
Standard Bank Joy of Jazz artist line-up unveiling aligns with International Jazz Day
Themed 'I Heart Jazz,' the main affair taking place over three days from 26 to 28 September will be ushered in by an array of build-up events all year round.
From neo and Afro-soul genres to house to amapiano and beyond, festival producer Mantwa Chinoamadi described jazz as the mother of other music forms as artists across multiple genres borrowed from it to create timeless pieces.
She told City Press that while the festival can sell itself, the artists were the real commodity behind it, describing it as a privilege that this country was able to export world-class creativity.
Supplied Joy of Jazz
Chinoamadi asserted that making the artist line-up being unveiled on Jazz Day Eve was to make a statement about South Africa's position in the creation of African jazz.
She reiterated that jazz was far from dying in South Africa as young people were actively threading it into their musical explorations as both fans and creators.
She added:
We were made to believe that jazz was for old people, but the musicians themselves are changing the narrative. But in fact, it is a cross-generational genre that 26-year-old, a 16-year-old can identify with and because it's also a global phenomenon, this was the perfect time of year to make the announcement.
Chinoamadi beamed at how the likes of Nduduzo Makhathini, Benjamin Jephta and others proudly spoke of JoJ on the global stages that they graced, prompting music makers from those parts of the world to reach out to her to express interest in participating.
She explained:
We have cultural exchanges with the Amersfoort Jazz Festival, the Sicily Jazz Festival, the Montreal Jazz festival and many others. As a producer, I sit in so many consortiums and committees where everyone sells their country and how jazz is defined over there.
We are in a very good space as a brand that our own are able to go and spread the word about us, she continued.
Jazz being taught at a tertiary education level in this country was something Chinoamadi said had been instrumental in propelling the music to even higher notes.
Many younger musicians and fans have introduced her to music from Brazil and other parts of the world, which she said made her believe that the development of the genre in this country needed young ears.
Supplied Joy of Jazz
Supplied Joy of Jazz
The 60 artists gracing the Dinaledi, Conga, Diphala, and Mbira stages this year include:
The Baylor Project
Jazzmeia Horn
Phinda Matlala
Siya Charles
Kyle Shepherd Trio
Ayanda Sikade
@JoyOfJazz unveils this year's artist line up in Sandton and announces festival's extension from 2 to 3 days. Over 60 artists from 3 continents converge across 4 JHB stages this September. @City_Press @StandardBankArt pic.twitter.com/ld2L13pHkW
— Women Love Each Other (@mbathambali493) April 29, 2025
Steve Bedi
Ababhemu Quartet
L'Wei Netshivhale
Esperanza Spalding
Mandla Mlangeni
Cameron Ward
Andile Yenana
The Muses
Amanda Black
Muneyi
Berita
Elaine
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Los Angeles Times
20 hours ago
- Los Angeles Times
Trump-era cuts to public art create a ‘state of emergency' for L.A. dance community
Linda Yudin was sipping coffee with family and friends on May 3, the morning of her birthday, when they warned her not to check her emails. Later that afternoon, she learned why: Her dance company, Viver Brasil, had lost a $20,000 grant. It was among 30 Los Angeles arts organizations that received a grant termination letter from the National Endowment for the Arts the night before. 'Was I mad? Yes, I was mad. I was really angry. We were all really angry because it slows our process down,' Yudin, Viver Brasil's founding artistic director, told The Times. The money was intended to support staff salaries and artist fees for a national tour of 'Rezas e Folhas (Prayers and Leaves),' choreographed by co-artistic director Vera Passos. The piece blends Afro-Brazilian and Indigenous dance with experimental choreography to examine the climate crisis and social change — subjects playing out in real time in L.A. Now, Viver Brasil has to pause and reevaluate what that tour will look like. 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While Launch: LA is partially funded by private foundations and individual donors, receiving the full amount from the NEA would make it possible to offer the program biannually, supporting four projects each year. But until L.A. Dance Project hears back, the company is focused on safeguarding its current annual offering. 'To get this kind of news and see our colleagues experiencing this sort of rug being pulled out from underneath them, it's difficult,' said Rachelle Rafailedes Mucha, director of foundation and government grants. 'We just are now trying to share the case for arts funding, and we need the private foundations and the individuals and our local and state agencies to step up and fill the void of what's happening with the NEA.' Keeping employees on the payroll presents another challenge for small dance organizations — especially after AB5, which makes it more difficult for companies to classify their workers as independent contractors, went into effect in 2020. This means many arts groups have had to reclassify workers as employees, leading to increased expenses to cover payroll taxes, overtime pay, paid sick leave and more. The Performing Arts Equitable Payroll Fund was implemented in March to help performing arts companies comply with AB5 by reimbursing a portion of their payroll costs. The $11.5 million allocated for PAEPF was put on the chopping block in Gov. Gavin Newsom's May proposal but was ultimately restored in the final budget. Still, it can be difficult to secure funding through the PAEPF due to high demand and the first-come, first-served nature of the program. Hargraves is currently on hiatus from Dance Camera West until the fall in order to reduce administrative costs. '[The PAEPF] would make it feasible for me to be on salary again,' Hargraves said. 'Obviously I keep working because I'm not going to let [Dance Camera West] die in the meantime. But I still have a day job or two or three.' 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I think we all recognize that it is not enough, but it is an important recognition, and we appreciate that very much.' The City of Los Angeles Department of Cultural Affairs also faced steep cuts in Mayor Karen Bass' proposed budget, but the funding was ultimately restored in the final version. The DCA was the only department whose funding wasn't cut, according to Arts for LA. Funding cuts to the arts affect more than just the arts, said Herrera. A study commissioned by Arts for LA found that for every 100 performing arts jobs, there were an additional 156 jobs supported in other sectors. 'It activates entire neighborhoods and communities,' Herrera said. 'We really feel that elected officials need to do more to come to the table and support this sector, because at the end of the day, it impacts the bottom lines of cities, regions, states, countries.' In Orange County, Anaheim Ballet did not receive its $10,000 NEA grant to support Step-Up!, an afterschool program that provides free dance classes to youth. The money would have come through the Challenge America grant — canceled by the NEA for the 2026 fiscal year — which supports arts programs for underserved groups and communities. Anaheim Ballet will continue to offer classes to underserved youth, but it now relies on private donations, other grants and funds shifted from other operations. 'We just want to make sure they're able to dance if they want to. There are kids, young people, that do want to, and it's prohibitive for many families that are struggling just to make ends meet,' said executive director Lawrence Rosenberg. 'From day one, from our inception, we saw the need. It's always been a part of what we do. Our go-to slogan is 'Anaheim Ballet: more than dance.' 'The point is we think that people respond to something in ballet when it's more than dance — when you're seeing persistence and hope and effort and things that we can all relate to, whether it's dance or any other area of our lives that we know is worth struggling in.'


Boston Globe
3 days ago
- Boston Globe
Free summer events: Capoeira class, ‘Cowboy Carter' contest, and more
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Boston Globe
5 days ago
- Boston Globe
Sekou McMiller's ‘Urban Love Suite' celebrates social dance with Jacob's Pillow world premiere
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