Vancouver theatre: Here are the six best plays to see in June
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Ah, June. Summer sunshine (maybe) and summer theatre. Musicals, comedies, more musicals and comedies, and a few outliers. June in Vancouver means Bard on the Beach — three shows this year are comedies. And Theatre Under the Stars — two musicals. And the Arts Club's summer musical. Funnyman Colin Mochrie at the Improv Centre. Theatre in the Country's musical. A post-apocalyptic musical from Renegade Arts. An embarrassment of musical and comic riches.
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No one is funnier than Oscar Wilde, who here applies his incomparable wit to a fin de siècle tale of political scandal and blackmail. The kind of material the Vancouver Playhouse would once have produced now frequently gets done, and done well, by United Players. Starring Hayley Sullivan, Cat Smith and Chris Cope. After 11 seasons at the Shaw Festival, director Moya O'Connell knows the period style.
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Haus of Yolo
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From New Zealand's The Dust Palace, The Cultch's season-ender features acrobats creating their own costumes onstage in real time: 'from sewing machine to circus routine.' In this 'anti-cabaret cabaret,' the show's four performers take turns playing the designer and the Sexy Meat Puppets who wear the clothes and do the routines. One reviewer described it as a celebration of 'the half-naked body in the tiniest leotards I have ever seen.'
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Bard on the Beach opens its season with one of Shakespeare's finest romantic comedies, featuring witty lovers Beatrice and Benedick. A couple of Bard veterans, the divine Jennifer Lines as Beatrice and hilarious Scott Bellis as goofy Constable Dogberry, make this a guaranteed winner. I don't know about the 'additional text by Canadian playwright Erin Shields' to enhance the near-serious subplot. But director Johnna Wright has a good track record with Bard comedies.
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Waitress
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Local TV star Rachel Drance (The Flash, Virgin River) plays a pregnant small-town waitress in a bad marriage whose pie-baking skills save her. Warning: Extramarital sex! Adapted from the 2007 movie, the stage play has music and lyrics by Grammy Award winner Sara Bareilles and an A-list supporting cast including Ben Elliott, Josh Epstein, Jennie Neumann and Tom Pickett. The Arts Club's Ashlie Corcoran directs.
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CTV News
2 days ago
- CTV News
Bard on the Beach to present Much Ado About Nothing with small but mighty edit
People line up to enter Bard on the Beach in Vancouver. (The Canadian Press / Chuck Stoody) To the casual theatregoer, this year's Bard on the Beach production of Much Ado About Nothing will seem delightfully typical of the company's crowd-pleasing spectacles, but to the seasoned Shakespeare fan something might seem afoot. To modify or not to modify? That was the question posed before director Johnna Wright decided to update her version of the 16th century comedy with additional text by playwright Erin Shields. Shields had tweaked the text for Ontario's The Stratford Festival in 2023, including a prologue for one of the lead characters and a new scene for the production's fifth act. Wright assures all the major elements are the same: The production is set in the Italian city of Messina, and the storyline focuses on the two romances between Claudio and Hero and Benedick and Beatrice. The modification addresses a particular element of the storyline without changing the ending, she says. It is an addition to the script, not a rewrite, that Wright describes as 'giving voice' to a character that is silenced in the original play. 'I was very excited when I read Erin's script because it does such a beautiful job of being true to the play and to the characters that Shakespeare created, but also linking it to a modern audience and how we respond to the kind of things that are happening,' she says. Shakespeare's original grapples with the theme of gender as it reflects the expectations of women in Elizabethan-era England. It has elements that Wright says appear in many Shakespeare plays, elements that can be 'difficult to get to grips with' as a modern-day viewer. Often they made gender assumptions or acknowledged societal norms that might seem unacceptable now, she says, but were typical of the times then. 