
Chinmayi Sripada on comparisons over 'Thug Life' song: ‘I want to apologise to Dhee'
Addressing the latest surge in popularity and the ensuing comparisons in an interview with The Hindu, Chinmayi articulated her perspective. Describing it as a regular on-stage rendition of an original song, she said that it is not something she has done for the first time, citing her prior versions of KS Chithra and S Janaki's songs. Chinmayi also emphasised that she sang the Tamil version of the song at the audio launch of Thug Life due to the absence of its original singer, Dhee.
Chinmayi then addressed the comparisons, expressing her discomfort. She said that Thug Life makers must have chosen Dhee for a 'quirky' version of the song. She then described Dhee's musical expression as being inimitable and called the comparison between their versions of the song unnecessary. 'It feels like we are part of a wrestling match that we did not sign up for,' said the 'Tere Bina' singer. She underscored the mutual respect prevalent among artists and even extended an apology to Dhee for the comparisons.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

The Hindu
6 minutes ago
- The Hindu
How Krishna has inspired a wide body of Carnatic compositions.
The Thyaga Brahma Gana Sabha's Sri Jayanthi festival featured Archana and Samanvi where the vocalists demonstrated how Krishna has inspired a wide body of compositions. Their choice of repertoire, spanning Dikshitar's kritis, Purandaradasa's devarnamas, Oothukadu's creations, Sivan's Tamil pieces, and the devotional Pasurams of Andal and Ashtapadis of Jayadevar, offered variety. They were supported by Haritha Narayanan (violin), Aduthurai Guruprasad (mridangam) and S. Harikishore (kanjira). The concert opened with Oothukadu Venkata Kavi's 'Ranganatham anisham', a kriti known for featuring of the names of alwars and other devotees of Vishnu in one of its charanams, set in Gambeera Nattai. True to the composer's characteristic verve, the piece unfolded on a vibrant note, setting the tone for the evening. From there, the duo moved to Purandaradasa's 'Gopiya bhagyavidu' in Kapi Narayani, tuned by their guru Arvinda Hebbar. The composition dwells on the bhagyam of Yashoda to bathe Krishna, sing him lullabies and shield him from the evil eye. The next segment featured Dhanyasi, with Samanvi shaping a thoughtful alapana that was ably supported by Haritha. This was followed by Papanasam Sivan's 'Balakrishnan padamalar'. There were occasional moments of vocal misalignment, when the singers didn't seem to be in sync. The percussionists lent a lively support. The niraval at 'neela mugil pol azhagan' was engaging and flowed into a round of kalpanaswaras. The concert then moved to Muthuswami Dikshitar's 'Krishnananda mukunda murare' in Gowli Pantu, distinguished by its use of shuddha madhyamam. Apoorva's alapana in Karaharapriya carried weight, though she briefly paused midway before resuming. The violin's responses were pleasing, setting the stage for Oothukadu Venkata Kavi's 'Rasa keli vilasa', the main piece of the day. While the charanam saw both vocalists momentarily falter over the 'sahrda hrdi' passage and correct themselves, the kalpanaswaras in two kaalams were neatly executed. The segment concluded with a lively tani, where the mridangam and kanjira engaged in spirited dialogue. To conclude, the vocalists chose two lighter yet substantial compositions — Andal's 'Karpooram naarumo', from Nachiyar Tirumozhi, was sung in Khamas with charm, followed by Jayadeva's 'Nijagada sa', in Sindhubhairavi. Both pieces made for a fine finale to a concert dedicated to Krishna.


