
BBC under pressure amid criticism of ‘death to the IDF' chants at Glastonbury
Rapper Bobby Vylan, of rap punk duo Bob Vylan, on Saturday led crowds on the festival's West Holts Stage in chants of 'Free, free Palestine' and 'Death, death to the IDF (Israel Defence Forces)'.
A member of Belfast rap trio Kneecap suggested fans 'start a riot' at his bandmate's forthcoming court appearance related to a terrorism charge.
Responding to the chants from Bob Vylan, the Prime Minister said: 'There is no excuse for this kind of appalling hate speech.
'I said that Kneecap should not be given a platform and that goes for any other performers making threats or inciting violence.
'The BBC needs to explain how these scenes came to be broadcast.'
A member of Kneecap said 'f*** Keir Starmer' during their performance after the Prime Minister called for the band not to play at the festival.
Avon and Somerset Police said video evidence from the performances would be assessed by officers to determine whether any offences may have been committed that would require a criminal investigation.
Glastonbury organiser Emily Eavis said Bob Vylan's chants 'very much crossed a line'.
'We are urgently reminding everyone involved in the production of the festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence,' she said in a statement.
Shadow home secretary Chris Philp said Bob Vylan was 'inciting violence and hatred' and should be arrested and prosecuted.
'By broadcasting his vile hatred, the BBC appear to have also broken the law,' he said.
'I call on the Police to urgently investigate and prosecute the BBC as well for broadcasting this. Our national broadcaster should not be transmitting hateful material designed to incite violence and conflict,' he posted on X.
Health Secretary Wes Streeting called it a 'pretty shameless publicity stunt' and said the BBC and Glastonbury have 'questions to answer about how we saw such a spectacle on our screens', speaking to Sky News.
Conservative leader Kemi Badenoch called the scenes 'grotesque'.
'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked,' she wrote on X.
Shadow work and pensions secretary Helen Whately said she was 'horrified' and that the BBC should have cut the feed.
'Given the nature of the attacks on Israel, the BBC should not have kept broadcasting that. They should have cut the coverage immediately,' she told Times Radio.
Liberal Democrat culture, media and sport spokesman Max Wilkinson said: 'Bob Vylan's chants at Glastonbury yesterday were appalling. Cultural events are always a place for debate, but hate speech, antisemitism and incitements to violence have no place at Glastonbury or anywhere in our society.'
Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said.
The BBC said it showed a warning during the performance and that viewers would not be able to access it on demand.
Bob Vylan performing on the West Holts Stage (Ben Birchall/PA)
A spokesperson for the broadcaster said: 'Some of the comments made during Bob Vylan's set were deeply offensive.
'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language.
'We have no plans to make the performance available on demand.'
The Israeli embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'.
The Campaign Against Antisemitism (CAA) said it would be formally complaining to the BBC over its 'outrageous decision' to broadcast Bob Vylan.
'Our national broadcaster must apologise for its dissemination of this extremist vitriol, and those responsible must be removed from their positions,' a spokesperson said.
Bob Vylan, who formed in Ipswich in 2017, have released four albums addressing issues to do with racism, masculinity and class.
Bobby Vylan's real name is Pascal Robinson-Foster, 34, according to reports.
He is listed on Companies House as the director of Ghost Theatre Records, which is operated by Bob Vylan.
Kneecap performing on the West Holts Stage (Yui Mok/PA)
Kneecap have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence.
The group performed after Vylan's set on the West Holts Stage with O hAnnaidh exclaiming 'Glastonbury, I'm a free man' as they took to the stage.
In reference to his bandmate's forthcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots, just love and support, and support for Palestine.'
In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Sir Keir said their performance would not be 'appropriate'.
During Kneecap's set, O hAnnaidh said: 'The prime minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.'
Kneecap also gave a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up.
A BBC spokesperson said an on-demand version of Kneecap's performance was available on iPlayer.
'We have edited it to ensure the content falls within the limits of artistic expression in line with our editorial guidelines and reflects the performance from Glastonbury's West Holts Stage. As with all content which includes strong language, this is signposted with appropriate warnings.'