'When you do these plays, you're always thinking, 'How am I going to make that part work?' says Wright. 'Because this is a comedy, and it is supposed to be a happy ending, but there are some things that are kind of disturbing that an Elizabethan audience would have accepted as a happy ending, but we don't see it that way.' Wright expects the additional scene, which sees the young and naive Hero respond to the violence endured throughout the play, to surprise Shakespeare devotees but to ultimately incite a warm reception. 'I will be very interested to find out how people respond to that particular aspect of the show,' she says. 'I think that most people will appreciate it because it just says what most people, I think, would be thinking when they watch these events. Which is 'this is wrong, this is terrible.' We get a chance to address that, so you don't have to feel that you've watched something disturbing and nothing was acknowledged.' Bard veteran Jennifer Lines, who has been working with the company since 1996 and will be playing Beatrice in the upcoming production, says the adjustment made by Wright marks a shift in theatre that will hopefully cause a ripple effect leading to the tweaking of other productions where needed. 'I've been doing this for a long time now and I see the need for accessibility and engaging a modern sensibility, and having those broader interpretations,' says the actress. 'Making it relevant and inclusive, it is important, but it is a dance.' Lines assures the tweaks do not take anything away from the brilliance of the original, a brilliance which, as someone who has performed in the play multiple times as Margaret, Ursula and Beatrice, she says she can attest to. 'It is a play that keeps coming back to me. It's comedic, it's dramatic, it's romantic, it's got everything,' she adds. 'The characters are well fleshed out. There's intelligent banter. It's one of Shakespeare's loveliest plays in my mind, and it's such a thrill to be a part of.'
The Province
3 days ago
- The Province
2025 Bard on the Beach opens with Shakespeare's first play, and a set of rom coms
The Two Gentlemen of Verona has the smallest cast of any play by the Bard Bard on the Beach The Two Gentlemen of Verona Emily Cooper Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Bard on the Beach returns this summer with a pair of rom coms that couldn't be more different from one another. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors For its 2025 season, the not-for-profit professional Shakespeare festival presents Much Ado About Nothing and the Two Gentlemen of Verona on the BMO Mainstage in Vancouver. Much Ado About Nothing is a classic work believed to have been written sometime in the period of 1598-1599. This comic romp in the Sicilian city of Messina follows the couple Benedick and Beatrice through a labyrinth of mistaken identity, battles between the sexes and ribald wit. The play has been adapted into numerous film and TV versions, as well as into young adult fiction. It is a clear classic of the canon. The Two Gentlemen of Verona, believed to have been written sometime between 1589-1593, is considered to be Shakespeare's first play. Dealing with themes of friendship, infidelity and love's labours, the play has the smallest cast of any work by the playwright. Everyone has to start somewhere, and the production budget usually reflects that fact. This advertisement has not loaded yet, but your article continues below. The Two Gentlemen of Verona doesn't typically receive equal billing compared to other Shakespeare works. In fact, some refer to it as 'one of Shakespeare's weakest plays.' But the comedy has one of the most scene-stealing non-speaking role in all of Shakespeare's plays, performed by a dog called Crab. There will be a dog playing Crab in the local production, which alone might be worth checking out. What really makes this take on The Two Gentlemen of Verona sound appealing is its turn as this year's Bard on the Beach 'jukebox Shakespeare' jaunt. After past successes with The Beatles' music-infused As You Like It and Bollywood-themed All's Well That Ends Well, the company has a proven track record of turning any play into a song-and-dance delight. Essential reading for hockey fans who eat, sleep, Canucks, repeat. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Bard on the Beach director Dean Paul Gibson Dean Paul Gibson For The Two Gentlemen of Verona, director Dean Paul Gibson has decided to place the play in the shoulder pads and pouffy-haired heyday of the 1980s. Shakespeare wrote the play in 'the pocket of his youth' in his 20s, and Gibson was at the same age in the '80s. 'Choosing to set it in the soundscape of my youth felt like a great hit with a lot of people of a certain generation feeling some nostalgia about it,' said Gibson, noting it's his fourth time with this play. 'The 1980s seem to be in the zeitgeist again, and a strong connection with the music — complete with Easter eggs throughout the production for the '80s kids and fans of the era — make it a lot of fun.' Gibson admits the Two Gentlemen of Verona explores the 'frankly dumb, sometimes transgressive choices' that one makes in their youth. While the playwright would revisit such things as characters hiding their identity and confusing plot twists with more depth and detail in later works, there is something fresh and vigorous in the play that the cast and crew are making their own. This advertisement has not loaded yet, but your article continues below. 'I was watching Pretty in Pink when I started thinking about doing it, and right away realized that there is a direct line from John Hughes to Shakespeare in this comedy,' he said. 'It's a ripe play for the excess and indulgence of the era to be put up on stage at a time when getting the mullets working is just the kind of distraction we need. It's also a bit of a love letter to misspent youth.' Vancouver actor Agnes Tong is new to Bard on the Beach this year. She plays Silvia, beloved of Valentine, one of the two gents from Verona. With a lengthy Hollywood North TV and film resume, the Studio 58 graduate fondly recalls attending Bard on the Beach in the past. Bard on the Beach's Agnes Tong Agnes Tong 'It's an event with beautiful language floating over to the mountains you see through the open back of the stage,' said Tong of the famous seaside setting. This advertisement has not loaded yet, but your article continues below. Noting she's still somewhat new to Shakespeare, having previously been directed in Julius Caesar at Studio 58 by current cast mate Scott Bellis, Tong says it has been a complete delight diving into the work. 'It looks hard, but the iambic pentameter rhythm of the writing mirrors a natural speaking rhythm that makes learning the language of the Bard easier,' she said. 'But, yes, there are still some words that are hard to get your mouth around and ensure the image and emotion in what you are saying resonates. We are having the best time with the big hair, bigger shoulder pads and drawing on my previous career as a dancer.' Bard on the Beach The Two Gentlemen of Verona (l-r) Agnes Tong and Jacob Leonard are directed by Dean Paul Gibson (cap) in the Two Gentlemen of Verona. Photo by bard / Taylor Kleine-Deters Tong plays opposite Matthew Ip Shaw as Valentine. Jacob Leonard appears as Proteus, Valentine's best mate and the other gent of Verona, who is in love with Julia (Tess Gegenstein). The love story between this foursome follows them on an adventure that spans several royal courts, locations, and encounters. This advertisement has not loaded yet, but your article continues below. By end of show, the audience will be able to know the answer to the question posed by the Human League in its 1981 smash, Don't You Want Me? Along with two Shakespeare-adjacent works at the Douglass Campbell smaller stage, tickets and information for all Bard on the Beach dates can be found at Bard on the Beach The Complete Works of William Shakespeare (Abridged) [Revised] (Again). What's playing at Bard on the Beach in 2024? There are four plays at the 2025 Bard on the Beach festival. Two Shakespearean classics are presented in the BMO Mainstage. Two Shakespeare-adjacent works are presented at the Douglas Campbell Theatre smaller stage. Tickets/info: BMO Mainstage: Much Ado About Nothing: A romp that is 'as merry as the day is long.' Featuring sparring couple Beatrice and Benedick and star-crossed young lovers Claudio and Hero, this is one of Shakespeares most-loved comedies directed by Johnna Wright. With Sheldon Elter as Benedick, Jennifer Lines as Beatrice, Angus Yam as Claudio and Jennifer Tong as Hero. This advertisement has not