Glenn Howerton on 'Sirens,' why he likes playing 'lunatics'
He's going from the D.E.N.N.I.S. system to the beach.
Glenn Howerton, best known for starring in 'It's Always Sunny in Philadelphia,' co-stars in the new Netflix miniseries 'Sirens' (premiering May 22).
'I had never read anything quite like this script, tonally. It's like a suspenseful drama, but it's also really funny,' Howerton, 49, exclusively told The Post.
Advertisement
The plot follows Devon (Meghann Fahy, 'The White Lotus'), who thinks her sister, Simone (Milly Alcock, 'House of the Dragon') needs to be rescued from her new job. Simone has been working for the wealthy socialite Michaela Kell (Julianne Moore) who Devon thinks is running a cult at her lavish beach estate.
Kevin Bacon co-stars as Michaelas's husband Peter, and Howerton plays their friend and Simone's boyfriend, Ethan.
6 Glenn Howerton, Milly Alcock, and Meghann Fahy in 'Sirens.'
Advertisement
6 Glenn Howerton attends the Netflix Premiere of Sirens at the Paris Theater on May 20, 2025 in New York City.
Getty Images for Netflix
'[Ethan is] so different from so many characters I play,' Howerton explained. '[But] he has an element of other characters I play. He's not a slob. He's a well put together rich dude, which is a little bit typecasting for me.'
Ethan isn't fundamentally a bad person, despite being, 'a bit naive and oblivious at times,' the actor continued. 'I'm always getting cast as raving lunatics and maniacs, so it's nice to do something different, every once in a while.'
Howerton has previously appeared on 'The Mindy Project,' 'Fargo,' and 'Blackberry,' and has played sociopathic Dennis Reynolds on 'It's Always Sunny' since its 2005 debut.
Advertisement
'I do think a lot of actors enjoy playing things that are very different from themselves, and having the opportunity to – as Dennis would put it – wear another man's skin,' he quipped.
6 Charlie Day as Charlie, Rob McElhenney as Mac, Glenn Howerton as Dennis, Kaitlin Olson as Dee, Danny DeVito as Frank in 'It's Always Sunny In Philadelphia.'
6 Glenn Howerton attends Netflix's 'Sirens' World Premiere at The Plaza Hotel on May 20, 2025 in New York City.
FilmMagic
6 Meghann Fahy, Felix Solis, Julianne Moore, Josh Segarra, Milly Alcock and Glenn Howerton attend the world premiere of Netflix's 'Sirens' at The Plaza Hotel on May 20, 2025 in New York City.
WireImage
Advertisement
'For me, there's something cathartic about portraying characters that behave in a way that I would never behave. And getting to just be selfish and narcissistic and a bit of a jerk and just yell at people,' Howerton continued.
'I strive to be a good person in my real life, so it's fun to be bad. And I find them funny and sad and sort of pathetic — narcissists — and people that walk into the world not thinking about how their actions impact other people. I think it's a bit sad and definitely frustrating. So I like to send it up in a satirical way.'
Since Howerton is 49 and Alcock is 25, their 'Sirens' characters are in an age-gap romance.
'That's just what it is in the story, so I approached that situation the way I would approach any similar situation, regardless of the person's age – with a lot of communication and respect on set, to make sure we're all on the same page with how we shoot the scenes,' he explained.
6 -Milly Alcock and Julianne Moore in 'Sirens.'
'Milly is just a consummate professional, it was a lot of fun.'
As for his other co-star, Julianne Moore, he gushed: 'She's so cool.'
Advertisement
'I think she's aware enough of her status within the business to want to put people at ease, as quickly as possible. She's possibly had experiences in the past where people were maybe intimidated to be around her, because she plays such powerful characters often, and she has such a powerful glowing presence.'