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New Statesman
an hour ago
- New Statesman
Let Kneecap and Bob Vylan speak freely
Photo byGetting charged with a terror offence is the best thing that could have happened for Mo Chara's career. Liam Óg Ó hAnnaidh, one third of Belfast rap trio Kneecap, was in Westminster Magistrates' Court two weeks ago, brought there by the Metropolitan Police for allegedly brandishing a Hezbollah flag at a London gig over six months prior. It's the perfect formula: Kneecap have made pro-Palestine and anti-British-state stances a keystone of their product; now they can say on stage at Glastonbury that they're being persecuted for their activism by a government more interested in policing their language than looking after starving children in Gaza; and they might even be right. Taking a leaf out of the Kneecap playbook, rap duo Bob Vylan made their own headlines at Glastonbury on Saturday. On the same afternoon as Kneecap's set at the West Holt stage, in the baking heat, one half of the pair led the crowd in a chant: 'Death, death to the IDF [Israel Defense Forces]'. Somerset Police, for some reason, have got involved. Wes Streeting told Laura Kuenssberg yesterday that it was 'appalling'; the BBC – who broadcast the set live – is embarrassed; Glastonbury festival is in a pickle – how to marry their punk free-speech stick-it-to-the-man credentials with their acts who contravene such basic politeness codes? They have settled for saying they are 'appalled' by Vylan, just like Streeting. Can you believe in free speech and be annoyed by rude and misguided people at the same time? The answer is simple: this should never have been a police matter, Glastonbury needn't apologise, and the BBC has bigger things to worry about than broadcasting bad music by admittedly unpleasant but staggeringly banal rappers. I would suggest Labour cabinet ministers also had more pressing issues to address, on this of all weekends. Palestine flags are common at Glastonbury anyway, but this year they are ubiquitous, with too many to count in the thousands-strong crowd that shouted 'death to the IDF' back at Bob Vylan. That crowd was unusually extreme. But no matter your fealty to any cause, and no matter the political tastes of the professional Glastonbury-goers (simplistic and ugly they may be), it is hard to argue that any response to the Bob Vylan interjection beyond 'ignore them' is appropriate, or commensurate. In this, the millennial left and the young online right are united. The pragmatic case made by both sides is simple: by investigating the duo, or charging them, Bob Vylan's campaign is elevated beyond any reasonable proportion; it brings more eyeballs to the message (totally counterproductive if you are also minded to condemn them); and hands them the argument that they are victims of an oppressive state. This is precisely how the charges against Mo Chara have cemented his career. But the principled case is far more important: Free-speech absolutism is the only logical position in a modern democracy. In Britain the left has been hounded by agents of the state as far back as the wars against Revolutionary, and then Napoleonic France. Spies, provocateurs, and strong-armed police tactics have been used to suppress conversations and organisations for the best part of two centuries. Free speech as a societal axiom was and is the only answer to these bullying tendencies. The last ten years, when all sorts of left-liberals cowardly abandoned this principle, were a nadir for the movement, both in Britain and abroad. Subscribe to The New Statesman today from only £8.99 per month Subscribe Maybe that same movement, watching Kneecap and this rapper face over-the-top condemnation will recover some of its sense. It's almost always fine for people to say things that other people don't agree with. That may be cliché to argue, but the fact that we keep having to argue this suggests the fact is neither ingrained nor obvious. [See also: The Kneecap crossover event] Related

Leader Live
an hour ago
- Leader Live
Glastonbury Festival 2025 ends after weekend of controversy and surprises
Punk duo Bob Vylan and Irish rap trio Kneecap have seen both of their sets on Saturday being assessed by Avon and Somerset Police to decide whether any offences were committed. Bobby Vylan, of Bob Vylan, led crowds on the festival's West Holts Stage in chants of 'death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' outside his bandmate's upcoming court appearance, and led the crowd on chants of 'f*** Keir Starmer'. Sir Keir had said in the run-up to the festival that he thought Kneecap's set was not 'appropriate' at Glastonbury. On Friday, festival goers were treated to surprise performances from alternative pop star Lorde, who played her new album Virgin in full, and Scottish singer Lewis Capaldi, who played two years after a set at the festival during which he struggled to manage his Tourette syndrome symptoms. The 1975 took to the Pyramid Stage to headline that night, with a set which saw singer Matty Healy joke he was his generation's 'best songwriter', with the band playing songs such as Chocolate, Love Me and About You. Pulp were revealed to be Patchwork appearing on the Pyramid Stage on Saturday to a backdrop paying homage to their classic 1995 stand in headline set. The Jarvis Cocker-fronted band performed some of their best known songs such as Common People, Babies and Do You Remember The First Time?. Their appearance