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Lorraine Kelly accidentally brushes her teeth with washing powder while husband Steve Smith brands the couple 'mingin' as they leave luxuries behind for Zimbabwe camping trip

Lorraine Kelly accidentally brushes her teeth with washing powder while husband Steve Smith brands the couple 'mingin' as they leave luxuries behind for Zimbabwe camping trip

Daily Mail​16 hours ago
Lorraine Kelly and husband Steve Smith have left luxuries behind for their picturesque Zimbabwe camping trip.
But despite being left 'mingin' as they roughed it, the broadcaster, 65, and her partner of 33-years, appeared to love every moment as they got up close and personal with hippopotamuses and crocodiles.
One mishap while travelling in their camper saw Lorraine accidentally brush her teeth with 'travel wash' while Steve, who shares daughter Rosie, 31, with his wife, joked the pair's equal stenches were 'cancelling each other out'.
Taking to his Instagram he shared a clip of the getaway as the couple dined outdoors and enjoyed the scenery before bedding down in their van.
Steve captioned the video: 'Another great day at mana pools. One of us brushed their teeth with travel wash ( no me ) before we set off the see what we could find'.
'Lots@of ele's antelopes, warthogs, jackals, hippos and crocs. The wild dogs have moved on and we never saw lions but we heard them in the night. Kept me awake!'.
He went on: 'We're both so mingin now but at least we're cancelling each other out! Finally getting used to the 4WD with the funny wee second gear lever and the hub locks. Early night , up in the tent at 6 like toddlers before the bitey things come out of the bush '
While Lorraine commented: 'To be fair the travel wash was in the same wash at as the toothpaste and both tubes the same size'.
Steve has famously stayed out of the spotlight and in his wife's shadow, with Lorraine joking 'his idea of hell would be a premiere' - but he understands the demands of her role in the entertainment world.
She previously told The Mirror: 'He picks up the slack and always has. I couldn't do what I do if it weren't for him. He makes me laugh an awful lot. He's very kind and a brilliant dad.'
Lorraine added: 'His idea of hell on earth would be at something like a premiere. It would be like having needles stuck in his eyes. That does help. It must be very odd being with someone who enjoys walking down a red carpet.'
The host also lauded her partner for his support when she was going through perimenopause.
She said: 'It was absolutely horrible. I completely lost myself. My husband didn't know what was going on. He said, "what can I do, how can I help?" It was him who said, "you have to get some help."'
In 2021, Lorraine gave a rare insight to her marriage with Steve, revealing their sex life is ' toddling along nicely '.
While Lorraine commented: 'To be fair the travel wash was in the same wash at as the toothpaste and both tubes the same size'
The daytime television presenter said the secret to keeping intimacy alive is 'having confidence in yourself, adding that 'a lot of older women can feel invisible'.
'It is all about being confident in yourself. A lot of older women can feel invisible, but I don't', she told the Mirror.
It comes after Lorraine reportedly signed a major deal with ITV rival Channel 4 for a huge budget travel series after her daytime show was hit by brutal cuts.
The Scottish presenter's morning show has also seen her key production role, Head of Lorraine be axed, according to The Sun On Sunday.
And this is just the latest in a series of blows for the show, as the year-round hour-long show was reduced to just 30 weeks of 30-minute slots from next year.
Lorraine first joined ITV in 1984 and has appeared on many flagship shows including GMB alongside Eamonn Holmes.
A source told the publication: 'Channel 4 were delighted to have Lorraine on board. It was exciting for Lorraine to do something different and be on location again.
'Despite the apparent slight in the ITV daytime shake-up, Lorraine's loyal fanbase isn't to be underestimated and they will follow her wherever she goes.
The source continued and claimed she is 'gutted' over the cuts and is now 'opening her eyes' to upcoming options in the industry.
An ITV spokesperson told MailOnline: 'We have always said that from January 2026, Lorraine, This Morning and Loose Women will be three editorially distinct shows which will be produced by one team.
'These changes are not about the performance of the shows or the staff who produce them, with Lorraine only last month achieving its highest audience share in four years.
'We can assure our viewers that their favourite daytime shows will remain familiar to them on screen."
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Birmingham veterans to benefit from rowers' Indian Ocean challenge
Birmingham veterans to benefit from rowers' Indian Ocean challenge

