logo
Mimi Xu reflects on strong week at Lexus Birmingham Open

Mimi Xu reflects on strong week at Lexus Birmingham Open

Yahoo07-06-2025
By James Reid
British teenager Mimi Xu reflected on a strong week of work despite defeat to Jessika Ponchet in the LTA's Lexus Birmingham Open quarter-finals.
The 17-year-old beat top seed Alycia Parks and Pole Katarzyna Kawa to set up a last eight tie with world No.140 Ponchet but it proved a match too far at Edgbaston Priory.
Advertisement
Xu tried to battle back from a fast start from Ponchet but was unable to prevent the Frenchwoman from taking the first set and control of the contest despite a strong service game from the Swansea-born teenager.
Ponchet rounded off victory in an hour and 25 minutes, but Xu was still pleased with her run to kick off the grass-court swing and took the positives from the defeat.
She said: 'In all honesty I feel like I did all the right things, I had all the right intentions, it was just maybe on the execution.
'Overall, that is the best I have served this tournament, maybe this whole year, so I think I have got a lot to be proud of.
Advertisement
'I have been giving it my all every single match, she was just too good today.'
Ponchet set up a semi-final contest with Linda Fruhvirtova, who got past Lucreazia Stefanini 6-4 6-3.
The men's singles will see Brandon Holt face Otto Virtanen for a place in the final. Holt beat veteran Adrian Mannarino 6-4 6-3, while Virtanen got past qualifier Coleman Wong 6-2 7-5.
Xu's loss ended British interest in both of the singles draws, with compatriots Heather Watson and Amarni Banks both exiting in the first round while Jodie Burrage was beaten 6-0 6-4 by Fruhvirtova in the second.
The men's draw saw early exits from Billy Harris, Johannus Monday, Jay Clarke and former world No.21 Dan Evans and home hopefuls in the men's doubles also tasted defeat on a busy Friday in Birmingham following a rain-impacted day of play on Thursday.
Advertisement
Monday and partner David Stevenson's run ended at the semi-final stage after straight sets defeat to Diego Hidalgo and Patrik Trhac, going down 6-4 6-4.
The British pair enjoyed a strong week on the grass as the wildcards beat second seeds Santiago Gonzalez and Rafael Matos 5-7 6-3 10-5 in the second round.
They then followed that up with a 6-4 6-4 win over Nicolas Barrientos and Rithvik Choudary Bollipalli in the quarter-finals to leave them one match away from the showpiece.
But it proved a bridge too far as they were beaten on Friday evening by doubles specialists Hidalgo and Trhac.
Alicia Barnett also tasted defeat in the women's doubles final alongside France's Elixane Lechemia.
Advertisement
The pair beat Ponchet and Magali Kempen 6-7(2) 6-4 10-7 to set up a final with Cristina Bucsa and Destanee Aiava, after they beat Australian second seeds Storm Hunter and Ellen Perez 2-6 6-4 12-10.
But Bucsa and Aiava won 6-4 6-2 in just over an hour to take the title.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How Manchester United are trying to improve the Old Trafford atmosphere
How Manchester United are trying to improve the Old Trafford atmosphere

