
At Dubai exhibition, Pakistan's envoy says art can shape global perception of his country
ISLAMABAD: Pakistan's Ambassador to the United Arab Emirates Faisal Niaz Tirmizi, said on Sunday art could serve as a powerful tool of soft power for his country, helping project its positive image on the world stage, as he visited an exhibition by a leading Pakistani artist in Dubai on its concluding day.
Titled 'Vanishing Points,' the event ran from April 13 to 20 as part of Alserkal Art Week and was held at Concrete, a prominent contemporary art space at Dubai's Alserkal Avenue.
Curated by Nada Raza, Director of the Alserkal Arts Foundation, the show featured Imran Qureshi's latest body of work, spanning photography, video, painting and a site-specific installation, offering a vivid meditation on urban life and the visual chaos of South Asian cityscapes.
Known for pioneering a contemporary revival of Indo-Persian miniature painting, Qureshi's practice blends traditional techniques with modern perspectives.
'Imran Qureshi's art vividly transforms Pakistan's day-to-day life into breathtaking visual narratives,' Tirmizi said after touring the exhibition.
'Through his lens, the bustling streets, Sufi shrines and architectural heritage come alive, arising a deep sense of connection,' he continued. 'His depiction of a Sufi tomb with Qawwali resonating in the background is particularly mesmerizing and emotionally powerful.'
The ambassador emphasized the importance of art as a form of diplomacy, saying it could promote cross-cultural understanding and enhance Pakistan's global standing.
He also pledged support for future cultural collaborations in the UAE, particularly with platforms like Alserkal Avenue that promote diverse artistic voices.
A recipient of Pakistan's Sitara-i-Imtiaz, one of the country's highest civilian honors, and France's Chevalier de l'Ordre des Arts et des Lettres, a prestigious distinction recognizing significant contributions to the arts and literature, Qureshi is among the internationally celebrated artists.
His works are housed in prominent collections, including The Metropolitan Museum of Art, the Victoria and Albert Museum and the Guggenheim Abu Dhabi.
Qureshi's works are also featured in Art Dubai, another major international art fair running in the city.
This year's Art Dubai edition includes work by 10 Pakistani artists, reflecting the country's growing presence on the global contemporary art scene.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Arab News
3 days ago
- Arab News
Saudi artist Abdullah Al-Othman discusses work exploring linguistic architectural landscapes
DUBAI: In the Bawwaba section of the most recent edition of Art Dubai, Saudi artist Abdullah Al-Othman's installation 'Manifesto: Language & the City II' presented photographs and numerous illuminated signs and symbols in Arabic against two black walls, reflecting the urban signage one may find in Riyadh. For the latest updates, follow us on Instagram @ The installation was an evolution of a series that includes 2021's 'Manifesto: the Language and the City,' a multimedia installation exploring the linguistic and architectural landscape of Riyadh for the inaugural Diriyah Contemporary Art Biennale, which went on to be included in the Lyon Biennale in 2022, and 'Fantasy Land,' which Al-Othman created for the Sharjah Islamic Arts Festival in 2021 — a neon wall installation exploring themes of human experience and the shifts between reality and illusion. 'Language & the City II' pulsed with light and color and the expressive characters of the Arabic language made the viewer feel as if they were indeed on a bustling street in the Saudi capital. 'Language is akin to history — it's very deep,' Al-Othman tells Arab News. 'Through my research I realized how language is like a brand for a culture — it references history and people. I study the language that we find in cities. The documentation of language affects the architectural style in an urban environment and the relationship between people and their environment.' 'Language & the City II' was made from a variety of materials, predominantly neon signage, lightboxes and wooden advertising signs that were once hung in the streets of Riyadh. Al-Othman's installation brought them together to create a portrait of the city through its typographic, visual and architectural styles. Riyadh's identity, explains Al-Othman, is revealed through the language, style and vibrant colors of these lit symbols, offering a collective memory of a city in the throes of change. As an artist and a poet, language has always played an important role in Al-Othman's life. While he began as a writer, he arrived at a point where he could no longer fully express himself with words and turned to art, creating works that incorporate sound, found objects, sculpture, film and performance. In 2017's 'Suspended Al-Balad,' for the 21,39, contemporary art festival, Al-Othman wrapped an entire building in Jeddah's historic Al-Balad district, originally used as a shelter for widows and divorced women, with tin foil. Al Othman's intuitive approach to art creation leads him to organically move between and incorporate different mediums. Light is a significant element in his work, whether bouncing off tin foil or shining in neon to reflect the everyday urban environment of Riyadh. 