
Bad Bunny makes a ‘political statement' as Puerto Rico residency begins
Stores are selling out memorabilia, restaurants are creating themed menu items and local news stations are devoting special coverage to what residents are calling 'Bad Bunny mania.'
Bad Bunny, born Benito Antonio Martinez Ocasio, is performing a series of 30 concerts that fans say are meant to galvanize Puerto Rico's unique sense of pride and resilience against the backdrop of economic uncertainty, gentrification, and the long-lasting impact of colonialism.
The first nine shows of his residency will be performed exclusively for Puerto Rican residents, while the rest will invite fans from around the world in a larger effort to promote the island's rich culture. All 30 shows, which will take place at the 18,500-seat arena Coliseo de Puerto Rico, have been sold out.
Prioritizing Puerto Ricans for the residency 'signals that Benito is speaking personally to Puerto Ricans first and foremost,' said Jorell Meléndez-Badillo, historian of Puerto Rico.
The shows are also considered a powerful symbol of Puerto Rican self-reliance and the belief that the US territory can stand tall on its own, says Javier J. Hernández Acosta, dean of the School of Arts, Design and Creative Industries at the Universidad del Sagrado Corazón in San Juan.
He views the concerts as a chance to show off the island's creative arts, which he says are Puerto Rico's 'best resource to build a future of economic, social and political development.'
As a US territory, Puerto Rico does not have statehood status, although its residents are American citizens. As residents of a territory rather than a state, Puerto Ricans can't vote for president in the US general election. The territory has a nonvoting delegate in Congress, called a resident commissioner.
The King of Latin Trap has often sought to amplify the often-marginalized voices of the US territory and to highlight the struggles his fellow Boricuas and other Latinos have faced and overcome.
The concerts will feature songs from his latest album, 'Debí Tirar Más Fotos' (I Should Have Taken More Photos), which explores themes of injustice, including displacement, gentrification and American colonialism.
The track 'Lo Que Le Pasó a Hawaii' (What Happened to Hawaii), for example, expresses concern that displacement could cause Puerto Rico to lose its identity.
In a melancholy tone, he sings, 'They want to take away the river and the beach. They want my neighborhood and Grandma to leave. No, don't let go of the flag or forget the lelolai. I don't want them to do to you what happened to Hawaii.' Hawaii only became the 50th US state in 1959, more than 60 years after the US government overthrew its monarchy.
The song 'Nuevayol,' meanwhile, celebrates the Puerto Rican diaspora in New York and the contributions Latinos have made to the United States.
More than 5 million Puerto Ricans are estimated to be living in the US mainland, according to the Pew Research Center. Many have left the island in recent years due to rising living costs, natural disasters, an energy crisis and other hardships.
'The theme and the ethos of this record is sort of affirming that Puerto Rican culture in the face of cultural and physical displacement of Puerto Ricans,' said Meléndez-Badillo, who teaches at the University of Wisconsin-Madison and traveled to Puerto Rico to attend one of the concerts this weekend.
Some of those topics are also amplified in the music visualizers that accompany the songs. They display informative text about Puerto Rico's history and were written by Meléndez-Badillo himself at the request of Bad Bunny's team.
The Puerto Rico residency will be followed by a larger world tour that notably leaves out the biggest market for musicians: the United States mainland – a choice that Meléndez-Badillo says is likely a 'political statement.'
Fans have speculated that his decision to skip the US could be connected to Bad Bunny's recent criticism of US policies, such as the mass immigration crackdown under President Donald Trump, which has largely targeted Latinos.
Earlier this year, he posted an Instagram story of what appeared to be an Immigration and Customs Enforcement raid, where he reportedly called agents 'sons of b*tches' for targeting people trying to work.
Asked by Variety magazine why he wouldn't be performing in the US, Bad Bunny simply replied: 'It's unnecessary,' pointing out that fans in the US have had many opportunities to see him perform.
The star is essentially telling the US, 'You are not the center of the world,' according to Hernández Acosta, and that Puerto Ricans 'are the ones who set the priorities here.'
