'I always appreciate when people are super respectful, and just understand human-being boundaries. It can be such a lovely thing, and [I've had] such lovely conversations, and some people really stick with you, and it makes you so happy.' Thankfully, she's able to find support in her co-stars when it comes to handling the 'really weird, niche things' that come with adjusting to fame and public scrutiny. 'I think we all lean on each other,' Tung says. Han, who is a showrunner and executive producer on the series, has also been a lifeline. 'I've learned so much from Jenny. When I was working on the first season, and figuring out how to navigate the really busy schedule we had, she had a conversation with me—not in an overstepping way, because we're very close—but she was just like, "Hey, maybe start going to therapy." That was one of the most helpful pieces of advice she's ever given me.' Tung adds, 'I was a really emotional kid and teenager, and I still am a really emotional person. I was sometimes afraid of letting people see that emotion and being vulnerable in front of people. That's what this profession is all about, and that's what this show is all about. I'm forever grateful that we get to see that, especially through Belly, and then even through Jeremiah and Conrad…[showing] Conrad in therapy is huge. I think it's such an important thing for young men and boys to see.' When it comes to showing emotion in the spotlight, Tung actually felt seen by Ariana Grande during the Wicked press tour last fall. 'A lot of people were being very critical of Ariana crying in a bunch of interviews, and I was like, "What are you talking about? This was her dream! It makes me so happy to see her so overcome with emotion."' She adds, 'To see her get so emotional was nice just to see, as an actor and as someone who's in the public eye, because it made me think, Yeah, why not? Why not show that you care about something?' The Summer I Turned Pretty was an education for Tung. 'I've learned so much from Belly, and from her boldness, and from watching her take risks,' she says. But she also gleaned a lot from working on a set for the first time, and by observing other actors, directors, and crew members. She also learned how to take care of herself—and recognize when it's time to rest. Those are lessons she'll take with her as she transitions into life post-Summer. Tung has already been dropping hints of what that'll look like. Last year, she made her Broadway debut as Eurydice in Hadestown, a dream role that nourished her inner theater kid. (Legend has it she fell in love with acting after playing the Tin Man in The Wizard of Oz back in middle school.) And this past April, she wrapped filming Forbidden Fruits, a women-centric horror film due in 2026 co-starring star Lili Reinhart, Victoria Pedretti, Alexandra Shipp, and Emma Chamberlain. That genre might be a major departure from the sunny beaches of Cousins, but Tung was eager to give it a try. She's recently been watching scary movies like Longlegs, Sinners, The Substance, and Jennifer's Body. 'It was transformative,' Tung says of the latter. (Diablo Cody is also a producer on Forbidden Fruits.) 'I loved getting to sit down with the director [Meredith Alloway] and talk for three hours about the dynamics of female friendships, and what that looks like in a horror setting. ... I love having conversations with all of these incredible women, and seeing them soar,' Tung says. She hopes to do more of that in the future—just like her fellow cool-girl creatives who are collaborating with one another. 'There are so many really cool women right now who are making cool art with their friends, like Ayo Edebiri, Rachel Sennott, and Molly Gordon,' she muses. Tung is excited for what's to come but admits that every new project can be daunting, whether it's adapting a beloved book series for TV or stepping into an entirely new genre. 'That's the wonderful thing about art—it's always a risk, and it's always a little bit scary, but it's so, so worth it.' Hair by Dana Boyer at The Wall Group; makeup by Misha Shahzada at A-Frame Agency; special thanks to Ludlow House. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. You Might Also Like Pyjamas You Can Wear All Day 10 Hand Soaps To Make Your Bathroom Feel Like A Fancy Hotel 8 Of The Best Natural Deodorants
Atlantic
2 days ago
- Atlantic
What's Really Behind the Cult of Labubu
A furry fiend with rabbit ears and a maniacal grin has recently been spotted twerking next to the singer Lizzo, baring its teeth on the former soccer star David Beckham's Instagram, and flopping against a woman's Chanel bag while wearing its own Tic Tac–size Chanel bag. The creature in question is Labubu—a soft-bellied plushie that the Chinese company Pop Mart began distributing in 2019, and that has, in the past year, gained hordes of admirers. In 2024, Pop Mart reported a more than 700 percent increase in the stuffie's sales. People have been doling out anywhere from about $30 to $150,000 a toy. At Brooklyn raves, adults hop around under neon lights with Labubus clipped to their belt loops. The devotion, at times, has turned almost ferocious; Pop Mart decided to suspend in-person sales of Labubu in the United Kingdom after reports of chaos at stores. Commentators have offered all sorts of theories as to why Labubu has become a sensation. One factor might be scarcity: Each new Labubu release on Pop Mart's online store tends to sell out in minutes. Another might be surprise: The plushie arrives in a blind box. (It could be pink or gray; wear