BBC News

time2 hours ago

  • BBC News

Birmingham veterans to benefit from rowers' Indian Ocean challenge

A group of rowers overcame capsizing and equipment failures to complete a journey across the Indian Ocean in aid of Mason, Matthew Inglesby, Matthew Hemmings and Jake Mattock undertook the mainland-to-mainland charity crossing in a traditional ocean rowing group, who left Australia in May, recently landed in Kenya after the 71-day adventure of more than 3,600 nautical £60,000 has been raised towards the University Hospitals Birmingham Charity, to support injured military personnel and their families. Mr Mattock told BBC Midlands Today that the challenge, organised by Ocean Revival Adventures, was going relatively smoothly before they got to their boat capsized and they also suffered various equipment failures, including losing their GPS and steering issues."That's where things started to turn and we had to go to plan B, plan C and, in some cases, plan D," he Mattock, who founded outdoors initiative The Adventure Antidote, said overcoming those difficulties was their biggest challenge."I was pretty scared after that and we were still in the middle of the ocean," he said. "Help isn't that close if you need it." Mr Mattock said he decided to take part in the challenge because he became "sick of the same routine" and wanted to explore the world."I felt like I never really pushed myself enough to find out what I was capable of. I wanted to try a challenge I wasn't sure I'd be able to achieve," he said."To smash it throughout the 71 days and get to the finish line feels so good."The money raised will be split between Fisher House, which offers a home away from home for injured military personnel and their families, and Diving with the Injured - a programme which takes wounded veterans on diving trips around the world. Mike Hammond, chief executive of the hospital charity, said they needed to raise about £300,000 a year to run Fisher House."It still means we've got a lot more money to raise every year but it's an amazing achievement by Jake and the Matts," he said. Follow BBC Birmingham on BBC Sounds, Facebook, X and Instagram.

Parenthood - Everything you need to know about the new wildlife series
Parenthood - Everything you need to know about the new wildlife series

