Elevate your kitchen with timeless dinnerware from Denby - each with a 10-year guarantee
When it comes to setting the table in your home, you want to have pieces that feel cozy but can also get the job done time and time again. Whether you live alone or are feeding a family of five, having the right tools really does make all the difference.
Denby Pottery
Upgrade your kitchen with pieces from the best!
Denby Pottery has been offering shoppers handcrafted pieces for decades at accessible prices. From plates to bowls and all the in-between — you can make mealtime meaningful again with their one of a kind ceramics.
When you shop today you can enjoy some of the lowest prices of the year with up to forty percent off.
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That's why Denby Pottery has become such a pivotal destination for dinnerware. The English brand has been making handcrafted ceramics for nearly 200 years with a focus on sustainability, craftsmanship, and timelessness. Their pieces range from bowls to mugs and everything in between, with one-of-a-kind pieces being sent out daily.
Right now, you can restock your cabinets on sets of all sizes!
Imperial Blue 4 pc Set
A gorgeous handcrafted ceramic dinnerware set made from locally sourced clay in England? Sounds too good to be true!
The Imperial Blue set is a stunning and vibrant kitchen addition. Though it only comes with four pieces, you can easily add on more orders to fit your family size.
The glassy blue finish is bold but timeless, and the best part is that everything is machine washable!
$116.20 (was $166) Shop
Studio Grey 16 Pc Set
You can score this massive top-rated dinnerware set for twenty-five percent off right now!
This neutral grey set comes with a whopping 16 pieces, from mugs to dinner plates. All the pieces are handcrafted in England and are glazed with a chip-proof finish.
If your kitchen takes on a minimalistic energy, this matte style set is a great addition that will make mealtime feel chic.
$408 (was $544) Shop
Heritage Pavilion Coupe 12 Pc Set
This gorgeous 12-piece set is by far our Denby favorite!
The soft blues make the perfect subtle pop of color in any kitchen with plates and bowls galore. Made from quality clay, these ceramic dinnerware pieces are a take on a retro country aesthetic.
$240 (was $400) Shop
White By Denby 4 pc Set
If you want quality dinnerware without breaking the bank then this Denby all white set is for you.
This four piece buy comes with everything needed for one person including a mug, dinner plate, bowl, and salad plate. Plus, right now the set is a huge forty percent off!
For anyone who lives alone this set is perfect but we also think couples could suffice with purchasing two sets (for just $123!).
$61.80 (was $103) Shop
Heritage Orchard Set of 4 Accent Medium Plates
We are obsessed with these dainty printed plates from Denby.
The Heritage Orchard dinnerware invites the outside in with beautiful spring colors and delicate designs. The chip resistant ceramic makes them durable even in their handcrafted state.
These medium sized plates are the perfect size for appetizers, desserts, or salads!
$140 (was $84) Shop
Heritage Piazza Medium Pet Bowl
These chic pet bowls will have your pup saying 'WOOF!'
Made from quality pet-safe ceramic, these bowls are as functional as they are aesthetic. Explore multiple color variations and take your pets dinner time to the next level.
$27 (was $45) Shop
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Glasgow Times
a day ago
- Glasgow Times
13 photos which tell story of Glasgow school and its famous ex-pupils
Famous ex-pupils of Whitehill Secondary in Dennistoun include leading lights of stage and screen, medicine, science and sport. The school opened in 1891 on Whitehill Street, replacing a building which had once housed the private school Dennistoun Academy, later renamed Whitehill Public School for Girls. Whitehill Secondary in the 1970s (Image: Glasgow City Archives) The first headmaster was James Henderson. In 1902, Whitehill became a Higher Grade school and in 1967 it became a comprehensive. In 1977, the school moved to its present site on Onslow Drive and the original building was demolished. (Image: Newsquest) In 2009, YDance officially launched its Free To Dance Project at Whitehill Secondary in a bid to encourage girls to get involved in dancing as an alternative to PE and other sports. A group of teenage pupils involved in the project treated fellow students to a performance. (Image: Newsquest) In June 1971, the principal prizewinners accepted their accolades – left to right, Brian Williams, 16; George Smith, 16; Fiona McIvor, 18; Ian Raitt, 17; Robert Livingston, 16; Robert Walker, 16; and Bashir Mohammed, 18. (Image: Iain Munro) Times Past reader Iain Munro shared photos of the old Whitehill Senior Secondary school magazine recently. Iain went to Whitehill from 1959 until 1963. READ NEXT: 'At the time, I lived in Riddrie with my parents, in close proximity to Barlinnie jail where my dad worked as a prison officer, and I travelled to and from Dennistoun by public transport, usually the 106 trolleybus,' says Iain, who now lives in the Wirral on Merseyside. 