overalls or hold a Coke.) Some people have suggested that the Labubu hype is a product of a trickle-down celebrity effect, or that the toy has become a gay icon. But the way I see it, the cult of Labubu is simply an extension of the phenomenon known as ' kidulthood,' in which the boundary between childhood and adulthood keeps growing fuzzier and fuzzier. In the past few years, more American adults have been buying stuffed animals—some, researchers have told me, in an effort to reject staid versions of adulthood and inject more play into grown-up life. These adults have usually kept their plushies at home, relegating them to bookshelves and beds. Labubus, though, are 'public displays of cuteness,' Erica Kanesaka, an Emory University professor and cute-studies scholar, told me in an email. Devotees carry Labubu into subway cars, office cubicles, and dental schools. They clock into shifts at KFC with the toy literally attached to their hip, and take it along for their workdays as football players or airline pilots. Adults in other countries—Japan, perhaps most notably—have long worn objects featuring cute characters, such as Hello Kitty, out and about, hooked to bags and key chains. In the 1990s, it wasn't uncommon to see white-collar Japanese salarymen with Hello Kitty accessories dangling from their phones. The trend, Simon May, a philosopher and the author of The Power of Cute, told me, might have been born of a postwar rejection of overt aggression: After World War II, cute aesthetics were one way that Japan revamped its public-facing image. The country, May said, changed its self-presentation '180 degrees from militarism to pacifism.' But in the United States, loving cute objects has historically been written off as escapism at best and a worrying swing toward infancy at worst. Adults who embraced childlike things were 'seen to be irresponsibly regressive, morally immature, and refusing to play their full part in society,' May said in an email after we spoke. As recently as 2020, in an article about plushies, one writer self-consciously described her stuffed hound as her 'deep dark secret.' Yet, as I've previously reported, this defensiveness about loving cute objects has been gradually dissipating, part of a century-long evolution in which childhood has come to be seen as a protected life stage. Nowadays, May said, 'to be childlike also has an increasingly positive connotation in terms of openness to ideas and freedom from dogmatism.' At the same time, attitudes about what it means to be an adult are shifting. Many have assumed that children are supposed to 'grow out of vulnerability' when they become adults, Sandra Chang-Kredl, a professor at Concordia University, in Montreal, who has studied adults' attachments to stuffed animals, told me. But more and more, people are pushing back on that idea. Years ago, 'it would have been hard to admit that, let's say, Oh, I have anxiety,' Chang-Kredl said. 'Today, there's no shame involved in it.' Pop Mart has capitalized on this transformation, marketing Labubus—and its other collectibles—specifically to young adults. The company's social-media posts seem to be aimed at Monday-hating, coffee-drinking workers who might log in to Zoom meetings from disastrously messy rooms or prefer to be outside, playing with buddies (or toys), rather than reporting to an office. Evidence suggests that this approach has been successful; one analysis of Pop Mart's web traffic found that 39 percent of visitors to the online store in April ranged in age from 25 to 34. Shame dies hard, though, which might be another reason Labubu has gained traction. Within the realm of cute things, a demonic-looking stuffie is more 'ugly-cute'—adorable, monstrous, deliberately weird. (Ugly-cuteness is also by no means a new phenomenon; think of the pygmy-hippo sensation Moo Deng, toys such as UglyDolls and Cabbage Patch Kids, or the eternal appeal of the pug.) People 'feel that they themselves are a little bit edgy,' Joshua Dale, a cute-studies professor at Chuo University, in Tokyo, told me, 'for liking something that some people don't like.' As with any popular trend, Labubu does have its haters—or at least some tongue-in-cheek provocateurs. People have suggested (semi-jokingly) that the toy is possessed, possibly by a demon called Pazuzu. The singer Katy Perry, at a recent concert in Australia, used her mic to smack a Labubu out of a fan's hand. 'No Labubus!' she commanded sternly. Still, Labubu's creepy-cute duality does feel very of this moment, in line with a certain strain of the culture that seeks to undercut anything that feels too buttoned-up. Consider the popularity of 'brat'—an irony-tinged aesthetic that embraces the messy and ugly-cute over the prepped and polished. Last year, my colleague Spencer Kornhaber described the 'brat' mood as 'a little immature, a little selfish, a little nasty.' He also noted that the singer Charli XCX, whose songs affirm that the party-girl life has no age limit, and pop artists such as Sabrina Carpenter and Chappell Roan seem to be making music offering 'the assurance that growing up, in the conventional sense, is just optional.' Wearing Labubu, especially on a designer purse or a backpack meant for grown-ups, is a choice that speaks in a similar register. It signals a 'playful attitude to life,' May told me, 'a winking at the world.' Monday will come around again, with its dreaded wake-up alarms and emails. But according to the logic of kidulthood, you might feel a tiny bit better if you bring a devilish tchotchke to that 9 a.m. meeting.