New York Times

time11 minutes ago

  • New York Times

How Manchester United are trying to improve the Old Trafford atmosphere

The Stretford End looked smart before kick-off against Arsenal on Sunday. Manchester United supporters held up more than 70 flags and banners, all designed by fans and paid for by The Red Army group. 'Manchester. Established 1878' read one with a graphic of every trophy won by the club. 'United We Are. United We Stand. The Greatest. By far the best in the land' read another held up on two sticks. There was an image of David Beckham scoring that goal at Selhurst Park against Wimbledon in 1996, plus banners with lyrics such as: 'All the lads and lasses with smiles on their faces, Walking down the Warwick Road, To see Matt Busby's aces.' Advertisement To see these in the central blocks of the Stretford End like this was a joy. Only two years ago, these areas were given to executive supporters and there were no flags. It was always a bizarre decision to locate a premium seating area in Old Trafford's vocal and traditionally working-class heart in 1993. On Sunday, The Red Army (TRA) handed out 'Reclaim The Stretford End' leaflets with instructions about their banners and how they would be collected after. TRA worked with the club, with several regulations waived so that flags supported by two poles, for instance, could be used. It was a success. The club and the group don't always agree, but there's a dialogue and TRA has helped boost Old Trafford's long underwhelming atmosphere. Rather than moan about it, they've taken action. As with every Premier League ground, the effects of the stadiums going all-seater and ticket price rises in the 1990s subdued the atmosphere, but safe standing is now a thing and stadiums are better for it. But what about the noise? Last week, United sent a survey to season ticket holders to ask about their preferences for music around the game: 6,500 responded, 40 per cent of those from the Stretford End. The club wanted to know if 'Glory Glory Man United' should be played immediately after a win. Of those who responded, 24 per cent said they'd prefer no music after a defeat, while more than 50 per cent wanted Glory Glory played no matter what. Given that United have gone from a team that rarely loses at home to one that often does, there's been a lot of silence after games. On Sunday, that was filled with Arsenal fans singing about once winning the league in Manchester (there were Arsenal fans present old enough to remember seeing their team win a trophy) and it was all a bit flat, as expected after a 1-0 home defeat. What else could the club do? Play former terrace favourite Always Look on the Bright Side of Life to drown out the away fans? Advertisement TRA would prefer no music after a United win so that the fans can bring the noise. It's a fair point. Whether Old Trafford would be bouncing after a win against Burnley or Bournemouth is another. Consensus will be difficult to find. At present, it's the players who choose which songs are played as they warm up, with Diogo Dalot prominent in bringing the tunes together. They want songs that are special to them. The warm-ups end 15 minutes before kick-off and there's a lull for big games which should be filled by fans bringing the noise. Or, for some of the lesser games, you'll get songs like 'Bad Moon Rising' playing for a sing-a-long: 'I see the Stretford End arising, I see trouble on the way, Don't go out tonight, Unless you're red and white, I see there's trouble on the way'. Before every game, as the players gather in the tunnel, the first stirring chords of The Stone Roses' anthem 'This Is the One' are played. Some fans use that as the signal to get into their position. The song builds and the referee blows his whistle for the players to walk out onto the pitch. After 'This Is the One', the obligatory Premier League tune blares out as the players shake hands with opponents and officials. After that, a United version of John Denver's 'Take Me Home, Country Roads' — 'Take me home, United Road, to the place, I belong. To Old Trafford, to see United, take me home, United Road!' Captain Bruno Fernandes specifically requested that a year ago before the Liverpool game at home (which United lost 3-0). 