BBC News

time8 hours ago

  • BBC News

Parenthood - Everything you need to know about the new wildlife series

Sir David Attenborough returns to narrate Parenthood - A groundbreaking wildlife series on nature's ultimate challenge. From the world-class natural history storytelling company Silverback Films comes Parenthood, a breathtaking new series exploring the universal struggle to raise the next generation. Narrated by Sir David Attenborough and lyrics co-written and performed by Sam Ryder, this six-part series captures the extraordinary lengths animals go to ensure the survival of their young. Filmed over three years across six continents and 23 countries, Parenthood showcases astonishing, never-before-seen animal behaviours in stunning 6K ultra high definition. From the remote jungles of Bhutan to the grasslands of Botswana, each episode reveals the unique - and often surprisingly familiar - challenges faced by animal parents around the world. The stakes couldn't be higher - success for all parents ensures the future of life on our planet. Packed with never seen before behaviours filmed in 6k ultra high definition with music scored by Tom Howe (Ted Lasso, Mulan), Parenthood is the definitive wildlife series on life's greatest challenge. Watch Parenthood from Sunday 3 August on BBC One. All episodes will be available on BBC iPlayer AJ2 The series in numbers Total number of countries filmed in: 23 Total number of filming days: 1,427 Total number of shoots: 58 Rarest animals filmed: Iberian Lynx, Spain Interview with Series Producer and Director Jeff Wilson What sets this series apart from other natural history programmes? Parenthood tells the previously untold stories behind the struggles and triumphs that animal parents have to endure in order to sustain life on Earth. 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Do you have any favourite moments in the series or unique wildlife encounters in the series? For sheer parental commitment, and for the fact that the full story has never been filmed for a documentary before, my personal favourite must be the story of the African social spider - a mother spider who not only raises 50 offspring alongside her sisters but eventually sacrifices her own body to feed her growing young in an act called matriphagy. Less gruesome, yet equally fascinating, is the eight-year commitment to child rearing that a mother orangutan undergoes, along the way showing her young the huge range of foods on offer, as well as how to make his own bed. New technologies allowed us to follow the nightly battle mother hippos endure to keep their young alive as they search for fresh grass in the Tanzanian bush, only to be stalked by prides of lions. What do you personally hope viewers will take away from this series? Aside from the marvel at seeing new behaviours and engaging dramas, as a parent myself, I hope our audience recognise the universal story of parenthood, and that wild animals and humans, have more in common than you might think. By recognising our similarities, we can find an empathy and perhaps even a solution to creating a better world for all of our young. Episode One – The Greatest Adventure Parenthood is a journey like no other - full of risk and reward. Every habitat has a unique set of challenges and every parent has a unique strategy to overcome them. The stakes, however, couldn't be higher. Success, for all parents, ensures the future of life on our planet. Finding a suitable home is the first challenge. In the Kalahari, lion mothers survive by raising one another's cubs in times of need - only these mothers have the added risk of having to teach their cubs to also become giant hunters. Elsewhere, in Texas, a pair of burrowing owls provide an underground nest for their chicks, giving their chicks protection whilst they work around the clock to supply food. Food is vital to all parents' success - but a mother hippo in Tanzania has to leave the safety of her pool every night to find grass for her and her calf, running a gauntlet of hungry lions hidden in the dark with her newborn calf. Some parents take providing to extremes. In a sequence never seen in a documentary before, an African social spider regurgitates a 'milk' made from dissolved body parts to feed her young. Once her spiderlings need something more substantial, however, she offers herself - and her spiderlings eat her alive. It is the ultimate parental sacrifice. Animal parents are having to adapt to a world that is changing rapidly, and the recovery of the Iberian Lynx in southern Spain is a remarkable success story - showing how humans can help animal parents thrive in the face of enormous challenges. Filming locations and species: Lions: Kalahari Desert, Botswana Burrowing owls: Phoenix, Arizona, USA Hippos: Ruaha National Park, Tanzania The African social spider: Tsumeb, Namibia Iberian Lynx: Andalusia, Southern Spain Boxer Crabs: Indonesia and specialist filming tank Filming feats: The African social spider: The first time the full story of Matriphagy in African Social Spiders (where offspring consume their mother - these female spiders are known to vibrate their nests to trigger this process) has been captured in high resolution for a documentary. Burrowing owls: The intimate vocalisations between chicks and their parents inside the den was uniquely recorded by our cameras and supplied to scientists for further research. Hippos: We designed new ways of using Infra-Red technology inside gyro stabilised housing to allow to drive alongside the mother hippos as they journeyed with their calves through the dark. This technological breakthrough gave us unique behavioural footage. Episode Two - Oceans Parenting in the oceans is extremely rare. Most marine animals avoid it altogether, leaving their young to survive on their own. However, those animals that do take on the challenge have some of the most remarkable parenting strategies on Earth. In coral reefs, where space is limited, creatures must be creative to find homes for their young. In Indonesia, a dedicated banggai cardinalfish father overcomes this problem by raising his young inside his mouth, while remarkable dolphin mothers in the Red Sea use the reef to teach their calves games, and then, as they grow, to use the reef to self-medicate. In colder oceans, seaweed serves as the perfect nurseries. The masterful camouflage of the weedy sea dragon in Australia helps a father keep his eggs safe, while the extraordinary skeleton shrimp has to piggyback her young amongst the currents whilst searching for food. A resourceful otter mother in Scotland must find enough fish amongst the seaweed to keep her three kits safe but to do so she leaves them alone for hours at a time, with near- disastrous consequences. Some marine parents use intelligence to adapt. Killer whale mothers in Australia teach their pod to hunt blue whales, a cultural lesson passed down through the generations and key to their future success. Nearby an octopus mother transforms a discarded plastic pipe into a home for her eggs, which she guards relentlessly until they are independent. In South Africa, Cape gannet parents fly hundreds of miles to find food for their growing chick. Yet despite this remarkable parental dedication, their fledglings face great challenges. Their first flight involves dodging hungry fur seals, which now prey on gannet chicks due to depleted fish stocks. Across our planet, humans must play a vital role if ocean parents are to continue to thrive. Filming locations and species: Banggai cardinalfish: Bone Baru, Banggai Indonesia and specialist filming tank Dolphins: The Red Sea, Egypt Common Seadragon or Weedy Seadragon: Melbourne, Australia Skeleton shrimp: Melbourne, Australia and specialist filming tank Killer whales: Bremer, West Australia Octopus: Melbourne, Australia Cape Gannets: Cape Town, South Africa Fur Seals: Cape Town, South Africa Filming feats: Killer whales: The 'practice hunting' behaviour appears to show members of an orca family submerging the head of one individual to prevent it from breathing - the technique used by killer whales to hunt large whales. This practice hunting behaviour has never been filmed before. Episode Three – Grasslands In the open grasslands of our planet, parents must constantly balance risk and reward when raising the next generation. While abundant grass promises plentiful