It would be 'easy' to be intimidated by her, 'but she knocks those things down pretty quickly and is just a very grounded and wonderful person and a lot of fun to hang out with between scenes,' he concluded. 'She's not just there to be a giant movie star, she's a real artist.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
20 minutes ago
- Yahoo
How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing
If you analyze the list of reprehensible acts committed by Shauna on 'Yellowjackets' – from everyday betrayals of those closest to her (e.g., sleeping with her best friend's boyfriend in the series' first episode) to serious crimes – you can safely say that she is an objectively horrible person who should be serving a long stretch in prison. But not if you're Melanie Lynskey, the actor who's played the character on the Showtime series for the past three seasons. More from Variety Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations 'The White Lotus': How Editing and Sound Helped Make Thailand a Character in the Story 'I feel so the opposite of that,' says Lynskey when confronted with the idea that Shauna is a horrible person. 'It's so easy for me to find the humanity in her.' Finding the humanity in a character, no matter how morally objectionable, is a core task of an actor's job. And since Tony Soprano (James Gandolfini) bada-binged his way on to TV screens in 'The Sopranos' in 1999, that task has become increasingly more daunting for both actors and audiences as they've been confronted by a growing horde of emotionally toxic and downright dangerous anti-heroes, from Walter White in 'Breaking Bad' to virtually every character in 'Succession.'In comedy, that's the case too. It's not easy to craft a character who both causes audiences to yell at the screen and root for at the same time. Yet 'The Studio' does just that with Seth Rogen's Matt Remick, who after getting a major promotion seems to make every wrong decision he can. Still, it's impossible not to hope he finds a way to succeed. Often, actors can't help but feel protective of their characters. Lynskey says she's been bewildered by the fans who've directed online vitriol at Shauna this season, while seemingly forgiving the sins of Shauna's husband Jeff (Warren Cole) and the heinous crimes committed by Misty (Christina Ricci). It's suggested to Lynskey that the difference is that Misty's brand is cuckoo, while Shauna is effectively the eyes and the ears of the viewer. 'Yeah, I guess there is a difference,' concedes Lynskey, who plays the character as an adult, while Sophie Nélisse plays her as a teen. 'I think that that the reason why people feel so upset and betrayed is because [Shauna] is like the audience surrogate who we all relate to. She seems like moms that I know. She seems like my mom. She thinks like me and then she's actually somebody who's capable of doing very crazy and really vicious things.' As Lyle Menendez in Netflix's 'Monsters: The Lyle and Erik Menendez Story,' Nicholas Alexander Chavez is that arrogant, spoiled rich kid we've all known – right up until the moment he and his brother Erik (Cooper Koch) kill their parents Jose and Kitty (Javier Bardem and Chloë Sevigny). But unlike Shauna in 'Yellowjackets,' if you take away the cold-blooded murder, Lyle is still, well … a privileged douche. Right? 'I would have a really tough time calling him that, only because it's impossible for me to put that kind of judgment on him,' insists Chavez. 'I see him more so as a wounded boy whose emotional and psychological development was probably stunted around the age of 8 or 9 or 10, but who ultimately felt like he had to behave like his dad. And I think that if you asked any 10-year-old to act like a 40-year-old record label executive, they would have a lot of anger and feel a lot of inadequacy because they don't have the means by which to actually do that job.' For Season 3 of HBO Max's 'The White Lotus,' Michelle Monaghan looked deep into the soul of not a murderer, but a famous actress like herself – specifically, a fictitious TV star named Jaclyn who manipulates and betrays her two childhood friends (Leslie Bibb and Carrie Coon) while on girls' trip to a luxury resort in Thailand – a process she admits she felt 'confronted' by. '[As actors], 'a lot of our self-worth is dependent on external validation,' observes Monaghan. 'I think because that's the way in which [Jaclyn] lives her life and that that's where she places her value, when she's not getting that validation or that stimulation that she needs, she goes looking for it in all the wrong places. And at the end of the day, what I hope we see is someone who probably really needs authentic connection. And I don't think she's malicious; I don't think she's manipulative, I think she's naughty.' Monaghan believes that, instead of turning viewers off, a character's bad behavior can actually draw them in. 'I think it allows for audiences to be seen in a way, because maybe [the character's] moral compass is a little off in a way that can oftentimes mirror their own,' she says. 'I like that feeling of being able to kind of take the audience on a ride that feels maybe a little confronting for them and one that they're emotionally invested in.' Getting inside the head of Menendez and staying there was a less pleasant experience for Chavez at times, particularly when he had to shoot a scene where he was was locked in a closet, naked and covered in simulated feces. 'When I'm working on a role, it'll work on me in almost a subconscious way,' says Chavez. 'There will be subtle drifts in my personality towards a certain behavior pattern over the course of two or three or four months. I do this almost unknowingly, which makes a lot of sense because you're filming five days a week for anywhere between eight to 14 hours a day. Now, it's not to the point where I'm out to dinner with my friends after a day of shooting and I'm introducing myself as Lyle. I think that that sort of stuff is a bit ridiculous. But I'd say I was about four months out, like late January of this year, is when I started to actually let go [of Lyle] and feel like myself again.' But, just as often, it's good for an actor to be bad. Lynskey points to her stunt-filled fight scene from Season 3 of 'Yellowjackets' where she bites off a piece of Melissa's (Hillary Swank) arm and forces her to eat it as being particularly enjoyable. 'It's very fun when the stakes are high and there's a really dangerous element to it,' says Lynskey. 'And it's fun to play someone who's unpredictable. Honestly, I don't know what the scripts are going to give me.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
20 minutes ago
- Yahoo
‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?