loaded yet, but your article continues below. The Two Gentlemen of Verona: Venture back to the weird and wacky era of the 1980s for a music-filled frenzy of rom-com mix-ups and eventual matches in what is considered Shakespeare's first play. Directed by Dean Paul Gibson. With Agnes Tong as Silvia, Tess Degenstein as Julia, Matthew Ip Shaw as Valentine and Jacob Leonard as Proteus. Plus Mason the dog as Crab, the dog. Douglas Campbell Theatre: The Complete Works of William Shakespeare (Abridged) [Revised] [Again]: A sprint through all of the Shakespearean canonical plays in record time with no shortage of laugh out loud moments. A fan fave whether you love or loathe the Bard. Directed by Mark Chavez. With Tess Degenstein, Craig Erickson, Arghavan Jenati and Nathan Kay in many, many roles. The Dark Lady: Playwright and actor Jessica B. Hill's story of England's first published female poet, Emilia Bassano, asks if she was the 'Dark Lady' of Shakespeare's sonnets and more. Directed by Moya O'Connell. With Arghavan Jenati as Emilai Bassano, Nathan Kay as William Shakespeare, Sebastian Kroon and Synthia Yusuf as understudies. sderdeyn@
Calgary Herald
3 days ago
- Calgary Herald
2025 Bard on the Beach opens with Shakespeare's first play, and a set of rom coms
Article content Vancouver actor Agnes Tong is new to Bard on the Beach this year. She plays Silvia, beloved of Valentine, one of the two gents from Verona. With a lengthy Hollywood North TV and film resume, the Studio 58 graduate fondly recalls attending Bard on the Beach in the past. Article content Article content 'It's an event with beautiful language floating over to the mountains you see through the open back of the stage,' said Tong of the famous seaside setting. Article content Noting she's still somewhat new to Shakespeare, having previously been directed in Julius Caesar at Studio 58 by current cast mate Scott Bellis, Tong says it has been a complete delight diving into the work. Article content 'It looks hard, but the iambic pentameter rhythm of the writing mirrors a natural speaking rhythm that makes learning the language of the Bard easier,' she said. 'But, yes, there are still some words that are hard to get your mouth around and ensure the image and emotion in what you are saying resonates. We are having the best time with the big hair, bigger shoulder pads and drawing on my previous career as a dancer.' Article content Article content Article content Tong plays opposite Matthew Ip Shaw as Valentine. Jacob Leonard appears as Proteus, Valentine's best mate and the other gent of Verona, who is in love with Julia (Tess Gegenstein). The love story between this foursome follows them on an adventure that spans several royal courts, locations, and encounters. Article content By end of show, the audience will be able to know the answer to the question posed by the Human League in its 1981 smash, Don't You Want Me? Article content Article content Much Ado About Nothing: A romp that is 'as merry as the day is long.' Featuring sparring couple Beatrice and Benedick and star-crossed young lovers Claudio and Hero, this is one of Shakespeares most-loved comedies directed by Johnna Wright. With Sheldon Elter as Benedick, Jennifer Lines as Beatrice, Angus Yam as Claudio and Jennifer Tong as Hero. Article content The Two Gentlemen of Verona: Venture back to the weird and wacky era of the 1980s for a music-filled frenzy of rom-com mix-ups and eventual matches in what is considered Shakespeare's first play. Directed by Dean Paul Gibson. With Agnes Tong as Silvia, Tess Degenstein as Julia, Matthew Ip Shaw as Valentine and Jacob Leonard as Proteus. Plus Mason the dog as Crab, the dog. Article content Douglas Campbell Theatre: Article content The Complete Works of William Shakespeare (Abridged) [Revised] [Again]: A sprint through all of the Shakespearean canonical plays in record time with no shortage of laugh out loud moments. A fan fave whether you love or loathe the Bard. Directed by Mark Chavez. With Tess Degenstein, Craig Erickson, Arghavan Jenati and Nathan Kay in many, many roles. Article content The Dark Lady: Playwright and actor Jessica B. Hill's story of England's first published female poet, Emilia Bassano, asks if she was the 'Dark Lady' of Shakespeare's sonnets and more. Directed by Moya O'Connell. With Arghavan Jenati as Emilai Bassano, Nathan Kay as William Shakespeare, Sebastian Kroon and Synthia Yusuf as understudies.
