logo
How Brian Wilson reconciled with estranged daughters and they carried on his musical legacy in pop group

How Brian Wilson reconciled with estranged daughters and they carried on his musical legacy in pop group

Daily Mail​12-06-2025
Brian Wilson's complicated relationship with his daughters Carnie and Wendy Wilson has come into renewed focus following his death on Wednesday at age 82, after a long battle with dementia.
The Beach Boys legend eventually rebuilt a close bond with his two eldest children after years of painful estrangement.
Wilson struggled for decades with mental health issues and substance abuse, which led to fractured family bonds and limited contact with Carnie and Wendy.
Carnie, now 57, and Wendy, 55, were born to Brian and his first wife, singer Marilyn Wilson of The Honeys.
Their 1979 divorce came after years of turmoil, and Brian later remarried in 1995, tying the knot with Melinda Ledbetter, with whom he adopted five children: Dakota Rose, Daria Rose, Delanie Rose, Dylan and Dash.
While his younger children have largely stayed out of the spotlight, Carnie and Wendy stepped directly into it—forming the hit-making pop trio Wilson Phillips in 1989 alongside Chynna Phillips, daughter of The Mamas & The Papas' John and Michelle Phillips.
The group quickly shot to fame with early '90s smashes like Hold On, Release Me, and You're in Love.
But behind the scenes, their relationship with their father remained strained.
'It was chaotic,' Carnie and Wendy recalled of their childhood during a 2020 appearance on The Kelly Clarkson Show, adding that Brian's presence was often fleeting.
Carnie has spoken openly about the pain of growing up without a consistent father figure.
'We can't call him up and we can't see him,' Carnie told the Los Angeles Times in 1992 of Brian, with whom she hadn't spoken in two years at the time.
'I guess we could, but we're so afraid of each other. I don't know what I would say to him.'
That same year, she and Wendy wrote the deeply personal track Flesh and Blood as a musical olive branch to their father.
The song was featured on Wilson Phillips' second studio album, Shadows and Light.
Flesh and Blood marked a rare departure for Wilson Phillips—a group that had largely steered clear of addressing their famous family ties in their music.
Until then, all three members had been careful not to lean on their musical legacies.
'We didn't want to play on (our family connections) before,' Carnie told the Los Angeles Times.
'We didn't want people to think that they were (the reasons for) our success. Because they weren't.'
But Flesh and Blood proved the exception.
The emotional ballad was a lyrical plea to Brian after years of estrangement.
'If you never plan to come out of your shell / You're never gonna get well . . . / For years I've been following your case / It's the only time I see your face,' the sisters sang.
Carnie told the Times she hoped the song would spark a long-overdue family reunion—but she wasn't sure how he'd take it.
'He's either going to cry real hard, or else just stare at something and get (mad),' she said at the time.
Two years later, the breakthrough finally came.
In 1994, Brian reunited with his daughters after years of limited contact, save for the occasional holiday dinner.
The reconciliation marked a turning point.
The trio began making music together, and Carnie expressed hope that the collaboration would grow.
'Wendy and I are doing demo tapes for our debut album as a duo, and I hope Daddy will provide background harmonies,' Carnie told People at the time.
'I know that one day we'll all work together.'
Later in life, Brian became one of Wilson Phillips' biggest cheerleaders—a full-circle moment after years of distance and emotional struggle.
'He also loves Wilson Phillips. He really does,' Carnie told UsWeekly in 2024.
'He's always asking me, 'How's Wilson Phillips?' I go, 'We're great, Dad.' He's funny. He's very proud.'
After decades of estrangement, the family found joy in reconnecting—not just as relatives, but through being artists.
Carnie said they now cherish their time together, often celebrating Brian's legacy in song, even after he had been diagnosed with a neurocognitive disorder similar to dementia.
'We love to sing 'Surfer Girl' and 'In My Room.' Sometimes a little 'California Girls,' [which is] his favorite, and sometimes we do 'Be My Baby,' his favorite song ever by The Ronettes,' she shared to the outlet.
'I like to sing his songs to him. I think they mean a lot to him.'
In the end, Brian Wilson's impact stretched far beyond his pioneering work with the Beach Boys.
His daughters didn't just inherit his musical talent—they used it to reconnect and move forward from a difficult past.
'I think it's kind of unavoidable. Music is in our blood,' Carnie told the outlet.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Laufey's 'A Matter of Time' embraces anger, jazz, pop and a collaboration with twin sister
Laufey's 'A Matter of Time' embraces anger, jazz, pop and a collaboration with twin sister

The Independent

time27 minutes ago

  • The Independent

Laufey's 'A Matter of Time' embraces anger, jazz, pop and a collaboration with twin sister