Hollywood seems to always take that cliché 'write what you know' to heart when it comes to producing scripts about Hollywood. I enjoy those tales, of course, but that's because my chosen profession is to report on this fascinating business. There's clearly enough money, creativity, mystery, farce, scandal, glamour and spectacle for us to cover every single day at Variety. And all of the stuff that makes for good copy also makes for entertaining TV and film plot lines. So perhaps we shouldn't be surprised that three of this year's biggest Emmy comedy contenders play in that space: 'Hacks,' 'The Studio' and 'Only Murders in the Building.' All three have quite a bit of fun with industry tropes, and come a little too close for comfort with some of its satire. And they even crash into each other: 'Hacks' creators Lucia Aniello, Jen Statsky and Paul W. Downs cameo as themselves on an episode of 'The Studio,' while Ron Howard is among this year's hot TV trends, playing himself on both 'The Studio' and 'Only Murders.' More from Variety How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations So, we always ask, do audiences outside Hollywood get the jokes, or care? Sometimes, yes. The entertainment business as a series setting goes back to the early days of TV, as even 'I Love Lucy' had a bit of showbiz as its backdrop. Then came 'The Dick Van Dyke Show,' a TV show about the making of a TV show that won the outstanding comedy Emmy three times. HBO built an entire network partly on the premise of shows about show biz — 'The Larry Sanders Show,' 'Entourage,' 'Curb Your Enthusiasm,' 'The Comeback.' (I'm not including 'The Idol' there, for obvious reasons.) One of Netflix's best early shows was the animated 'BoJack Horseman.' But just as often, it seems like shows about the biz nail it with critics and awards, but audiences are less interested. In TV circles, we still talk about Fox's groundbreaking 1999 comedy 'Action,' about a nasty Hollywood producer played by Jay Mohr, but it was canceled after eight episodes. They added a laugh track to ABC's 'Sports Night' in a desperate attempt to make it work. NBC's '30 Rock' won three consecutive comedy Emmys and is beloved by many — yet was never a megahit. Comedy Central and HBO Max gave us three fantastic seasons of 'The Other Two,' but I'm still angry at all of you who didn't watch. I think audiences are watching 'Hacks' (especially this season as Deborah Vance tackles talk), 'The Studio' (the best biz parody in years) and 'Only Murders' (which addressed Hollywood this season) because they're just damn good. But in the industry, they're elevated because we feel a special kinship with them — and that's OK. I'm hearing from a lot of execs in the business who bristle at 'The Studio' because some of its cringe is a little too close to home. I decided to do an experiment on LinkedIn and ask other industry folk whether these shows give them PTSD. I was delighted to learn that, for the most part, it's a no, that they enjoy seeing the satire. 'It's fun for this 10-year Warner Bros. vet to get more glimpses of that classic old lot,' one exec says of 'Hacks.' Former CBS research exec Eric Steinberg says he sees 'lots of relatable moments in 'Hacks' now that the main character has her own show. It will be no surprise to you that I found the audience research episode particularly fun. And, the exteriors at TV City bring back lots of memories. PTSD? Hardly!' Communications exec Stacey Luchs adds, 'There are moments that really hit home — the kind of thing people outside the entertainment world probably wouldn't believe. Sometimes it feels like I'm in on an inside joke, and it just makes me smile.' My former (and longtime) Variety colleague Steve Gaydos perhaps says it best: 'The writers of 'Hacks' and 'The Studio' have been reading our mail. But Billy Wilder turned it into art 75 years ago with 'Sunset Boulevard.' He didn't just shoot fish in a barrel. His fish had souls, and their fates mattered — then and just as much now, on stage with music and on screens of all sizes in black and white. That's the ultimate achievement and though these current TV shows contain moments of pathos, it will take time before we can measure their memorability.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races
Yahoo
21 minutes ago
- Yahoo
