Cat Deeley just wore the perfect butter yellow mini dress for summer on This Morning - and we've found it on the high street
Cat Deeley has worn this summer's biggest colour trend and the outfit is available for fans to snap up online.
The TV presenter, 48, wore the pastel yellow fashion hit on Monday's instalment of This Morning which she hosted alongside co-star Ben Shephard, 50.
She donned River Island's Embellished Mini Dress which is priced at £75 and featured rhinestone details and a bow.
The sleek, sleeveless design has a round neckline and a tailored skirt, while the top adds layers and makes the piece seem more designer label than high street.
Cat styled the butter yellow mini dress with strappy, gold heels and wore her long blonde hair down over her shoulders.
The soft shade of yellow has taken centre stage at the Spring/Summer 2025 trends.
Since Cat wore the outfit, fans have been eagerly purchasing it from River Island and it is available in a range of sizes, as well in as black or white.
Butter yellow is a fresh and playful colour choice and lends itself to be styled in a variety of ways.
£75 Shop
Monday isn't the first time Cat lent into the yellow palette and on Thursday, May 15, the presenter wore a pastel linen blend blazer and trousers from Massimo Dutti.
She paired the smart co-ord with a Tokoni Camisole in an old rose shade.
While on May 12, Cat wore a slightly brighter shade of yellow in an I rregular Button Knit Dress from Zara.
The presenter wore the River Island piece during an interview with former prison officer Ryan Goodenough who opened up about how he was left in a coma for three weeks after being battered by a group of children - but made it clear that he doesn't blame them.
Linen blend blazer £169
Shop
IRREGULAR BUTTON KNIT DRESS
£29.99 Shop
Ryan who was just 21 at the time and was left with life-changing injuries, appeared on the IT V show on Monday alongside former inmate and journalist Raphael Rowe before to talk about their opinion on US-style superman prisons being brought into the UK.
The officer - who confessed that he has always wanted to work with children - had trained nine weeks before starting his job at the youth correctional facility in Milton Keynes, which was a secured training centre that focused on therapy and rehabilitation.
He was working 7am to 10pm when he got moved to a different unit during his shift.
He explained that the vibe felt 'heightened', and when he took them outside to the astro turf, one of the boys was trying to climb the fence.
Ryan explained that he tried to verbally bring him down, then guided him off the fence, when suddenly he had five boys 'laying into' him, but managed to keep on his feet.
Host Ben Shephard pointed out: 'They were children that attacked you physically and that attack led you going to hospital and then ending up in a coma.'
Ryan said: 'Yeah they still are children. So I still work with children. When I went to hospital, a coma wasn't on my mind.
'I thought I had concussion and I started to bleed out my nose and started to vomit blood.
'I got taken through just to be checked and I got put on my back, laid down, looked up, seen the bright lights, kind of like what I'm looking at now, I look left, look right and suddenly I just fell asleep.
'And I woke up three weeks later.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Herald Scotland
38 minutes ago
- The Herald Scotland
Here is the real reason River City is being axed by BBC bosses
The letter's subject was BBC Scotland cancelling River City, an act I had previously described as cultural vandalism. My correspondent had a cooler disposition and a better way with words. Summing up how the soap had been brought low in recent years, she wrote: 'Its viewing figures were adversely affected by stop/start production runs, erratic scheduling and a general lack of promotion.' Spot on. And then came this: 'I began watching River City out of loyalty to my city, but came to the view that it makes an important contribution to the culture of central Scotland.' BBC Scotland HQ at Pacific Quay Watching out of loyalty to my city. How wonderful, how generous, how Scottish is that? Of the thousands of words written and spoken about River City, all the BBC statements, the petition to save the show, the debate in the Scottish Parliament, not one sentence hits home as hard as that contribution. Watching out of loyalty to my city. There writes someone who 'gets' what River City means, and why it is not just another programme that can be binned by BBC Scotland because its face no longer fits. But what do you know, no one is listening. Not to my correspondent, not to those who have signed the petition, not to MSPs, or ministers. It seems the main arguments in favour of keeping River City - that it provides jobs and training for working-class Scots who might otherwise never get a start in TV, as well as being a pretty decent drama beloved by its audience - are not enough for BBC Scotland to change its mind. We know this because the executive who made the decision appeared before Holyrood's culture committee at the end of May and said so. Hayley Valentine, director of BBC Scotland, told MSPs that River City, with its 200,000 viewers in Scotland compared to Shetland's 700,000 'did not pass the value for money test'. But the money saved by axing River City would help to