'I want to create journeys for people to discover the importance of language,' says Al-Othman. 'Language is a deeply important part of being human.' Today Al-Othman continues to expand his research and art creation. He has recently published a book on his research supported by The King Abdulaziz Center for World Culture (Ithra) and the Saudi Cultural Development Fund. Presently he is creating sculptures out of various Arabic words from made from different materials for his latest project, 'Engineering the Incomplete.' 'In my artistic practice, I engage with language as an open field for analysis and reconstruction,' he writes in his statement for the new project. 'I begin from moments of absence — from missing letters and fractured words — treating them as signals of the fragility inherent in the symbolic systems we rely on to make sense of the world. 'Failure to achieve perfection becomes an essential part of creation, not a flaw to be corrected,' he continues. 'Incompleteness is not simply a void, but an active component that generates new, open-ended meanings. Each missing letter, each visual gap, forms an alternative path of reading and invites the viewer to reshape their relationship with language and the urban environment.' 'Engineering the Incomplete' uses the structure of the letter as an entity capable of both disintegration and destruction and therefore the resulting text as something that is unstable and constantly changing. 'My practice transforms language from a tool of communication into a material and temporal organism caught in the tension between structure and collapse,' Al-Othman adds. 'Through material techniques that draw from urban elements and the reconfiguration of textual spaces, my work seeks to highlight the continuous tension between the desire for expression and the inherent limits of linguistic possibilities.' Al-Othman says that 'Engineering the Incomplete' is not an attempt to restore what is lost, but an invitation to read absence, or lacking, as another form of presence and a new beginning. Incompleteness, he emphasizes, offers 'a way to produce new meaning and vision.'


Arab News
01-05-2025
- Arab News
Pakistani actor Fawad Khan's Bollywood comeback film to release on May 9
ISLAMABAD: Pakistani actor Fawad Khan will mark his Bollywood comeback with the upcoming film 'Abir Gulaal' on May 9, as per a teaser of the flick released this week. The movie features Indian actress Vaani Kapoor in the lead role alongside Khan. Abir Gulaal has been directed by filmmaker Aarti S. Bagdi and produced by 'Indian Stories' and 'A Richer Lens' in association with Aarjay Pictures. Producers of the flick include Vivek B. Agrawal, who has been involved with stellar Indian hits such as 'Queen,' 'Udta Punjab,' 'Sacred Games,' and Avantika Hari and Rakesh Sippy. 'The wait is over!' Kapoor wrote in an Instagram post alongside the teaser on April 1. 'Bringing love back to the big screen with Abir Gulaal and Fawad Khan. See you in cinemas on 9th May!' (please embed Vaani Kapoor Instagram post here) The teaser of the movie features Khan sitting behind the steering wheel of a car, crooning an iconic Bollywood song with Kapoor in the passenger seat beside him while it rains outside. 'This heartwarming tale unfolds in the picturesque streets of London, weaving a love story filled with unexpected turns, tender moments, and pure magic,' the film's synopsis states. 'Audiences can expect a delightful blend of laughter, tender moments, and the undeniable chemistry between Fawad Khan and Vaani Kapoor.' Khan enjoys heartthrob status in both Pakistan and India. He has played the lead in Bollywood hits 'Khoobsurat' (2014) and 'Kapoor & Sons' (2016). He also starred in 'Ms. Marvel' (2022) and 'The Legend of Maula Jatt' (2022), Pakistan's biggest hit of all time. Khan's impressive run in Bollywood came to a halt due to an unofficial ban on Pakistani artists by Indian producers in 2016 as tensions between both neighboring countries escalated. Pakistan has also banned the screening of Indian movies after ties with New Delhi reached a new low in 2019 over the disputed Kashmir region. However, in 2023, the Bombay High Court dismissed a petition seeking to officially ban Pakistani artists from working in India. 'Arts, music, sports, culture, dance, and so on are the activities which rise above nationalities, cultures, and nations and truly bring about peace, tranquility, unity, and harmony in nation and between nations,' the court had said in its ruling. The movie, however, has already earned the ire of India's conservative politician Raj Thackeray. A few hours after the teaser released, Thackeray's Maharashtra Navnirman Sena (MNS) party opposed the film's release in Maharashtra. 'We only learned about this film's release today when the makers announced it,' MNS spokesperson Ameya Khopkar told Dainik Bhaskar, a Hindi-language newspaper, on Tuesday. 'But we are making it clear that we will not allow this film to release in Maharashtra because it features a Pakistani actor. Under no circumstances will we permit such films to be released in the state,' he added. Previously, the Indian release of Khan's Maula Jatt film was paused after a right-wing fringe group objected to it.