‘There Is No Feud': Walton Goggins and Aimee Lou Wood Tell All on Their ‘White Lotus' Connection, a Cut Love Scene and Yes, Why He Unfollowed Her on Instagram
'Rick and Chelsea, may your souls be tied forever.' That's how Walton Goggins and Aimee Lou Wood were first introduced, via a text from producer David Bernad. There was no chemistry test, no read-through, so the soon-to-be co-stars hadn't met yet. More from Variety 'The Boys' Mocks 'The Last of Us,' 'House of The Dragon' and 'The Bear' in 'Superclass' FYC Clip (EXCLUSIVE) Could AI Help the Emmys? Why the TV Community Is 'Curious, but Not Yet Committed' Emmys Just Aren't Quite Sure What to Do With Eligibility for All of This Season's Guest Stars and Cameos 'He said, 'I'm Scorpio,' and I said, 'I'm Scorpio moon.' And then we both didn't know what to say after that. 'See you in Thailand!'' Wood is laughing and looking to Goggins to confirm, which he does with a nod. The pair has only seen each other once since the February premiere event. Now, it's the first weekend of May. And a lot has happened since then. Namely, the entirety of HBO's 'The White Lotus' Season 3 came and went. Audiences fell in love with the mysterious Rick Hackett and his free-spirit girlfriend, Chelsea. Their love story was an up-and-down, complicated journey that featured Chelsea consistently trying to pull her boyfriend from a dark spiral as he struggled with the fact that the man he believed had killed his father was close by. Ultimately, that spiral got the best of him, resulting in both his and Chelsea's deaths. 'I think we were there for a day or two without meeting because I was so fucking in my head alone,' Goggins says. Then he texted her to come over for lunch. She remembers, 'I didn't know what to order. I was like, 'Can you pick for me?' I was so nervous.' Goggins was nervous, too. But their journey started before she reached the table. 'The minute she walked around the corner, I felt, 'This is gonna work,'' he says. 'Two minutes into the conversation, it felt like I've known this person for 100 years.' So began their tradition of meals together. The cast stayed at the Four Seasons in Thailand and naturally, due to the filming schedule, spent most of their times in their own character bubbles: The women (Carrie Coon, Leslie Bibb and Michelle Monaghan); the Ratliffs (Jason Isaacs, Parker Posey, Patrick Schwarzenegger, Sam Nivola and Sarah Catherine Hook); and Chelsea and Rick. Schwarzenegger would hold group dinners or breakfasts to debrief, but it quickly became too much for the duo. 'I don't mean to sound like an asshole, it's not method or anything, I just felt like I needed to stay in the space,' says Goggins. Wood agreed, 'Both of us would get overwhelmed.' She refers to them as the 'foxes' who would run in, grab food and run out. 'But there were never any negative vibes,' Goggins says before I can even ask. Yes, he's aware of the rumors. Isaacs has referred to tension on set in a few interviews, once saying that during filming, there were 'fewer deaths but just as much drama' as on the show. 'We'd never lived on a set. This is the first time we were all experiencing basically a reality TV show,' Wood says. 'I think we both struggle with work-life balance anyway, so it's hard because there's not even separation in distance.' Since wrap, there's been distance between Goggins and most of the cast because he's been working 70-hour weeks on 'Fallout.' While most watched the finale together at an event, he was alone in New York for a late-night appearance. 'I probably wouldn't have gone anyways,' he says at first. But within 15 minutes of discussing the finale, both are tearing up and he admits to Wood, 'I wish I would have been able to watch this with you. It was so cathartic and so painful, and I regret that. I really do.' Mostly, they both realized something at the same moment while watching: A key Chelsea and Rick love scene had been cut. In the finale, the characters have an emotional reunion on the beach, then went to their bedroom and discuss their relationship. Wood says it had a 'similar feel' to the 'that's the plan' scene at breakfast, confirming their love for each other. It also involved an intimate sex scene. 