‘Faust' Review: Heartbeat Opera Deals With Gounod's Devil
New York
Heartbeat Opera's radical adaptations of classic titles can soar or fall flat, but one constant has always been music director Dan Schlosberg, whose ingenious maverick arrangements—such as February's 'Salome' for eight clarinetists and two percussionists—never fail to stimulate. Until now.
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Why Caitlin Clark Refused to Sign Fan's Shirt on Saturday
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Preserving the Past and Powering the Future of Canadian Animation: Inside the NFB and Telefilm's Industry-Leading Support Strategies
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