'The magazines are a fascinating reminder of my time at Whitehill.' (Image: Newsquest) Glasgow's first female Lord Provost Jean Roberts, pictured here with Princess Margaret, was a pupil at Whitehill. Trailblazer Jean was also the first woman to become convener of the electricity committee, first to be deputy chairman of the corporation, first to be city treasurer, and the first to be leader of the Labour group. After school, she initially trained as a teacher, and worked at Bishop Street Elementary School. (Image: Newsquest) Senior pupils in 2011 arrive by stretch limo for the Whitehill school prom. It was the early days of US-style high school proms becoming more popular in the city. (Image: Newsquest) Marie McDonald McLaughlin Lawrie, who was born in Dennistoun in 1948, was always getting into trouble for singing during lessons at Whitehill Secondary. It paid off, however, as Marie became global singing superstar Lulu, with a string of hits to her name. (Image: Newsquest) In the 1950s, girls and boys still studied different subjects at high school. This domestic science class in 1952 was just for the girls, while the boys studied technical courses such as woodwork. (Image: Newsquest) Artist and author Alasdair Gray was a pupil at Whitehill Secondary, where he received prizes for art and English. He attended Glasgow School of Art from 1952 to 1957 and went on to make his living from writing, painting and teaching. (Image: Newsquest) Rangers and Aberdeen footballer Jim Forrest, who died in 2023 aged 79, was born in Townhead and educated at Rosemount Primary School in Royston and Whitehill Secondary School in Onslow Drive, Dennistoun. (Image: Newsquest) Ronald Cresswell, who died in 2021 aged 86, was a Scottish scientist who was at the forefront of the development of several groundbreaking drugs, including AZT, which is used to prevent and treat HIV. His initial interest was history but it was one of his teachers at Whitehill Secondary who got him interested in chemistry. Ronald also developed the statin, Lipitor, which helps reduce cholesterol. It was once the best selling drug in the world. (Image: Newsquest) Barry St John, who died in 2020 at the age of 76, was a famous backing singer for the likes of John Lennon, Pink Floyd and Elton John in the 1970s. She was born Eliza Janet Thomson in the Gallowgate and went to Whitehill Secondary School in Dennistoun. She is pictured here with American DJ Emperor Rosko in November 1968, the year he signed her. (Image: Newsquest) Dr June Almeida, pictured here at an electron microscope, was a pioneer of medicine, whose work led to the identification of the first human coronavirus. Some of the techniques used in the 2020 pandemic hark back to her work in the 1950s. She was born in 1930 and lived in a tenement near Alexandra Park. Her interest in biological science was sparked by the sad death from diphtheria of her six-year-old brother in 1940. June won the science prize at Whitehill Secondary School, but had to leave school in 1947, the family having no funds to send her to university. She went to work as a laboratory technician in Glasgow Royal Infirmary, which enabled her to study the microscopic examination of tissue samples at which she excelled.
The Herald Scotland
2 days ago
- The Herald Scotland
How would I tell students about Gaza? The same as every genocide
As many of you know, before becoming a journalist I spent more than ten happy and successful years teaching English. In Scotland, that means having near total freedom to build a curriculum for your students and, influenced by those who taught me, I have always believed in presenting challenging literature and new writers that students might not have encountered before. One such author was Chinua Achebe, who is best known for his seminal novel Things Fall Apart, which remains the most widely translated and studied novel to have come out of Africa. But Achebe wasn't just a novelist. During the Biafra war – a brutal and too-often forgotten conflict in which more than one million people were starved to death in a besieged and blockaded territory – he wrote poetry that was subsequently published as a collection entitled Beware, Soul Brother. Although many of his poems are extremely powerful, there is one that stands out more than others: Refugee Mother and Child. Read more Lessons to Learn: The text offers a vivid and brutal snapshot of the plight of the Biafran people, distilling their suffering into the experiences of a young mother caring for a starving child 'she soon will have to forget'. Amidst the horror of a refugee camp she holds a 'ghost smile between her teeth' as she tends to the 'rust-coloured hair left on his skull', an act carried out 'like putting flowers on a tiny grave'. It is, above all, a stunning representation of pure love, dedication and dignity in the face of unspeakable pain. When teaching this poem I would very often use a photo by Don McCullin to help students fully develop their understanding and responses. Taken in 1968, Starving Twenty Four Year Old Mother with Child, Biafra is one of the most harrowing images ever produced by one of the world's great photographers, and features a young, emaciated woman looking straight into the camera as her starving son tries to feed at her visibly empty breast. Like Refugee Mother and Child, that photo shines an unflinching light on the best and worst of humanity, showing us both extremes of which we are capable. And last week, we saw that again in the now infamous photo from Gaza. Once again, a mother holds her starving child with love and dignity; once again, she does so under the shadow of the deliberate starvation of desperate, innocent people; once again, this all happens as the world looks on. Read more: Horrifying images are clearly the tipping point for public outrage over Gaza The image of a Gazan mother holding her starving child shocked the world (Image: Anadolu via Getty Images) When I taught about Biafra, students would ask why it was allowed to happen, why the world watched as a deliberate campaign of starvation was waged against a civilian population, why innocent children were left to face the most horrific suffering. Similar questions came up when I taught about Rwanda, which I often did using former BBC journalist Fergal Keane's utterly astonishing reflective essay, Spiritual Damage. It is a text that always elicited powerful responses from students who, as with Biafra, often knew little or nothing about a genocide in which up to a million people were slaughtered, many of them hacked to death by their neighbours. Keane writes about the smell of death seeping into his clothes, his skin, and his soul. He confronts the racism that was (and still is) used to excuse 'a final solution of monstrous proportions' as being simply a manifestation of 'ancient tribal hatred' or, even worse, just something that Africans do. At one point, he explains that his belief in the ultimate triumph of good over evil was 'whittled away' in Rwanda, suggesting a slow and painful change that took place massacre by massacre, body by body, machete wound by machete wound. He also refers to the colonial roots of the violence, the role of German troops who 'tutored Rwandan peasants in the arts of massacre', and the fact that the Americans – who successfully demanded that UN troops were removed from Rwanda once the genocide had begun – had 'bickered over the funding of armoured vehicles' that might have saved lives. The wider implication was never lost: countries like ours didn't just let it happen, they were complicit. Often our discussions would lead us to talk about Christine Shelley, the US State Department official who admitted that 'acts of genocide had occurred', and then could not or would not answer when asked the obvious follow-up: 'How many acts of genocide does it take to make genocide?' Asked if she had been given 'specific guidance' not to use the word genocide 'in isolation', she offered a waffling, technocratic response that even today, more than twenty years on, remains sickening. Why wouldn't they use the term 'genocide' or even properly consider the possibility? According to a then-secret, and now declassified, memo from the US Dept of Defence, legal officials were worried that doing so would require the government 'to actually 'do something''. And that, too, is now happening again, as so-called world leaders refuse to call a genocide by its true name, and in doing so make themselves, and their countries, and all of us, even more complicit in the escalating horrors that are unfolding. One day I might go back to the classroom, and if I do I will still teach about historic injustices, but I will also end up teaching about Gaza. Perhaps I'll use the work of Refaat Alareer or Hiba Abu Nada, both killed by Israeli airstrikes back in 2023. And it will all happen again. I'll be asked why the world didn't stop it. I'll be asked why presidents and prime ministers justified the horror, and why they refused to use the word genocide. I'll be asked why we left children to be starved to death in their parents' arms. And the worst part is that the answers will be the same as well.
Powys County Times
2 days ago
- Powys County Times
18th century shipwreck among ‘best preserved' of its time, experts say
Latest diving surveys have revealed a 'remarkable' completeness of the wreckage of an 18th century English warship preserved on the seabed. Twenty metres deep underwater and nine miles off the Kent coast, the Northumberland shipwreck is said to potentially be one of the 'best preserved' wooden ships. The latest survey, organised by Historic England with MSDS divers, found wooden decks, lengths of rope, copper cauldrons, and wooden chests with some preserved cannon balls inside had survived 'particularly well'. The 320-year-old protected wreck site is at high risk of deterioration as shifting sands expose it to processes which may erode the well preserved wreckage, Historic England said. Its licensee Dan Pascoe, who monitors the site, said: 'The Northumberland has the potential to be one of the best-preserved wooden warships in the UK. 'However, at 20 metres underwater and nine miles offshore, it is out of sight and mind to most people.' The Northumberland was a third rate 70-gun warship built in Bristol in 1679 as part of Samuel Pepys's regeneration of the English Navy. It sank during the 'Great Storm' on November 26, 1703 off Kent along with three other warships, including The Mary – the location of which is still unknown. They were all part of Queen Anne's fleet, the last Stuart monarch, reigning from 1702 to 1714. A film made by streaming service History Hit airs on Thursday detailing the new survey and the initial construction of the Northumberland. Creator Dan Snow said: 'Northumberland is the missing link. Built roughly halfway between the Mary Rose and HMS Victory, this wreck can fill in crucial details of shipbuilding and life at sea at that pivotal moment in our history. 'We have the Mary Rose, the 'Tudor time capsule' – well here's a Stuart time capsule to sit alongside it.' Future work on the site may include taking wood samples or dendrochronological sampling to find out more about the ship's construction and confirm its identity. Paul Jeffery, marine leader at Historic England, said: 'The completeness of the Northumberland wreck site is remarkable. 'It is a race against time as more of the Northumberland wreck becomes exposed.'