Above everything else, he continued, the performances are also a chance for Puerto Ricans to celebrate and have fun after years of hardship, including recovering from the devastating Hurricane Maria in 2017.
'We have to celebrate things,' he said. 'That's what life is for.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Tell Us About The Most Obscure '90s "One-Hit Wonder" You Remember
The '90s spawned so many iconic one-hit wonders, like "Ice Ice Baby" by Vanilla Ice. And "U Can't Touch This" by MC Hammer. Or the unforgettable (and unavoidable) Bayside Boys remix of "Macarena" by Los del Río. While these songs are still super familiar to younger audiences, what about the one-hit wonders that were a really "you had to be there" moment? Which '90s artists do you remember feeling like the biggest thing in the world, but they ended up just being a flash in the pan? Share your thoughts in the comments (or in the anonymous comments box below!), and they may be featured in an upcoming BuzzFeed Community post! Also in Community: Also in Community: Also in Community:

Wall Street Journal
5 hours ago
- Wall Street Journal
John Williams's Piano Concerto Review: From Hollywood to Tanglewood
Lenox, Mass. Composers of film scores who aspire to the concert hall have it rough. Fans from the multiplex want tunes they can hum, while classical-music aficionados tend to regard composers who earn studio paychecks as inferior to those who don't. Yet such snobbery is not entirely misplaced, as several Hollywood composers have made ill-fated attempts to augment their mainstream success with the patina of 'serious' music.


New York Times
6 hours ago
- New York Times
Bad Bunny Just Wants to Stay Home. So Do I.
On July 11, Bad Bunny kicked off his three-month residency at the Coliseo de Puerto Rico. The first nine shows were reserved for locals, but starting this weekend they are open to anyone, and hundreds of thousands of people from around the world will begin pouring into our archipelago. It's the kind of extended run usually reserved for Las Vegas — not a bankrupt U.S. colony reeling from hurricanes, blackouts and political dysfunction. But that's precisely the point. What's unfolding in San Juan this summer is more than a run of shows. It's a reminder that you don't have to assimilate, or leave home to find success, and that staying in Puerto Rico does not have to mean sacrifice. We can do more here than just endure — we can thrive. And we can do it without destroying our natural resources or courting tax exiles, but by investing in our most renewable resource: our cultural genius. Bad Bunny, or Benito, as he is affectionately known here at home, rose to fame in 2016, which happened to be the same year Congress imposed an unelected fiscal control board to oversee local finances. His music has become the soundtrack of both our trauma and our resistance, echoing through hurricanes, earthquakes, blackouts, mass protests that toppled a governor and the rise of new political coalitions. He's become our global ambassador, spotlighting both our challenges and the richness of our culture. It's a heavy burden for a 31-year-old who just wanted to make music. But, true to his stage name, he carries it with roguish charm. His lyrics, always sung in Spanish, blend the harsh realities of blackouts, potholes, colonialism, corruption and displacement with the emotional weight of love, the pleasures of lust and the messy beauty of community and family. In doing so he has created a new kind of protest music, one that grieves, celebrates and grooves all at once. His latest album, 'Debí Tomar Más Fotos,' or 'I Should Have Taken More Pictures,' is a love letter and a lament for a Puerto Rico slipping through our fingers: betrayed by its leaders; its neighborhoods displaced for luxury developments; its land sold to outsiders, subdivided by Airbnb and crypto schemes and repackaged as paradise for others. The album and concert series 'No Me Quiero Ir de Aquí' ('I Don't Want to Leave Here') express both a desire to stay and build, and a fear that doing so may not be possible. Its message has resonated far beyond Puerto Rico. On social media, people from places as near as Cuba and as far as Gaza have paired clips of the title track with images of homelands they were forced to leave. The posts capture a collective longing — not just for what was lost, but also for what might have been. Like them, Puerto Ricans face an agonizing decision: stay and fight, or leave and risk never finding their way back. Want all of The Times? Subscribe.