Long before the Icelandic Chinese artist Laufey became recognized the world over for her neoclassical jazz-meets-pop music, she was a student, answering a familiar yearbook prompt: 'Where do you see yourself in 10 years?' Her answer: Move to the U.S., sign a record deal and win a Grammy. The 26-year-old has done all three. 'I must have been so confident to write that because I remember that being a very far-sought kind of thing,' the musician born Laufey Lín Jónsdóttir told The Associated Press. Those aren't her only accomplishments: She's collaborated with Barbra Streisand, shared the stage with Hozier, Noah Kahan and the Los Angeles Philharmonic. An unexpected nonconformist to the rules of contemporary pop, Laufey's third album, 'A Matter of Time' out Friday, pulls inspiration from country and Icelandic folk music as well as classical and bossa nova sounds. 'My ultimate goal is to introduce young audiences to jazz music, to classical music, to encourage them to learn instruments and explore their own sound,' Laufey said. In a recent interview, Laufey discussed her new album, embracing anger on the record, working with her twin sister and more. Responses are edited for clarity and brevity. AP: What's the story behind the title 'A Matter of Time?' LAUFEY: I knew I wanted the album to have time as a central theme. I was just so fascinated by how it's kind of like this one thing that humans have no control over, and sometimes we want to speed up and sometimes we want to slow down, but ultimately it's out of our control. And there's something romantic about that to me. Now its taken on a little bit of a different meaning in that it's basically me baring my soul to the world and baring my soul to a lover. And it's kind of like, 'a matter of time until you find out everything about me.' AP: The end of 'Sabotage' felt very jarring, which is unexpected. Are you embracing anger on this album? LAUFEY: For sure. I think I was never allowed to embrace anger. I was a very good kid growing up. I was very polite and very quiet. I used this as a way to show that you can be angry, and rather, to show also that you can be both a soft, spoken person while still harboring anger. I think the understanding of women and characters has so much been like one or the other. She's like this, she's a mad woman, she a soft, sweet woman. Like, we're all everything. AP: How do you compare this album to your past projects? This is just the most free I've been. I wasn't following any type of compass in that I wasn't trying to create something as education. I was more so just making music from the heart. I just approached with a whole lot more confidence, even though the album's all about anxiety and learning about oneself and insecurity and delusion. And it's tapping into emotions that I maybe wouldn't have dared to tap into before. It is the most confident I've been, because I don't think I'd have the confidence to put out the music in this album before. AP: Your twin sister Junia is credited on the album. What's it like working with her? LAUFEY: It's so special. We do everything together. Like, she does everything, pretty much, — other than the music, the literal music making — she has her hands in. All the merch, that's all her. The album covers, all the creative, like, music videos, everything — she's such a part of the project. And then she literally plays violin on some of the songs. I know so many artists who talk about how it can be quite lonely, but I've never really been alone. Like, I've always done it in tandem with my sister. AP: You've spoken about the importance of Asian role models. I think you've become one yourself. LAUFEY: I grew up in a very, very different, like, homogenous Icelandic community. I didn't see people who looked like me every single day. I saw my mom, that was it. And I guess I saw my identical twin sister, who looked exactly like me. But it's so powerful, seeing someone who looks like you, that you can look up to. I already see more representation, but there's still such a long way to go. I'm still a half-white Asian woman, you know? And I don't want young Asian women to look up and see all of the stars in front of them be half-White either, because what kind of message is that sending? So, I don't know. Anything I can do to lift up voices, create those communities, and empower young Asian artists to do their thing, that's, like, at the center of my philosophy. AP: You've done all the things you said you wanted to do in your yearbook. What's next? LAUFEY: I'd love to score a film or do, like, a theme song to a film, preferably a James Bond theme song, because that's, like, my dream. But it's so hard to say because I've ticked off all those simple things off — many are big, but the tick-able ones. I hope I'm still making music and I still hope that I love it.

Woman beaten unconscious at the Rose Bowl for spilling drink on another concert goer
Woman beaten unconscious at the Rose Bowl for spilling drink on another concert goer

The Independent

time27 minutes ago

  • The Independent

Woman beaten unconscious at the Rose Bowl for spilling drink on another concert goer