'The lyrics, at home, work well, so everything together, we thought it would be a good thing,' Fernandes told fans in April 2025. 'Obviously, we don't want to make it as something we do because other teams do it, but we felt it's something that the players… we spoke with certain players and said 'What do you think about this, how would you feel about having this before the game, would it give you a push, lift you a little bit, what are your thoughts?' 'Our main thing in the beginning was that we didn't want the song to be on by itself; we wanted the fans to get that. We put the song on, it starts and then the fans can carry on, we don't need the song to be there'. Manchester has a rich musical history but 'Country Roads' has no links to the city or the club. It's too melancholy to be an anthem, but there are plenty who love it. It's eminently singable and the sentiment about coming home and belonging goes deep. The song builds to a crescendo, but it is only cut when the referee's whistle blows. United fans then carry on singing. Advertisement 'Country Roads' sounded great on Sunday, with 70,000 home fans flushed with pre-season enthusiasm, a return of football and a big game. But it's not always like that. For some big games, no music is played after the players have warmed up. The idea is that the fans create their own atmosphere and generally they do. Naturally, fans will be more up for it against a big rival. Old Trafford's atmosphere has been an issue all the time I've gone to games from the late '80s. In 1991, while on a pre-season tour of Scandinavia, I read in a Norwegian football magazine that Old Trafford and Anfield had the best atmospheres in the world. I was so proud, yet fans were complaining that it wasn't what it used to be. Some of United's best sides played in front of an atmosphere that was getting worse season after season. I'd travel around the world and be envious of how good it could be in South America, Italy or Turkey. I met David Moyes recently and he marvelled at the South American fans he had seen at the Club World Cup. He wanted more of that noise and colour in the Premier League. A few days later, I spoke to Matthijs de Ligt and asked him for his impression of fans. I thought he'd have the intelligence to go beyond the 'all our fans are great' cliches. And he did. 'English fans are really into the game,' he said. 'If someone makes a tackle, they are celebrating. If there's a chance to shoot, they all scream, 'Shoot!' This is what I like most. They are passionate, they go with the game, they enjoy duels and the raw side of football. 'This is what I really like about English football. In Germany, the fans sing the whole game, but it's less. I have the feeling that the emotion is less with the game, it's more like they sing the whole game, like almost the same songs. That is also nice because you always have the feeling it's alive, but it's different. Advertisement 'Italy is more hostile, especially if you play with Juventus against Napoli, Fiorentina or Inter. They don't like you to be here, so they're hostile, aggressive towards you. But that also gives a nice feeling when you beat them. And in Holland, the Ajax v Feyenoord game is intense, especially because these fans don't like each other, so it's like a big derby, but also gives a lot of energy — and a lot of joy also for me personally'. The atmosphere will continue to be discussed. A winning team doesn't always mean a winning atmosphere, since defiance can bring the best out of fans when getting behind the team means something. But United's fan culture and song book is one of the best in football. It needs support, it needs energy and youth and affordable tickets. Because when that was all stripped out in the Stretford End in 1993, it suffered badly. Unlike, ironically, the team. Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle

Liverpool look defensively shaky, but Ryan Gravenberch can fix it
Liverpool look defensively shaky, but Ryan Gravenberch can fix it

New York Times

time11 minutes ago

  • New York Times

Liverpool look defensively shaky, but Ryan Gravenberch can fix it

Last year, it was 'Liverpool haven't played any decent teams yet'. Now, the early-season hot take is that the Premier League champions cannot defend. Two games this season — including the glorified friendly against Crystal Palace in the Community Shield — have seen Liverpool ship four goals and prompted some criticism over the team's defensive solidity, or lack of it. Advertisement Yet this is not an entirely new issue. Since winning the title against Tottenham on April 27, Liverpool have leaked goals in every competitive game and all four of the club's pre-season fixtures in front of fans, yet head coach Arne Slot doesn't appear fazed. When asked about the defensive fragility in back-to-back post-match press conferences, he admitted he needs to find a 'balance' between scoring goals and keeping it tight at the other end, but also suggested that radical changes were not needed as he intends to continue playing on the front foot and committing players forward. Yet the answer may be quite simple. A notable absentee from both the Palace and Bournemouth games was Ryan Gravenberch, who went from holding midfield stop-gap — moved into the role after Liverpool missed out on Martin Zubimendi — to one of the stars of the season. Gravenberch also sat out the 3-1 defeat to Chelsea in the game directly after winning the title, as he had started every other previous Premier League encounter, and was then sent off against Crystal Palace in the final game of last season. He missed the Community Shield due to his partner giving birth, and was absent on Friday as he served a suspension for the red card. The 23-year-old has mastered the art of combining defence with attack. The way he offers protection to the back line by tracking runners from midfield, covering both the full-backs and the centre-backs, while also providing a safe out-ball option, was perhaps undervalued in last season's title win, largely because he was never missing for an extended period. Last week, though, when Slot was quizzed on why his side appears to be leaking so many goals during pre-season and into this Premier League campaign, he referenced the fact that Gravenberch was missing, as well as Alexis MacAllister still not being fully up to speed after missing some of the summer training. Advertisement Centre-back Virgil van Dijk also name-checked his fellow countryman after conceding two goals on the counter-attack in Friday's opener. 'It needs time, that's absolutely normal, but we also played without our six, Ryan Gravenberch,' he told reporters. 'We conceded two goals in a transition moment where we have to do better. That's what we have to work on.' The importance of a strong defensive midfielder was clear to see last season when Manchester City fell out of the title race once Rodri had suffered a serious knee injury, although Gravenberch's emergence in the role remains one of Slot's great coaching success stories. Slot initially recognised his fellow Dutchman as a No 8, but he said that he wanted to experiment with him in a deeper position early into his time at the club. By the midway point of the season, Gravenberch had become undroppable, with Slot discovering that his hard running and ability to offer defensive cover were helping bring the best out of those around him. Gravenberch made the most interceptions of any midfielder (60) in the Premier League last season and he won possession more often (193 times) than any other Liverpool player. Opponents also found it much tougher to dribble past him (24) in comparison to Mac Allister (49), which is why Slot has since favoured a line-up with the pair playing side by side as the two 'controllers' in his team. Had he been in the side for the first two games of this season, it's likely Liverpool would have been much more secure on the transition. The presence of a tried and trusted defensive midfielder would have also given the new full-backs additional support when they pushed forward, as both Dominik Szoboszlai and Wataru Endo aren't able to replicate the versatility that Gravenberch shows when he plays. Clearly, Liverpool need a little time to settle into the season and find the right formula, especially as the concern from the stands is echoed by both the head coach and captain, albeit at a lower level. Advertisement Liverpool conceded two goals on the counter-attack against Bournemouth when committing multiple players forward and faced five fast breaks. Only one team — Southampton — recorded more fast breaks (6) against Slot's side last season, which again highlights where the defensive discipline of Gravenberch, who featured in 37 of the 38 games last term, is so vital. With Gravenberch available again for Monday's fixture at Newcastle United, the question that now remains is who he replaces in the team. Assuming that Mac Allister will start, it means either Dominik Szoboszlai, Cody Gakpo or Florian Wirtz will drop to the bench. There's a compelling argument that Wirtz should be the fall guy, as both Gakpo and Szoboszlai proved to be crucial components in the title win and a big part of why the midfield functioned so well last season. Yet Liverpool did not sign the 22-year-old German for a potential £116million to sit on the bench, especially after just one game, so expect a tactical tweak by Slot as he reintroduces Gravenberch and seeks a way of finding a fresh way to balance his team's attacking intent with the much-needed solidity that was the key to success last season. Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle

What would Eberechi Eze bring to Tottenham Hotspur and where could he play?
What would Eberechi Eze bring to Tottenham Hotspur and where could he play?

New York Times

time11 minutes ago

  • New York Times

What would Eberechi Eze bring to Tottenham Hotspur and where could he play?