fund three new short-run dramas, she confirmed. Though these will 'absolutely cost more to make', the BBC would 'expect' them to deliver much bigger audiences than River City and 'really hope' they will. Expectations and hope. In other words, BBC Scotland is taking a punt. Making all those people redundant on a gamble. Having said that axing River City was a creative decision, it really does come down to money. As for River City being a way into TV, Ms Valentine said opportunities would still be offered across a wide range of other programmes. So that's okay then. Nothing more to see here, folks. Except it is not okay. It is very far from okay. Cancelling River City has always been about more than the end of one programme. It's about BBC Scotland fighting Scotland's corner within the corporation, and making sure the BBC represents and is reflective of all those who pay for it. Read more On the former, was London asked for more money to fund the short-run dramas? Was there ever a chance of building on the UK-wide iPlayer audience for River City by running a promotion campaign? Where are the figures showing potential job and training opportunities lost versus those created? Was there any analysis or was this simply a case of executives thinking they knew best? I understand BBC Scotland's ambition. It wants another Baby Reindeer. It wants the next Adolescence. But it doesn't have the money of a Netflix or an Apple+, which makes it all the more important to ensure that it is making decisions for the right reasons. When it comes to River City, I'm not sure it is. Just as to govern is to choose, running the BBC is all about choice. Who is out and who is in, who gets the money and who doesn't. BBC Scotland decided, ultimately, that River City was expendable. It has made the arguments about viewing figures and opportunities offered elsewhere, but I think there is another factor at work here. For my money - £174.50 licence fee - River City was vulnerable because it was a Scottish working-class soap made by working-class casts and crews. No one thought there would be the backlash there has been. It wasn't like cancelling Question Time with its well-connected panellists and audiences (now there's an idea). The class ceiling exists in the media in general - heck, in society as a whole. It's not just BBC Scotland. Indeed, BBC Scotland has done more than most to widen access and should be commended for it. Now and then, a youngster will appear who doesn't sound like your typical BBC sort. They thrive on the attention and encouragement, but then at some point they hit that class ceiling. They don't get invited into the room where it happens, so they can't shape the corporation's future, and the story of inequality rumbles on. Representation matters. As the old saying goes, if you can see it, you can be it. For many working-class Scots, River City was 'their' soap, and therefore 'their' way into TV. Doors opened that had too often been closed, and if it could happen for the guy down the road, it could happen for you. You cannot put a price on that kind of positive PR. The same goes for viewer loyalty. Fans of River City have had their patience tested to a degree that would not have happened with any other show. Yet they've kept faith with the programme. Even now, they trust executives will repay that faith and cancel the cancellation, but will they? Back to you, BBC Scotland. Alison Rowat is a senior politics and features writer on The Herald. Contact
Daily Mail
an hour ago
- Daily Mail
Jessie J announces shock breast cancer diagnosis: 'Your girl needs a hug'
Jessie J left her fans shocked and heartbroken Tuesday by announcing that she has been diagnosed with breast cancer. The 37-year-old English songstress emphasized that the illness had been caught 'early,' saying: 'Cancer sucks in any form but I'm holding onto the word early.' In an Instagram video, she revealed that she discovered she was ill before the release of her hit new single No Secrets, which dropped on April 25. No Secrets was Jessie's comeback song after a roughly four-year hiatus, during which she welcomed her son Sky, two, with basketball star Chanan Colman. 'I have been in and out of tests throughout this whole period,' she explained, adding that she had not been adequately 'processing it 'cause I'm working so hard.' Although she was conflicted about going public with the news, she ultimately decided to do so because she is a 'sharer' and wanted to disclose the development to 'my fans and the people that care about me,' she explained. As she battles breast cancer, Jessie has continued to energetically promote No Secrets, the lead single for her upcoming sixth studio album. Last month she soldiered through an appearance at the BAFTA Television Awards in London, making her grand return to the stage to sing The Award Goes To.
The Guardian
an hour ago
- The Guardian
From the archive: Alan Yentob: the last impresario
We are raiding the Guardian long read archives to bring you some classic pieces from years past, with new introductions from the authors. This week, from 2016: For decades, Alan Yentob was the dominant creative force at the BBC – behind everything from Adam Curtis to Strictly Come Dancing. He was a towering figure in British culture – so why did many applaud his very public slide from power? Written and read by Sam Knight