Yahoo
5 days ago
- Yahoo
New 'Old Skool' Vans shoes sell out, listed for hundreds on resale market
Squeaky clean sneakers may just be a thing of the past. Sold out in less than 24 hours, Vans' new sneaker features a pre-worn style with muddled coloring, tweed fringe detailing, and laces and soles that appear dirty – though they are brand new. The Premium Old Skool Shoe in Souvenir Warm Brown went live on the Vans website late July 30 and by the next day, the sneakers were already sold out. The Vans website, as of July 31, states that 118 people had purchased the sneakers. Originally $125, the limited-edition sneakers are now available for between $500 to $1,600 on eBay. Here's what we know about the Premium Old Skool Shoe and what Vans fans think about them. 'Y'all getting these???': Nike is releasing dirty Air Force 1s, social media is perplexed Vans Warped Tour: First few bands for 2025 comeback following hiatus What do the Old Skool 36 'Souvenir' Vans look like? The canvas of the low-top skate sneakers appears spraypainted with brown leather overlays. The sneakers feature multicolored tweed strip detailing and Vans-themed pins on the sides for "bag-like embellishment." The laces are a dark, off-white and the white soles appear dirty, though they are brand new. The sneakers appear to be inspired by Chanel's On the Pavement messenger bag, a part of the designer's Graffiti Collection, first introduced in 2014. The messenger bag, which is only available for high-dollar resale prices online, features the same spraypainted, muddled brown coloring, multicolored tweed detailing, vintage-style pins and overall distressed apperance. A version of the messenger bag is available on the Sotheby's website for $15,150. Vans brushed off comparisons in a statement to USA TODAY, saying the shoes were rooted in its creative branding. What are people saying? On Instagram, some of the comments on a vague Vans Instagram post promoting the sneaker's launch July 30, criticized the shoe's design. "I want 'em and get the reference. Very good creative direction, but take one step back and they do lowkey look like barf," one Instagram user commented on the Vans' post. Other creators and social media users are upset that the shoes were sold in such a limited run, with the sneakers going live on the Vans' website, and available in some retail stores, ahead of the date and time Vans promoted on social media – 9 a.m. ET on July 31. Back to school: Top shoe deals from Hoka, Rothy's, Nike and more Vans in its statement told USA TODAY that the official launch of the sneaker was July 31. The pre-worn trend Vans is certainly not the first brand to tap into the pre-worn style. Actually, Golden Goose is known for the trend, releasing its popular line of distressed sneakers in 2007, which continue to dominate the "pre-worn" market. Golden Goose's top-selling Super-Star sneaker, which sports a "dirty, scuffed" sole, is nearly $600. In 2021, New Balance released its "Protection Pack," a line of sneakers that appear to have torn fabric. Last year, Puma released a collaborative sneaker with A$AP Rocky called "Inhale Distressed." The $130 sneakers, now sold out, came in a grungy box and appeared covered in grease. And earlier this year, Nike released its Air Force 1 Low in "Dirty Triple White." The $130 sneakers appear dirty, creased and scuffed despite being brand new. Greta Cross is a national trending reporter at USA TODAY. Story idea? Email her at gcross@ This article originally appeared on USA TODAY: Distressed Vans 'Old Skool' sneaker sells out before official launch