There was not much missing from Tottenham Hotspur's 3-0 win over Burnley from an attacking perspective, with Mohammed Kudus providing the kind of final-third creative quality they often missed last season, particularly in the Premier League. Even without Dominic Solanke — considered Thomas Frank's first-choice striker before the start of the season — who was only fit enough to start the game on the bench, Richarlison shone as a centre-forward. The Brazilian scored two excellent goals and contributed to the third with the kind of hold-up play Solanke impressed with last season. But with trickier tests on the horizon, including this weekend's trip to Manchester City, Tottenham may need more creativity in the centre of the pitch to drive the team forward and prise open more experienced defensive units. This is where Eberechi Eze comes in. The Athletic reported on Tuesday that Tottenham are in a one-horse race to sign the 27-year-old from Crystal Palace, after north London rivals Arsenal cooled their interest. The clubs have not reached an agreement yet, but talks are continuing, and there is a good chance the move will happen. With James Maddison set to miss at least a large chunk of the 2025-26 season after sustaining an anterior cruciate ligament injury on Spurs' pre-season tour, and no hint of a return date yet given for Dejan Kulusevski after his own knee injury, Tottenham are without an established No 10. Frank has used Pape Matar Sarr and Lucas Bergvall in that position through pre-season, with the latter selected to start there on Saturday and the former pushed deeper in midfield. But Frank is targeting a player of Eze's calibre to add a sprinkling of magic to Tottenham's final-third play in the biggest games. Advertisement If Frank sticks with the 4-2-3-1 formation implemented against Burnley and for much of pre-season, we might expect Eze to slot in just behind the central striker. While this was typically Maddison's role in the second half of last season, what Eze brings as a chance-creator might be more comparable to the role Kulusevski thrived in during the first half of last term. Where Maddison often looks to break lines with his passing, Eze is much more like Kulusevski in that he progresses the ball through carries. Eze, who grew up playing football in south London's cages and moved across Arsenal, Fulham, Reading and Millwall's academies before earning a professional contract at Queens Park Rangers, plays with confidence and flair, unafraid to beat players on the dribble regardless of where he is on the pitch. Last season, Eze registered an average of five take-ons per 90 among all Premier League players with 900+ minutes, the 15th highest in the division. Most players above him on that list are traditional wingers. And for added context, Maddison and Kulusevski averaged 1.57 and 1.43 successful take-ons over the past year, respectively, while Eze completed 2.34. 'It feels like fun, running past players, playing passes, assisting and scoring,' Eze told The Athletic in 2023. 'I just enjoy playing football, and it's like I'm at peace. That's all it is for me. I guess that's what allows me to do it. 'It is a fun place. I'm not thinking of anything. I'm just there doing it. There are not many other places where I feel like that.' While he has the licence to contribute to Palace's attacking build-ups all over the pitch under Oliver Glasner, Eze has done the majority of his final-third damage while operating in the left half-space. In Glasner's 3-4-2-1 system, Eze starts as the left-sided No 10, allowing him to receive the ball in pockets between the opposition's full-back and centre-back and drift inside. Advertisement As the graphic below demonstrates, many of his shots after a dribble start in the channel between the touchline and the penalty spot. Though he may start as a more central No 10 under Frank, Eze appears to have a natural tendency to come inside from the left, so it's unlikely that'll change if his proposed move materialises. Crucially, Eze is a highly versatile player too. Since joining Palace from QPR in the summer of 2020, the Greenwich-born playmaker has played in 10 positions. The majority of his minutes have come in the left-sided No 10 position (labelled as 'LAM' on the graphic below), but he's also featured prominently on the left wing, as a No 10 and in central midfield. When Kulusevski returns, Eze's ability to play from the left (as he typically does for England) opens up the No 10 for the Swede to slot in between Eze and Kudus. All three players are capable of playing in several positions across the front line, and when you add in Wilson Odobert, Mathys Tel, Brennan Johnson and eventually Maddison, there is a bumper mix of combinations for Frank to work with. But given his pedigree and the sizeable outlay it will take to prise him away from south London, expect Eze to be at the heart of everything for Spurs this season. And in a World Cup year, there's no greater motivation for Eze to hit the ground running and showcase his talent — of which Premier League fans are already aware — in the Champions League. It might give him the perfect platform to boost his standing within Thomas Tuchel's setup. Anyone who has observed Eze as Palace's talisman in recent seasons has been waiting for him to make the natural step to a Champions League club, and this, it seems, is a move that makes sense for everyone. And after Son Heung-min's departure to LAFC, he's a player with the star potential to succeed the South Korean as the face of the club. Additional reporting: Mark Carey Spot the pattern. Connect the terms Find the hidden link between sports terms Play today's puzzle

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store