food and places for a family to call home, the exposed landscape brings competition and predators. In England, an ingenious potter wasp takes full advantage of the grassland's bounty; expertly building a clay cradle and stuffing it full of caterpillars for offspring she will never meet. In Kenya's Masai Mara, a cheetah mother uses the open stage to show her cubs the hunting skills they will need as adults. Essential when she needs help tackling a wildebeest calf. But for others, the balance is harder to achieve. In the open plains of the Lower Zambezi, a thirty-strong wild dog pack has all the odds in their favour. But the parents must instil discipline in their inexperienced pups or risk them ruining the hunt. In India, langur mothers must learn to first be good babysitters before taking on the parental role - and for some it doesn't come easy! A changing planet is continually shifting the balance between risk and reward, forcing parents across grasslands to make new and difficult choices. In the Kalahari, sociable weaver birds make the largest nests in the world, shielding their colony from the sun's heat. But an unbearable heatwave causes social order to break down as disgruntled neighbours begin to evict chicks. In Patagonia, a guanaco mother must join thousands of others in trying to reach winter feeding grounds, only to be faced by mile upon mile of fencing. The challenges for animal parents are becoming more intense, but simple solutions from humans can ultimately determine the future and stability of life on our grasslands. 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Yet water itself is not constantly available, and animal parents must relentlessly adapt to this challenge. Dedication, perseverance and sheer bravery are key to success in the Freshwater world. In the Brazilian Amazon, thousands of turtle parents must predict the timings of the seasonal rains before laying their eggs. If they get it wrong, their hatchlings will drown underground, but if they get it right, it is the beginning of one of Earth's greatest spectacles as thousands of baby turtles follow their mothers calls into the water. In Namibia, waterholes provide a reliable resource for a desert-dwelling Namaqua sandgrouse father. But he must pick his moment wisely when collecting water for his chicks. One second out, and he will end up in the claws of a raptor. Some animal parents try to use the power of water to their advantage. In a Caribbean river, a tri tri goby harnesses the currents to oxygenate his eggs. But before they can even be laid, a once-in-a-lifetime storm sweeps him and everything he's built downstream. He must climb one thousand feet of waterfalls to get another chance at parenthood. In the swamplands of Florida, a clever swamp canary parent uses the power of snacks to entice its young hatchlings from the jaws of danger, with only moments to spare. For some, the search for water can feel never ending. In drought-ridden Kenya, an elephant matriarch and her family must share the remaining water with humans until finally the rains come. When they do, the power of water threatens to turn deadly. As the climate shifts, freshwater is becoming harder to predict. Humans and wildlife are adapting to changing freshwater patterns, but we can choose to give the next generation a future with more reliable freshwater. Filming locations and species: Turtles: Guapore, Brazil Namaqua sandgrouse: Damaraland, Namibia Tri Tri Goby fish: Trafalgar, Dominica Swamp canary: Lake Marion, South Carolina Pheasant-Tailed Jacana: Khon Kaen, Thailand Elephants: Samburu, Kenya Filming feats: Tri Tri Goby fish: First time a Tri Tri Goby fish has been filmed transferring rocks to build a nest tunnel for his young. Swamp canary: This species has never been filmed for broadcast and the first-time chicks fledging into water and being coaxed up the tree trunk by it's parent has been filmed for a documentary. Pheasant-Tailed Jacana: This species has not been filmed before, and its egg rolling and the consequences of caterpillar infestation on its breeding sites has not been documented before. Episode Five – Jungles Raising young in the complex world of jungles takes ingenuity. Parents must become masters of their environment, learning to exploit all opportunities if they are to secure the future of the next generation. In remote Bhutan a pair of rufous necked hornbills have a lifelong partnership built on trust and dedication - the mother is imprisoned for a hundred days inside a tree, relying on her male to support his family. Meanwhile, in Sri Lanka, a plucky pug-nosed frog shares his home with a huge venomous tarantula. This unlikely duo makes a great team - the tarantula acts as a live in bodyguard, and the diminutive frog stays home to keep their shared home clean. In Jamaica, an ingenious crab mother works tirelessly to raise her brood of minuscule crablets. With scientific precision, she uses what is available in the forest to create the perfect conditions for her nursery pool. Elsewhere some jungle parents need space to roam - and some are forced to adapt when their habitat changes around them. 'Crinkle', a cassowary father in Australia, navigates his chicks through new dangers in the oldest rainforest in the world. In the Amazon, forest fires force a tapir mother to seek a new territory where she can find vital life-giving minerals, and in China white-headed langurs cling on at the edge of existence. Their limestone pinnacles are surrounded by farmland, and they need to fight for what's left to ensure a safe place for their young. Remarkably, in all of our jungles, new science shows ancient 'mother trees' providing not only for their own offspring, but also for countless other rainforest families, from the tops of the canopy right down into the leaf litter. Their influence may be the key to all of our survival. Filming locations and species: Rufous necked hornbill: Zhemgang region, Bhutan Pug-nosed frog: Kitulgala, Sri Lanka Fringed ornamental Tiger Spider: Kitulgala Sri Lanka Bromeliad Crab: Montego Bay, Jamaica Cassowary: Daintree, Queensland, Australia Tapir: Cristalino, Brazil White-headed langur: Guangxi Province, China Orangutan: Gunung Palung National Park, Indonesia Filming feats: Rufous necked hornbill: The first time a Rufous necked hornbill chick rearing in a nest has been filmed for a documentary. Tapir: This is the first time the nighttime behaviours around clay licks have been filmed using thermal imaging. New Technology For the Hippos in episode one, the team incorporated a military grade Infra-Red camera into gyro-stabilised housing to allow to drive alongside the mother hippos as they took their calves on a nightly journey though the dark, dense bush to find fresh grass. Trailing them were lion prides who preyed on the fact the mothers and their young were away from water. This was a big breakthrough as the team would never have captured this without the ability to see in the dark and move the camera at the same time. Specialised underwater gimbals and tow cameras were used to bring cameras alongside hunting orcas underwater - this technology allowed the crew to travel at the same speed as the Orca hunting pack and provided new insights into their behaviour. Specialised IR cameras were used in Arizona to capture new behaviours with the endangered San Joaquin Kit Fox as well as in the remote Brazilian Amazon to capture feeding behaviours of Tapir's at secret clay licks in the forest. A specialised camera buggy was used to enter into a secret barn in Spain where multiple generations of endangered Iberian Lynx were known to breed and raise their young. This non-intrusive way of filming gave the team unique insights into their family behaviours that would otherwise have been impossible. Series Credits Parenthood (5x60) for BBC One and iPlayer was commissioned by Jack Bootle, Head of Commissioning, Specialist Factual and it is being produced by multiple BAFTA and Emmy Award winning Silverback Films. The Series Producer and Director is Jeff Wilson, the Executive Producer is Keith Scholey and the Line Producer is Tara Knowles. The BBC Commissioning Editor is Sreya Biswas, Head of Natural History. Music Information The score is composed by Tom Howe (Ted Lasso, Mulan) with 'Go Steady' song co-written with Sam Ryder and Max Wolfgang and performed by Sam Ryder. Follow for more

