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Mea culpa: Showboating

Mea culpa: Showboating

Independent15-06-2025
Greta Thunberg's trip to Israel might have ended in an unorthodox (for her) flight home, but it started on a boat. She was inbound on an aid mission organised by the Freedom Flotilla Coalition, which few think was ever intended to complete its delivery.
The story wasn't straightforward and we added to the confusion by describing the vessel carrying Greta as a flotilla.
As Iain Boyd puts it, one boat doth not a flotilla make. The Freedom Flotilla Coalition started in 2010 as a group of ships aiming to break an Israeli naval blockade on Gaza. They've kept the name all these years, but they happened to send just one boat this time.
The activists shouldn't bear the blame for the confusion over their title. We could have named the group correctly and made it clear to readers that there was only one boat involved.
Drinking it in: The stylish poet and author Joelle Taylor made our Pride list this year, so we dedicated part of her paragraph to a flattering account of her appearance. Eventually.
At first, we said she wears sharp tweed suits and has perfectly quaffed hair. Quaffed, referring to having drunk something, usually alcoholic, makes no sense here. We meant coiffed, as we later amended it.
Nuclear error: An editorial confused Three Mile Island, site of a 1979 nuclear accident, with Six Mile Bottom, a hamlet near Cambridge.
Pile-on: We said 'Jason Isaacs has thrown his support onto Tom Felton' after the latter Harry Potter actor was criticised for his comments on JK Rowling's transphobic views.
One usually throws one's support behind someone, to back them up when they are faced with difficulty. However, throwing support onto someone sounds like it would only add to their burden.
Two for one: Regarding a development in the world of football, we said, 'the new Club World Cup will quickly become a bi-annual tournament.' How often will that be, then?
The Independent 's style guide advises against using bi-annual, along with bi-monthly and bi-weekly, due to confusion over the frequency they are intended to describe. It's advised that we instead write out what we mean except in the case of something happening every other year, where we can use biennial.
Thanks to Philip Nalpanis for pulling us up on this one. If I had to guess how often we make this mistake, I might say twice a week.
Oval and out: Philip also noticed a strange bit of wordplay in a picture caption on our story about Elon Musk conceding that he went too far when he, er, accused the president of being a paedophile. We ran a photo of Musk and Donald Trump's parting embrace in the Oval Office (astonishingly, taken barely a fortnight ago) with the caption: 'Just like starting oval.'
I've said before that the best puns bring together two related ideas in a play on a recognisable phrase. This pun does that, but it's still not very good. It's also been said before that we who write this column are guilty of the very things we criticise.
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A longtime BBC journalist, John Simpson, recently echoed this argument, writing on X: 'The world needs honest, unbiased eyewitness reporting to help people make up their minds about the major issues of our time. This has so far been impossible in Gaza.' That's hogwash, and it reinforces the worst colonial traditions of legacy media, which view western (often meaning white) journalists as the sole arbiters of truth. This debate reminds me of Evelyn Waugh's Scoop, in which the British novelist mercilessly skewered foreign correspondents and sensationalist journalism in the 1930s. Unfortunately, Waugh's satire still resonates today. One of the main problems with this conception of western journalists as the ultimate mediators of unbiased reporting is that it belittles the professionalism and courage of hundreds of Palestinian journalists, many of whom have given their lives covering Israel's assault on Gaza. The irony, of course, is that once foreign reporters are allowed into Gaza, most of them will rely heavily on Palestinian journalists, translators and other 'fixers' who often do the brunt of work for western correspondents. That's one secret of foreign coverage in much of the legacy western media: it's built on the unseen, and largely uncredited, work of local journalists and fixers. With no foreign reporters allowed into Gaza, Palestinian journalists like Anas al-Sharif have been able to tell their own people's story directly to the world. And Israel is methodically killing them for it, while many of their western colleagues and international journalistic institutions remain shamefully silent. Mohamad Bazzi is director of the Hagop Kevorkian Center for Near Eastern Studies and a journalism professor at New York University. He is the former Middle East bureau chief at Newsday

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