
Model with Down's syndrome 'beyond excited' to join Malory Towers
A woman who made history as the first model with Down's syndrome to feature on the front cover of Vogue said she was honoured to be making her acting debut.Ellie Goldstein, from Essex, plays Nancy in the new series of Malory Towers on CBBC.Doctors said the 23-year old would never be able to walk or talk when she was born."I am so honoured to have been a part of this fantastic series. I'm beyond excited to see my episodes and share them with everyone," she said.
Now in its sixth season, Malory Towers follows the adventures of a group of girls at a boarding school in post-war Britain."I was nervous to go on set but when I saw the school house, it wasn't a dream, it was really true and I loved filming every scene at Malory Towers in school house," she said."Down's syndrome means I've got an extra chromosome - lucky me. Diversity should be out there and people should not be hidden in boxes. They need to be seen."
Patricia Hidalgo, director Children and Education at the BBC said it had "long been a leader in championing diversity and representation, both on screen and behind the scenes". "When children see themselves and their peers represented, it fosters empathy, belonging and a deeper understanding of others," she said. The first episode featuring Ellie, which is episode eight in the series, is available on BBC iPlayer on 30 June and airs on CBBC on 1 July.
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The Guardian
18 minutes ago
- The Guardian
Everybody's talking about Jamie Lloyd: the explosive rise of superstar director masterminding Evita
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It worked well for his version of Sunset Boulevard partly because Nicole Scherzinger gave a dazzling performance and partly because the musical is about the narcissism of the film industry. As the cameras tracked every gesture of the actors, I was reminded of Billy Wilder's quip on seeing the original stage production: 'It'll make a good movie.' But similar techniques were used less happily in Lloyd's production of Romeo and Juliet. The idea that for their first encounter Tom Holland's Romeo should be alone on stage and Francesca Amewudah-Rivers's Juliet should be partying in the theatre foyer struck me as absurd. Lloyd's belief in amplified sound also had fatal consequences in his Drury Lane Tempest. Instead of the tonal variety of the human voice we got an homogenised sound in which, with the exception of Selina Cadell's Gonzalo, it was difficult to tell who was speaking. I thought back wistfully to the 1957 production of The Tempest at that theatre in which the unaided voices of John Gielgud, Alec Clunes and Robert Harris had a distinct and beautiful resonance. Lloyd is a man of undoubted talent, and technology has a place in modern theatre. But he is in danger of falling back on a formula and, without a strong producer behind him, succumbing to the modern cult of the director. Ideally, theatre is a coalition of all the talents in which writer, actor and director are all working to the fullest possible realisation of the work in question. I look forward to seeing how Evita plays at the London Palladium but we should remember that Everybody's Talking About Jamie is the title of a musical and not a recipe for theatrical success. Evita is at the Palladium, London, until 6 September


The Independent
22 minutes ago
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BreakingNews.ie
24 minutes ago
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