Christopher Nolan ‘enabling colonialism by filming in Western Sahara'
Christopher Nolan ‘enabling colonialism by filming in Western Sahara'

Telegraph

time10 hours ago

  • Telegraph

Christopher Nolan ‘enabling colonialism by filming in Western Sahara'

Christopher Nolan has been accused of enabling colonialism by filming in Western Sahara. The 54-year-old British-American director is shooting parts of The Odyssey in Dakhla, in the disputed territory. The recreation of Homer's epic poem features Matt Damon, as the Greek hero Odysseus, as well as the Oscar winners Charlize Theron and Lupita Nyong'o. Filming took place in Dakhla this month. Scenes had already been shot in Essaouira, Marrakesh and Ouarzazate, in Morocco, as well as in Greece and Scotland. The North African state has long been a favourite filming destination for Hollywood directors. Lawrence of Arabia and Ridley Scott's Gladiator movies were shot there. Western Sahara has been claimed and occupied by Morocco since Spain gave up control of the territory in the 1970s. The decision to film in the disputed territory has prompted the Polisario Front, which claims to represent its indigenous inhabitants, to accuse the director of 'a clear violation of international law and ethical standards governing cultural and artistic work'. The organisers of the Sahara International Film Festival, which takes place in Polisario-controlled Sahrawi camps in Algeria, told The Times that Dakhla was 'not just a beautiful location with cinematic sand dunes' as they urged Nolan to stop filming in Western Sahara. They said: 'Primarily, it is an occupied, militarised city whose indigenous Sahrawi population is subject to brutal repression by occupying Moroccan forces.' María Carrión, the festival's director, said: 'By filming part of The Odyssey in an occupied territory billed as a 'news black hole' by Reporters without Borders, Nolan and his team, perhaps unknowingly and unwillingly, are contributing to the repression of the Sahrawi people by Morocco, and to the Moroccan regime's efforts to normalise its occupation of Western Sahara. 'We are sure that were they to understand the full implications of filming such a high-profile film in a territory whose indigenous peoples are unable to make their own films about their stories under occupation, Nolan and his team would be horrified.' Last month, Britain backed Morocco's claim to the territory after having refused to back either side for decades. It comes after Morocco won the backing of the United States, France, Spain and Portugal for its continued occupation of the largely desert territory. The Polisario Front abandoned a ceasefire with Morocco in 2020. Nolan and his film company Syncopy were contacted for comment by The Times. 'This is a production that is extremely important for Morocco,' Reda Benjelloun, who heads the Moroccan government agency in charge of promoting the film industry, previously told Bloomberg. 'It's the first major Hollywood production to choose the southern provinces.'

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