Time of India
16 minutes ago
- Time of India
Single Pasanga: Contestants deliver stunning dance performances in 'Recreation Round'; Watch promo
The much-loved Tamil music reality show Single Pasanga is set to deliver an electrifying episode this weekend with the highly anticipated 'Recreation Round.' Known for its unique blend of music, dance, and entertainment, the show will see contestants stepping into iconic Tamil film moments and recreating them on stage with a modern twist. The latest promo gives fans a sneak peek into the grand performances lined up, and it promises to be nothing short of spectacular. The Recreation Round will feature contestants presenting stunning dance performances while staying true to the essence of cult Tamil film scenes. From emotionally charged sequences to high-energy mass moments, the episode is expected to strike a balance between nostalgia and creativity, making it a visual treat for fans of Tamil cinema. Watch the promo: View this post on Instagram A post shared by zeetamil (@zeetamizh) The final pairs of the season who will take the stage in this special round are: Blacky star Suresh and Fouzee, Thidiyan and Kemy, Tamilarasan and Keerthika, Jimikili and Niranjana, Vignesh and Shilpa, Raavanan and Asha Gowda, Ragavendra and Pranika, Saravan and Upasana, and Thanga Pandi and Chandhini Prakash. Each duo has already won hearts with their chemistry, talent, and versatility, and their performances in this round are expected to raise the bar even higher. The Recreation Round is set to take the excitement up a notch by blending nostalgia, music, and dance brilliance. With power-packed performances, engaging storytelling, and Manimegalai 's infectious energy, the upcoming episode of Single Pasanga is sure to leave fans asking for more.


Time of India
18 minutes ago
- Time of India
Coolie actress Shruti Haasan reveals four reasons why South stars stand out from Bollywood actors
Different between South and Bollywood industry Shruti Haasan opens up on plastic surgery remarks Actor and musician Shruti Haasan is currently enjoying a career high, following the success of her latest film Coolie alongside superstar Rajinikanth, which has crossed the Rs 200 crore mark at the domestic box office. But even as she basks in this achievement, Shruti has been candid in recent interviews, talking about her experiences across different film industries, her personal journey, and the ongoing societal scrutiny that women in entertainment often successfully carved a niche for herself in the Tamil and Telugu industries, Shruti briefly ventured into Bollywood. Films like Luck (2009), Ramaiya Vastavaiya (2013), and Behen Hogi Teri (2017) marked her presence in Hindi cinema, but her stint was relatively short-lived. Looking back at her time in Bollywood , Shruti admitted she's still unsure why it didn't fully take off. She told THR, "Sometimes I didn't have the dates, sometimes I made wrong choices. But the Hindi film space is changing, especially with OTT, and I'm getting more projects that actually interest me.'Shruti also opened up about the cultural nuances between the southern and Hindi film industries. She pointed out that South Indian cinema maintains a deeper sense of humility, spirituality, and discipline, both on and off set. 'In the South, even the biggest stars are deeply aware of how they conduct themselves. There's a belief that if you don't stay grounded, you'll lose the blessings you've received,' she though she grew up in a home where religion wasn't a big part of daily life, she noticed small but meaningful rituals on South Indian film sets, like offering coconuts or keeping a deity's photo nearby. She felt there was a quiet discipline and higher level of awareness in the way people behaved on set. Compared to her experience in Bollywood, the South seemed more rooted in tradition and respect for the also spoke about how her early experience in music taught her to value teamwork and humility. Instead of trying to stand out, she learned to simply do her part and let the overall art shine. Shruti mentioned that in South India, people often live simply, even if they are wealthy, which reflects a mindset that avoids showing off. For her, being an artist means being a channel for good stories and music, not just chasing fame. This grounded approach continues to guide her work and helps her stay focused on what really matters in her career."I found there to be a higher level of awareness and consciousness in the South, compared to when I worked in the Hindi film industry.'Away from cinema, Shruti also spoke about personal freedom and the criticism that often follows women in the public eye. She addressed the backlash she faced for being open about undergoing cosmetic procedures, a topic that continues to carry stigma as people called her 'plastic surgery ki dukaan'.Despite the criticism, she remains unapologetic, standing by her choices as personal decisions, not something she promotes or expects others to follow. She believes that being honest often comes at a cost, especially for women in the public eye, but sees that price as worth paying. Whether in relationships, work, or life in general, she chooses to live on her own terms, staying true to herself even when others are quick to judge.