Arab News
27-04-2025
- Arab News
No handshake at muted India-Pakistan border ceremony
ATTARI: With swaggering soldiers giving high kicks set to booming patriotic music cheered on by crowds, it was the usual daily border ceremony between nuclear-armed arch-rivals India and Pakistan. But there was one key thing at the show that was missing — the usual symbol of cooperation, a handshake between the opposing soldiers, did not take place. Relations have plummeted after New Delhi accused Islamabad of backing an attack targeting tourists on April 22 — the deadliest attack on civilians in Indian-administered Kashmir for years. Islamabad rejects the claims, and the countries have since exchanged gunfire, diplomatic barbs, expelled citizens — and ordered the border to be shut. The iron gates that separate the two sides remain locked. 'It just fills you with passion and patriotic pride,' said Simarjeet Singh, 17, from the nearby Indian city of Amritsar, his face painted with the national tricolor flag. Many fear the risk of a military escalation in the coming days. For years, the Attari-Wagah border in Punjab has been a hugely popular tourist attraction. Visitors from both sides come to cheer on soldiers goose-stepping in a chest-puffing theatrical show of pageantry. Numbers were muted at the sunset show on Saturday, but thousands of Indians still came to show their loyalty to their nation. 'There were people from all over who looked and dressed different but were cheering and screaming at the same time — for our country and the soldiers,' Singh said, who came with his friends from college. Cheering crowds still filled the stadium-like space around the gates with noise, at least on the Indian side, where on Saturday some 5,000 people — about a fifth of full capacity — watched. There was only a small fraction of the support on the Pakistani side. Enthusiastic spectators sang in chorus, waving flags and chanting 'India Zindabad,' or 'Long live India.' The frontier was a colonial creation at the violent end of British rule in 1947 which sliced the sub-continent into Hindu-majority India and Muslim-majority Pakistan. The daily border ritual has largely endured over the decades, surviving innumerable diplomatic flare-ups and military skirmishes. Reena Devi, 54, and PK Nath, 70, tourists from Tezpur in India's northeastern state of Assam, are part of a tour of the country. 'We are just so excited to be here,' Devi said. 'We just wanted to see this ceremony and experience being at the border with Pakistan.' Nath said she and her group planned to visit a Hindu site in Jammu and Kashmir. 'Some of us are now a little apprehensive about the security there,' she said. Nath said he 'totally supported' New Delhi's decision to expel Pakistani citizens and to shut down the border. 'You can't send people to kill here and still not expect any response,' Nath said. 'We don't know what will happen next but we are sure that the government would do the right thing,' he added. As the energetic masters of the ceremony goaded the crowd, the Indian soldiers in red-fanned hats stomped up to the locked gate, kicking their legs up — with Pakistanis doing the same on the other side. Aside from the ceremony, Indian and Pakistani citizens have been crossing the border since both sides canceled visas before India's April 29 deadline to leave — tearing apart families with relations in both nations. 'There is obvious anxiety right now,' said Harpal Singh, an Amritsar-based taxi driver who regularly brings visitors to the ceremony, insisting the spectacle was still worth coming to see. 'There was no one who didn't come back impressed and excited,' he said. KT Ramesh, 57, from Kozhikode in the southern state of Kerala, said that even the scaled-down ceremony 'was worth it.' 'There was no shortage of passion among our people,' Ramesh said. He said that he'd 'seen anger' about the attack in Kashmir 'in whoever I spoke with, from our hotel staff to the taxi driver and other tourists here.' 'Everyone was talking about it,' he said. 'We don't like a war but this time we must teach them a lesson.'