'We designed the whole journey, even down to the fact that Chelsea gets on Rick in the first [love] scene. Then in the last episode, it was Rick picking Chelsea up. It was so, so delicate,' Wood recalls. Goggins echoes her. While the first love scene showed their connection, 'the last one was two people who were free. It was this very long, suspended moment of these two people looking at each other. It was so powerful.' With that, he picks up my recorder and yells a message for creator Mike White: 'Fuck you, Mike! We want a director's cut!' But back to other topics. Goggins is the 'most enthusiastic man ever,' Wood says — something I didn't need to hear. When he came in for the 10 a.m. photoshoot, his energy was contagious. 'Let's have some fuckin' fun,' he told our crew as he walked into the photo studio in West Hollywood, carrying his own speaker and asking to connect his own music. First, he played Soul Coughing's 'Screenwriter's Blues,' and followed up with Led Zeppelin. The pair didn't see each other until Wood finished taking her solo photos a bit later. While she didn't bring her own music, she suggested 'Miss You' by the Rolling Stones before he entered: 'Anything Stones I think, now that Walton's coming in.' Visibly emotional seeing each other, the two embraced for 30 seconds as the Variety team suddenly felt we were intruding on a private moment. The laughter then began almost immediately, and their photo shoot transitioned into a dance party. After, they asked to step outside for a quick break. 'We were saying outside, 'We can't start crying!' We're the two most emotional, sensitive people!' Wood says with a laugh. But there's a reason for the emotion. There's a reason that they've hugged multiple times, held each other's hands and continuously exchanged compliments during our conversation. Part of that is because of how much Wood helped Goggins through the darkness. 'I was alone purposely in this experience — not selfishly, not narcissistically,' he says. 'Everyone has their process. Mine is being alone. But Aimee as Chelsea wouldn't let me do that.' On set, she'd tell him, 'You're going into the sad, parallel world. Stay in the real one.' So, let's talk about the real one. First, I bring up 'Saturday Night Live,' since, at the time of our chat, Goggins is seven days out from hosting. A week before his gig was announced, Wood called out the show's 'mean and unfunny' parody of her. But that doesn't mean he shouldn't host, she says. 'I was so upset when people [said that],' she says. 'For fuck's sake, of course Walton should do 'SNL.' That's got nothing to do with me. He's fucking had a career for, like, how long?' Without missing a beat, Goggins responds, '70 years.' Wood continues, commenting on the sketch show: 'I said it, and then the next minute, [lowers her voice,] 'Aimee caught crying over 'SNL' skit.' I was not crying over the 'SNL' skit. I was over it the minute I said it.' As she continues, she sits up, chin up. 'This is an important moment for me, because what I would usually do is see it and turn the anger inward. I thought, I'm just gonna say it, so I don't spiral.' Goggins puts it perfectly: 'That's self-love.' It's hard not to share the transcript of the next part of the discussion: Wood: 'I know for a fact a man wrote that. It wasn't Sarah Sherman, don't hate on her. I didn't like the concept. Take the piss out of me. Do the teeth! I've got the teeth, but, like —' Goggins: 'You have the most beautiful smile in the world, you know that.' Wood: 'Thank you. The punch line should not be how I look. That's what bothered me. Do the caricature, because that's what 'SNL' is. It felt misogynistic. It felt like the punch line was a woman's appearance, which is just not funny. It's not cool.' Goggins, picking up my microphone: 'Here it is everybody. Dude in the U.K., we'll get to that too.' At the time, Goggins, half-asleep and heading into makeup to become the Ghoul, shared the parody clip and complimented Jon Hamm's impression of him. Hours later, he saw Wood's response, felt awful and deleted his post. 'Then the next day, I made a vicious swipe against my friend? I've been posting for 14 fucking years, and if I'm gonna say something, but I'm gonna say it to your face,' he says. 'I don't use social media in any way, and I'm not a mean guy.' He picks up my recorder again: 'That's the story.' But earlier, he mentioned the 'dude in the U.K.,' referencing the Times' story, which was published 48 hours before we sit down, with the headline, 'Walton Goggins: Aimee Lou Wood? I'm not gonna have that conversation.' First, he wants to make one thing clear about his relationship with Wood. 