The latest headlines from our reporters across the US sent straight to your inbox each weekday Your briefing on the latest headlines from across the US Your briefing on the latest headlines from across the US Email * SIGN UP I would like to be emailed about offers, events and updates from The Independent. Read our Privacy notice A woman from Arizona is recovering after she was beaten unconscious by a man at a concert in Pasadena, California. The woman, who chose to withhold her identity, was attending a Rufus Du Sol concert at the Rose Bowl in Pasadena with one of her friends on Saturday night. She and her friend drove from Phoenix to Pasadena for the show, and during the concert they spilled some of their drinks on a man sitting in front of them, according to KTLA. 'We apologized immediately, but he yelled that it was intentional and ran off, leaving his companion behind,' the woman told The Festival Owl. 'We apologized to her and thought it was over.' The man reportedly returned approximately a half hour later and began screaming at the woman and her friend and threatened to hurt them. The woman told the outlet she tried to deescalate the situation and apologize, but the man then allegedly punched her in the face. She fell unconscious and woke up some time later in a medical tent. The attack was recorded and went viral online. In the footage of the attack the man launches into a group of people to strike the woman. He throws at least five punches during his attack. A woman in the crowd tries to grab him and pull him away. Complaints that the concert was poorly managed were lobbed at the venue in the aftermath of the assault. open image in gallery The man reportedly threw at least five punches during the attack 'Among the long laundry list of complaints was crowd crushing in tunnels, people pushing in overcrowded stairs, aggressive drunk people, arguments, fans blocking exits, incredibly long shuttle lines, and, sadly, assault,' the LA music blog Grimy Goods said in a post. Another woman — who was seated just a few rows from where the attack occurred — told KTLA that there were people crammed into her section and blocking the walkways. "So, crowd control was nonexistent," Christina Molina told KTLA said. The Independent has requested comment from the Rose Bowl. She also claims she saw other concertgoers openly using drugs, and wondered if intoxication fueled the man's attack on the victim. The woman who was attacked returned to Arizona where she is recovering from the encounter. She has reported the incident to relevant police agencies. According to KTLA, police are searching for her attacker. Anyone who does recognize the man in the video is asked to call the Pasadena Police Department or to anonymously call the LA Regional Crime Stoppers Hotlline. "We are traumatized," the victim said in a post about the attack shared to The Festive Owl. "If anyone knows this man or his companion , PLEASE reach out. He should be held accountable for this assault."

Devil Wears Prada 2 sees Heidi Klum, Amelia Gray Hamlin and Amelia Dimoldenberg on set
Devil Wears Prada 2 sees Heidi Klum, Amelia Gray Hamlin and Amelia Dimoldenberg on set

Daily Mail​

time27 minutes ago

  • Daily Mail​

Devil Wears Prada 2 sees Heidi Klum, Amelia Gray Hamlin and Amelia Dimoldenberg on set

Heidi Klum, Amelia Gray Hamlin and Amelia Dimoldenberg were all spotted on the set of The Devil Wears Prada 2 on Monday. The trio appeared in great spirits as they got to work on the New York City set of the upcoming sequel. For her part, Klum looked typically stunning in a daringly low-cut, pleated, royal purple dress. The 52-year-old German supermodel stacked bracelets on her left wrist and wore aviator sunglasses. She slipped her feet into a pair of black loafers and was unmissable with her signature layered blonde locks falling around her face. Hamlin, 24, was clad in baggy, light wash jeans, a slightly cropped black shirt reading 'supermodel,' and an oversize black leather jacket. The nepo baby of Harry Hamlin and Lisa Rinna flashed her megawatt smile while toting a purple Balenciaga purse. Her long, straight, raven locks were parted down the middle and she looked pretty in a face of matte makeup. Meanwhile, 31-year-old Dimoldenberg flashed her cleavage in a plunging, beige, halter neck dress with zebra-like stripes. She coordinated the look with a pair of similarly patterned pointy-toe mules and she carried a black clutch. Her ginger-tinged hair was arranged in a center part and slightly tousled texture as it fell over her chest. The comedian's face was immaculately made up as she rocked a subtle cat eye. Heidi was also seen in a different look on Monday — a boxy black pantsuit with an oversize blazer, which she teamed with a button-up white shirt. The highly-anticipated sequel to the 2006 film is slated for a May 1, 2026 release. 31-year-old Dimoldenberg flashed her cleavage in a plunging, beige, halter neck dress with zebra-like stripes. She coordinated the look with a pair of similarly patterned pointy-toe mules and she carried a black clutch Heidi was also seen in a different look - a boxy black pantsuit with an oversize blazer Returning stars from the original film include Anne Hathaway, who plays protagonist Andy Sachs. Also back is Meryl Streep, whose character Miranda Priestly is famously inspired by Anna Wintour. Emily Blunt and Stanley Tucci will also reprise their supporting roles. In 2006 Blunt played Miranda's senior assistant Emily Charlton while Tucci was Runway magazine's art director Nigel Kipling. Sydney Sweeney has also been on set, but it is not known if she has a role or cameo in the sequel. David Frankel and Aline Brosh McKenna, the director and writer respectively of the original movie, have also returned. Kenneth Branagh has entered the plot as Miranda's new husband, and Australian actor Patrick Brammall is Andy's latest love interest.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store