came 30 years after their breakthrough headline performance at the festival when they stood in for The Stone Roses after the Manchester band's guitarist John Squire was injured in a cycling accident. Candida Doyle, the band's keyboard player, had previously appeared to confirm the band would not perform at the festival, despite being keen to play, telling BBC Radio 6 Music last week 'they (Glastonbury) weren't interested'. Also on Saturday, Haim made a surprise appearance on the Park Stage opening with one of their best known songs in The Wire, before performing a mix of older songs such as Summer Girl, and new singles including Relationships. The day saw veteran rocker Neil Young headline, performing some of his best known songs including Cinnamon Girl, Like A Hurricane and Rockin' In The Free World, at one point in the set he performed with Hank Williams' guitar. Brat star Charli XCX headlined the Other Stage on Saturday, performing tracks from last year's summer sensation such as 360, Von Dutch and Club Classics. Performing the viral Apple dance, during the song of the same name, was US singer Gracie Abrams, who had played on the same stage a day earlier. Sir Rod Stewart performed in the Sunday legends slot, bringing out former Faces bandmate Ronnie Wood for Stay With Me, Lulu for Hot Legs and Simply Red's Mick Hucknall for a performance of his band's If You Don't Know Me By Now. He was also joined by the festival's founder, Sir Michael Eavis, who was wheeled on to the stage by his daughter, organiser Emily Eavis. Bagpipes had signalled the arrival of Sir Rod, who kicked off his afternoon performance with 1981 single, Tonight I'm Yours (Don't Hurt Me). Sir Rod's set also included hits such as Maggie May, You Wear It Well and Da Ya Think I'm Sexy?. The Pyramid Stage was headlined by pop rocker Olivia Rodrigo on Sunday evening, who brought out The Cure frontman Robert Smith to sing his band's songs Just Like Heaven and Friday I'm In Love. As the 66-year-old indie-goth star arrived on stage on Sunday night, Rodrigo said: 'Glastonbury would you please welcome Robert Smith, give him a big welcome, come on.' At the end of Just Like Heaven, the pair hugged, before Rodrigo said 'give it up for Robert Smith you guys' before adding she was 'so honoured to play with him tonight'. The weekend saw many acts express their support for Palestine, with singer Ellie Rowsell of indie rockers Wolf Alice telling the crowd: 'We want to express our solidarity with the people of Palestine, and we shouldn't be afraid to do that.' Their Other Stage set saw them climax with their best known song Don't Delete The Kisses, which came after they had played snippets of The White Stripes' Seven Nation Army and Black Sabbath's War Pigs. Irish country star CMAT, real name Ciara Mary-Alice Thompson, chanted 'free Palestine' during her set, which included Take A Sexy Picture Of Me, from her forthcoming third studio album Euro-Country. While frontman Dan Hoff of Irish noise rockers Gurriers said during their Woodsies set: 'Free Palestine, unlike other bands we know where we stand politically.' A number of other acts performed through the night on some of the festival's smaller stages, before a large scale clean-up operation begins in the early hours of the morning.


The Guardian
an hour ago
- The Guardian
Glastonbury organisers warn of traffic delays leaving site amid 30C temperatures
The tents are drooping, the heads are throbbing, the ears buzzing; Glastonbury festival is over for another year. Most of the 200,000-plus ticket holders at the performing arts and music bonanza in Somerset will be leaving the site on Monday in gruelling 30C heat. Music fans have been treated to a typically eclectic lineup since the gates opened on Wednesday, ranging from Charli xcx's blistering turn on the Other stage, Rod Stewart's teatime singalong on the Pyramid, and surprise appearances from the indie heroes Pulp, LA sisters Haim and New Zealand megastar Lorde. But the revelry can't go on for ever as the real world beckons – and A-road traffic jams and queues at Castle Cary railway station await. The forecast for Pilton on Monday is clear skies with temperatures of 30C presenting challenging conditions for travelling. The festival warns that the worst times to leave by car are on Monday between 8am and 5pm – when there can be delays of up to nine hours to leave the car parks – and recommends leaving between 1am and 7am on Monday 'if you can get up'. Glastonbury organisers suggest that journey times on the A39 back to the M5 can be a couple of hours, and up to four hours on the A37 to Bristol, and recommend taking the exit south on the A37 to the A303 and then east to the A34 for the Midlands and north or on to the M3 for London. A festival traffic plan will direct vehicles from each parking area in different directions to reduce the volume on each route. For those travelling by train, a free shuttle bus runs between the festival bus station and Castle Cary railway station throughout the festival. Queues are expected but not as severe as on the arrival days. Sign up to First Edition Our morning email breaks down the key stories of the day, telling you what's happening and why it matters after newsletter promotion On Sunday and Monday, a bus service will run from the festival bus station, next to pedestrian gate A, to Bristol Temple Meads railway station. The festival licence runs until 5pm on Monday, when traders and contractors will start leaving the site.