'There is no feud. I adore, I love this woman madly, and she is so important to me,' he says, getting choked up. Goggins turns to look at Wood. 'This is Goldie Hawn. This is Meg Ryan. She can do anything, and she will. You watch what the next 20 years of her experience will be. I'll be on an island, I think Greece. But she's special. There is no feud. She is love and I know that I am that to her. We care about each other very deeply.' The Times interview wasn't the time for the discussion, he says, first because Wood wasn't there. 'What am I gonna do, speak for both of us? Never.' Goggins says the reporter asked three different times about Wood and had a 'divisive nature.' The last question, he says, compared Goggins' teeth to Wood's, asking if they'd bonded over that. 'What he was insinuating, it was so disgusting. It was so appalling. I was flabbergasted. And I said, 'Fuck mate, wow. I think we're done here,'' Goggins says. When he mentions the story calling him 'sleazy,' Wood is shocked. 'What???' she gasps. 'How horrible!' I make sure that Wood has a chance to speak about the rumors and the fact that Goggins unfollowing her on social media has made headlines for months. 'I think it's such a comment on where we're at culturally. Why is everyone obsessing over Instagram? That is irrelevant. We don't give a shite about Instagram,' she says. 'Why not have conversations about the story and Rick and Chelsea and enjoy it?' At first, Wood wanted to correct people and bring it back to the show, but knew anything she said would get twisted: 'Eventually I just started to sit back and watch these people making something out of absolutely nothing.' She pauses and Goggins scooches to the edge of the couch, leaning into the recorder more. 'If I may add, just to put this to bed? The following or unfollowing. I'm a grown-ass man.' Long story short, Goggins isn't good with goodbyes. 'When I left 'Justified,' I went up to Tim [Olyphant], and I hugged him and I said, 'I love you, and I hope I see you in rooms for the rest of my life,'' he says. 'I didn't talk to him for almost two years. I've done that with every single thing that I've done.' 'The White Lotus' was no different; in fact, it was painful. In 2004, his wife died by suicide. He spent the next three years traveling and searching for peace. It led him to Thailand, then to Bangkok. When he arrived in Bangkok on set, he realized he was in the exact same place. 'My catharsis in this experience was different than other people's, because of my history in this place. I knew what we had gone through, and I knew how close that we had gotten, and I needed to begin to process saying goodbye to Rick and Chelsea,' Goggins says, beginning to cry. 'And I knew that that was going to take a while for me, so I let her know, this is what I've gotta do. And she was extremely supportive about that.' After filming ended, 'I needed to just back away from everyone,' he says. 'I haven't spoken to anyone. I couldn't handle it. Judge me or don't. I don't give a fuck what you think. This is my process. Rick means everything to me, and Chelsea means everything to me. And so that's what I needed to do for me to process all of this.' He jokes that if he had been following Olyphant or his 'The Shield' co-star Michael Chiklis, he would have unfollowed them after those shows wrapped, too. 'You know what?' Goggins laughs and gets up. 'I'll follow you right now!' He heads across the room to find his phone, coming back to sit with Wood. He opens Instagram and becomes one of her 3 million followers. 'It's all so ridiculous,' he says. 'It's just a part of me just saying goodbye to this character so that now Aimee and I will be friends for fucking ever.' They hug again, and Wood tells him, 'I completely understand.' He tells her, 'I love you.' With tears in his eyes, he continues, 'I'm emotional because we haven't been in the same city to ever talk about this. So for me, this is just so wonderful.' I begin wrapping up, aware that Wood has to catch a flight to New York. 'Hopefully that answers everybody's questions,' he says. He's wiped his tears. The contagious smile is back. 'What else? Do you guys want to talk about astrology?' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
